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"He's away. Didn't you know? He went just after you did. He was in London at Christmas--at least, that was the postmark on the parcels, but he has never written a word. He was always a bad correspondent, but he'll turn up one of these days."
Mrs. M'Cosh came in with the letters from the evening post.
"Actually a letter for me," said Jean, "from London. I expect it's from that landlord of ours. Surely he won't be giving us notice to leave The Rigs. Pamela, I'm afraid to open it. It looks like a lawyer's letter."
"Open it then."
Jean opened it slowly and read the enclosure with a puzzled frown; then she dropped it with a cry.
Pamela looked up from her work to see Jean with tears running down her face. Jock and Mhor stopped what they were doing and came to look at her. Peter rubbed himself against her legs by way of comfort.
"My dear," said Pamela, "is there anything wrong?"
"Oh, do you remember the little old man who came one day to look at the house and stayed to tea and I sang 'Strathairlie' to him? He's dead."
Jean's tears flowed afresh as she said the words. "How I wish I had been kinder to him. I somehow felt he was ill."
"And why have they written to tell you?" Pamela asked.
Jean picked up the letter which had fallen on the floor.
"It's from his lawyer, and he says he has left me money.... Read it, Pamela. I don't seem able to see the words."
So Pamela read aloud the letter that converted poverty-stricken Jean into a very wealthy woman.
Jean's face was dead white, and she lay back as if stunned, while Jock gave solemn utterance to the most complicated e.j.a.c.u.l.a.t.i.o.n he had yet achieved: "Goodness-gracious-mercy-Moses-Murphy-mumph-mumph-mumph!"
Mhor said nothing, but stared with grave green eyes at the stricken figure of the heiress.
"It's awful," Jean moaned.
"But, my dear," said Pamela, "I thought you wanted to be rich."
"Oh--rich in a gentle way, a few hundreds a year--but this--"
"Poor Jean, buried under bullion."
"You're all looking at me differently already," cried poor Jean. "Mhor, it's just the same me. Money can't make any real difference. Don't stare at me like that."
"Will Peter have a diamond collar now?" Mhor asked.
"Awful effect of sudden riches," said Pamela.
"Bear up, Jean--I've no doubt you'll be able to get rid of your money.
Just think of all the people you will be able to help. You needn't spend it on yourself you know."
"No, but suppose it's the ruin of the boys! I've often heard of sudden fortunes making people go all wrong."
"Now, Jean, does Jock look as if anything so small as a fortune could put him wrong? And David--by the way, where is David?"
"Out," said Jock, "getting something at the stationer's. Let me tell him when he comes in."
"Then I'll tell Mrs. M'Cosh," cried Mhor, and, followed by Peter, he rushed from the room.
The colour was beginning to come back to Jean's face, and the stunned look to go out of her eyes.
"Why in the world has he left it to me?" she asked Pamela.
"You see the lawyer suggests coming to see you. He will explain it all.
It's a wonderful stroke of luck, Jean. No wonder you can't take it in."
"I feel like the little old woman in the nursery-rhyme who said, 'This is none of I.' I'm bound to wake up and find I've dreamt it.... Oh, Mrs.
M'Cos.h.!.+"
"It's the wee laddie Scott to say his mother canna come and wash the morn's mornin'; she's no weel. It's juist as weel, seein' the biler's gone wrang. I suppose I'd better gie the laddie a piece?"
"Yes, and a penny." Then Jean remembered her new possessions. "No, give him this, please, Mrs. M'Cosh."
Mrs. M'Cosh received the coin and gasped. "Hauf a croon!" she said.
"Silver," said Pamela, "is to be no more accounted of than it was in the days of Solomon!"
"D'ye ken whit ye'll dae?" demanded Mrs. M'Cosh. "Ye'll get the laddie taen up by the pollis. Gie him thruppence--it's mair wise-like."
"Oh, very well," said Jean, thwarted at the very beginning of her efforts in philanthropy. "I'll go and see his mother to-morrow and find out what she needs. Have you heard the news, Mrs. M'Cosh?"
Mrs. M'Cosh came farther into the room and folded her hands on her snow-white ap.r.o.n.
"Weel, Mhor came in and tell't me some kinna story aboot a lot o' money, but I thocht he was juist bletherin'. Is't a fac'?"
"It would seem to be. The lawyer in London writes that Mr. Peter Reid--d'you perhaps remember an old man who came here to tea one day in October?--he came from London and lived at the Temperance--has left me all his fortune, which is a large one. I can't think why.... And I thought he was so poor, I wanted to have him here to stay, to save him paying hotel bills. Poor man, he must have been very friendless when he left his money to a stranger."
"It's a queer turn up onyway. I juist hope it's a' richt. But I would see it afore ye spend it. I wis readin' a bit in the papers the ither day aboot a wumman who got word o' a fortune sent her, and went and got a' sorts o' braw claes and things ower the heid o't, and here it wis a'
a begunk. And a freend o' mine hed a husband oot aboot Canada somewhere, and she got word o' his death, and she claimed the insurance, and got verra braw blacks, and here wha should turn up but his lords.h.i.+p, as leevin' as you or me! Eh, puir thing, she wis awfu' annoyed.... You be carefu', Miss Jean, and see the colour o' yer money afore ye begin giein' awa' hauf-croons instead o' pennies."
CHAPTER XIX
"O, I wad like to ken--to the beggar-wife says I-- Why chops are guid to brander and nane sae guid to fry, An' siller, that's sae braw to get, is brawer still to gie.
--_It's gey an' easy speirin'_, says the beggar-wife to me."
R.L.S.
It is always easier for poor human nature to weep with those who weep than to rejoice with those who rejoice. Into our congratulations to our more fortunate neighbour we often manage to squeeze something of the "hateful rind of resentment," forgetting that the cup of life is none too sweet for any of us, and needs nothing of our bitterness added.
Jean had not an enemy in the world, almost everyone wished her well, but in very few cases was there any marked enthusiasm about her inheritance.