Delirium Part 3

A boy is standing behind us, arms crossed, head c.o.c.ked to the side. A boy with caramel-colored skin and hair that's a golden-brown color, like autumn leaves getting ready to fall.

It's him. The boy from yesterday, from the observation deck. The Invalid.

Except he isn't an Invalid, obviously. He's wearing a short-sleeved blue guard's uniform over jeans, and he's got a laminated government ID clipped to his collar.

"I leave for two seconds to get a refill"-he gestures to the bottle of water he's holding-"and I come back to find a full-fledged break-in."

I'm so confused I can't move or speak or do anything. Hana must think I'm scared, because she jumps in quickly, "We weren't breaking in. We weren't doing anything. We were just running and we... um, we got lost."

The boy crosses his arms in front of his chest, rocking back on his heels. "Didn't see any of the signs outside, huh? 'No Trespa.s.sing'? 'Authorized Personnel Only'?"

Hana looks away. She's nervous too. I can feel it. Hana's a thousand times more confident than I am, but neither of us is used to standing in the open and talking to a boy, especially especially not a boy-guard, and it must have occurred to Hana that he already has plenty of grounds to arrest us. not a boy-guard, and it must have occurred to Hana that he already has plenty of grounds to arrest us.

"Must have missed them," she mumbles.

"Uh-huh." He raises his eyebrows. It's obvious he doesn't believe us, but at least he doesn't look angry. "They're pretty subtle. Only a few dozen of them. I can see how you might not have noticed."

He looks away for a second, squinting, and I get the feeling he's trying to stop himself from laughing. He's not like any guard I've ever seen-at least, not the typical guards you see at the border and all around Portland, fat and scowly and old. I think about how sure I was yesterday that he came from the Wilds, the solid certainty deep inside of me.

I was wrong, obviously. As he turns his head I see the unmistakable sign of someone who is cured: the mark of the procedure, a three-pointed scar just behind the left ear, where the scientists insert a special three-p.r.o.nged needle used exclusively for immobilizing the patient so that the cure can be administered. People show off their scars like badges of honor; you hardly see any cureds with long hair, and the women who haven't lopped off their hair entirely are careful to wear it pulled back.

My fear recedes. Talking to a cured isn't illegal. The rules of segregation don't apply.

I'm not sure if he has recognized me or not. If so, he hasn't given any sign of it. Finally I can't take it anymore and I burst out, "You. I saw you-" At the last second I can't finish the sentence. I saw you yesterday. I saw you yesterday.

You winked winked at me. at me.

Hana looks startled. "You two know each other?" She shoots a look at me. Hana knows I've hardly ever exchanged two words with a boy before, unless it's "Excuse me" in the street or "Sorry for stepping on your toes" when I trip on somebody. We're not supposed to have more than minimal contact with uncured boys outside of our own families. Even after they've been cured, there's hardly a need or excuse for it, unless we're dealing with a doctor or teacher or someone like that.

He turns to look at me. His face is completely professional and composed, but I swear I see something flickering in his eyes, a look of amus.e.m.e.nt or pleasure. "No," he says smoothly. "We've never met. I'm sure I would remember." The flash in his eyes is back-is he laughing at me?

"I'm Hana," Hana says. "And this is Lena." She jabs me with an elbow. I know I must look like a fish, standing there with my mouth gaping open, but I'm too outraged to speak. He's lying. I know know he's the one I saw yesterday, would bet my life on it. he's the one I saw yesterday, would bet my life on it.

"Alex. Nice to meet you." Alex keeps his eyes on me as he and Hana shake hands. Then he extends a hand to me. "Lena," he says thoughtfully. "I've never heard that name before."

I hesitate. Shaking hands makes me feel awkward, like I'm playing dress-up in an adult's too-big clothing. Besides, I've never actually touched skin-to-skin with a stranger. But he's just standing there with his hand out, so after a second I reach out and shake. The moment we touch, a tiny electrical shock buzzes through me, and I pull away quickly.

"It's short for Magdalena," I say.

"Magdalena." Alex tips his head back, watching me from narrowed eyes. "Pretty."

I'm momentarily distracted by the way he says my name. In his mouth it sounds musical, not clunky and angular, the way my teachers have always made it sound. His eyes are a warm amber color, and as I look at him I have a sudden, flas.h.i.+ng memory of my mother pouring syrup over a stack of pancakes. I look away, feeling ashamed, as though he has somehow been responsible for dredging the memory up, has reached in with his hand and wrenched it from me. Embarra.s.sment makes me feel angry, and I press on, "I do do know you. I saw you yesterday in the labs. You were on the observation deck, watching-watching everything." Again, my courage fails me at the last second and I don't say, know you. I saw you yesterday in the labs. You were on the observation deck, watching-watching everything." Again, my courage fails me at the last second and I don't say, Watching me Watching me.

I can feel Hana glaring at me, but I ignore her. She must be furious I haven't told her any of this.

Alex's face doesn't change. He doesn't blink or drop his smile for even a fraction of a second. "Case of mistaken ident.i.ty, I guess. Guards aren't allowed in the labs during evaluations. Especially not part-time guards."

For a second longer we stand there, staring at each other. Now I know he's lying, and the easy, lazy grin on his face makes me want to reach out and slap him. I ball my fists and suck in a deep breath, willing myself to stay calm. I'm not the violent type. I don't know why I'm feeling so aggravated.

Hana jumps in, breaking the tension. "So this is it? A part-time security guard and some 'Keep Out' signs?"

Alex keeps his eyes on me a half second longer. Then he turns to look at Hana as though noticing her for the first time. "What do you mean?"

"I would have thought the labs would be better protected, that's all. It doesn't seem like it would be too hard to break into this place."

Alex raises his eyebrows. "Thinking about making the attempt?"

Hana freezes, and my blood goes to ice. She has gone too far. If Alex reports us as potential sympathizers, or troublemakers, or anything, we're in for months and months of surveillance and investigation-and we can kiss our chances of pa.s.sing the evaluations with decent scores good-bye. I picture a lifetime of watching Andrew Marcus fish snot out of his nose with a thumbnail and feel queasy.

Alex must sense our fear, because he raises both hands. "Relax. I was kidding. You don't exactly seem like terrorists." It occurs to me how ridiculous we must look in our running shorts and sweaty tank tops and neon sneakers. Or at least, I must look ridiculous. Hana looks like a model for athletic wear. Again, I feel a fit of blus.h.i.+ng coming on, followed by a surge of irritation. No wonder the regulators decided on the segregation of boys and girls: Otherwise, it would have been a nightmare, this feeling angry and self-conscious and confused and annoyed all the time.

"This is just the loading area, anyway, for freight and stuff." Alex gestures beyond the line of cargo sheds. "Real security starts closer to the facilities. Full-time guards, cameras, electrified fence, the whole shebang."

Hana doesn't look at me, but when she speaks I can hear the excitement creeping into her voice. "The loading area? Like, where the deliveries come?"

In my head I start praying, Don't say anything dumb. Don't say anything dumb. Do not mention the Invalids. Don't say anything dumb. Don't say anything dumb. Do not mention the Invalids.

"You got it."

Hana dances on her feet, s.h.i.+fting her weight back and forth. I try to shoot her a warning look, but she avoids my eyes.

"So this is where the trucks come? With medical equipment and... and other stuff?"

"Exactly." Again I have the impression of something flickering behind Alex's eyes, even as the rest of his face stays totally neutral. I don't trust him, I realize, and again wonder why he is lying about being in the labs yesterday. Maybe only because it's forbidden, like he said. Maybe because he was laughing instead of trying to help out.

And maybe, after all, he really doesn't recognize me. We made eye contact for only a few seconds, and I'm sure to him I was only a blurry, in-between face, easy to forget. Not pretty. Not ugly, either. Just plain, like a thousand other faces you would see on the street.

He, on the other hand, is most definitely not in-between. There's something insane to me about standing in the open talking to a strange boy, even if he is is cured, and though my head is whirling, it's like my vision gets razor sharp, making everything look ultra-detailed. I notice the way a piece of his hair curls around his scar, like a frame; I notice his large brown hands and the whiteness of his teeth and the perfect symmetry of his face. His jeans are faded and belted low on his hips, and the laces in his sneakers are the weirdest ink-color blue, like he has colored them in with a pen. cured, and though my head is whirling, it's like my vision gets razor sharp, making everything look ultra-detailed. I notice the way a piece of his hair curls around his scar, like a frame; I notice his large brown hands and the whiteness of his teeth and the perfect symmetry of his face. His jeans are faded and belted low on his hips, and the laces in his sneakers are the weirdest ink-color blue, like he has colored them in with a pen.

I wonder how old he is. He looks my age, but he must be slightly older, maybe nineteen. I wonder, too-a brief, flitting thought-whether he's already been paired. But of course he has; he must have been.

I've been staring at him accidentally and he turns suddenly to look at me. I drop my eyes, feeling a quick and irrational terror that he has managed to read my thoughts.

"I'd love to look around," Hana hints not-so-subtly. I reach out and pinch her when Alex isn't looking and she shrinks away, giving me a guilty look. At least she doesn't start grilling him about what happened yesterday, and get us thrown in jail or dragged through an interrogation.

Alex tosses his water bottle in the air, catches it in one hand. "Trust me, there's nothing to see. Unless you're a fan of industrial waste. There's plenty of that around here." He tips his head toward the Dumpsters. "Oh-and the best view of the bay in Portland. We've got that going for us too."

"Really?" Hana wrinkles her nose, momentarily distracted from her detective mission.

Alex nods, tosses the bottle again, catches it. As it arcs through the air the sun winks through the water like light from a jewel. "That I can show you," he says. "Come on." I can show you," he says. "Come on."

All I want is to get out of here, but Hana says, "Sure," so I trudge along after her, silently cursing her curiosity and fixation with all things Invalid-related and vowing never to let her pick our running route again. She and Alex walk in front, and I pick up scattered bits of their conversation: I hear him say he takes cla.s.ses at one of the colleges but miss what he says he studies; Hana tells him we're about to graduate. He tells her he's nineteen; she says that we're both turning eighteen in several months. Thankfully, they avoid talking about the botched evaluations yesterday.

The service road connects with another, smaller drive, which runs parallel to Fore Street, slanting steeply uphill toward the Eastern Promenade. Here there are rows of long, metal storage sheds. The sun is flat and high and unrelenting. I'm incredibly thirsty, but when Alex turns around and offers me a sip from his water bottle, I say, "No," quickly and too loud. The thought of putting my mouth where his mouth has been makes me feel anxious all over again.

As we come up to the top of the hill-all three of us panting a little from the climb-the bay unfolds to our right like a gigantic map, a sparkling, s.h.i.+mmering world of blues and greens. Hana gasps a little. It really is a beautiful view: un.o.bstructed and perfect. The sky is full of poufy white clouds that make me think of feather pillows, and seagulls turn lazy arcs over the water, patterns of birds forming and dissolving in the sky.

Hana walks forward a few feet. "It's amazing. Gorgeous, isn't it? No matter how long I live here I never get used to it." She turns and looks at me. "I think this is my favorite way to see the ocean. Middle of the afternoon, sunny and bright. It's just like a photograph. Don't you think, Lena?"

I'm feeling so relaxed-enjoying the wind at the top of the hill, which sweeps over my arms and legs and makes me feel cool and delicious, enjoying the view of the bay and the high, blinking eye of the sun-I've almost forgotten that Alex is with us. He's been hanging back, standing a few feet behind us, and ever since we came up the hill he hasn't said a word.

Which is why I nearly jump out of my skin when he leans forward and directs a single word into my ear: "Gray."

"What?" I whirl around, my heart pounding. Hana has turned back to the water and is going on about wis.h.i.+ng she had her camera and how you never seem to have anything you really need. Alex is bent close to me-so close I can see his individual eyelashes, like perfect brushstrokes on a canvas portrait-and now his eyes are literally dancing with light, burning as though on fire.

"What did you say?" I repeat. My voice comes out a croaky whisper.

He leans another inch closer, and it's like the flames seep out of his eyes and light my whole body on fire. I've never been this close to a boy before. I feel like fainting and running all at the same time. But I can't move.

"I said, I prefer the ocean when it's gray. Or not really gray. A pale, in-between color. It reminds me of waiting for something good to happen."

He does remember. He was was there. The ground seems to be dissolving under my feet the way it does in the dream about my mother. All I can see are his eyes, the s.h.i.+fting pattern of shadow and light turning there. there. The ground seems to be dissolving under my feet the way it does in the dream about my mother. All I can see are his eyes, the s.h.i.+fting pattern of shadow and light turning there.

"You lied," I manage to croak out. "Why did you lie?"

He doesn't answer me. He pulls away a few inches and says, "Of course it's even prettier at sunset. Around eight thirty the sky looks like it's on fire, especially at Back Cove. You should really see it." He pauses, and though his voice is low and casual I get the feeling he's trying to tell me something important. "Tonight it will probably be amazing."

My brain grinds into action, slowly processing his words, the way he's emphasizing certain details. Then it clicks: He has given me a time and a place. He's telling me to meet him. "Are you asking me to-?" I start to say, but just then Hana runs back up to me, grabbing my arm.

"G.o.d," she says, laughing. "Can you believe it's after five already? We've got to go go." She's dragging me backward before I can respond or protest, and by the time I think to look over my shoulder to see if Alex is watching or giving me any kind of sign, he has disappeared from view.

Chapter Six.

Mama, Mama, help me get home I'm out in the woods, I am out on my own.

I found me a werewolf, a nasty old mutt It showed me its teeth and went straight for my gut.

Mama, Mama, help me get home I'm out in the woods, I am out on my own.

I was stopped by a vampire, a rotting old wreck It showed me its teeth, and went straight for my neck.

Mama, Mama, put me to bed I won't make it home, I'm already half-dead.

I met an Invalid, and fell for his art He showed me his smile, and went straight for my heart.

-From "A Child's Walk Home," Nursery Rhymes and Folk Tales Nursery Rhymes and Folk Tales, edited by Cory Levinson That evening I can't concentrate. When I'm setting the table for dinner, I accidentally pour wine in Gracie's juice cup and orange juice in my uncle's winegla.s.s, and while I'm grating cheese I catch my knuckles so many times in the teeth of the grater my aunt finally sends me out of the kitchen, saying she'd prefer not to have a topping of skin for her ravioli. I can't stop thinking about the last thing Alex said to me, the endlessly s.h.i.+fting pattern of his eyes, the strange expression on his face-like he was inviting me. Around eight thirty the sky looks like it's on fire, Around eight thirty the sky looks like it's on fire, especially at Back Cove. You should really see it.... especially at Back Cove. You should really see it....

Is it even remotely, conceivably possible he was sending me a message? Is it possible he was asking me to meet him?

The idea makes me dizzy.

I keep thinking, too, about the single word, directed low and quietly straight into my ear: Gray Gray. He was there; he saw me; he remembered remembered me. So many questions crowd my brain at once, it's like one of the famous Portland fogs has swept up from the ocean and settled there, making it impossible to think normal, functional thoughts. me. So many questions crowd my brain at once, it's like one of the famous Portland fogs has swept up from the ocean and settled there, making it impossible to think normal, functional thoughts.

My aunt finally notices something's wrong. Just before dinner I'm helping Jenny with her homework, as always, testing her on her multiplication tables. We're sitting on the floor of the living room, which is squashed up right next to the "dining room" (an alcove that barely holds a table and six chairs), and I'm holding her workbook on my knees, reciting the problems to her, but my mind is on autopilot and my thoughts are a million miles away. Or rather, they're exactly 3.4 miles away, down at the marshy edge of Back Cove. I know the distance exactly because it's a nice run from my house. Now I'm calculating how quickly I could get down there on my bike, and then beating myself up for even considering the idea.

"Seven times eight?"

Jenny pinches her lips together. "Fifty-six."

"Nine times six?"

"Fifty-two."

On the other hand, there's no law law that says you can't speak to a cured. Cureds are safe. They can be mentors or guides to the uncureds. Even though Alex is only a year older than I am, we're separated, irreparably and totally, by the procedure. He might as well be my grandfather. that says you can't speak to a cured. Cureds are safe. They can be mentors or guides to the uncureds. Even though Alex is only a year older than I am, we're separated, irreparably and totally, by the procedure. He might as well be my grandfather.

"Seven times eleven?"

"Seventy-seven."

"Lena." My aunt has squeezed out of the kitchen, past the dining room table, and is standing behind Jenny. I blink twice, trying to focus. Carol's face is tight with concern. "Is something the matter?"

"No." I drop my eyes quickly. I hate it when my aunt looks at me like that, like she's reading all the bad parts from my soul. I feel guilty just for thinking about a boy, even a cured one. If she knew, she would say, Oh, Lena. Careful. Remember what happened to your mother Oh, Lena. Careful. Remember what happened to your mother. She would say, These diseases tend to run in the blood These diseases tend to run in the blood. "Why?"

I keep my eyes trained on the worn carpet underneath me. Carol bends forward, swoops up Jenny's workbook from my knees, and says loudly in her clear, high voice, "Nine times six is fifty-four." She snaps the workbook closed. "Not fifty-two, Lena. I a.s.sume you know your multiplication tables?"

Jenny sticks her tongue out at me.

My cheeks start heating up as I realize my mistake. "Sorry. I guess I'm just kind of... distracted."

There's a momentary pause. Carol's eyes never leave the back of my neck. I can sense them burning there. I feel like I'll scream, or cry, or confess, if she keeps staring at me.

Finally she sighs. "You're still thinking about the evaluations, aren't you?"

I blow the air out of my cheeks, feel a weight of anxiety ease off my chest. "Yeah. I guess so." I venture a glance up at her, and she smiles her little skittering smile.

"I know you're disappointed you have to go through the process again. But think about it this way-this time you'll be even more prepared."

I bob my head and try to look enthusiastic, even though a little, pinching feeling of guilt starts nipping at me. I haven't even thought about the evaluations since this morning, not since I found out the results would be discounted. "Yeah, you're right."

"Come on, now. Dinnertime." My aunt reaches out and pa.s.ses a finger over my forehead. Her finger is cool and rea.s.suring, and gone as quickly as the lightest stirring of wind. It makes the guilt flare up full force, and in that moment I can't believe I was even considering considering going to Back Cove. It's the absolute, 100 percent wrong thing to do, and I stand up for dinner feeling clean and weightless and happy, like the first time you feel healthy after a long fever. going to Back Cove. It's the absolute, 100 percent wrong thing to do, and I stand up for dinner feeling clean and weightless and happy, like the first time you feel healthy after a long fever.

But at dinner my curiosity-and with it, my doubts-return. I can barely follow the conversation. All I can think is: Go? Don't go? Go? Don't go? Go? Don't go? Go? Don't go? At one point my uncle is telling a story about one of his customers, and I notice everyone is laughing so I laugh too, but a little too loud and long. Everyone turns to look at me, even Gracie, who puckers her nose and tilts her head like a dog sniffing at something new. At one point my uncle is telling a story about one of his customers, and I notice everyone is laughing so I laugh too, but a little too loud and long. Everyone turns to look at me, even Gracie, who puckers her nose and tilts her head like a dog sniffing at something new.

"Are you okay, Lena?" my uncle asks, adjusting his gla.s.ses as though hoping to bring me into clearer focus. "You seem a little strange."

"I'm fine." I push around some ravioli on my plate. Normally I can put away half a box myself, especially after a long run (and still have room for dessert), but I've barely managed to choke down a few bites. "Just stressed."

"Leave her alone," my aunt says. "She's upset about the evaluations. They didn't exactly turn out as planned."