Breathing Lessons Part 25

She didn't answer. (Anything she said might look like bickering.) Instead she walked away from him. She headed toward the kitchen in what she hoped was a dignified silence, but Ira followed, saying, "Look here, Maggie, you can't keep engineering other people's lives this way. Face facts! Wake up and smell the coffee!"

Ann Landers's favorite expression: Wake up and smell the coffee. She hated it when he quoted Ann Landers. She went over to the counter and started dropping chicken parts into the paper bag.

"Soapbox!" Ira marveled to himself.

"You want peas with your chicken?" she asked. "Or green beans."

But Ira said, "I'm going to go wash up." And he left.

So here she was alone. Well! She brushed a tear from her lashes. She was in trouble with everybody in this house, and she deserved to be; as usual she had acted pushy and meddlesome. And yet it hadn't seemed like meddling while she was doing it. She had simply felt as if the world were the tiniest bit out of focus, the colors not quite within the lines-something like a poorly printed newspaper ad-and if she made the smallest adjustment then everything would settle perfectly into place.

"Stupid!" she told herself, rattling the chicken parts in the bag. "Stupid old nosy-bones!" She slammed a skillet onto the stove and poured in too much oil. She twisted a k.n.o.b savagely and then stood back and waited for the burner to heat. Now look: Droplets of oil were dotted across the front of her best dress, over the mound of her stomach. She was clumsy and fat-stomached and she didn't even have the sense to wear an ap.r.o.n while she was cooking. Also she had paid way too much for this dress, sixty-four dollars at Hecht's, which would scandalize Ira if he knew. How could she have been so greedy? She dabbed at her nose with the back of her hand. Took a deep breath. Well. Anyhow.

The oil wasn't hot enough yet, but she started adding the chicken. Unfortunately, there was quite a lot of it. Too much, it appeared now. (Unless they could coax Jesse back before suppertime.) She had to push the pieces too close together in order to fit in the last few drumsticks.

Peas, or green beans? That still hadn't been settled. She wiped her hands on a dishtowel and went out to the living room to check. "Leroy," she said, "what would-?"

But the living room was empty. Leroy's record had a worn sound now, as if it were playing for the second or third time. "Truckin', got my chips cashed in..." an a.s.sortment of men sang doggedly. No one sat on the sofa or in either of the armchairs.

Maggie crossed the hallway to the front porch and called, "Leroy? Fiona?"

No answer. Four vacant rockers faced out toward the streetlight.

"Ira?"

"Upstairs," he called, his voice m.u.f.fled-sounding.

She turned away from the door. Fiona's suitcase, thank goodness, still stood at the foot of the stairs; so she couldn't have gone far. "Ira, is Leroy with you?" Maggie called. couldn't have gone far. "Ira, is Leroy with you?" Maggie called.

He appeared on the landing with a towel draped around his neck. Still drying his face, he looked down at her.

"I can't find her," she told him. "I can't find either one of them."

"Did you look on the porch?"

"Yes."

He came downstairs, carrying the towel. "Well, maybe they went out back," he said.

She followed him through the front door and around the side of the house. The night air was warm and humid. A gnat or mosquito whined in her ear and she waved it away. Who would want to be out here at this hour? Not Leroy or Fiona, evidently. The backyard, when they reached it, was a small, empty square of darkness.

"They've gone," Ira told her.

"Gone? You mean for good?"

"They must have."

"But their suitcase is still in the hall."

"Well, it was pretty heavy," he said, and he took her arm and steered her up the back porch steps. "If they were traveling on foot, they most likely didn't want to carry it."

"On foot," she said.

In the kitchen, the chicken was crackling away. Maggie paid no attention, but Ira turned the burner down.

"If they're on foot, we can catch them," Maggie said.

"Wait, Maggie-"

Too late; she was off. She sped through the hall again, out the door, down the steps to the street. Fiona's sister lived somewhere west of here, near Broadway. They would have turned left, therefore. Shading her eyes beneath the glare of the streetlight, Maggie peered up the stretch of deserted sidewalk. She saw a white cat walking alone in that high-bottomed, hesitant manner that cats take on in unfamiliar surroundings. A moment later a girl with long dark hair flew out of an alley and scooped it up, crying "Turkey! alone in that high-bottomed, hesitant manner that cats take on in unfamiliar surroundings. A moment later a girl with long dark hair flew out of an alley and scooped it up, crying "Turkey! There There you are!" She vanished with a flounce of her skirt. A car pa.s.sed, leaving behind a sc.r.a.p of a ball game: "... no outs and the bases loaded and it's hot times on Thirty-third Street tonight, folks..." The sky glowed a grayish pink over the industrial park. you are!" She vanished with a flounce of her skirt. A car pa.s.sed, leaving behind a sc.r.a.p of a ball game: "... no outs and the bases loaded and it's hot times on Thirty-third Street tonight, folks..." The sky glowed a grayish pink over the industrial park.

Ira came up and set a hand on her shoulder. "Maggie, honey," he said.

But she shook him off and started back toward the house.

When she was upset she lost all sense of direction, and she concentrated now on her path like a blind man, reaching out falteringly to touch the little boxwood hedge by the walk, stumbling twice as she climbed the steps to the porch. "Sweetheart," Ira said behind her. She crossed the hallway to the foot of the stairs. She laid Fiona's suitcase flat and knelt to unfasten the latches.

Inside she found a pink cotton nightgown and a pair of child's pajamas and some lacy bikini underpants-none of these folded but scrunched instead like wrung-out dishcloths. And beneath those, a zippered cosmetics case, two stacks of tattered comic books, half a dozen beauty magazines, a box of dominoes, and a giant, faded volume of horse stories. All objects Fiona and Leroy could easily do without. What they couldn't do without-Fiona's purse and Leroy's baseball glove-had gone with them.

Sifting through these layers of belongings while Ira stood mute behind her, Maggie had a sudden view of her life as circular. It forever repeated itself, and it was entirely lacking in hope.

Chapter 4.

There was an old man in Maggie's nursing home who believed that once he reached heaven, all he had lost in his lifetime would be given back to him. "Oh, yes, what a good idea!" Maggie had said when he told her about it. She had a.s.sumed he meant intangibles-youthful energy, for instance, or that ability young people have to get swept away and impa.s.sioned. But then as he went on talking she saw that he had something more concrete in mind. At the Pearly Gates, he said, Saint Peter would hand everything to him in a gunnysack: The little red sweater his mother had knit him just before she died, that he had left on a bus in fourth grade and missed with all his heart ever since. The special pocketknife his older brother had flung into a cornfield out of spite. The diamond ring his first sweetheart had failed to return to him when she broke off their engagement and ran away with the minister's son.

Then Maggie thought of what she might find in her own gunnysack-the misplaced compacts, single earrings, and umbrellas, some of which she hadn't noticed losing at the time but recollected weeks or months afterward. ("Didn't I used to have a ...?" "Whatever became of my ...?") Objects freely given up, even, which later she wished back again-for example, those 1950s skirts she had donated to Goodwill, now that lower hemlines were once more in fas.h.i.+on. And she had said, "Oh, yes," again, but a shade less certainly, for it didn't seem that she had suffered losses quite as bitter as the old man's. skirts she had donated to Goodwill, now that lower hemlines were once more in fas.h.i.+on. And she had said, "Oh, yes," again, but a shade less certainly, for it didn't seem that she had suffered losses quite as bitter as the old man's.

Now, though (sorting leftover fried chicken into plastic containers for Ira's lunches), she reconsidered that gunnysack, and this time it bulged much fuller. She remembered a green dress that her brother Josh's wife, Natalie, had admired one day. Maggie had said, "Take it, it matches your eyes," for it truly did, and she had been glad for Natalie to have it; she had loved her like a sister. But then Josh and Natalie had divorced and Natalie moved away and didn't keep in touch anymore, as if she'd divorced Maggie as well, and now Maggie wanted that dress returned. It used to move so fluidly when she walked! It was one of those dresses that go anywhere, that feel right for every occasion.

And she would like that funny little kitten, Thistledown, who'd been Ira's very first present to her in their courting days. She was a jokey, mischievous creature, forever battling imaginary enemies with her needle teeth and soft gray paws, and Maggie and Ira used to spend hours playing with her. But then Maggie had unintentionally murdered the poor thing by running her mother's dryer without checking inside first, and when she'd gone to pull the clothes out there was Thistle, as limp and frowsy and boneless as her namesake, and Maggie had cried and cried. After that there had been a whole string of other cats-Lucy and Chester and Pumpkin-but now all at once Maggie wanted Thistle back again. Surely Saint Peter allowed animals in that gunnysack, didn't he? Would he allow all the lean, una.s.suming dogs of Mulraney Street, those part-this-part-thats whose distant voices had barked her to sleep every night of her childhood? Would he allow the children's little gerbil, tirelessly plodding the years away on his wire treadmill till Maggie set him free out of pity and Pumpkin caught him and ate him? he allow the children's little gerbil, tirelessly plodding the years away on his wire treadmill till Maggie set him free out of pity and Pumpkin caught him and ate him?

And that corny key chain she used to have, a metal disk that rotated on an axle, with LOVES ME LOVES ME on one side and on one side and LOVES ME NOT LOVES ME NOT on the other. Boris Drumm had given her that, and when Jesse got his license she had sentimentally pa.s.sed it on to him. She had dropped it into his palm after chauffeuring him home from his driver's test, but unfortunately the car was still in gear and it had started rolling as she climbed out. "Oh, great going, Ma," Jesse had said, reaching for the brake; and something about his lofty amus.e.m.e.nt had made her see him for the first time as a man. But now he carried his keys in a little leather case-snakeskin, she believed. She would like that key chain back again. She could actually feel it between her fingers-the lightweight, cheap metal and the raised lettering, the absentminded spin she used to give it as she stood talking with Boris: Loves me, loves me not. And once again she saw Boris rising up before her car as she practiced braking. Why, all he'd been trying to say was: Here I am! Pay me some notice! on the other. Boris Drumm had given her that, and when Jesse got his license she had sentimentally pa.s.sed it on to him. She had dropped it into his palm after chauffeuring him home from his driver's test, but unfortunately the car was still in gear and it had started rolling as she climbed out. "Oh, great going, Ma," Jesse had said, reaching for the brake; and something about his lofty amus.e.m.e.nt had made her see him for the first time as a man. But now he carried his keys in a little leather case-snakeskin, she believed. She would like that key chain back again. She could actually feel it between her fingers-the lightweight, cheap metal and the raised lettering, the absentminded spin she used to give it as she stood talking with Boris: Loves me, loves me not. And once again she saw Boris rising up before her car as she practiced braking. Why, all he'd been trying to say was: Here I am! Pay me some notice!

Also, her clear brown bead necklace that looked something like dark amber. Antique plastic, the girl at the thrift shop had called it. A contradiction in terms, you would think; but Maggie had loved that necklace. So had Daisy, who in her childhood often borrowed it, along with a pair of Maggie's high-heeled shoes, and finally lost it in the alley out back of the house. She had worn it jumping rope on a summer evening and come home in tears because it had vanished. Definitely that would be in the gunnysack. And the summer evening as well, why not-the children smelling of sweat and fireflies, the warm porch floorboards sticking slightly to your chair rockers, the voices ringing from the alley: "Call that that a a strike?" and "Miss Mary Mack, Mack, Mack, dressed all in black, black, black..." strike?" and "Miss Mary Mack, Mack, Mack, dressed all in black, black, black..."

She stowed the containers of chicken at the front of the refrigerator, where Ira couldn't overlook them, and she pictured Saint Peter's astonishment as he watched what spilled forth: a bottle of wind, a box of fresh snow, and one of those looming moonlit clouds that used to float overhead like dirigibles as Ira walked her home from choir practice.

The dishes in the draining rack were dry by now and she stacked them and put them in the cupboard. Then she fixed herself a big bowl of ice cream. She wished they had bought mint chocolate chip. Fudge ripple was too white-tasting. She climbed the stairs, digging her spoon in. At the door to Daisy's room, she paused. Daisy was kneeling on the floor, fitting books into a carton. "Want some ice cream?" Maggie asked her.

Daisy glanced up and said, "No, thanks."

"All you had for supper was a drumstick."

"I'm not hungry," Daisy said, and she pushed a lock of hair off her forehead. She was wearing clothes that she wouldn't be taking with her-baggy jeans and a blouse with a torn b.u.t.tonhole. Her room already seemed uninhabited; the knickknacks that usually sat on her shelves had been packed for weeks.

"Where are your stuffed animals?" Maggie said.

"In my suitcase."

"I thought you were leaving them home."

"I was, but I changed my mind," Daisy said.

She had been quiet all through supper. Maggie could tell she was anxious about tomorrow. It was like her not to talk about it, though. You had to read the signs-her lack of appet.i.te and her decision to bring her stuffed animals after all. Maggie said, "Well, honey, you let me know if you want any help."

"Thanks, Mom."

Maggie went on down the hall to the bedroom she shared with Ira. Ira was sitting tailor-fas.h.i.+on on the bed, laying out a game of solitaire. He had taken off his shoes and rolled his s.h.i.+rt sleeves up. "Care for some ice cream?" Maggie asked him.

"No, thanks."

"I shouldn't have any, either," she said. "But travel is such a strain, somehow. I feel I've burned a million calories just sitting in that car."

In the mirror above the bureau, though, she was positively obese. She set her ice cream on the dresser scarf and leaned forward to study her face, sucking in her cheeks to give herself a hollow look. It didn't work. She sighed and moved away. She went into the bathroom for her nightgown. "Ira," she called, her voice echoing off the tiles, "do you suppose Serena is still mad at us?"

She had to peer around the door to catch his answer: a shrug.

"I was thinking I might phone to see how she's doing," she told him, "but I'd hate for her to hang up on me."

She unb.u.t.toned her dress and pulled it over her head and tossed it onto the toilet lid. Then she stepped out of her shoes. "Remember when I helped her put her mother in the nursing home?" she asked. "That time, she didn't speak for months and whenever I tried to call she'd bang the receiver down. I hated when she did that. That thunk on the other end of the line. It made me feel so small. It made me feel we were back in third grade."

"That's because she was behaving behaving like a third-grader," Ira said. like a third-grader," Ira said.

Maggie came out in her slip to take another spoonful of ice cream. "And I don't even know why she got so upset," she told Ira's reflection in the mirror. "It was a perfectly honest mistake! I had the best intentions in the world! I said to her mother, 'Listen,' I said, 'you want to make a hit with the other residents? Want to show the staff right off that you're not just another bland old lady?' I mean this was Anita! Who used to wear the red toreador pants! I couldn't have them underestimating her, could I? That's why I told Serena we shouldn't take her in till Sunday evening, Halloween, and that's why I sewed that clown suit on my own machine and went all the way out Eastern Avenue to a what-do-you-call-it. What's it called?" world! I said to her mother, 'Listen,' I said, 'you want to make a hit with the other residents? Want to show the staff right off that you're not just another bland old lady?' I mean this was Anita! Who used to wear the red toreador pants! I couldn't have them underestimating her, could I? That's why I told Serena we shouldn't take her in till Sunday evening, Halloween, and that's why I sewed that clown suit on my own machine and went all the way out Eastern Avenue to a what-do-you-call-it. What's it called?"

"Theatrical supply house," Ira said, dealing out another row of cards.

"Theatrical supply house, for white greasepaint. How was I to know they'd thrown the costume party on Sat.u.r.day that year?"

She brought her ice cream over to the bed and settled down, propping her pillow against the headboard. Ira was frowning at his layout. "You would think I had deliberately plotted to make her a laughingstock," Maggie told him, "the way Serena carried on."

Whom she was picturing in her mind, though, was not Serena just then but Anita: her painted face, her red yarn hair, the triangles Maggie had lipsticked beneath her eyes which made them seem unnaturally bright or even teary, just like a real circus clown's. And then her chin quivering and denting inward as she sat in her wheelchair, watching Maggie leave.

"I was a coward," Maggie said suddenly, setting down her bowl. "I should have stayed and helped Serena get her changed. But I felt so foolish; I felt I'd made such a mess of things. I just said, 'Bye now!' and walked out, and the last I saw of her she was sitting there in a fright wig like somebody...inappropriate and senile and pathetic, with everyone around her dressed in normal clothing."

"Oh, honey, she adjusted to the place just fine, in the end," Ira said. "Why make such a big deal of it?"

"Because you didn't see how she looked, Ira. And also she was wearing one of those Poseys, you know? One of those Posey restraining devices because she couldn't sit upright on her own anymore. A clown suit and a Posey! I was dumb, I tell you."

She was hoping Ira would continue contradicting her, but all he did was lay a jack of clubs on a queen.

"I don't know why I kid myself that I'm going to heaven," Maggie told him.

Silence.

"So shall I call her, or not?"

"Call who?"

"Serena, Ira. Who have we been talking about here?"

"Sure, if you like," he said.

"But suppose she hangs up on me?"

"Then think of all you'll save on the phone bill."

She made a face at him.

She took the telephone from the nightstand and set it in her lap. Pondered it for a moment. Lifted the receiver. Tactfully, Ira bent lower over his cards and started whistling. (He was so polite about privacy, although as Maggie knew from experience you could overhear quite a lot while pretending to be absorbed in your song.) She punched in Serena's number very slowly and deliberately, as if that would help their conversation.

Serena's telephone gave two short rings instead of one long. Maggie thought of that as rural and slightly backward. Breep-breep Breep-breep, it said. Breep-breep Breep-breep.

Serena said, "h.e.l.lo?"

"Serena?"

"Yes?"

"It's me."

"Oh, hi."

Maybe she hadn't realized yet who "me" was. Maggie cleared her throat. She said, "It's Maggie."

"Hi, Maggie."

Maggie relaxed against her pillow and stretched her legs out. She said, "I called to see how you were doing."

"Just fine!" Serena said. "Or, well, I don't know. Not so hot, to tell the truth. I keep walking up and down, walking from one room to another. Can't seem to stay in one place."

"Isn't Linda there?"

"I sent her away."

"What for?"

"She got on my nerves."

"On your nerves! How?"

"Oh, this way and that. I forget. They took me out to dinner and...I admit it was partly my fault. I was acting sort of contrary. I didn't like the restaurant and I couldn't stand the people who were eating there. I kept thinking how good it would feel to be alone, to have the house to myself. But now here I am and it's so quiet. It's like I'm wrapped in cotton or something. I was thrilled to hear the phone ring."