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"But I was even more afraid that you'd believe me and try to stop me."
"Come on, threaten to kill me again, Peter." Did he actually believe she could be fooled by his nice-and-humble-kid act?
"So I've got a sick sense of humor. I'm sorry. You know I was teasing. I need your help."
"You're just what the world needs. A twelve-year-old to solve all our problems."
"It's not my fault I'm twelve right now. And it's not my fault that right now is when the opportunity is open. Right now is the time when I can shape events. The world is always a democracy in times of flux, and the man with the best voice will win. Everybody thinks. .h.i.tler got to power because of his armies, because they were willing to kill, and that's partly true, because in the real world power is always built on the threat of death and dishonor. But mostly he got to power on words-- on the right words at the right time."
"I was just thinking of comparing you to him."
"I don't hate Jews, Val. I don't want to destroy anybody. And I don't want war, either. I want the world to hold together. Is that so bad? I don't want us to go back to the old way. Have you read about the world wars?"
"Yes."
"We can go back to that again. Or worse. We could find ourselves locked into the Warsaw Pact. Now, there's a cheerful thought."
"Peter, we're children, don't you understand that? We're going to school, we're growing up--" But even as she resisted, she wanted him to persuade her. She had wanted him to persuade her from the beginning.
But Peter didn't know that he had already won. "If I believe that, if I accept that, then I've got to sit back and watch while all the opportunities vanish, and then when I'm old enough it's too late. Val, listen to me. I know how you feel about me, you always have. I was a vicious, nasty brother. I was cruel to you and crueler to Ender before they took him. But I didn't hate you. I loved you both, I just had to be-- had to have control, do you understand that? It's the most important thing to me, it's my greatest gift, I can see where the weak points are, I can see how to get in and use them, I just see those things without even trying. I could become a businessman and run some big corporation, I'd scramble and maneuver until I was at the top of everything and what would I have? Nothing. I'm going to rule, Val, I'm going to have control of something. But I want it to be something worth ruling. I want to accomplish something worthwhile. A Pax Americana through the whole world. So that when somebody else comes, after we beat the b.u.g.g.e.rs, when somebody else comes here to defeat us, they'll find we've already spread over a thousand worlds, we're at peace with ourselves and impossible to destroy. Do you understand? I want to save mankind from self-destruction."
She had never seen him speak with such sincerity. With no hint of mockery, no trace of a lie in his voice. He was getting better at this. Or maybe he was actually touching on the truth. "So a twelve-year-old boy and his kid sister are going to save the world?"
"How old was Alexander? I'm not going to do it overnight. I'm just going to start now. If you'll help me."
"I don't believe what you did to those squirrels was part of an act. I think you did it because you love to do it."
Suddenly Peter wept into his hands. Val a.s.sumed that he was pretending, but then she wondered. It was possible, wasn't it, that he loved her, and that in this time of terrifying opportunity he was willing to weaken himself before her in order to win her love. He's manipulating me, she thought, but that doesn't mean he isn't sincere. His cheeks were wet when he took his hands away, his eyes rimmed in red. "I know," he said. "It's what I'm most afraid of. That I really am a monster. I don't want to be a killer but I just can't help it."
She had never seen him show such weakness. You're so clever, Peter. You saved your weakness so you could use it to move me now. And yet it did move her. Because if it were true, even partly true. then Peter was not a monster, and so she could satisfy her Peter-like love of power without fear of becoming monstrous herself. She knew that Peter was calculating even now, but she believed that under the calculations he was telling the truth. It had been hidden layers deep, but he had probed her until he found her trust.
"Val, if you don't help me, l don't know what I'll become. But if you're there, my partner in everything, you can keep me from becoming -- like that. Like the bad ones."
She nodded. You are only pretending to share power with me, she thought, but in fact I have power over you. even though you don't know it. "I will. I'll help you."
As soon as Father got them both onto his citizen's access, they began testing he waters. They staved away from the nets that required use of a real name. That wasn't hard because real names only had to do with money. They didn't need money. They needed respect, and that they could earn. With false names, on the right nets, they could be anybody. Old men, middle-aged women, anybody, as long as they were careful about the way they wrote. All that anyone would see were their words, their ideas. Every citizen started equal, on the nets.
They used throwaway names with their early efforts. not the ident.i.ties that Peter planned to make famous and influential. Of course they were not invited to take part in the great national and international political forums -- they could only be audiences there until they were invited or elected to take part. But they signed on and watched, reading some of the essays published by the great names, witnessing the debates that played across their desks.
And in the lesser conferences, where common people commented about the great debates, they began to insert their comments. At first Peter insisted that they be deliberately inflammatory. "We can't learn how our style of writing is working unless we get responses -- and if we're bland, no one will answer."
They were not bland, and people answered. The responses that got posted on the public nets were vinegar; the responses that were sent as mail, for Peter and Valentine to read privately, were poisonous. But they did learn what attributes of their writing were seized upon as childish and immature. And they got better.
When Peter was satisfied that they knew how to sound adult, he killed the old ident.i.ties and they began to prepare to attract real attention.
"We have to seem completely separate. We'll write about different things at different times. We'll never refer to each other. You'll mostly work on the west coast nets, and I'll mostly work in the south. Regional issues, too. So do your homework."
They did their homework. Mother and Father worried sometimes, with Peter and Valentine constantly together, their desks tucked under their arms. But they couldn't complain-- their grades were good, and Valentine was such a good influence on Peter. She had changed his whole att.i.tude toward everything. And Peter and Valentine sat together in the woods, in good weather, and in pocket restaurants and indoor parks when it rained, and they composed their political commentaries. Peter carefully designed both characters so neither one had all of his ideas; there were even some spare ident.i.ties that they used to drop in third party opinions. "Let both of them find a following as they can," said Peter.
Once, tired of writing and rewriting until Peter was satisfied, Val despaired and said, "Write it yourself, then!"
"I can't," he answered. "They can't both sound alike. Ever. You forget that someday we'll be famous enough that somebody will start running a.n.a.lyses. We have to come up as different people every time."
So she wrote on. Her main ident.i.ty on the nets was Demosthenes -- Peter chose the name. He called himself Locke. They were obvious pseudonyms, but that was part of the plan. "With any luck, they'll start trying to guess who we are."
"If we get famous enough, the government can always get access and find out who we really are."
"When that happens, we'll be too entrenched to suffer much loss. People will be shocked that Demosthenes and Locke are two kids, but they'll already be used to listening to us."
They began composing debates for their characters. Valentine would prepare an opening statement, and Peter would invent a throwaway name to answer her. His answer would be intelligent and the debate would be lively, lots of clever invective and good political rhetoric. Valentine had a knack for alliteration that made her phrases memorable. Then they would enter the debate into the network, separated by a reasonable amount of time, as if they were actually making them up on the spot. Sometimes a few other netters would interpose comments, but Peter and Val would usually ignore them or change their own comments only slightly to accommodate what had been said.
Peter took careful note of all their most memorable phrases and then did searches from time to time to find those phrases cropping up in other places. Not all of them did, but most of them were repeated here and there, and some of them even showed up in the major debates on the prestige nets. "We're being read," Peter said. "The ideas are seeping out."
"The phrases, anyway."
"That's just the measure. Look, we're having some influence. n.o.body quotes us by name, yet, but they're discussing the points we raise. We're helping set the agenda. We're getting there."
"Should we try to get into the main debates?"
"No. We'll wait until they ask us."
They had been doing it only seven months when one of the west coast nets sent Demosthenes a message. An offer for a weekly column in a pretty good newsnet.
"I can't do a weekly column," Valentine said. "I don't even have a monthly period yet."
"The two aren't related," Peter said.
"They are to me. I'm still a kid."
"Tell them yes, but since you prefer not to have your true ident.i.ty revealed, you want them to pay you in network time. A new access code through their corporate ident.i.ty."
"So when the government traces me--"
"You'll just be a person who can sign on through CalNet. Father's citizen's access doesn't get involved. What I can't figure out is why they wanted Demosthenes before Locke."
"Talent rises to the top."
As a game, it was fun. But Valentine didn't like some of the positions Peter made Demosthenes take. Demosthenes began to develop as a fairly paranoid anti-Warsaw writer. It bothered her because Peter was the one who knew how to exploit fear in his writing -- she had to keep coming to him for ideas on how to do it. Meanwhile, his Locke followed her moderate, empathic strategies. It made sense, in a way. By having her write Demosthenes, it meant he also had some empathy, just as Locke also could play on others fears. But the main effect was to keep her inextricably tied to Peter. She couldn't go off and use Demosthenes for her own purposes. She wouldn't know how to use him. Still, it worked both ways. He couldn't write Locke without her. Or could he?
"I thought the idea was to unify the world. If I write this like you say I should, Peter, I'm pretty much calling for war to break up the Warsaw Pact."
"Not war, just open nets and prohibition of interception. Free flow of information. Compliance with the League rules, for heaven's sake."
Without meaning to, Valentine started talking in Demosthenes' voice, even though she certainly wasn't speaking Demosthenes' opinions. Everyone knows that from the beginning the Warsaw Pact was to be regarded as a single ent.i.ty where those rules were concerned. International free flow is still open. But between the Warsaw Pact nations these things are internal matters. That was why they were willing to allow American hegemony in the League."
"You're arguing Locke's part, Val. Trust me. You have to call for the Warsaw Pact to lose official status. You have to get a lot of people really angry. Then, later, when you begin to recognize the need for compromise--"
"Then they stop listening to me and go off and fight a war."