Memories Of The Night 480 Chapter 480: She Is Not Feeling Well

Duke, who has always been gentle and elegant, now gets a sharper voice, "I asked you to keep a close watch on her! What were you doing?"

He even doesn't know when the woman left!

His dereliction of duty totally ruined the great plan!

Sensing the anger in Duke's tone, the short man dares not refute and obediently bows his head for being scolded.

Last night, he kept standing outside the room until one o'clock.

He thought nothing would happen, so he found somewhere else for a break.

He called Annie as early as possible this morning.

But who knows he was still a little late.

After he hangs up, Duke is somewhat agitated and keeps walking around the room.

Edward has once again discussed with Frank about the marriage of Aaron and Annie.

And his plans have failed again and again.

Anyway, he can't make their engagement a success.

At this moment, in the hotel room.

When Annie falls in his arms, Aaron's face suddenly becomes awkward.

Then, without hesitation, he pushes Annie out and speaks coldly, "I'm going for work now. Please leave right away!"

Aaron turns around, walks into the bedroom, and begins to change clothes.

Hearing his extremely calm tone and seeing his tall and straight back, Annie can't help being slightly distracted.

Strangely, someone did call her and say Aaron was not feeling well.

But he doesn't seem to have any abnormalities except for his bad temper.

In other words, his secretary was too exaggerated.

Noticing Aaron's indifference, Annie dares not stay here for a long time.

Despite some reluctance, she turns her head step by step and finally leaves.

After Aaron changes his clothes, he suddenly sees the purse lying beside.

A complicated look flashes through Aaron's eyes, and finally, he picks up his purse, throws it into his car, and drives to work.

As for the purse, he'll ask the secretary to return it to the woman.

Katrina is now walking alone on the busy street.

She's just wearing only a man's s.h.i.+rt, although it covers her well, a pair of revealing fair legs still attracts many pa.s.sers-by.

Katrina buries her head and carefully avoids people's eyes.

But how can she hide from all eyes like that?

At this point, she feels like a clown, only to feel that everyone is laughing at her.

It's really far from where she lives.

She's really tired after walking so far with a weak body.

When Katrina reaches a crossroads, she finally can't support her weak body with feeble legs and faints on the ground.

A beautiful young girl is fainting on the roadside with only a man's s.h.i.+rt on her body. She is beautiful beyond words. She can be seen with some ambiguous red marks on her clavicle.

Any man who sees such a picture will unconsciously take another look.

There are even people who are staring at her crotch, wanting to see unique scenery.

Aaron driving the car happens to pa.s.s by the crossroads and sees several people on the side of the road surrounding someone who seems to faint to the ground.

Aaron doesn't want to care, but when he drives away, he really feels uneasy with a kind of inexplicable bad feeling.

d.a.m.n it; it won't be that woman again!

Last time, he accidentally came across her, and she fainted.

This time, she was banished by him from the room early in the morning. It can't happen to her once again!

Aaron is still a little uneasy and then drives back.

And when he parks on the roadside, pushes the door off and looks towards the crowd with his height advantage, he is sure enough to see the familiar figure who's still wearing his s.h.i.+rt.

Aaron's eyebrows are twisted at the moment as if he has some unspeakable helplessness.

This silly woman!

She faints on the street again!

He really doesn't know how her stubbornness and persistence emerged from such a weak body, and she kept clinging to him.

Just then, there's a man of enough courage and evil ideas when he sees a beautiful young woman faint on the ground. He immediately produces a bad idea.

"Honey, why are you here?"

The man exclaims with a painful expression.

Then he pushes through the crowd and runs towards Katrina.

"Sorry, guys. I had a quarrel with my wife this morning, and she left home with anger. I was looking for her for such a long time and finally find her now. I'll take her back! Sorry!"

As the man says, he raises Katrina, who has fainted here, to take her away.

As soon as people see that her husband has come, they walk away.

And just when the man is about to take Katrina home gleefully, suddenly, a tall and straight figure stands in front of him.

The man doesn't care and wants to make a detour.

When he sees the pair of hands-on Katrina's waist, Aaron feels a sense of disgust.

Although he doesn't like her very much and keeps running away from her, can't wait for her to disappear in his vision, he doesn't know why he will be out of sorts when he sees other men touch her or ogling her.

When the man pa.s.ses him with Katrina in his arms...

Aaron suddenly buckles his shoulder.

The man is stunned, but on the surface, he tries to speak calmly and asks, "Who are you? What are you going to do?"

Aaron's black eyes have no emotional feelings. He stares at him tightly and speaks coldly, "Let her go!"

Although the man is a little panicky, he is still unwilling to release the prey.

"She is my wife! I'll take her home. It's none of your business!"

Seeing the man still deny it, Aaron turns angry and suddenly increases his strength.

"Oh!"

Hearing only a painful howl, the man unconsciously releases Katrina.

At the moment when the man lets go, Aaron puts out his other hand and holds Katrina's waist, directly to avoid her falling to the ground.

And he clasps the hand on the man's shoulder, and his strength is still not reduced by half.

The man cries in pain, while desperately apologizing, "I'm wrong! I'm wrong! Sorry! Please let me go! I don't want to do anything to her. I just want to take her to the hospital because she's not feeling well."

The man's voice is still in the air, but he feels that his shoulder seems to be crushed and hurt even more.