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Furious at Sax's snubbing of her, Maya got up and walked around the little pond. She stopped on the opposite bank, gripped the railing by the path in both hands. She glared at the group across the water, sitting on their benches like retired pensioners chatting about food and the weather and ducks and the last chess match. d.a.m.n Sax, d.a.m.n him! Would he hold Phyllis against her forever, that vile woman- Suddenly she heard their voices, tiny but clear. There was a curving ceramic wall behind the path, running almost all the way around the pond, and she was almost precisely across the pond from them; apparently the wall functioned as a sort of whispering gallery, she could hear them in perfect miniature, the airy voices a fraction of a second behind their mouths' little movements.
"Too bad Arkady didn't survive," Vlad said. "The Bogdanovists would come around a lot easier."
"Yes," said Ursula. "Him and John. And Frank."
"Frank," Marina said scornfully. "If he hadn't killed John none of this would have happened.""What?" she shouted, without thinking. Across the pond the little figures jerked and looked at her. She detached herself from the railing one hand at a time, and half ran around the pond, stumbling twice. she shouted, without thinking. Across the pond the little figures jerked and looked at her. She detached herself from the railing one hand at a time, and half ran around the pond, stumbling twice.
Maya blinked. The railing was holding her up.
"What do you mean?" she shouted at Marina as she neared them, the words bursting from her without volition.
Vlad and Ursula met her a few steps from the benches. Marina remained seated, looking away sullenly. Vlad had his hands out and Maya tore right through them to get at Marina. "What do you mean saying such foul things?" she shouted, her voice painful in her own throat. "Why? Why? It was Arabs who killed John, everyone knows that!"
Marina grimaced and shook her head, looking down.
"Well?" Maya cried.
"It was a manner of speaking," Vlad said from behind. "Frank did a lot to undermine John in those years, you know that's true. Some say he inflamed the Moslem Brotherhood against John, that's all."
"Pah!" Maya said. "We have all argued with each other, it means nothing!"
Then she noticed that Sax was looking right at her- finally, now that she was furious- staring at her with a peculiar expression, cold and impossible to read- a glare of accusation, of revenge, of what? She had shouted in Russian and the others had replied in kind, and she didn't think Sax spoke it. Perhaps he was just curious about what had upset them so. But the antipathy in that steady stare- as if he were confirming what Marina had said- hammering it into her like a nail!
Maya turned and fled.
She found herself in front of the door to her room with no memory of crossing Sabis.h.i.+, and threw herself inside as if into her mother's arms; but in the beautiful spare wooden chamber she drew up short of the bed, shocked by the memory of some other room that had turned from womb to trap on her, in some other moment of shock and fear... no answers, no distraction, no escape.... Over the little sink she caught sight of her face as if in a framed portrait- haggard, ancient, eyes bright red around the rims, like the eyes of a lizard. A nauseating image. That was it- the time she had caught sight of her stowaway on the Ares Ares, the face seen through an algae jar. Coyote: a shock which had proved not hallucination, but reality.
And so it might be with this news of Frank and John.
She tried to remember. She tried with all her might to remember Frank Chalmers, to really remember him. She had spoken with him that night in Nicosia, in an encounter unremarkable for its awkwardness and tension, Frank as always acting aggrieved and rejected.... They had been together at the very moment John was being knocked unconscious, and dragged into the farm and left to die. Frank couldn't have...
But of course there were surrogates. You could always pay people to act for you. Not that the Arabs would have been interested in money per se. But pride, honor- paid in honor, or in some political quid pro quo quid pro quo, the kind of currency Frank had been so expert at printing....
But she could remember so little of those years, so little of the specifics specifics. When she put her mind to it, and forced herself to remember remember, to recollect, it was frightening how little came up. Fragments; moments, potsherds of an entire civilization. Once she had been so angry she had knocked a coffee cup off a table, the broken handle bare like a half-eaten bagel on a table. But where had that been, and when, and with whom? She couldn't be sure! "Aahh," she cried involuntarily, and the haggard antediluvian face in the mirror suddenly disgusted her with its pathetic reptile pain. So ugly ugly. And once upon a time she had been a beauty, she had been proud of that, she had used it like a scalpel. Now... her hair had gone from pure white to a dull gray in recent years, changed somehow in the last treatment. And now it was thinning, for G.o.d's sake, and only in some places while not in others. Disgusting. And once a beauty, once upon a time. That hawkish regal face- and now- As if the Baroness Blixen, also a rare beauty in her youth, had crumbled into the syphilitic witch Isak Dinesen and then lived on for centuries after that, like a vampire or a zombie- a ravaged living lizard of a corpse, 130 years old, happy birthday to you, happy birthday to you....
She strode to the sink and yanked on the side of the mirror, revealing a crowded medicine cabinet. Nail scissors on the top shelf. Somewhere on Mars they made nail scissors, of magnesium no doubt. She took them down and pulled a hank of hair out from her head till it hurt, and cut it off right against her scalp. The blades were dull, but if she pulled hard enough they worked. She had to be careful not to cut her scalp, some tiny remnant of her vanity would not allow that. So it was a long, tedious, painstaking and pain-giving job. But a comfort, somehow, to be so distracted, so methodical, so destructive.
The initial cut was ragged enough to require a great deal of tr.i.m.m.i.n.g, which took a long time. An hour. But she could not make the hairs come to the same length, and finally she got out the razor from the shower, and finished by shaving, patting with toilet paper the cuts that bled copiously, ignoring the old scars revealed, the awful b.u.mps and hollows of the bare skull, so close under the skin. It was hard to do it all without ever looking at the monstrous face hanging from the front of the skull.
When she was done she stared ruthlessly at the freak in the mirror- androgynous, withered, insane. The eagle become vulture: skin head, wattled neck, beady eyes, hook nose, and the lipless downturned little mouth. Staring at this hideous face, there were long, long moments when she could not remember a single thing about Maya Toitovna. She stood frozen in the present, a stranger to everything.
A knock at the door made her jump, and released her. She hesitated, suddenly ashamed, even frightened. Another part of her croaked, "Come in."
The door opened. It was Michel. He saw her and stopped in the doorway. "Well?" she said, staring at him and feeling naked.
He swallowed, c.o.c.ked his head. "Beautiful as ever." With a crooked grin.
She had to laugh. She sat on her bed and began to weep. She sniffed and sniffed. "Sometimes," she said, wiping her eyes, "sometimes I wish I could stop being Toitovna. I get so tired of it, of everything that I've done."
Michel sat beside her. "We're locked in our selves to the end. This is the price one pays for thought. But which would you rather be- convict, or idiot?"
Maya shook her head. "I was down in the park with Vlad and Ursula and Marina and Sax who hates me, and looking at them all, and we have to do something, we really do, but looking at them and remembering everything- trying to remember- we suddenly all seemed such damaged people."
"A lot has happened," Michel said, and put his hand on hers.
"Do you have trouble remembering?" Maya s.h.i.+vered, and clasped his hand like a life raft. "Sometimes I get so scared that I'll forget everything." She sniffed a laugh. "I guess that means I'd rather be a convict than an idiot, to answer your question. If you forget, you're free of the past, but nothing means anything. So there's no escape"- she started to cry again-"remember or forget, it hurts just as bad."
"Memory problems are pretty common at our age," Michel said gently. "Especially events in the middle distance, so to speak. There are exercises that help."
"It's not a muscle."
"I know. But the power of recollection seems to strengthen with use. And the act of remembering apparently strengthens the memories themselves. It makes sense when you think about it. Synapses physically reinforced or replaced, that sort of thing."
"But then, if you can't face what you remember- oh Michel-" She took in a big unsteady breath. "They said- Marina said that Frank had murdered John. She said it to the others when she thought I couldn't hear, said it as if it was something they all knew!" She clutched him by the shoulder, squeezed as if she could rip the truth out of him with her claws. "Tell me the truth, Michel! Is it true? Is that what you all think happened?"
Michel shook his head. "No one knows what happened."
"I was there! I was in Nicosia that night and they weren't! I was with Frank when it happened! He had no idea, I swear!"
Michel squinted, uncertain, and she said; "Don't look look like that!" like that!"
"I'm not, Maya, I'm not. I don't mean anything by it. I have to tell you everything I've heard, and I'm trying to remember myself. There have been rumors- all kinds of rumors!- about what happened that night. It's true, some say Frank was- involved. Or connected to the Saudis who killed John. That he met with the one who died later the next day, and so on."
Maya began to weep harder. She bent over her clenched stomach and put her face on Michel's shoulder, her ribs heaving. "I can't stand it. If I don't know what happened... how can I remember? How can I even think of them?"
Michel held her, soothed her with his embrace. He squeezed the muscles of her back, over and over. "Ah, Maya."
After a long time she sat up, went to the sink and washed her face in cold water, avoiding the mirror's gaze. She returned to the bed and sat, utterly despondent, a seeping blackness in every muscle.
Michel took her hand again. "I wonder if it might not help to know. Or at least, to know as much as you can. To investigate, you know. To read about John and Frank. There are books now, of course. And to ask the other people who were in Nicosia, particularly the Arabs who saw Selim el-Hayil before he died. That kind of thing. It would give you a kind of control, you see. It wouldn't be remembering exactly, but it wouldn't be forgetting either. Those aren't the only two alternatives, strange as it may seem. We have to a.s.sume our past, you see? We have to make it a part of what we are now, by an act of the imagination. It's a creative thing, an active thing. It's not a simple process. But I know you, and you are always better when you are active, when you have a little control."
"I don't know if I can," she said. "I can't stand not to know, but I'm afraid to know. I don't want to know. Especially if it's true."
"See how you feel about it," Michel suggested. "Try it and see. Given that both alternatives are painful, it might be you prefer action to the alternative."
"Well." She sniffed, took a single glance across the room. From the room on the other side of the mirror, an ax murderer stared out at her. "My G.o.d G.o.d I am I am so ugly so ugly," she said, revulsion making her nauseated to the verge of vomiting.
Michel stood, went to the mirror. "There is a thing called body dysmorphic disorder," he said. "It's related to obsessive-compulsive disorders, and to depression. I've noticed signs of it in you for a long time now."
"It's my birthday."
"Ah. Well, it's a treatable problem."
"Birthdays?"
"Body dysmorphic disorder."
"I won't take drugs."
He put a towel over the mirror, turned to look at her. "What do you mean? It may be a simple lack of serotonin. A biochemical insufficiency. A disease. Nothing to be ashamed of in that. We all take drugs. Clomipramine is very helpful for this problem."
"I'll think about it."
"And no mirrors."
"I'm not a child!" she snarled. "I know what I look like!" She leaped up and tore the towel off the mirror. Insane reptile vulture, pterodactylic, ferocious- it was impressive, in a way.
Michel shrugged. He had a little smile on his face, which she wanted to punch, or kiss. He liked lizards.
She shook her head to clear it. "Well. Take action, you say." She thought about it. "I certainly prefer action to the alternative, in the current situation we're in." She told him about the news from the south, and her proposal to the others. "They make me so angry. They're just waiting for disaster to strike again. All but Sax, and he is a loose cannon with all his sabotages, consulting with no one but these fools he has- we have to do something coordinated coordinated!"
"Good," he said emphatically. "I agree. We need this."
She regarded him. "Will you come to h.e.l.las Basin with me?"
And he smiled, a spontaneous grin of pure pleasure. Of delight that she had asked! It pierced her heart to see it.
"Yes," he said. "I have some business to finish here, but I can do that quickly. Just a few weeks." And he smiled again. He loved her, she saw; not just as a friend or therapist, but as a lover too. And yet with a certain kind of distance, a Michel distance, some kind of therapist thing. So that she could still breathe. Be loved and still breathe. Still have a friend.
"So you can still stand to be with me, even though I look like this."
"Oh Maya." He laughed. "Yes, you are still beautiful, if you want to know. Which you still do, thank G.o.d." He gave her a hug, pulled back and inspected her. "It is a trifle austere. But it will do."
She pushed him away. "And no one will recognize me."
"No one who doesn't know you." He stood. "Come on, are you hungry?"
"Yes. Let me change clothes."
He sat on the bed and watched her as she did, soaking her up, the old goat. Her body was still a human body, amazingly enough, demonstrably female even at this ridiculous posthumous age. She could walk over and squash a breast into his face and he would suckle it like a child. Instead she dressed, feeling her spirits sc.r.a.pe off the bottom and begin their rise; the best moment in the whole sine wave, like the winter solstice for the paleolithics, the moment of relief when you know the sun will come back again, someday. "This is good," Michel said. "We need you to lead again, Maya. You have the authority, you see. The natural authority. And it's good to spread the work around, and for you to concentrate on h.e.l.las. A very good plan. But you know- it will take more than anger."
She pulled a sweater over her head (her scalp felt funny, bare and raw), then looked at him, surprised. He raised a finger admonis.h.i.+ngly. "Your anger will help, but it can't be everything. Frank was nothing but anger, remember? And you see where it got him. You have to fight not only against what you hate, but for what you love, you see? And so you have to find what it is you love. You have to remember it, or create it."
"Yes yes," she said, suddenly irritated. "I love you you, but shut up now." She lifted her chin imperiously. "Let's go eat."
The train from Sabis.h.i.+ out to the Burroughs-h.e.l.las piste was only four cars long, a little locomotive and three pa.s.senger cars, none more than half full. Maya walked through them to the last seats of the final car; people glanced at her, but only briefly. No one seemed perturbed by her lack of hair. There were a lot of vulture women on Mars after all, even some on this very train, also wearing work jumpers of cobalt or rust or light green, also old and UV-weathered: a kind of cliche, the ancient Mars veterans, here from the beginning, seen it all, ready to bore you to tears with tales of dust storms and stuck lock doors.
Well, it was just as well. It would not have done to have people nudging each other and exclaiming There's Toitovna! Still she could not help sitting down feeling ugly and forgotten. Which was stupid. She needed to be forgotten. And ugliness helped that; the world wants to forget the ugly.
She plumped into her seat and stared forward. Apparently Sabis.h.i.+ had been visited by a contingent of Terran j.a.panese tourists, all of them cl.u.s.tered in facing seats at the front of the car, chattering and looking around with their vid spectacles, no doubt recording every minute of their life movies, recordings that no one would ever watch.
The train slid gently forward and they were off. Sabis.h.i.+ was still a small tent town in the hills, but the hummocky land between the town and the main piste was studded with carved peak boulders, and small shelters cut into the cliffs. All north-facing slopes were caked with the snow of the autumn's first storms, and the sun bounced in blinding flashes off slick mirrors of ice as they floated by frozen ponds. The low dark shrubs were all based on ancestors from Hokkaido, and the vegetation gave the land a spiky black-green texture; it was a collection of bonsai gardens, each of them an island separated by a harsh sea of broken rock.
The j.a.panese tourists naturally found this landscape enchanting. Although possibly they were from Burroughs, new emigrants down to visit the j.a.panese first landing site, as if making a trip from Tokyo to Kyoto. Or perhaps they were natives, and had never seen j.a.pan. She would be able to tell when she saw them walk; but it didn't matter.
The piste ran just north of Jarry-Desloges Crater, which from outside appeared to be a big round mesa. The ap.r.o.n was a broad fan of snowy debris, dotted with ground-hugging trees and a pie-bald array of dark greens and bright lichen and alpine flowers and heather, each species with its signature color, and the whole field starred by the scattering of erratic boulders that had fallen back from the sky when the crater was formed. The effect was of a field of redrock, being drowned from below by a rainbow tide.
Maya stared out at the vivid hillside, feeling mildly stunned. Snow, lichen, heather, pine: she knew that things had changed in the world while she had hidden under the polar cap- that before it had been different, and she had lived in a rock world and had experienced all the intense events of those years, had had her heart smashed to stishovite under their impact. But it was so hard to connect with any of that. Either to remember it, or to feel anything about what she could remember. She sat back in her seat and closed her eyes, and tried to relax, to let whatever would come to her come.
...It was not so much a specific memory of a specific event, but rather a kind of composite: Frank Chalmers, angrily denouncing or deriding or fulminating. Michel was right: Frank had been an angry man. And yet that was not all he had been. She more than anyone knew that, perhaps, had seen him at peace, or if not at peace- perhaps she had never seen that- at least happy. Or something like. Scared of her, solicitous of her, in love with her- she had seen all that. And shouting at her furiously for some small treachery, or for nothing at all; she had certainly seen that too. Because he had loved her.
But what had he been like like, really? Or rather, why had he been that way? Was there ever any explaining why they were themselves? There was so little she knew about him before they had met: a whole life back there in America, an incarnation that she had not seen. The bulky dark man she had met in Antarctica- even that person was almost lost to her, overlaid by everything that had happened on the Ares Ares, and on Mars. But before that nothing, or next to nothing. He had headed NASA, got the Mars program off the ground, no doubt with the same corrosive style he had exhibited in later years. He had been married briefly, or so she seemed to recall. What had that been like? Poor woman. Maya smiled. But then she heard Marina's tiny voice again, saying, "If Frank hadn't killed John," and she shuddered. She stared at the lectern in her lap. The j.a.panese pa.s.sengers at the front of the car were singing a song, a drinking song apparently, as they had a flask out and were pa.s.sing it around. Jarry-Desloges was behind them now, and they were gliding along the northern rim of the Iapygia Sink, an oval depression that they could see a fair way across before the horizon cut it off. The depression was saturated with craters, and now inside each ring was a slightly separate ecology; it was like looking down into a bombed florist's shop, the baskets scattered everywhere and mostly broken, but here a basket of yellow tapestry, there of pink palimpsest, of whitish or bluish or green Persian carpets....
She tapped on her lectern, and typed out Chalmers Chalmers.
It was an immense bibliography: articles, interviews, books, videos, a whole library of his communiques to Earth, another library of commentaries, diplomatic, historical, biographical, psychological, psychobiographical- histories, comedies, and tragedies, in every medium, including, apparently, an opera. Meaning some villainous coloratura was down there on Earth, singing her thoughts.
She clicked off the lectern, appalled. After a few minutes of deep breathing she clicked it back on, and called up the file. She couldn't bear to look at any video or still images; she went for the shortest biographical articles in print, from popular magazines, and called one up at random and began to read.
He was born in Savannah, Georgia, in 1976, and grew up in Jacksonville, Florida. His mother and father divorced when he was seven, and after that he lived mostly with his father, in apartments near Jacksonville Beach, an area of cheap stucco beach property built in the 1940s, behind an aging boardwalk of shrimp shacks and hamburger joints. Sometimes he lived with an aunt and uncle near the downtown, which was dominated by big skysc.r.a.pers built by insurance companies. His mother moved to Iowa when he was eight. His father joined Alcoholics Anonymous three separate times. He was his high school's cla.s.s president, and the captain of its football team, on which he played center, and of its baseball team, on which he played catcher. He led a project to clear the choking hyacinths from the St. Johns River. "His entry in his senior yearbook is so long you just know something had to be wrong!" He was accepted by Harvard and given a scholars.h.i.+p, then after one year transferred to MIT, where he earned degrees in engineering and astronomy. For four years he lived alone, in a room above a garage in Cambridge, and very little information about him survived; few people seemed to have known him. "He went through Boston like a ghost."
After college he took a National Service Corps job in Fort Walton Beach, Florida, and here was where he burst onto the national scene. He ran one of the most successful civilian works programs a.s.sociated with the NSC, building housing for Caribbean immigrants coming through Pensacola. Here thousands of people knew him, at least in his work life. "They all agree he was an inspirational leader, dedicated to the immigrants, working nonstop to help their integration into American society." It was in these years that he married Priscilla Jones, the beautiful daughter of a prominent Pensacola family. People spoke of a political career. "He was on top of the world!"
Then in 2004 the NSC was terminated, and in 2005 he joined the astronaut program in Huntsville, Alabama. His marriage broke up that same year. In 2007 he became an astronaut, and moved quickly into a "flying administration" post. One of his longest s.p.a.ce flights was six weeks on the American s.p.a.ce station, alone with fellow rising star John Boone. He became head of NASA in 2015, while Boone became captain of the s.p.a.ce station. Chalmers and Boone together rode the "Mars Apollo" project through the American government, and after Boone made the first landing in 2020, they both joined the First Hundred, and went to Mars in 2027.
Maya stared at the clear black letters of the Roman alphabet. The pop articles with their one-liners and exclamation points had their suggestive moments, no doubt about it. A motherless boy with a father who drank; a hardworking idealistic youth, riding high and then losing a job and a marriage in the same year; that 2005 would be worth looking into in more detail. After that, he seemed pretty clearly in it for himself. That was what being an astronaut generally meant, in NASA or Glavkosmos; always trying to get more s.p.a.ce time, doing administration to get the power to get out more often.... By that time in his life, the brief descriptions chimed with the Frank she had known. No, it was the youth, the childhood; it was hard to see that, hard to imagine it as Frank.
She called up the index again, and ran down the list of biographical materials. There was an article called "Broken Promises: Frank Chalmers and the National Service Corps." Maya tapped out the calling code for it and the text appeared. She scrolled down until she saw his name.
Like many people with basic structural problems in their lives, Chalmers coped in his Pensacola years by filling the days with ceaseless activity. If he had no time to rest, then he had no time to think. This had been a successful strategy for him all the way back to high school, when in addition to all his school activities, he had worked twenty hours a week in a literacy program. And in Boston his academic load made him what one cla.s.smate called an "invisible man." We know less about this period of his life than any other. There are reports that he lived out of his car through his first Boston winter, using the bathrooms of a gym on campus. Only when he had secured the transfer to MIT do we have an address for him- Maya hit fast forward, click click click click.
The Florida panhandle was one of the poorest areas of the nation at the beginning of the twenty-first century, with Caribbean immigration, the closure of the local military bases, and Hurricane Dale combining to cause great misery. "You felt like you were working in Africa," one National Service Corps worker said. In his three years there we get our fullest view of Chalmers as a social creature, as he secured grants to expand a jobs program that made an immense impact on the entire coast, helping thousands who had moved into makes.h.i.+ft shelters after Dale. Training programs taught people to build their homes, meanwhile learning skills that could be put to use elsewhere. The programs were immensely popular among the recipients, but there was opposition to them from the local development industry. Chalmers was therefore controversial, and in the first years of the new century he appears often in the local media, enthusiastically defending the program and advocating it as part of a ma.s.s surge of gra.s.sroots social action. In a guest editorial for the Fort Walton Beach Journal he wrote, "The obvious solution is to turn all our energies on the problem and work on it as a systemic thing. We need to build schools to teach our children to read, and send them off to become doctors to heal us, and lawyers to work the powers that be, so we get our fair share. We need to build our own homes and our own farms, and feed ourselves."
The results in Pensacola and Fort Walton Beach got the local NSC larger grants from Was.h.i.+ngton, and matching grants from partic.i.p.ating corporations. At the high point, in 2004, the Pensacola Coast NSC employed 20,000 people, and was one of the main factors responsible for what was called the "Gulf Renaissance." Chalmers's marriage to Priscilla Jones, daughter of one of the old money families from Panama City, seemed to symbolize this new synthesis of poverty and privilege in Florida, and the two were a prominent couple in the society of the Gulf Coast for about two years.
The election of 2004 ended this period. The abrupt cancellation of the NSC was one of the new administration's first acts. Chalmers spent two months in Was.h.i.+ngton testifying before House and Senate subcommittees, trying to aid the pa.s.sage of a bill reinstating the program. The bill pa.s.sed, but the two Democratic Florida senators and the congressman from the Pensacola district did not support it, and Congress was unable to override the executive veto. The NSC "threatened market forces," the new administration said, and so it came to an end. The indictment and conviction of 19 congressmen (including Pensacola's representative) for lobbying irregularities originating in the building industry came eight years later, and by that time the NSC was a dead issue, its veterans scattered.
For Frank Chalmers it was a watershed. He retreated into a privacy from which in many respects he never emerged. The marriage did not survive the move to Huntsville, and Priscilla soon remarried a friend of the family she had known before Chalmers's arrival in the area. In Was.h.i.+ngton, Chalmers led an austere life in which NASA appeared to be his exclusive interest; he was famous for his 18-hour days, and the enormous impact they had on NASA's fortunes. These successes made Chalmers nationally famous, but no one at NASA or elsewhere in Was.h.i.+ngton claimed to know him well. The obsessive overscheduling served again as a mask, behind which the idealistic social worker of the Gulf Coast disappeared for good.
A disturbance at the front of the car caused Maya to look up. The j.a.panese were standing, pulling down luggage, and it was clear now that they were Burroughs natives; most of them were about two meters tall, gangly kids with toothy laughs and uniformly brilliant black hair. Gravity, diet, whatever it was, people born on Mars grew tall. This group of j.a.panese reminded Maya of the ectogenes in Zygote, those strange kids who had grown like weeds.... Now scattered over the planet, that whole little world gone, like all the others before it.
Maya grimaced, and on an impulse fast-forwarded her lectern to the article's ill.u.s.trations. There she found a photo of Frank at age twenty-three, in the beginning of his work with the NSC: a dark-haired kid with a sharp confident smile, looking at the world as if he were ready to tell it something it didn't know. So young! So young and so knowing. At first glance Maya thought it was the innocence of youth to look so knowing, but in fact the face did not look innocent. His had not been an innocent childhood. But he was a fighter, and he had found his method, and was prevailing. A power that couldn't be beaten, or so the smile seemed to say.
But kick the world, break your foot. As they said in Kamchatka.
The train slowed and glided to a smooth stop. They were in Fournier Station, where the Sabis.h.i.+ branch met the main Burroughs-to-h.e.l.las piste.