Archer - The Chill Part 8

"I could call Dad in Long Beach."

"That might be a good idea, later."

"Couldn't we take her to the hospital?"

"Not without a private doctor to protect her."

"Protect her from what?"

"The police, or the psycho ward. I don't want her answering any official questions until I have a chance to check on Helen."

The girl whimpered. "I don't want to go to the psycho ward. I had a doctor in town here a long time ago." She was sane enough to be frightened, and frightened enough to cooperate.

"What's his name?"

"Dr. G.o.dwin. Dr. James G.o.dwin. He's a psychiatrist. I used to come in and see him when I was a little girl."

"Do you have a phone in the gatehouse?"

"Mrs. Bradshaw lets me use her phone."

I left them and walked up the driveway to the main house. I could smell fog even at this level now. It was rolling down from the mountains, flooding out the moon, as well as rising from the sea.

The big white house was quiet, but there was light behind some of the windows. I pressed the bell push. Chimes tinkled faintly behind the heavy door. It was opened by a large dark woman in a cotton print dress. She was crudely handsome, in spite of the pitted acne scars on her cheekbones. Before I could say anything she volunteered that Dr. Bradshaw was out and Mrs. Bradshaw was on her way to bed.

"I just want to use the phone. I'm a friend of the young lady in the gatehouse."

She looked me over doubtfully. I wondered if Dolly's contagion had given me a wild irrational look.

"It's important," I said. "She needs a doctor."

"Is she sick?"

"Quite sick."

"You shouldn't ought to leave her alone."

"She isn't alone. Her husband's with her."

"But she is not married."

"We won't argue about it. Are you going to let me call a doctor?"

She stepped back reluctantly and ushered me past the foot of a curved staircase into a book-lined study where a lamp burned like a night light on the desk. She indicated the telephone beside it, and took up a watchful position by the door.

"Could I have a little privacy, please? You can search me on the way out"

She sniffed, and withdrew out of sight. I thought of calling Helen's house, but she wasn't in the telephone directory. Dr. James G.o.dwin fortunately was. I dialed his number. The voice that eventually answered was so quiet and neutral that I couldn't tell if it was male or female.

"May I speak to Dr. G.o.dwin?"

"This is Dr. G.o.dwin." He sounded weary of his ident.i.ty.

"My name is Lew Archer. I've just been talking to a girl who says she used to be your patient. Her maiden name was Dolly or Dorothy McGee. She's not in a good way."

"Dolly? I haven't seen her for ten or eleven years. What's troubling her?"

"You're the doctor, and I think you'd better see her. She's hysterical, to put it mildly, talking incoherently about murder."

He groaned. With my other ear I could hear Mrs. Bradshaw call hoa.r.s.ely down the stairs: "What's going on down there, Maria?"

"The girl Dolly is sick, he says."

"Who says?"

"I dunno. Some man."

"Why didn't you tell me she was sick?"

"I just did."

Dr. G.o.dwin was talking in a small dead voice that sounded like the whispering ghost of the past: "I'm not surprised this material should come up. There was a violent death in her family when she was a child, and she was violently exposed to it. She was in the immediate pre-pubic period, and already in a vulnerable state."

I tried to cut through the medical jargon: "Her father killed her mother, is that right?"

"Yes." The word was like a sigh. "The poor child found the body. Then they made her testify in court. We permit such barbarous things--" He broke off, and said in a sharply different tone: "Where are you calling from?"

"Roy Bradshaw's house. Dolly is in the gatehouse with her husband. It's on Foothill Drive--"

"I know where it is. In fact I just got in from attending a dinner with Dean Bradshaw. I have another call to make, and then I'll be right with you."

I hung up and sat quite still for a moment in Bradshaw's leather-cus.h.i.+oned swivel chair. The walls of books around me, dense with the past, formed a kind of insulation against the present world and its disasters. I hated to get up.

Mrs. Bradshaw was waiting in the hallway. Maria had disappeared. The old woman was breathing audibly, as if the excitement was a strain on her heart. She clutched the front of her pink wool bathrobe against her loosely heaving bosom.

"What's the trouble with the girl?"

"She's emotionally upset."

"Did she have a fight with her husband? He's a hothead, I could hardly blame her."

"The trouble goes a little deeper than that. I just called Dr. G.o.dwin the psychiatrist. She's been his patient before."

"You mean to tell me the girl is--?" She tapped her veined temple with a swollen knuckle.

A car had stopped in the driveway, and I didn't have to answer her question. Roy Bradshaw came in the front door. The fog had curled his hair tight, and his thin face was open. It closed up when he saw us standing together at the foot of the stairs.

"You're late," Mrs. Bradshaw said in an accusing tone. "You go out wining and dining and leave me here to cope all by myself. Where were you, anyway?"

"The Alumni banquet. You can't have forgotten that. You know how those banquets drag on, and I'm afraid I made my own contribution to the general boredom." He hesitated, becoming aware of something in the scene more serious than an old woman's possessiveness. "What's up, Mother?"

"This man tells me the little girl in the gatehouse has gone out of her mind. Why did you have to send me a girl like that, a psychiatric patient?"

"I didn't send her."

"Who did?"

I tried to break in on their foolishness, but neither of them heard me. They were intent on their game of emotional pingpong, which had probably been going on since Roy Bradshaw was a boy.

"It was either Laura Sutherland or Helen Haggerty," he was saying. "Professor Haggerty is her counselor, and it was probably she."

"Whichever one it was, I want you to instruct her to be more careful next time. If you don't care about my personal safety--"

"I _do_ care about your safety. I care very much about your safety." His voice was strained thin between anger and submissiveness. "I had no idea there was anything the matter with the girl."

"There probably wasn't," I said. "She's had a shock. I just called a doctor for her. Dr. G.o.dwiii."

Bradshaw turned slowly in my direction. His face was strangely soft and empty, like a sleeping boy's.

"I know Dr. G.o.dwin," he said. "What kind of a shock did she sustain?"

"It isn't clear. I'd like to talk to you in private."

Mrs. Bradshaw announced in a trembling voice: "This is my house, young man."

She was telling me, but she was also reminding Bradshaw, flicking the economic whip at him. He felt its sting: "I live here, too. I have my duties to you, and I try to perform them satisfactorily. I also have my duties to the students."

"You and your precious students." Her bright black eyes were scornful. "Very well. You can have your privacy. I'll go outside."

She actually started for the front door, drawing her bathrobe around her lumpy body as if she was being cast out into a blizzard. Bradshaw went after her. There were pullings and haulings and cajolings and a final goodnight embrace, from which I averted my eyes, before she climbed heavily up the stairs, with his a.s.sistance.

"You mustn't judge Mother too harshly," he said when he came down. "She's getting old, and it makes it hard for her to adjust to crises. She's really a generous-hearted soul, as I have good reason to know."

I didn't argue with him. He knew her better than I did.

"Well, Mr. Archer, shall we go into my study?"

"We can save time if we talk on the road."

"On the road?"

"I want you to take me to Helen Haggerty's place if you know where it is. I'm not sure I can find it in the dark."

"Why on earth? Surely you're not taking Mother seriously? She was simply talking to hear herself talk."

"I know. But Dolly's been doing some talking, too. She says that Helen Haggerty is dead. She has blood on her hands, by way of supporting evidence. I think we'd better go up there and see where the blood came from."

He gulped. "Yes. Of course. It isn't far from here. In fact it's only a few minutes by the bridle path. But at night we'll probably get there faster in my car."

We went out to his car. I asked him to stop at the gatehouse, and glanced in. Dolly was lying on the studio bed with her face turned to the wall. Alex had covered her with a blanket. He was standing by the bed with his hands loose.

"Dr. G.o.dwin is on his way," I said in a low voice. "Keep him here till I get back, will you?"

He nodded, but he hardly appeared to see me. His look was still inward, peering into depths he hadn't begun to imagine until tonight.

chapter 9.

Bradshaw's compact car was equipped with seat-belts, and he made me fasten mine before we set out. Between his house and Helen's I told him as much as I thought he needed to know about Dolly's outpourings. His response was sympathetic. At my suggestion, he left his car by the mailbox at the foot of Helen's lane. When we got out I could hear a foghorn moaning from the low sea.

Another car, a dark convertible whose shape I could barely make out through the thickening air, was parked without lights down the road. I ought to have shaken it down. But I was pressed by my own private guilt, and eager to see if Helen was alive.

Her house was a faint blur of light high among the trees. We started up the hairpinning gravel driveway. An owl flew low over our heads, silent as a traveling piece of fog. It lit somewhere in the gray darkness, called to its mate, and was answered. The two invisible birds seemed to be mocking us with their sad distant foghorn voices.

I heard a repeated crunching up ahead. It resolved itself into footsteps approaching in the gravel. I touched Bradshaw's sleeve, and we stood still. A man loomed up above us. He had on a topcoat and a snap-brim hat. I couldn't quite see his face.

"h.e.l.lo."

He didn't answer me. He must have been young and bold. He ran straight at us, shouldering me, spinning Bradshaw into the bushes. I tried to hold him but his downhill momentum carried him away.

I chased his running footfalls down to the road, and got there in time to see him climbing into the convertible. Its engine roared and its parking lights came on as I ran toward it. Before it leaped away, I caught a glimpse of a Nevada license and the first four figures of the license number. I went back to Bradshaw's car and wrote them down in my notebook: FT37.

I climbed up the driveway a second time. Bradshaw had reached the house. He was sitting on the doorstep with a sick look on his face. Light poured over him from the open door and cast his bowed shadow brokenly on the flagstones.

"She _is_ dead, Mr. Archer."

I looked in. Helen was lying on her side behind the door. Blood had run from a round bullet hole in her forehead and formed a pool on the tiles. It was coagulating at the edges, like frost on a dark puddle. I touched her sad face. She was already turning cold. It was nine-seventeen by my watch.

Between the door and the pool of blood I found a faint brown hand-print still sticky to the touch. It was about the size of Dolly's hand. She could have fallen accidentally, but the thought twisted through my head that she was doing her best to be tried for murder. Which didn't necessarily mean that she was innocent.

Bradshaw leaned like a convalescent in the doorway. "Poor Helen. This is a heinous thing. Do you suppose the fellow who attacked us--?"

"I'd say she's been dead for at least two hours. Of course he may have come back to wipe out his traces or retrieve his gun. He acted guilty."

"He certainly did."

"Did Helen Haggerty ever mention Nevada?"

He looked surprised. "I don't believe so. Why?"

"The car our friend drove away in had a Nevada license."

"I see. Well, I suppose we must call the police."