The Essential Ellison Part 85

He was taller than Gus. They were all taller than Gus, but Wheeldon was beefier. I could see shadows surrounding him. Shadows of a boy who would grow into a man with a beer stomach and thick arms. But the eyes would always remain the same.

He shoved Gus in the face. Gus went back, dug in and charged him. Gus came at him low, head tucked under, fists tight at the end of arms braced close to the body, extended forward. He hit him in the stomach and wrestled him around. They struggled together like inept club fighters, raising dust.

One of the boys in the circle took a step forward and hit Gus hard in the back of the head. Gus turned his face out of Wheeldon's stomach, and Wheeldon punched him in the mouth. Gus started to cry.

I'd been frozen, watching it happen; but he was crying I looked both ways down the fence and found the break far to my right. I threw the cigarette away as I dashed down the fence, trying to look behind me. Then through the break and I was running toward them the long distance from far right field of the baseball diamond, toward the swings and see-saws. They had Gus down now, and they were kicking him.

When they saw me coming, they started to run away. Jack Wheeldon paused to kick Gus once more in the side, then he, too, ran.

Gus was lying there, on his back, the dust smeared into mud on his face. I bent down and picked him up. He wasn't moving, but he wasn't really hurt. I held him very close and carried him toward the bushes that rose on a small incline at the side of the playground. The bushes were cool overhead and they canopied us, hid us; I laid him down and used my handkerchief to clean away the dirt. His eyes were very blue. I smoothed the straight brown hair off his forehead. He wore braces; one of the rubber bands hooked onto the pins of the braces, used to keep them tension-tight, had broken. I pulled it free.

He opened his eyes and started crying again.

Something hurt in my chest.

He started snuffling, unable to catch his breath. He tried to speak, but the words were only mangled sounds, huffed out with too much air and pain.

Then he forced himself to sit up and rubbed the back of his hand across his runny nose.

He stared at me. It was panic and fear and confusion and shame at being seen this way. "Th-they hit me from in back," he said, snuffling.

"I know. I saw."

"D'jou scare'm off?"

"Yes."

He didn't say thank you. It wasn't necessary. The backs of my thighs hurt from squatting. I sat down.

"My name is Gus," he said, trying to be polite.

I didn't know what name to give him. I was going to tell him the first name to come into my head, but I heard myself say, "My name is Mr. Rosenthal."

He looked startled. "That's my name, too. Gus Rosenthal!"

"Isn't that peculiar," I said. We grinned at each other, and he wiped his nose again.

I didn't want to see my mother or father. I had those memories. They were sufficient. It was little Gus I wanted to be with. But one night I crossed into the backyard at 89 Harmon Drive from the empty lots that would later be a housing development.

And I stood in the dark, watching them eat dinner. There was my father. I hadn't remembered him as being so handsome. My mother was saying something to him, and he nodded as he ate. They were in the dinette. Gus was playing with his food. Don't mush your food around like that, Gus. Eat, or you can't stay up to hear Lux Presents Hollywood.

But they're doing "Dawn Patrol."Then don't mush your food.

"Momma," I murmured, standing in the cold, "Momma, there are children starving in Russia." And I added, thirty-five years late, "Name two, Momma."

I met Gus downtown at the newsstand.

"Hi."

"Oh. Hullo."

"Buying some comics?"

"Uh-huh."

"You ever read Doll Man and Kid Eternity?"

"Yeah, they're great. But I got them."

"Not the new issues."

"Sure do."

"Bet you've got last month's. He's just checking in the new comics right now."

So we waited while the newsstand owner used the heavy wire snips on the bundles, and checked off the magazines against the distributor's long white mimeographed sheet. And I bought Gus Airboy and Jingle Jangle Comics and Blue Beetle and Whiz Comics and Doll Man and Kid Eternity.

Then I took him to Isaly's for a hot fudge sundae. They served it in a tall tulip gla.s.s with the hot fudge in a little pitcher. When the waitress had gone to get the sundaes, little Gus looked at me. "Hey, how'd you know I only liked crushed nuts, an' not whipped cream or a cherry?"

I leaned back in the high-walled booth and smiled at him. "What do you want to be when you grow up, Gus?"

He shrugged. "I don't know."

Somebody put a nickel in the Wurlitzer in his booth, and Glenn Miller swung into "String of Pearls."

"Well, did you ever think about it?"

"No, huh-uh. I like cartooning; maybe I could draw comic books."

"That's pretty smart thinking, Gus. There's a lot of money to be made in art." I stared around the dairy store, at the Coca-Cola posters of pretty girls with page boy hairdos, drawn by an artist named Harold W. McCauley whose style would be known throughout the world, whose name would never be known.

He stared at me. "It's fun, too, isn't it?"

I was embarra.s.sed. I'd thought first of money, he'd thought first of happiness. I'd reached him before he'd chosen his path. There was still time to make him a man who would think first of joy, all through his life.

"Mr. Rosentha1?"

I looked down and across, just as the waitress brought the sundaes. She set them down and I paid her. When she'd gone, Gus asked me, "Why did they call me a dirty Jewish elephant?"

"Who called you that, Gus?"

"The guys."

"The ones you were fighting that day?"

He nodded. "Why'd they say elephant?"

I spooned up some vanilla ice cream, thinking. My back ached, and the rash had spread up my right wrist onto my forearm. "Well, Jewish people are supposed to have big noses, Gus." I poured the hot fudge out of the little pitcher. It bulged with surface tension for a second, then spilled through its own dark brown film, covering the three scoops of ice cream. "I mean, that's what some people believe. So I suppose they thought it was smart to call you an elephant, because an elephant has a big nose...a trunk. Do you understand?"

"That's dumb. I don't have a big nose...do I?"

"I wouldn't say so, Gus. They most likely said it just to make you mad. Sometimes people do that."

"That's dumb."

We sat there for a while and talked. I went far down inside the tulip gla.s.s with the long-handled spoon, and finished the deep dark, almost black bittersweet hot fudge. They hadn't made hot fudge like that in many years. Gus got ice cream up the spoon handle, on his fingers, on his chin, on his T-s.h.i.+rt. We talked about a great many things.

We talked about how difficult arithmetic was. (How I would still have to use my fingers sometimes even as an adult.) How the guys never gave a short kid his "raps" when the sandlot ballgames were in progress. (How I overcompensate with women from doubts about stature.) How different kinds of food were pretty bad tasting. (How I still used ketchup on well-done steak.) How it was pretty lonely in the neighborhood with n.o.body for friends. (How I had erected a facade of charisma and glamour so no one could reach me deeply enough to hurt me.) How Leon always invited all the kids over to his house, but when Gus got there, they slammed the door and stood behind the screen laughing and jeering. (How even now, a slammed door raised the hair on my neck and a phone receiver slammed down, cutting me off, sent me into a senseless rage.) How comic books were great. (How my scripts sold so easily because I had never learned how to rein-in my imagination.) We talked about a great many things.

"I'd better get you home now," I said.

"Okay." We got up. "Hey, Mr. Rosenthal?"

"You'd better wipe the chocolate off your face."

He wiped. "Mr. Rosenthal...how'd you know I like crushed nuts, an' not whipped cream or a cherry?"

We spent a great deal of time together. I bought him a copy of a pulp magazine called Startling Stories, and read him a story about a s.p.a.ce pirate who captures a man and his wife and offers the man the choice of opening one of two large boxes-in one is the man's wife, with twelve hours of air to breathe, in the other is a terrible alien fungus that will eat him alive. Little Gus sat on the edge of the big hole he'd dug, out in the empty lots, dangling his feet, and listening. His forehead was furrowed as he listened to the marvels of Jack Williamson's "Twelve Hours To Live," there on the edge of the "fort" he'd built.

We discussed the radio programs Gus heard every day: Tennessee Jed, Captain Midnight, Jack Armstrong, Superman, Don Winslow of the Navy. And the nighttime programs: I Love a Mystery, Suspense, The Adventures of Sam Spade. And the Sunday programs: The Shadow, Quiet, Please, The Molle Mystery Theater.

We became good friends. He had told his mother and father about "MI. Rosenthal," who was his friend, but they'd spanked him for the Startling Stories, because they thought he'd stolen it. So he stopped telling them about me. That was all right; it made the bond between us stronger.

One afternoon we went down behind the Colony Lumber Company, through the woods and the weeds to the old condemned pond. Gus told me he used to go swimming there, and fis.h.i.+ng sometimes, for a black oily fish with whiskers. I told him it was a catfish. He liked that. Liked to know the names of things. I told him that was called nomenclature, and he laughed to know there was a name for knowing names.

We sat on the piled logs rotting beside the black mirror water, and Gus asked me to tell him what it was like where I lived, and where I'd been, and what I'd done, and everything.

"I ran away from home when I was thirteen, Gus."

"Wasn't you happy there?"

"Well, yes and no. They loved me, my mother and father. They really did. They just didn't understand what I was all about."

There was a pain on my neck. I touched a fingertip to the place. It was a boil beginning to grow. I hadn't had a boil in years, many years, not since I was a...

"What's the matter, MI. Rosenthal?"

"Nothing, Gus. Well, anyhow, I ran away, and joined a carny."

"Huh?"

"A carnival. The Tri-State Shows. We moved through Illinois, Ohio, Pennsylvania, Missouri, even Kansas..."

"Boy! A carnival! Just like in Toby Tyler or Ten Weeks with the Circus? I really cried when Toby Tyler's monkey got killed, that was the worst part of it, did you do stuff like that when you were with the circus?"

"Carnival."

"Yeah. Uh-huh. Did'ja?"

"Something like that. I carried water for the animals sometimes, although we only had a few of those, and mostly in the freak show. But usually what I did was clean up, and carry food to the performers in their tops-"

"What's that?"

"That's where they sleep, in rigged tarpaulins. You know, tarps."

"Oh. Yeah, I know. Go on, huh."

The rash was all the way up to my shoulder now. It itched like h.e.l.l, and when I'd gone to the drug store to get an aerosol spray to relieve it, so it wouldn't spread, I had only to see those round wooden display tables with their gla.s.s centers, under which were bottles of Teel tooth liquid, Tangee Red-Red lipstick and nylons with a seam down the back, to know the druggist wouldn't even know what I meant by Bactine or Liquid Band-Aid.

"Well, along about K.C. the carny got busted because there were too many moll dips and cannons and paperhangers in the tip...." I waited, his eyes growing huge.

"What's all thaaat mean, Mr. Rosenthal?!?"

"Ah-ha! Fine carny stiff you'd make. You don't even know the lingo."

"Please, Mr. Rosenthal, please tell me!"

"Well, K.C. is Kansas City, Missouri...when it isn't Kansas City, Kansas. Except, really, on the other side of the river is Weston. And busted means thrown in jail, and..."

"You were in jail?"

"Sure was, little Gus. But let me tell you now, Cannons are pickpockets and moll dips are lady pickpockets, and paper-hangers are fellows who write bad checks. And a tip is a group."

"So what happened, what happened?"

"One of these bad guys, one of these cannons, you see, picked the pocket of an a.s.sistant district attorney, and we all got thrown in jail. And after a while everyone was released on bail, except me and the Greek. Me, because I wouldn't tell them who I was, because I didn't want to go home, and the Greek, because a carny can find a wetbrain in any town to play Greek."

"What's a Greek, huh?"

The Greek was a sixty-year-old alcoholic. So sunk in his own endless drunkenness that he was almost a zombie... a wetbrain. He was billed as The Thing and he lived in a portable pit they carried around, and he bit the heads off snakes and ate live chickens and slept in his own dung. And all for a bottle of gin every day. They locked me in the drunk tank with him. The smell. The smell of sour liquor, oozing with sweat out of his pores, it made me sick, it was a smell I could never forget. And the third day, he went crazy. They wouldn't fix him with gin, and he went crazy. He climbed the bars of the big free-standing drunk tank in the middle of the lockup, and he banged his head against the bars and ceiling where they met, till he fell back and lay there, breathing raggedly, stinking of that terrible smell, his face like a pound of raw meat.

The pain in my stomach was worse now. I took Gus back to Harmon Drive, and let him go home.

My weight had dropped to just over a hundred and ten. My clothes didn't fit. The acne and boils were worse. I smelled of witch hazel. Gus was getting more anti-social.

I realized what was happening.

I was alien in my own past. If I stayed much longer, G.o.d only knew what would happen to little Gus...but certainly I would waste away. Perhaps just vanish. Then... would Gus's future cease to exist, too? I had no way of knowing; but my choice was obvious. I had to return.

And couldn't! I was happier here than I'd ever been before. The bigotry and violence Gus had known before I came to him had ceased. They knew he was being watched over. But Gus was becoming more erratic. He was shoplifting toy soldiers and comic books from the Kresge's and constantly defying his parents. It was turning bad. I had to go back.

I told him on a Sat.u.r.day. We had gone to see a Lash La Rue western and Val Lewton's "The Cat People" at the Lake Theater. When we came back I parked the car on Mentor Avenue, and we went walking in the big, cool, dark woods that fronted Mentor where it met Harmon Drive.

"Mr. Rosenthal," Gus said. He looked upset.

"Yes, Gus?"

"I gotta problem, sir."