The Vampire Files - Lifeblood Part 25

There was one more thought left unspoken. If Bobbi were still alive, they would be keeping her as a food source. Oh, G.o.d.

The phone rang, I reached it first, but let Escott do the answering. Gordy was on the other end. Escott had once told me I had no real idea on the grip and influence the mobs had in Chicago. It must have been pretty strong-he had an address.

"I'm coining over," he said. "You got some iron?"

Escott said yes, but I shook my head and asked for the earpiece.

"Gordy, this is Jack. If what I think has happened has happened, guns ain't gonna work, at least not on one of them."

"So what can we do?"

"Can you get some shotguns?"

"No problem."

"And some extra sh.e.l.ls?"

"No problem."

"And one more thing..."I told him what. Escott's brows went up in surprise and interest.

Gordy considered and again said: "No problem. I'm sending some boys over to watch the place 'til we get there. Sit light 'til I come for you."

Almost as soon as we hung up it rang again.

"h.e.l.lo? What? Oh, yes." He pa.s.sed it to me.

I answered thinking it was Marza.

The masculine voice was a jarring shock. "Jack, I want to talk with you."

"Dad?" Oh, h.e.l.l.

"What kind of trouble are you into?"

"Trouble? What's the matter?""That's something you can tell me. The cops were by here just now wanting to know where you are."

"Did you tell them?"

"h.e.l.l no. Not until I know what's going on. They wouldn't say and your mother's throwing a fit, so start talking, boy."

h.e.l.l and d.a.m.nation. "Dad, this is just some kind of a mix-up to do with those two con men."

"I'm listening."

I suddenly felt six years old again with Dad towering over me, ready to get the razor strop. I had to consciously shake off the image and remember I was thirty years older and a lot taller. "Okay, what happened is that the little guy Braxton got shot and killed, and the kid thinks I'm involved, so he sent the cops to look me up."

A long silence.

"That's the truth. Dad. The kid saw me in the same building. They were following me to make trouble, and then some-one b.u.mped off Braxton. The kid got knocked out. He saw the killer, but not the killing. He knew I was there so he gave my name to the cops, and yours, too."

The language that followed heated the lines up, and then he repeated the story to Mom, who began groaning in the background.

"Look, why don't you pick up one of the Chicago papers? They're full of the whole story-"

"I did. It's the 'Studio Slaying,' isn't it?"

"Yes, Dad."

"What were you doing there, anyway?"

"I went to see the show."

"Why couldn't you have seen the show on the radio?" he said illogically. "What are you going to do? Are you going to the cops?"

Double h.e.l.l. "I don't know."

"What do you mean?"

"I mean this whole thing stinks."

"You're d.a.m.n right it stinks," he agreed, his voice rising.

"I mean I need some time to get things straightened out.""What things?"

"It'd take too long to explain. If my boss thought I was really involved with this I could lose my job, and I don't want to lose my job."

"And I don't want the cops coming around here again."

"I know. Look, could you just hold off giving them this number?"

"For how long?"

"I don't know."

"s.h.i.+t!"

"Dad, I've got good reasons for staying out of this, but I can't go into them now."

He growled, hemmed and hawed, but in the end decided he could even if he didn't like it. Then we said good-bye.

I put the earpiece back. "This is ridiculous. The kid sicced the cops on my parents to try and find me."

"So I gathered."

"What a pain in the a.s.s."

"Well, at least you have a father willing to help you."

"Yeah. I guess I'm going to have to talk with the kid and make him change his mind about me."

"Though it would seem the damage had been done. I do admire the way you did not quite tell all the truth and yet avoided a direct lie."

"Yeah, it must be all that journalistic training," I said, beating him to the punch line. "Except that bit about losing my job."

"I suppose if it came down to it, you could say that I am your 'boss.' Technically I am, at least on certain occasions, and you arc correct; if an employee of mine turned up in this sort of mess, I would not understand."

"Tell me another one."

Chapter 11.

WE WERE READY when Gordy pulled up and touched the horn, but the weather wasn't the best for a long trip. Though I had a raincoat and Escott loaned me a hat, neither one was going to be much protection against a sky that had split open with a vengeance. I didn't like it and felt a sharp twist inside because it had been raining out on the lake like this the night I'd been killed. Such a.s.sociations were hard to ignore.

Escott and I recognized the car; it was the same one that belonged to Slick Morelli, Gordy's deceased boss. It also stirred up bad memories, but it was just a car, so we got in. Escott sat in front with Gordy and I shared the back with some hard lumpy things. "Careful with that stuff," Gordy cautioned.

The stuff was covered with an old blanket. I pulled it back and Escott turned around to see. They were all from different makers but had the same basic look; sawed off, doubled barreled, and at short range, appallingly deadly. Gordy handed me an oddly light cartridge box.

"Check this and see if it's what you want. They're loaded with "em."

I opened the box, got a cartridge, and pried open the end with a thumbnail. The contents spilled into my palm. Less than a quarter inch in diameter and dull brown in color, there was just enough light to see the grain pattern in each one.

"They look like beads," I said, noticing the tiny holes drilled in them.

"That's 'cause they are beads. One of the girls at the club had this necklace. They gonna work?"

"If they're wood, they'll work, but only at short range."

"They're wood. We'll probably have to go for point blank, then."

Escott looked uncomfortable. Gordy noticed.

"You know how this could end up; stay in or get out," he said in an even tone.

Escott locked eyes with him a moment, then put his hand over the seat for one of the shotguns.

It was enough of an answer for Gordy. He gave me an up-and-down. "You look like h.e.l.l, Fleming."

That was his way of saying h.e.l.lo, how are you. I shrugged. "Where are we going?"

He started the motor and s.h.i.+fted gears. "A house on the south side. Any of the guys down there catch my boys in their territory they might get annoyed, so keep your eyes open. What kind of iron you got?"

"This," said Escott, pulling out a huge, odd-looking revolver. It had a ring in the b.u.t.t, which tagged it as an army gun to me. The cylinder had a kind of zigzag pattern to it and it looked like the top part slid back, as though for an automatic. It even had a safety. I'd never seen anything quite like it and neither had Gordy.

"What the h.e.l.l is that?"

"A Webley-Fosbery 'automatic' revolver." "Maybe someday you can explain what that means. How 'bout you, Fleming?"

"This shotgun's enough for me." I tried to sound confident, though I hadn't really held a gun since the armistice. "Did Charles tell you they've got a sawed-off, too?"

"Yeah, but the range on 'em's not so good."

"It's good enough to kill."

"So duck."

Pressing deep into the backseat, I inhaled a lot of air and slowly released it. My nerves were turning up with some sharp and useless edges, mostly because of last night. It'd been a long time since I last felt so physically weak, and it was unsettling.

We slipped through the nearly empty streets. Some stores and a few bars were open, their customers huddled inside near the comfort of the lights. Now and again a face could be glimpsed framed in a window, eyes raised to the sky. Rain crashed down against the roof and bounced from the hood.

"Lousy night," Gordy commented. It occurred to me he was showing some nerves as well in extraneous conversation.

"Quite," agreed Escott, making it unanimous.

It got worse. The wipers were doing their best in a bad situation, but there was just too much water coming down. Gordy slowed the car, muttering. A few blocks later we hit a clear patch and made up the time, then he took an abrupt turn, parking halfway down a long, empty block behind another car. He got out to talk to the men waiting in it and returned.

"That one," he said, his eyes pointing to a white house half-hidden in trees. All we could see was part of its wide front and a couple of brick pillars supporting the porch roof. There were no lights. "No one's been in or out. They think it's empty."

"We'll see," I said. "Stay in the car while I go look."

"But-"

"Let him," said Escott. "He's very good at it."

I got out, leaving the gun, and strolled casually on the sidewalk until I was even with the trees. The area was quiet, with only two other houses back at the corner where we had turned. No curious eyes were on us, the rain had sent everyone inside to listen to the weather reports on the radio. It was a good location: private, fairly isolated, and still close to the city. They would feel safe bringing Bobbi here. I wanted them to feel very safe.

The wind kicked up and tugged my coat. The storm cell we'd driven out from was catching up, and I felt wet enough already. I stepped under the dripping trees and melted in with the shadows. I kept enough solidity so the wind wouldn't blow me away, but was virtually invisible, at least to night-dulled human eyes.

The front windows were dark and the curtains drawn. It looked as deserted as Gordy's men had reported. Around the side, one of the bedroom windows was raised a few inches. I eased close and listened, but the rain interfered with any sounds within. There was screening to keep out the flies and curtains as well, but not the kind you could see through. I moved around to the back of the house.

We'd found the right place. I recognized the panel truck parked next to the open and empty garage. I sighted on it, vanished completely, and floated over, re-forming with it between me and the house. The motor was cold, the key gone. The front interior was clean but there was a box in the back; a box about five and a half feet long, a foot high, and two feet wide. I lifted the lid and was not surprised to find three or four inches of dirt lining the bottom. What was disturbing was the clear imprint of a body in the earth.

Gaylen had not waited a moment longer than necessary. I wondered if she had killed herself or given that task over to Malcolm.

Going back to the house, I went from window to window, shamelessly peering in, but with no results. They were all closed, except for that one, and the curtains were firmly drawn. I found one un.o.bscured bas.e.m.e.nt window, and it looked like a discreet place for us all to slip inside.

When I returned Escott and Gordy were anxious for even negative news.

"Malcolm's car is gone, but the truck's out back. Her box of earth is in it-it's been used."

Gordy didn't like my tone. "Whaddaya mean 'used'?"

"He means that these guns and the sh.e.l.ls in them are no longer a mere precaution, but a necessity," explained Escott.