Polo. Part 11

Like Harry Lauder, thought Daisy wildly, Hamish should be wearing his kilt.

'I can't cope with your hopeless inefficiency any more,' he went on. 'The house is a tip. You never diary anything or pick up my cleaning. The children, particularly Perdita, are quite out of control. Their rooms are like cesspits. I owe it to my career. I can never invite backers or programme controllers, or anyone that matters, to the house. You can't even cope with Mother for a few days. It isn't as though you even worked.'

To justify leaving her, Hamish was deliberately pouring petrol on resentment that must have been smouldering for years.

'I'm sorry,' mumbled Daisy, 'I will try and be more efficient, I keep thinking about painting.'

'One wouldn't mind,' said Hamish with chilling dismissiveness, 'if you were any good. I married you fifteen years ago because I felt sorry for you. I feel I deserve some happiness.'

He's enjoying this, thought Daisy numbly. She could see Biddy Macleod crouched on top of the fridge like an old Buddha applauding him. Picking up her coffee cup she found the was.h.i.+ng-up machine already full and clean, and started unloading it.

'Until I met Wendy, I didn't know what happiness was,' said Hamish sententiously. 'She makes me feel so alive.'

'Alive, alive oh-ho,' mumbled Daisy. 'c.o.c.k-ups and muscles, alive, alive oh.' I'm going mad, she thought, I can't take this in.

Wendy's so interested in everything I do.'

Easy to be interested when you're in love, thought Daisy sadly. Trying to take ten mugs out of the machine, one finger through each handle, her hands were shaking so much, she dropped one on the stone floor.

'See what I mean, you're so hopeless,' said Hamish smugly.

Sweeping up the pieces, Daisy cut herself and wound a drying-up cloth round her hand.

'And frankly,' glancing in the kitchen mirror Hamish extracted a piece of muesli from his teeth, 'I can't put up with Perdita any more. I have forked out for that little tramp till I'm bankrupt.'

'Perdita,' said Daisy, losing her temper, 'would have been OK if you'd ever been nice to her.'

'Mother thinks she's seriously disturbed. There must be some bad blood somewhere.'

'That was definitely below the belt.' Daisy started throwing forks into the silver drawer.

'That is family silver,' said Hamish. is family silver,' said Hamish.

Not my family any more,' screamed Daisy, and picking up the drawer she emptied it into the Liberty's carrier bag beside the whisky and the gin. 'Take the b.l.o.o.d.y stuff away. So you're leaving me because I'm lousy at housework, and don't help your career, and you can't stand Perdita, and Wendy makes you feel so alive. Why can't you tell the truth and just say you enjoy s.c.r.e.w.i.n.g Wendy.'

'I knew you'd resort to cheap abuse.'

'Nothing cheap about those bills. Minicabs must have found their way blindfold to Wendy's and you must have kept Interflora in business. It ought to be re-named "Inter-Wendy" - you certainly were.'

'You've been snooping,' sighed Hamish. 'I was trying to conduct this with dignity. I had hoped to avoid animosity for Eddie's and Violet's sake.'

Daisy's eyes darted in terror. 'You're not going to take them away?'

'Only if you really can't cope,' said Hamish loftily. 'We'll have them at weekends and for a good chunk of the holidays. You can certainly have custody of Perdita and that appalling dog.'

'She's not appalling,' said Daisy, throwing Ethel a Bonio from the red box on top of the fridge. 'What about the house? We've only just moved in, and until we pay Pickfords I don't think they'll move us again.'

'You'll have to rent somewhere cheaper.'

Watching Ethel slotting the Bonio between her paws and eating it like an ice-cream, Daisy wished Violet could see her. 'What about the children?'

'Wendy and I told Eddie and Violet last night. We drove over to see them.' - 'How did they take it?' whispered Daisy. The blood was beginning to seep through the drying-up cloth.

'Very calmly, as I expected. Once they realized they'd still see a great deal of me, they stopped worrying.' He peered into the machine and picked out the potato peeler. Wendy's doesn't work, so I'll take this one.' He dropped it into the carrier bag. 'And how many times have I told you not to put bone-handled knives in - oh, what does it matter?'

Fluttering on the bottom window pane, Daisy suddenly saw a peac.o.c.k b.u.t.terfly which had survived the winter. Trying not to bruise it with her shaking hands, she let it out of the window.

It was Hamish's calmness that paralysed her. He might have been explaining to his leading lady that he was dropping her mid-film. Wendy would be so much better in the part.

'But I don't know anything about money,' she said in terror.

'You better learn. It's time you grew up.'

'And we're dreadfully overdrawn.'

'Whose fault is that?' said Hamish, gathering up his suitcases in the hall. 'You didn't exactly pull in your horns over Christmas. I can't afford you, Daisy. You can contact me through my lawyers.'

Daisy started to shake.

'Why didn't you tell me you wanted a divorce, before we went through all this ha.s.sle of moving?'

'I doubt if you'd have listened. You were so anxious to get here so Perdita could have her pony and you could paint, you couldn't think about anything else.' And he was gone.

The drying-up cloth round her hand was soaked with blood now. Looking out of the window, she gave a scream as Gainsborough pounced on the peac.o.c.k b.u.t.terfly and gobbled it up. It was no more good at coping with the outside world than she was.

12.

Fifteen years of marriage to Hamish had made Daisy feel a total failure as a wife, but they had equipped her even less for a divorce. Hamish had never let her pay a bill, renew a car licence or an insurance policy or look at a tax doc.u.ment. The first crus.h.i.+ng blow on visiting her solicitors was to discover that the Hollywood co-producers had decided to ground Hamish's movie project and his entire 200,000 investment had gone up in smoke. A visit to the bank manager confirmed that there was not only no money, but ma.s.sive debts. Hamish was OK. The co-producer of the movie, feeling guilty about Hamish's losses, offered him work in LA for at least a year and had also taken on Wendy as a PA. This took Hamish outside the jurisdiction of the courts, so it would cost Daisy a fortune in lawyers' fees to get a penny out of him.

Cruellest of all, now that Hamish had dumped Daisy, Biddy Macleod was quite prepared to subsidize him. For a start she was going to pay Violet's and Eddie's school fees and give them a fat allowance, but she refused to fork out anything for Perdita, which meant Perdita would have to leave her current boarding school - who were kindly allowing her to stay on until the end of term in late March.

As the creditors moved in, Daisy's jewellery, the silver and pictures and the better pieces of furniture all had to be sold. The owner of Brock House, who lived abroad, said Daisy could stay until April, but he must have his rent. Investigating the possibility of a council house, Daisy was told she was at the bottom of the list.

Locals tended to ignore her, not knowing what to say. A few London friends rang for grisly details and gave her more grisly details of the women, usually themselves, that Hamish had tried to get into bed. Then they shrugged their shoulders. Daisy was always losing things; why not her husband as well?

'Do ring us if you need us,' they said.

But Daisy didn't ring. However miserable she was inside, she projected an image of cheerfulness. Like her namesake already dotting the lawn outside, however much you mowed her down, she would pop up the next day.

Just before half-term Fresco's owner, Tim Jeddings, came to re-possess her because she hadn't been paid for either. Daisy couldn't watch as the pony was loaded into the trailer. Merry-eyed, muddy, a little fat from no exercise, she had brought so much happiness.

Daisy's plan had been to tell Perdita on the drive home, when no eye contact would make it easier. Then Perdita got a lift home with a schoolfriend, and instead of running into the house, headed straight for the stable, extracting a Granny Smith from her school skirt and joyfully screaming for Fresco.

It was a glorious day. The sun was lighting up the crimson buds on the beech trees; snowdrops spread like the Milky Way across the lawn.

'Fresco, Fresco,' Perdita's cries rang round the valley, bouncing off stone walls and trees. By now, greedy and loving, Fresco should have been belting up the field. A minute later, Perdita had burst into the kitchen, her breath coming in great gasps, shuddering and shaking from head to foot.

'Fresco must have jumped out of her field. We must get her a friend. Ring the police at once.'

'Darling, I'm afraid she's gone.'

'What d'you mean, gone?'

'Tim Jeddings took her back. The cheque bounced. We haven't got enough money to pay for her.'

For a second Perdita stared at her, her face changing from alabaster to putty. 'I don't believe you. There must be money from selling this house.'

'It's only rented.'

'You could have taken me away from school, I'd have got the money from somewhere. What about your jewels?' Daisy held out her ringless hands. 'They've all gone.' Then Perdita screamed and screamed.

'She's gone to a wonderful home up North,' babbled Daisy. 'I didn't want to tell you while you were at school.'

'But I never said goodbye,' screamed Perdita. 'I don't believe Tim's sold her yet.'

Rus.h.i.+ng into the hall, she found the telephone book. She was shaking so badly, she mis-dialled three times. 'Mr Jeddings, Mummy's lying. You haven't sold Fresco on yet.'

There was a long pause. Perdita slumped against the wall.

'You rotten b.a.s.t.a.r.d,' she screeched and crashed down the receiver.

Hearing the din, Ethel came rus.h.i.+ng in with a muddy nose and a dug-up dahlia root in her mouth, and threw herself delightedly on Perdita.

'Go away,' yelled Perdita, shoving Ethel violently away. 'Why haven't you sold her as well? Because she's darling Violet's dog, I suppose. Why the f.u.c.k can't you go out to work and earn some money like everyone else'smother, instead of producing c.r.a.ppy, awful paintings no-one wants?'

For half an hour she was so hysterical that Daisy was about to ring the doctor. Then she went silent, and wouldn't talk to Daisy or the other children when they came home. Nor would she eat. After she'd taken all three children back to school on Tuesday night, Daisy went into Perdita's room. Every cutting of Ricky France-Lynch, every photograph of Fresco, was ripped into tiny pieces all over the floor.

'Oh G.o.d, what have I done,' moaned Daisy, bursting into tears. She was interrupted half an hour later by the door bell. Imagining it was some creditor, she was just sidling downstairs intending to bolt the door when it opened and Basil Baddingham walked in. He looked so opulent with his patent leather hair and his even suntan and his wide, wolfish smile showing his perfect teeth, that he seemed to have come from another planet.

'Please go away,' said Daisy, clapping her hands over her blubbered, swollen face. 'It's not a good time.'

'Always a good time for a drink,' said Bas. Brandis.h.i.+ng a bottle of Dom Perignon, he set off purposefully towards the kitchen where lunch still lay on the table and Gainsborough was thoughtfully licking up Perdita's untouched shepherd's pie.

'I'm really not up to it,' mumbled Daisy.

'Get some gla.s.ses,' said Bas, removing the gold paper from the bottle. 'I am your knight in s.h.i.+ning armour.'

'I had one of those,' said Daisy, 'but he walked out because I didn't keep it s.h.i.+ning enough.'

'I know. You've had a rotten time. But you're well shot of him. I'd have been round sooner, but I've been in Palm Beach. Have you found somewhere to live?'

'There's a flat on the Bledisloe Estate.'

'Won't do, far too rough,' said Bas. 'You and Perdita'd be sitting ducks for all the yobbos.'

At the pop of the champagne cork, Gainsborough shot out of the room, sending the remains of the shepherd's pie cras.h.i.+ng to the floor.

'Let's go and sit somewhere slightly more comfortable,' said Bas, filling up their gla.s.ses. There was still a sofa in the drawing room, but it was bitterly cold.

'Bailiffs do this?' asked Bas, then, as Daisy nodded: 'You poor old thing.'

Under his gentle questioning, Daisy told him about the selling of Fresco and Hamish's departure.

'I know it seems like the end of the world,' said Bas, 'but you're an extremely pretty lady, and scores of men are going to come running after you once you've got your confidence back, including me.'

Daisy giggled, feeling slightly happier.

'I've got a much better idea,' Bas went on. 'You can't move into the Bledisloe Estate. One of Ricky's tenants finally kicked the bucket during the big freeze. He lived in a lovely little house, Snow Cottage, on the edge of Ricky's land. Been there for thirty years. Only paid ten pounds a week. Ricky was too soft to put up the rent. Now he wants me to sell the house to some rich weekenders. It's a bit tumbledown, but there are three bedrooms and an orchard, and the same stream that runs through Rupert's land, so you'll have condoms flowing past your door. The only problem is you'll also have Philippa and Lionel Mannering - I met you at their party - gazing down at you from their awful house. But come the summer they won't be able to see through the trees. Anyway, she'll be far too interested in Ricky when he comes out of prison to waste much time on you.'

'Won't Ricky mind us living there?' asked Daisy, hardly daring to hope.

'He's not minding anything much at the moment, poor b.a.s.t.a.r.d, except Will dying and Chessie b.u.g.g.e.ring off. I'm sure he'll let you stay for a year while you sort yourself out. I see no reason to alter the rent.'

'But I thought he was desperately short of cash. Oughtn't you to sell it for him?'

'Certainly not,' said Bas, filling up her gla.s.s. 'It's insane to sell anything at the moment. Since the Prince of Wales moved into the area, property's going to quadruple in Ruts.h.i.+re over the next few years. I'll take you to see it tomorrow.'

'It's a heavenly cottage,' said Daisy brightly as she drove a stony-faced Perdita home at the beginning of the school holidays. 'I know we're all going to be terribly happy there.'

'You said the same thing about Brock House,' snapped Perdita.

She looked pinched and miserable, her hair had lost all its sheen, her eyes their jetty sparkle.

'How many bedrooms are there?'

'Three, so someone will have to share; perhaps you and Violet.'

'We will not!'

'Well, there's a room off the sitting room we can use,' said Daisy placatingly, wistfully bidding goodbye to a possible studio, 'and it's surrounded by fields, so perhaps one day we'll be able to afford a pony again.'

Perdita shot her mother a black stare of hatred. 'Shut up about that,' she hissed.

The holidays were a nightmare. Daisy was so broke that they were living virtually on bread and jam, and Perdita's hatred corroded everything. Although she had grumbled in the past about her boarding schools, she bitterly resented being sent to a comprehensive and was absolutely mortified that Biddy was forking out for Violet and Eddie.

Daisy felt awful and wished she could raise two fingers to Biddy and send all the children to the local comprehensive, but to make ends meet she was due to start a job as a filing clerk at a nearby Christmas pudding factory at the beginning of May, and she thought Eddie and Violet were too young to come home to an empty house every evening.

Besides, the women's magazines all advised one to leave children at their schools: 'At the time of divorce, school is often the only continuity.'

The day before Violet went back, she and Perdita had a terrible row. Perdita had just endured a week at her new school, where her strange set face and uppity manners had done nothing to endear her to her cla.s.smates. One boy had called her t.u.r.dita, and when she screamed at him, the others had taken up the refrain. Getting home, Perdita took it out on Violet, who'd just had a letter from Hamish announcing that Wendy was pregnant.