The Tenth Chamber Part 26

'He came here, unexpectedly. He let himself in. He was about to see things he shouldn't have seen. Jacques. .h.i.t him. Too hard. He hit him too hard that was the accident. I liked him. We could have had a good time together, a few laughs, maybe more. I had hopes.'

'So you put him back in his car and ran it into a tree.'

'Yes, of course. Not me, the men.'

'You murdered my friend.'

She let the words slide off. 'He didn't suffer, you know. If you're going to go, that's the best way. Cleanly, without pain. I really did like him, Luc. I'm sorry he's dead.'

Luc reached into his jeans pocket. She closely followed his hand perhaps expecting a knife or a gun. It was a piece of paper, a Xerox. He unfolded it and smoothed it on his knee, then half rose to hand it to her.

She stubbed out her cigarette and studied it carefully, her eye roaming from person to person, soaking up each image, seemingly lost in memories.

'She looks a lot like you,' Luc said pointedly, bringing her back.

She smiled. 'Look how tall de Gaulle was! What a man. He kissed me three times. I can still feel his lips. They were hard.'

Luc leaned forward. 'Okay, let's stop playing. How old are you?'

Her response was to light another cigarette and to watch the curling smoke rise to the beamed ceiling. 'You, know, by years, I'm not so young. But age is how you feel. I feel young. Isn't that what counts?'

He asked again. 'How old are you, Odile?'

'Luc, I'll tell you. I'll tell you everything you want to know. That's why you're here. To make you understand. We've done some bad things, but out of necessity. I'm not a monster. It's important for you to see that. We've done great things for France. We're patriots. We deserve to be left in peace.'

She began to ramble, chain-smoking and talking in spurts. After a while, she offered him a drink again and this time he accepted, numbly following her into the kitchen partly as a way to satisfy himself they were still alone. She didn't object. Over the kitchen table there was a large clean rectangle, where something had hung on the wall for a long time. She caught him staring at the blank s.p.a.ce but offered no explanation. She simply poured two brandies, took the bottle with her and led him back to the sitting room. Back in the wing chair he kept up his guard and started on the drink only after she drank hers first.

Before she was done talking, he'd allowed his gla.s.s to be refilled.

Her first strong childhood memory, the earliest one that really stuck, was toddling into her father's cafe from the living quarters above.

The stairs connected the kitchen of their flat to the kitchen of the cafe. She always remembered the magical feeling of having two kitchens because it made her feel special. None of the other children in Ruac had two kitchens.

She was upstairs in her bedroom playing with a family of rag dolls when she heard two sharp bangs that frightened but also beckoned her. She was a sprig of a girl, a little black-haired beauty, and none of the men spotted her in their midst before she'd spent a fair amount of time mutely studying the scene.

She'd seen many dead animals, butchered animals, even put-down old horses with their brains blown out. So she approached the b.l.o.o.d.y sight on the cafe floor more with curiosity than revulsion.

She was mainly drawn to the young blond man, whose face was untouched owing to the trajectory of the bullet. His eyes were open and still glistening blue, retaining the last vestiges of life. They were friendly eyes. He had a kind face. She would have liked to play with him. The other man looked old and rough, like the men in the village and besides, his face was grotesque with a nasty exit wound through the eye socket.

Her father saw her first. 'Odile! Get the h.e.l.l out of here!'

She stayed put, staring.

Bonnet rushed forward and scooped her up with his thick arms and calloused hands and carried her up the stairs. She remembered the way his pomaded black hair smelled and the curve of his long black sideburns. He threw her down on her bed, slapped her hip with the back of his hand hard enough to hurt and called for his wife to take charge of her.

It was 1899. She was four years old.

She remembered being taken to visit the cave soon after the strangers were shot. Her father and some of the others had already been there, and while guards stood along the cliffs in case a walker happened by, the villagers were given the chance to see it one time.

Her father toted her on the steep parts of the climb, but he was holding her more tenderly than before, talking to her along the way, telling her she was going to see pretty pictures in the dark.

She remembered the hissing sound of the kerosene lamp and the colourful animals prancing in the darkness and the huge bird man who the grown ups said would scare her, but he did not.

And she remembered her mother holding on to her dress to prevent her wandering off the edge while the men built a dry wall of flat stones to hide the mouth of the cave and close it for ever.

She was a rebellious child. Some girls easily fell into the rhythms of village life and went with the flow without question. Not Odile. Early on she discovered books and magazines, one of the few village children who took to the printed page. There were snickers about the black-haired Canadian who had wandered into Ruac some nine months before Odile was born. Hadn't he been some kind of professor? What ever happened to him? At that, the men would make snorting sounds and turn the conversation to Duval's fat pigs and Canadian-flavoured rashers.

When she was eighteen, just before her initiation was to occur, she ran away to Paris, to live, to be free. She had a strong sense that once initiated, freedom would be as elusive as a b.u.t.terfly winging over the cliffs. Her father, Bonnet, and his best friend, Edmond Pelay, the village doctor, went looking for her, but the city was too vast and they had no firm leads. Besides, trouble was brewing and they had to suck up their worries about Odile's loose tongue and return to Ruac to deal with the coming storm.

n.o.body knew exactly where the fire would spark, but all of Europe was dry tinder, with s.h.i.+fting alliances, land grabs, boiling anger and mistrust. As it happened, on 28 June 1914, Gavrilo Princip, a BosnianSerb student a.s.sa.s.sinated Archduke Franz Ferdinand of Austria in Sarajevo. If that hadn't started the war, it would have been something else. There was a sad inevitability to it.

Odile fell in with a bohemian crowd of artists and writers in Montmartre and when the young men in her circle went to war, she moved into the grimy studio of an older painter with a bad leg and a worse drinking habit who supported himself fitfully by driving a taxi. It was a time of danger and foreboding. The Germans were on the offensive and Paris was in their sights. Still, for a country girl from an insular village in the Perigord, the urban chaos was exhilarating and she drank the excitement like wine.

By the end of August 1914 the French Army and the British Expeditionary Force had been forced back to the Marne River on the outskirts of Paris. The two main German armies that had just polished off Belgium were advancing towards the capital.

On 6 September, the Germans were on the verge of breaking through the beleaguered ranks of the French Sixth Army. The word went out to the garrisons of Paris that reinforcements were needed at Marnes. The 7th Division was at the ready but all military transport vehicles had been pressed into service and the rail system was choked to the point of paralysis. Then the military governor of Paris fatefully declared, 'Why not use taxis?' Division was at the ready but all military transport vehicles had been pressed into service and the rail system was choked to the point of paralysis. Then the military governor of Paris fatefully declared, 'Why not use taxis?'

The call went out across the taxi ranks of Paris and within a few hours a convoy was forming at the Esplanade des Invalides. Odile heard the call. Her boyfriend was in the midst of a bender, blind drunk at the time. She jumped into action; the h.e.l.l with him! The Germans were coming and she knew how to drive a car that much she'd learned from her miserable beau. The red Renault taxi with its yellow-spoked wheels, one of the more beaten-up specimens on the streets of Paris, was at the ready so she jumped behind the wheel and joined the convoy.

She may or may not have been the only female driver that day; she liked to think she was an army of one. The column of taxis made their way empty to Dammartin where at dusk, at a railway siding, they met the infantrymen reinforcements who clambered five at a time into each taxi and took off in the dark without auto lights.

The boys who pulled Odile's taxi, hooted and hollered at their good fortune all the way to the front. She kissed each one goodbye, let one of them squeeze her breast and began to turn back for another round trip when a volley of German artillery sh.e.l.ls rained down.

There were ear-splitting booms and flashes of light. A spray of wet dirt landed in her open cab, covering her clothes and hair with a sticky mess. She looked down. There was a b.l.o.o.d.y palm in her lap and when she picked it up it was like holding a boy's warm hand on a date. She threw it onto the ground, prayed it didn't belong to one of the lads she'd just dropped off, and headed back to Paris for a second run.

That night, the taxis of Marnes delivered four thousand reinforcements who turned the tide and saved Paris and, for all anybody knew, France.

Odile wanted Luc to know.

After that night, Odile stayed at the front for weeks, helping the nurses, doing whatever she could for the wounded boys. She stayed until some kind of fever almost killed her. Exhausted and shocked by the calamities of war, she limped back to Ruac and allowed her mother to tuck her into her old bed, where under the soft covers she sobbed for the first time in years.

Her father came to talk to her when he was a.s.sured she wouldn't break down. He wasn't one for feminine emotions. He had only two gruff questions for her: 'Are you ready to join us now? Are you prepared to take the initiation?'

She'd seen enough of the outside world to last a lifetime. Ruac was far from the madness of the trenches.

'I'm ready,' she answered.

War came again soon enough.

This time the Germans were more successful invaders and as occupiers of all of France the villagers of Ruac couldn't avoid them. Bonnet was now the mayor. His father, the previous mayor, had pa.s.sed away as the Second World War began.

The new mayor wrote out his father's death certificate with the old man's thick fountain pen, falsifying the date of birth, as the previous mayor had done for generations. And his father was duly buried in the village plot, which had surprisingly few stones considering its antiquity.

Furthermore, comporting with their custom, the stones had the name of the deceased only. There were no chiselled dates of birth or death, and since the plot was tucked away, down a lane through a private farm, no one seemed to notice the oddity.

Ruac village formed its own maquis group, which was under the Resistance umbrella but loosely so. De Gaulle's staff in Algeria tried to inject some order into the effort and a.s.signed the code name Squad 70 to Bonnet's gang and pa.s.sed coded messages to them from time to time. In the dead of night, they would meet in their underground hideout where the mayor would preside and Dr Pelay would act as his deputy. Bonnet would always repeat: 'These are our priorities: Ruac first, Ruac second, Ruac third.' And one person would always draw a laugh by concluding, 'And France fourth.'

Odile's experience in the previous war put her in good stead with the maquisard and her father reluctantly allowed her to partic.i.p.ate in some of their raids alongside her brother, Jacques. Both of them were strong and healthy, quick and athletic. And if Bonnet hadn't given his permission, Odile would have run off and joined another maquis band anyway.

Bonnet and Dr Pelay made a good pair. Bonnet was a man of few words, but decisive. Pelay was more of a talker, and the people in the village knew that when they went to his surgery he'd chew their ear off. Their maquis soon had a reputation for effectiveness and complete ruthlessness. They were said to engage the boche boche with an almost superhuman ferocity and cruelty. Squad 70 was known to turn their n.a.z.i victims into unrecognisable hunks of b.l.o.o.d.y flesh and the SS Panzer Division Das Reich, which was tasked with suppressing the Dordogne, feared this particular maquis group above all the others. with an almost superhuman ferocity and cruelty. Squad 70 was known to turn their n.a.z.i victims into unrecognisable hunks of b.l.o.o.d.y flesh and the SS Panzer Division Das Reich, which was tasked with suppressing the Dordogne, feared this particular maquis group above all the others.

In one of their more notable escapades, Bonnet got it in his head that his band would be responsible for the retaliation for a ma.s.sacre of French civilians from the nearby village of Saint-Julian. A Panzer unit had surrounded the town looking for maquis elements suspected to be hiding in the surrounding forests. All the men in the village were rounded up and gathered into the grounds of the village school. Information on collaborators was demanded. When none was given, all seventeen men, including a fourteen-year-old boy holding his father's hand, were executed with bullets to the back of their heads.

Two weeks later, a group of eighty-two Germans were captured by the maquisard fifty kilometres west of Bergerac and were transported en ma.s.se to the Davoust Military Barracks in Bergerac, a Resistance stronghold.

On a Sunday, Bonnet and Pelay entered the barracks and under false pretenses took seventeen German prisoners from their cells. They were loaded into trucks driven by men from Ruac who snarled and verbally tortured their prisoners with what was going to happen to them during the trip from Bergerac to Saint-Julian.

By the time the Germans were a.s.sembled in the same schoolyard where the civilians had been ma.s.sacred, the prisoners knew their fate and were incontinent with terror. The presence of Odile, a pretty woman, did nothing for their spirits because she was, like the men, wielding a long-handled axe. Bonnet personally addressed the condemned men, raging at them for their crimes and told them they were going to suffer before they died.

And in an orgy of axe blows, starting with arms and legs, all seventeen men were summarily hacked to death.

Word eventually came to Bonnet that Squad 70 had attracted the attention of the leaders.h.i.+p of the Free French Army and General de Gaulle himself. A personal audience was desired. Bonnet hated to travel. He sent Dr Pelay to Algiers and the man spent a giddy time being feted by the co-presidents of the French Committee of National Liberation, Generals de Gaulle and Henri Giraud, who lauded the work of the Ruac Squad, the fiercest of the maquisard in France.

Pelay came back with a medal, which Odile thought ought to go to her father, but instead Pelay wore it proudly on his vest every day of his life.

In July 1944 Bonnet and Pelay disappeared for a week to liaise with a group of maquisard commanders in Lyon and when they returned they informed the group of a big action planned for the night of 26 July. If all went well, a lot of boche boche would be killed and a lot of money could be made. would be killed and a lot of money could be made.

First Bonnet told them what their role in the attack was supposed to be.

Then he told them what they'd be doing instead.

Odile and the Ruac gang hid in the woods by the railway track. To this day she remembered the pounding in her chest as the train approached. It was only early evening, still light. She and everyone would have preferred the cover of darkness but they had no control over n.a.z.i train schedules.

Ahead, sixty kilos of picratol had been placed under an aqueduct. The Ruac squad had one machine gun and two automatic rifles among them. Everyone else, including Odile, had pistols. Hers was a Polish Vis, an old nine-millimetre handgun that jammed with regularity. Her father and brother had grenades.

The locomotive, on its way from Lyon to Bordeaux, pa.s.sed their position and Odile started counting box cars. She got to five when the explosion ripped through the locomotive. The train came to a macabre halt, cars buckling against each other. A sliding door opened in front of their position and a trio of dazed German soldiers, bruised and confused from the impact, stared into her eyes. She began to fire her entire eight-shot magazine at them from no more than ten paces. She saw her bullets strike home and felt a frisson of excitement each time an exit wound splashed blood.

She heard her father say, 'Good work.'

The Ruac squad secured the last two box cars while other bands. .h.i.t the front cars. The plan was to offload all the contents to heavy lorries standing at a lay-by which would transfer the loot to Resistance headquarters in Lyon.

Bonnet had other ideas. The Ruac box cars were filled with bank notes, gold bars and one thin crate stencilled with a provocative notation: FOR DELIVERY TO FOR DELIVERY TO R REICHSMARSCHALL G GOERING.

He and Pelay lobbed grenades into the woods to give the impression there was a pitched battle going on at the rear. In the confusion, every blood-spattered box and crate from those two cars found their way to transport vans driven by members of the Ruac maquis.

In under half an hour, all the loot was in Ruac, the Resistance leaders.h.i.+p none the wiser.

In their underground chamber, Bonnet took a crowbar to the crate and splintered the plywood. Inside was a painting. A beautiful pale-faced young man draped in fur.

'Fat-a.r.s.ed Goering wanted this,' Bonnet announced spreading his arms wide, holding it up to the villagers. 'Probably worth a lot. Here, Odile, this is for you, a pretty boy for you to look at. You earned this tonight.'

She instantly fell in love with the portrait. She didn't care if it was valuable or not. The young man in the painting was hers now. She'd put it on the wall over her kitchen table to have breakfast, lunch and dinner with him.

He was was a pretty boy. a pretty boy.

By the light of bare bulbs, they counted the cash and stacked the gold bars into the night. Giddy with victory and drink they listened to Bonnet's final tally, which he punctuated with the following proclamation: 'There's enough here to set us all up for life.' He raised his gla.s.s. 'My friends and family, here's to long lives!'

It was after one in the morning. Despite the endless day, Luc wasn't tired. Numb, but not tired. The woman he was staring at was one hundred and sixteen years old. But she looked sultry and supple, like a dishy forty-year-old.

'Since the war, we've lived peacefully,' she said. 'We don't bother anyone, n.o.body bothers us. We want to live our lives. That's all. But then you came here and everything changed.'

'So this is my fault?' he asked incredulously. 'You're saying that I have the blood on my hands of the people you killed?'

There were heavy steps coming from the kitchen. Luc turned quickly at the sound. Bonnet filled the doorway with his bulky frame. He hadn't shaved in a while and his cheeks were white with stubble.

'We have a right to protect ourselves!' He was almost spitting. 'We have a right to be free. We have a right to be left alone. I will not permit us to be studied and poked and prodded and treated like animals in a zoo. All that will happen if you continue with this G.o.dd.a.m.n cave.'

His son was behind him, the sleeves of his T-s.h.i.+rt stretched tight over his bulging biceps. Both men strode into the sitting room. Their boots were muddy.

Luc stood and faced them down. 'Okay, I've listened to Odile. I have some understanding of who you are. Fine. Now let me see Sara and let me bring her home.'

'We need to talk to you first,' Bonnet insisted.

'About what?'

'About who else knows? Who else did you tell about us?'

If they were intending to intimidate him with their glowers and their body language, they succeeded. Luc was large but he wasn't a fighter. These men were capable of extreme violence, that much was clear.

'No one else knows, but if anything happens to me, everyone will know. I've left a letter to be opened if I die or disappear.'

'Where's this letter?' Bonnet demanded.

'I've got nothing more to say. Where's Sara?'

Jacques was sneering now. 'She's not far. I've had my eye on her.'

That big oafish face oozing with s.e.xual innuendo set Luc off. It didn't matter that he was going to get the worst of it. It wasn't a rational move, but he lunged forwards and caught Jacques firmly on the cheekbone with his clenched right fist.

It seemed to hurt his hand more than the man's face because Jacques was able to shake it off and deliver a hard knee to Luc's groin, dropping him on all fours and submerging him in a deep pool of pain and nausea.

'Jacques, no!' Odile screamed as her brother swung his leg back to kick him in the crotch again.

'Not there!' Bonnet ordered, and his son backed off. The mayor stood over Luc and smashed his fist down onto his neck with a hammer blow. 'Here!'

THIRTY-FOUR.

Luc awoke with a dull throbbing in his head and a sharp pain in his neck. He squeezed the spot that hurt. It felt tender and bruised but his fingers and toes were moving so nothing was broken, he reasoned. He was on his side on an old musty camp bed facing a stone wall. Cold grey limestone, the backbone of the Perigord.

He rolled onto his back. Above him was a bare bulb hanging from its cord. He rolled again, this time onto his right side, and there was that face.

His skin was so white and pure it almost seemed ghostly. The young man was staring back at him every bit as steadily as the Mona Lisa stares down her admirers in the Louvre. It was the Raphael. The Portrait of a Young Man Portrait of a Young Man rested on a crate with German stencilling, propped against the damp stone wall as if it were a worthless canvas awaiting the dumpster or a yard sale. rested on a crate with German stencilling, propped against the damp stone wall as if it were a worthless canvas awaiting the dumpster or a yard sale.