The Essential Ellison Part 86

"What's that, Gus?" My head ached. It was a steady needle of pressure above the right eye.

"My mother's gonna send me to a military school."

I remembered. Oh, G.o.d, I thought. It had been terrible. Precisely the thing not to do to a child like Gus.

"They said it was 'cause I was rambunctious. They said they were gonna send me there for a year or two. Mr. Rosenthal...don't let'm send me there. I din't mean to be bad. I just wanted to be around you."

My heart slammed inside me. Again. Then again. "Gus, I have to go away."

He stared at me. I heard a soft whimper.

"Take me with you, Mr. Rosenthal. Please. I want to see Galveston. We can drive a dynamite truck in North Carolina. We can go to Matawatchan, Ontario, Canada and work topping trees, we can sail on boats, Mr. Rosenthal!"

"Gus..."

"We can work the carny, Mr. Rosenthal. We can pick peanuts and oranges all across the country. We can hitchhike to San Francisco and ride the cable cars. We can ride the boxcars, Mr. Rosenthal...I promise I'll keep my legs inside an' not dangle 'em. I remember what you said about the doors slamming when they hook'm up. I'll keep my legs inside, honest I will..."

He was crying. My head ached hideously. But he was crying!

"I'll have to go, Gus!"

"You don't care!" He was shouting. "You don't care about me, you don't care what happens to me! You don't care if I die...you don't..." He didn't have to say it: you don't love me. "I do, Gus. I swear to G.o.d, I do!" I looked up at him; he was supposed to be my friend. But he wasn't. He was going to let them send me off to that military school.

"I hope you die!"

Oh, dear G.o.d, Gus, I am! I turned and ran out of the woods as I watched him run out of the woods.

I drove away. The green Plymouth with the running boards and the heavy body; it was hard steering. The world swam around me. My eyesight blurred. I could feel myself withering away.

I thought I'd left myself behind, but little Gus had followed me out of the woods. Having done it, I now remembered: why had I remembered none of it before? As I drove off down Mentor Avenue, I came out of the woods and saw the big green car starting up, and I ran wildly forward, crouching low, wanting only to go with him, my friend, me. I threw in the clutch and dropped the stick into first, and pulled away from the curb as I reached the car and climbed onto the rear fender, pulling my legs up, hanging onto the trunk latch. I drove weaving, my eyes watering and things going first blue then green, hanging on for dear life to the cold latch handle. Cars whipped around, honking madly, trying to tell me that I was on the rear of the car, but I didn't know what they were honking about, and scared their honking would tell me I was back there, hiding. After I'd gone almost a mile, a car pulled up alongside, and a woman sitting next to the driver looked down at me crouching there, and I made a please don't tell sign with my finger to my freezing lips, but the car pulled ahead and the woman rolled down her window and motioned to me. I rolled down my window and the woman yelled across through the rus.h.i.+ng wind that I was back there on the rear fender. I pulled over and fear gripped me as the car stopped and I saw me getting out of the door, and I crawled off the car and started running away. But my legs were cramped and cold from having hung on back there, and I ran awkwardly; then coming out of the dark was a road sign, and I hit it, and it hit me in the side of the face, and I fell down, and I ran toward myself, lying there, crying, and I got to him just as I got up and ran off into the gravel yard surrounding the Colony Lumber Company.

Little Gus was bleeding from the forehead where he'd struck the metal sign. He ran into the darkness, and I knew where he was running...I had to catch him, to tell him, to make him understand why I had to go away.

I came to the hurricane fence, and ran and ran till I found the place where I'd dug out under it, and I slipped down and pulled myself under and got my clothes all dirty, but I got up and ran back behind the Colony Lumber Company, into the sumac and the weeds, till I came to the condemned pond back there. Then I sat down and looked out over the black water. I was crying.

I followed the trail down to the pond. It took me longer to climb over the fence than it had taken him to crawl under it. When I came down to the pond, he was sitting there with a long blade of saw-gra.s.s in his mouth, crying softly.

I heard him coming, but I didn't turn around.

I came down to him, and crouched down behind him. "Hey," I said quietly. "Hey, little Gus."

I wouldn't turn around. I wouldn't.

I spoke his name again, and touched him on the shoulder, and in an instant he was turned to me, hugging me around the chest, crying into my jacket, mumbling over and over, "Don't go, please don't go, please take me with you, please don't leave me here alone..."

And I was crying, too. I hugged little Gus, and touched his hair, and felt him holding onto me with an his might, stronger than a seven year old should be able to hold on, and I tried to tell him how it was, how it would be: "Gus... hey, hey, little Gus, listen to me...I want to stay, you know I want to stay...but I can't."

I looked up at him; he was crying, too. It seemed so strange for a grownup to be crying like that, and I said, "If you leave me I'll die. I will!"

I knew it wouldn't do any good to try explaining. He was too young. He wouldn't be able to understand.

He pulled my arms from around him, and he folded my hands in my lap, and he stood up, and I looked at him. He was gonna leave me. I knew he was. I stopped crying. I wouldn't let him see me cry.

I looked down at him. The moonlight held his face in a pale photograph. I wasn't fooling myself. He'd understand. He'd know. I turned and started back up the path. Little Gus didn't follow. He sat there looking back at me. I only turned once to look at him. He was still sitting there like that.

He was watching me. Staring up at me from the pond side. And I knew what instant it had been that had formed me. It hadn't been all the people who'd called me a wild kid, or a strange kid, or any of it. It wasn't being poor, or being lonely.

I watched him go away. He was my friend. But he didn't have no guts. He didn't. But I'd show him! I'd really show him! I was gonna get out of here, go away, be a big person and do a lot of things, and some day I'd run into him someplace and see him and he'd come up and shake my hand and I'd spit on him. Then I'd beat him up.

He walked up the path and went away. I sat there for a long time, by the pond. Till it got real cold.

I got back in the car, and went to find the way back to the future; where I belonged. It wasn't much, but it was all I had. I would find it...I still had the dragoon...and there were many stops I'd made on the way to becoming me. Perhaps Kansas City; perhaps Matawatchan, Ontario, Canada; perhaps Galveston; perhaps Shelby, North Carolina.

And crying, I drove. Not for myself, but for myself, for little Gus, for what I'd done to him, forced him to become. Gus...Gus!

But...oh, G.o.d...what if I came back again.., and again? Suddenly, the road did not look familiar.

Jeffty is Five When I was five years old, there was a little kid I played with: Jeffty. His real name was Jeff Kinzer, and everyone who played with him called him Jeffty. We were five years old together, and we had good times playing together.

When I was five, a Clark Bar was as fat around as the gripping end of a Louisville Slugger, and pretty nearly six inches long, and they used real chocolate to coat it, and it crunched very nicely when you bit into the center, and the paper it came wrapped in smelled fresh and good when you peeled off one end to hold the bar so it wouldn't melt onto your fingers. Today, a Clark Bar is as thin as a credit card, they use something artificial and awful-tasting instead of pure chocolate, the thing is soft and soggy, it costs fifteen or twenty cents instead of a decent, correct nickel, and they wrap it so you think it's the same size it was twenty years ago, only it isn't; it's slim and ugly and nasty-tasting and not worth a penny, much less fifteen or twenty cents.

When I was that age, five years old, I was sent away to my Aunt Patricia's home in Buffalo, New York for two years. My father was going through "bad times" and Aunt Patricia was very beautiful, and had married a stockbroker. They took care of me for two years. When I was seven, I came back home and went to find Jeffty, so we could play together.

I was seven. Jeffty was still five. I didn't notice any difference. I didn't know: I was only seven.

When I was seven years old I used to lie on my stomach in front of our At.w.a.ter-Kent radio and listen to swell stuff. I had tied the ground wire to the radiator, and I would lie there with my coloring books and my Crayolas (when there were only sixteen colors in the big box), and listen to the NBC red network: Jack Benny on the Jell-O Program, Amos 'n' Andy, Edgar Bergen and Charlie McCarthy on the Chase and Sanborn Program, One Man's Family, First Nighter; the NBC blue network: Easy Aces, the Jergens Program with Walter Winch.e.l.l, Information Please, Death Valley Days; and best of all, the Mutual Network with The Green Hornet, The Lone Ranger, The Shadow and Quiet Please. Today, I turn on my car radio and go from one end of the dial to the other and all I get is 100 strings orchestras, ba.n.a.l housewives and insipid truckers discussing their kinky s.e.x lives with arrogant talk show hosts, country and western drivel and rock music so loud it hurts my ears.

When I was ten, my grandfather died of old age and I was "a troublesome kid," and they sent me off to military school, so I could be "taken in hand."

I came back when I was fourteen. Jeffty was still five.

When I was fourteen years old, I used to go to the movies on Sat.u.r.day afternoons and a matinee was ten cents and they used real b.u.t.ter on the popcorn and I could always be sure of seeing a western like Lash LaRue, or Wild Bill Elliott as Red Ryder with Bobby Blake as Little Beaver, or Roy Rogers, or Johnny Mack Brown; a scary picture like House of Horrors with Rondo Hat ton as the Strangler, or The Cat People, or The Mummy, or I Married a Witch with Fredric March and Veronica Lake; plus an episode of a great serial like The Shadow with Victor Jory, or d.i.c.k Tracy or Flash Gordon; and three cartoons; a James Fitzpatrick TravelTalk; Movietone News; a sing-along and, if I stayed on till evening, Bingo or Keeno; and free dishes. Today, I go to movies and see Clint Eastwood blowing people's heads apart like ripe cantaloupes.

At eighteen, I went to college. Jeffty was still five. I came back during the summers, to work at my Uncle Joe's jewelry store. Jeffty hadn't changed. Now I knew there was something different about him, something wrong, something weird. Jeffty was still five years old, not a day older.

At twenty-two I came home for keeps. To open a Sony television franchise in town, the first one. I saw Jeffty from time to time. He was five.

Things are better in a lot of ways. People don't die from some of the old diseases any more. Cars go faster and get you there more quickly on better roads. s.h.i.+rts are softer and silkier. We have paperback books even though they cost as much as a good hardcover used to. When I'm running short in the bank I can live off credit cards till things even out. But I still think we've lost a lot of good stuff. Did you know you can't buy linoleum any more, only vinyl floor covering? There's no such thing as oilcloth any more; you'll never again smell that special, sweet smell from your grandmother's kitchen. Furniture isn't made to last thirty years or longer because they took a survey and found that young homemakers like to throw their furniture out and bring in all new, color-coded borax every seven years. Records don't feel right; they're not thick and solid like the old ones, they're thin and you can bend them... that doesn't seem right to me. Restaurants don't serve cream in pitchers any more, just that artificial glop in little plastic tubs, and one is never enough to get coffee the right color. You can make a dent in a car fender with only a sneaker. Everywhere you go, all the towns look the same with Burger Kings and McDonald's and 7-Elevens and Taco Bells and motels and shopping centers. Things may be better, but why do I keep thinking about the past?

What I mean by five years old is not that Jeffty was r.e.t.a.r.ded. I don't think that's what it was. Smart as a whip for five years old; very bright, quick, cute, a funny kid.

But he was three feet tall, small for his age, and perfectly formed: no big head, no strange jaw, none of that. A nice, normal-looking five-year-old kid. Except that he was the same age as I was: twenty-two.

When he spoke it was with the squeaking, soprano voice of a five-year-old; when he walked it was with the little hops and shuffles of a five-year-old; when he talked to you it was about the concerns of a five-year-old... comic books, playing soldier, using a clothespin to attach a stiff piece of cardboard to the front fork of his bike so the sound it made when the spokes. .h.i.t was like a motorboat, asking questions like why does that thing do that like that, how high is up, how old is old, why is gra.s.s green, what's an elephant look like? At twenty-two, he was five.

Jeffty's parents were a sad pair. Because I was still a friend of Jeffty's, still let him hang around with me, sometimes took him to the county fair or miniature golf or the movies, I wound up spending time with them. Not that I much cared for them, because they were so awfully depressing. But then, I suppose one couldn't expect much more from the poor devils. They had an alien thing in their home, a child who had grown no older than five in twenty-two years, who provided the treasure of that special childlike state indefinitely, but who also denied them the joys of watching the child grow into a normal adult.

Five is a wonderful time of life for a little kid... or it can be, if the child is relatively free of the monstrous beastliness other children indulge in. It is a time when the eyes are wide open and the patterns are not yet set; a time when one has not yet been hammered into accepting everything as immutable and hopeless; a time when the hands can not do enough, the mind can not learn enough, the world is infinite and colorful and filled with mysteries. Five is a special time before they take the questing, unquenchable, quixotic soul of the young dreamer and thrust it into dreary schoolroom boxes. A time before they take the trembling hands that want to hold everything, touch everything, figure everything out, and make them lie still on desktops. A time before people begin saying "act your age" and "grow up" or "you're behaving like a baby." It is a time when a child who acts adolescent is still cute and responsive and everyone's pet. A time of delight, of wonder, of innocence.

Jeffty had been stuck in that time, just five, just so.

But for his parents it was an ongoing nightmare from which no one-not social workers, not priests, not child psychologists, not teachers, not friends, not medical wizards, not psychiatrists, no one- could slap or shake them awake. For seventeen years their sorrow had grown through stages of parental dotage to concern, from concern to worry, from worry to fear, from fear to confusion, from confusion to anger, from anger to dislike, from dislike to naked hatred, and finally, from deepest loathing and revulsion to a stolid, depressive acceptance.

John Kinzer was a s.h.i.+ft foreman at the Balder Tool & Die plant. He was a thirty year man. To everyone but the man living it, his was a spectacularly uneventful life. In no way was he remarkable... save that he had fathered a twenty-two-year-old five-year-old.

John Kinzer was a small man; soft, with no sharp angles; with pale eyes that never seemed to hold mine for longer than a few seconds. He continually s.h.i.+fted in his chair during conversations, and seemed to see things in the upper comers of the room, things no one else could see... or wanted to see. I suppose the word that best suited him was haunted. What his life had become... well, haunted suited him.

Leona Kinzer tried valiantly to compensate. No matter what hour of the day I visited, she always tried to foist food on me. And when Jeffty was in the house she was always at him about eating: "Honey, would you like an orange? A nice orange? Or a tangerine? I have tangerines. I could peel a tangerine for you." But there was clearly such fear in her, fear of her own child, that the offers of sustenance always had a faintly ominous tone.

Leona Kinzer had been a tall woman, but the years had bent her. She seemed always to be seeking some area of wallpapered wall or storage niche into which she could fade, adopt some chintz or rose-patterned protective coloration and hide forever in plain sight of the child's big brown eyes, pa.s.s her a hundred times a day and never realize she was there, holding her breath, invisible. She always had an ap.r.o.n tied around her waist, and her hands were red from cleaning. As if by maintaining the environment immaculately she could payoff her imagined sin: having given birth to this strange creature.

Neither of them watched television very much. The house was usually dead silent, not even the sibilant whispering of water in the pipes, the creaking of timbers settling, the humming of the refrigerator. Awfully silent, as if time itself had taken a detour around that house.

As for Jeffty, he was inoffensive. He lived in that atmosphere of gentle dread and dulled loathing, and if he understood it, he never remarked in any way. He played, as a child plays, and seemed happy. But he must have sensed, in the way of a five-year-old, just how alien he was in their presence.

Alien. No, that wasn't right. He was too human, if anything. But out of phase, out of sync with the world around him, and resonating to a different vibration than his parents, G.o.d knows. Nor would other children play with him. As they grew past him, they found him at first childish, then uninteresting, then simply frightening as their perceptions of aging became clear and they could see he was not affected by time as they were. Even the little ones, his own age, who might wander into the neighborhood, quickly came to shy away from him like a dog in the street when a car backfires.

Thus, I remained his only friend. A friend of many years. Five years. Twenty-two years. I liked him; more than I can say. And never knew exactly why. But I did, without reserve.

But because we spent time together, I found I was also polite society-spending time with John and Leona Kinzer. Dinner, Sat.u.r.day afternoons sometimes, an hour or so when I'd bring Jeffty back from a movie. They were grateful: slavishly so. It relieved them of the embarra.s.sing ch.o.r.e of going out with him, of having to pretend before the world that they were loving parents with a perfectly normal, happy, attractive child. And their grat.i.tude extended to hosting me. Hideous, every moment of their depression, hideous.

I felt sorry for the poor devils, but I despised them for their inability to love Jeffty, who was eminently lovable.

I never let on, of course, even during the evenings in their company that were awkward beyond belief.

We would sit there in the darkening living room-always dark or darkening, as if kept in shadow to hold back what the light might reveal to the world outside through the bright eyes of the house-we would sit and silently stare at one another. They never knew what to say to me.

"So how are things down at the plant?" I'd say to John Kinzer.

He would shrug. Neither conversation nor life suited him with any ease or grace. "Fine, just fine," he would say, finally.

And we would sit in silence again.

"Would you like a nice piece of coffee cake?" Leona would say. "I made it fresh just this morning." Or deep dish green apple pie. Or milk and tollhouse cookies. Or a brown betty pudding.

"No, no, thank you, Mrs. Kinzer; Jeffty and I grabbed a couple of cheeseburgers on the way home." And again, silence.

Then, when the stillness and the awkwardness became too much even for them (and who knew how long that total silence reigned when they were alone, with that thing they never talked about any more Flanging between them), Leona Kinzer would say, "I think he's asleep."

John Kinzer would say, "I don't hear the radio playing."Just so, it would go on like that, until I could politely find excuse to bolt away on some flimsy pretext. Yes, that was the way it would go on, every time, just the same... except once.

"I don't know what to do any more," Leona said. She began crying. "There's no change, not one day of peace."

Her husband managed to drag himself out of the old easy chair and went to her. He bent and tried to soothe her, but it was clear from the graceless way in which he touched her graying hair that the ability to be compa.s.sionate had been stunned in him. "Shhh, Leona, it's all right. Shhh." But she continued crying. Her hands sc.r.a.ped gently at the antimaca.s.sars on the arms of the chair.

Then she said, "Sometimes I wish he had been stillborn."

John looked up into the corners of the room. For the nameless shadows that were always watching him? Was it G.o.d he was seeking in those s.p.a.ces? "You don't mean that," he said to her, softly, pathetically, urging her with body tension and trembling in his voice to recant before G.o.d took notice of the terrible thought. But she meant it; she meant it very much.

I managed to get away quickly that evening. They didn't want witnesses to their shame. I was glad to go.

And for a week I stayed away. From them, from Jeffty, from their street, even from that end of town.

I had my own life. The store, accounts, suppliers' conferences, poker with friends, pretty women I took to well-lit restaurants, my own parents, putting antifreeze in the car, complaining to the laundry about too much starch in the collars and cuffs, working out at the gym, taxes, catching Ian or David (whichever one it was) stealing from the cash register. I had my own life.

But not even that evening could keep me from Jeffty. He called me at the store and asked me to take him to the rodeo. We chummed it up as best a twenty-two-year-old with other interests could... with a five-year-old. I never dwelled on what bound us together; I always thought it was simply the years. That, and affection for a kid who could have been the little brother I never had. (Except I remembered when we had played together, when we had both been the same age; I remembered that period, and Jeffty was still the same.) And then, one Sat.u.r.day afternoon, I came to take him to a double feature, and things I should have noticed so many times before, I first began to notice only that afternoon.

I came walking up to the Kinzer house, expecting Jeffty to be sitting on the front porch steps, or in the porch glider, waiting for me. But he was nowhere in sight.

Going inside, into that darkness and silence, in the midst of May suns.h.i.+ne, was unthinkable. I stood on the front walk for a few moments, then cupped my hands around my mouth and yelled, "Jeffty? Hey, Jeffty, come on out, let's go. We'll be late."

His voice came faintly, as if from under the ground.

"Here I am, Donny."

I could hear him, but I couldn't see him. It was Jeffty, no question about it: as Donald H. Horton, President and Sole Owner of The Horton TV & Sound Center, no one but Jeffty called me Donny. He had never called me anything else.

(Actually, it isn't a lie. I am, as far as the public is concerned, Sole Owner of the Center. The partners.h.i.+p with my Aunt Patricia is only to repay the loan she made me, to supplement the money I came into when I was twenty-one, left to me when I was ten by my grandfather. It wasn't a very big loan, only eighteen thousand, but I asked her to be a silent partner, because of when she had taken care of me as a child.) "Where are you, Jeffty?"

"Under the porch in my secret place."

I walked around the side of the porch, and stooped down and pulled away the wicker grating. Back in there, on the pressed dirt, Jeffty had built himself a secret place. He had comics in orange crates, he had a little table and some pillows, it was lit by big fat candles, and we used to hide there when we were both... five.

"What'cha up to?" I asked, crawling in and pulling the grate closed behind me. It was cool under the porch, and the dirt smelled comfortable, the candles smelled clubby and familiar. Any kid would feel at home in such a secret place: there's never been a kid who didn't spend the happiest, most productive, most deliciously mysterious times of his life in such a secret place.

"Playin'," he said. He was holding something golden and round. It filled the palm of his little hand.

"You forget we were going to the movies?"

"Nope. I was just waitin' for you here."

"Your mom and dad home?"

"Momma."

I understood why he was waiting under the porch. I didn't push it any further. "What've you got there?"

"Captain Midnight Secret Decoder Badge," he said, showing it to me on his flattened palm.

I realized I was looking at it without comprehending what it was for a long time. Then it dawned on me what a miracle Jeffty had in his hand. A miracle that simply could not exist.

"Jeffty," I said softly, with wonder in my voice, "where'd you get that?"

"Came in the mail today. I sent away for it."

"It must have cost a lot of money."