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"It's very now. Global warming, pollution, toxins, BPA from plastics leaching into the environment has disrupted the spiritual realm or whatever you want to call it, so, if you're Hindu, and you go through some terrible trauma, part of your spirit breaks away and returns as the animal you were going to be reincarnated as."
"What do you you think about it?" I'm aware of her standing very still, all the better to psychoa.n.a.lyse me. think about it?" I'm aware of her standing very still, all the better to psychoa.n.a.lyse me.
"Does the therapy session come free with the tour?"
"Sorry, it's habituated. I'll stop." She holds up her hands in mock defeat.
"We were talking about art, I believe? The light is Conrad Botes and Brett Murray. The scapegoat is Louisa Betteridge."
"It's an upgrade from the rehab facility I went to. The only art we had was graffiti drawn on the toilet walls."
"Was that in prison? I've always wanted to do a prison programme. We run an outreach project in Hillbrow, you know. We do good work. A lot of aposymbiots. You should visit."
"Maybe I will," I smile thinly to make it clear that this will happen when h.e.l.l turns into a family-friendly summer resort. "Same deal?"
"Same tactics, different strategy. This isn't a broken leg, it's a long-term recovery. You don't want to do a story on that, do you? Make some noise? We've got some sponsors involved in our Hillbrow project, but it's difficult."
"Not really in my brief, sorry. I can pitch it for next time, maybe."
"I understand. Come, I'll show you the dorms."
We pa.s.s through the courtyard where a bunch of crazily beautiful boys and girls are lolling, smoking and chatting. There is a high ratio of killer cheekbones per capita.
"You obviously get a lot of models," I say, walking up a flight of stairs to the dorm floor. Two beds to a room. They're bright and cheery and rich in personal detail.
"Also musicians. DJs. Journalists. Advertising people. There are certain lifestyles where high-risk behaviour is endemic to the culture."
"Any names I'd recognise?"
"We take our privacy policy very seriously, Ms December. I hope you're not fis.h.i.+ng for some celebrity scandal. I didn't take you for a tabloid journalist." Unfortunately, that's one step up up from what I actually am. from what I actually am.
I decide not to ask her about Song or S'bu directly. Instead I show her the contents of my folded-up tissue the dried herbs I found in Song's bathroom.
"Actually, do you mind if I ask you what this is?"
She takes a pinch between her fingers and sniffs it. "I'm not the herb expert, but I'd guess African wormwood? It's very commonly used for cleansing, both by naturopaths and in traditional purification rituals. Some of our patients are into more alternative treatments."
"But you're not?"
"I like good old-fas.h.i.+oned medicine. Methadone is a very good thing. Although a lot of medication is based on herbal remedies. And you shouldn't discount the power of the placebo effect."
"Magic?"
"There haven't been enough studies to ease my mind about the efficacy."
I change tack, trying to circle back. "So what are the challenges?"
"With foreign patients? Language barriers, occasionally. The temptations of the exchange rate. It's very easy and very cheap to get drugs in Johannesburg. Not here, obviously. The problem comes afterwards, when they're in the third phase, out in the real world, staying at a halfway house."
"What about romance?" I fish.
"s.e.x addiction, you mean?"
"I was talking more about hook-ups."
"Totally inappropriate, of course. We try to discourage it. I say that because often it's a way of finding a subst.i.tute high, something else to latch onto, which ultimately doesn't help the patient."
"But it happens."
"It blooms like wildflowers. It's a very vulnerable time. Patients can form intense bonds that won't survive the fresh air of the real world. You're a recovering addict, so you would know. People can be very manipulative. They can end up enabling each other, falling back into old habits. And even if they don't, most of the relations.h.i.+ps don't last in the world out there."
"Any chance I could speak to some of your clie er, patients? Like Naisenya?"
"I'd be happy to set up some interviews for you. If you'd like to leave me with your card?" She holds out her hand.
I pretend to scruffle in my wallet. "Oh, hey. Fresh out."
Home>>SA PSYCHWEB>>Aposymbiot Counselling Resources>>Shadow-self Absorption Resources>>Shadow-self Absorption
Masks of Existence: The Demystification of Shadow-self Absorption
ABSTRACT.
This paper presents a case for the demystification of counselling approaches for Aposymbiot individuals who exhibit psychic trauma a.s.sociated with fear of the phenomenon known psychologically as shadow-self absorption and commonly as the "Undertow".
Whilst acknowledgement must be given to religious organisations and lay therapists and their work with Aposymbiot individuals, psychologists cannot ignore the continuing religious stigmatisation of Aposymbiots within society and within the therapeutic community itself. Therapists who themselves, either tacitly or (in rare cases) overtly, subscribe to the idea of Aposymbiotsas "animalled" or "zoos" and shadow-self absorption as "h.e.l.l's Undertow" or "The Black Judgement" perpetuate this stigmatisation and very often fail to see the very real trauma that Aposymbiots experience as a result of lifelong antic.i.p.ation of shadow-self absorption.
This trauma, most often experienced as an irrefutable and ever-increasing sense of oblivion, commonly manifests as an intense obsession with self-annihilation, acted out through extreme hedonism and criminal behaviour, or as a s.e.xualised fetish with self-destruction, as in the well-doc.u.mented baccha.n.a.lia of cults such as the Blood for Severance group, who engage in ma.s.s culling of their own animals to actively invoke the terror and rapture of shadow-self absorption.
Whilst the sensationalism of animal s.e.x and death has provoked the media into ever-increasing coverage of the exoticism of "zoos", society has largely ignored the true meaning of these acts: a desperate rallying cry from Aposymbiots who wish to take charge of their own existence rather than waiting to be led like the proverbial lamb, duck or llama to the divine slaughter.
Clinicians have a responsibility to heed these calls
and to change their approach to a more objective, empathetic and scientific understanding of shadow-self absorption, one that will ultimately result in the delivery of more effective forms of treatment.
Current scientific thought tends toward an understanding of the "Undertow" as a quantum manifestation of non-existence, a psychic equivalent of dark matter that indeed serves as a counterpoint to, and bedrock for, the principle of existence. The process of shadow-self absorption is, in fact, such an integral part of life as we know it, that in Dark Matter, Black Judgement Dark Matter, Black Judgement (2005) (2005), physicist Nareem Jazaar states: "were intelligent life to be found elsewhere in the universe, it would be impossible to imagine that society without some form of the Undertow." physicist Nareem Jazaar states: "were intelligent life to be found elsewhere in the universe, it would be impossible to imagine that society without some form of the Undertow."
This type of understanding of the "Undertow", not as divine judgement but rather as a necessary part of the fabric of the physical universe, can only serve to relieve Aposymbiot individuals of the intense burden of guilt they often carry.
Van Meer & Reeves et al. (2002) in fact doc.u.ment robust differences in behavioural function between religious and secular Aposymbiot groups and their response to therapy. In the course of their two-year study, the religious group showed markedly increased levels of guilt, aggression and suicidal ideation when compared to the secular and control groups.
Such studies form the basis for a s.h.i.+ft in the clinical and ethical framework with which therapists, and ultimately society as a whole, approach Aposymbiot interaction.
Vuyo insists on meeting me at Kaldi's coffee shop in Newtown, the funkified art, theatre, design and fas.h.i.+on capital of the inner city. They burned this neighbourhood down in the early 1900s to prevent the spread of bubonic plague, and it occurs to me that they should consider doing it again, to purge the blight of well-meaning hipsters desperately trying to paint it rainbow. I should really try to be less cynical.
I squeeze between the tables packed with actors, dancers, trendy new media folk, BEE venture capitalists in suits with no ties, and capitalist wannabes (also in suits, but with with ties) who have the ambition but not the office s.p.a.ce, and come to use Kaldi's free Wi-Fi. ties) who have the ambition but not the office s.p.a.ce, and come to use Kaldi's free Wi-Fi.
Vuyo is late. I check my emails on my phone and eavesdrop on the actorly bunch at the next table who are having a very heated and apparently hilarious debate about a proposed smackdown between David Mamet and Athol Fugard. Then again, they could be rehearsing lines from a play about the same.
There are another 312 responses to Eloria, including one from a French journalist who wants to do a story, is desperate to fly to DRC right away to meet. Vuyo would milk him for visa application fees, maybe even try to convince him to set up an emergency fund to help evacuate Eloria. I quietly delete it.