Joan Thursday Part 59

Not until the next day, that dawned upon her consciousness amid the thunders of a splitting headache, did she appreciate how far the affair had gone.

Penitent, she vowed reformation. She wasn't going to let any man think he could make a fool of her, much less that conceited little whippersnapper.

As it happened, she didn't see the amateur dramatist again for some days. He, too, had vowed reformation, and on much the same moral grounds.

Her appointment with Matthias, for Wednesday at four, Joan failed to keep. And since that was her own affair, and since she had not left him her address, Matthias kept to himself the word that he had for her and, in accordance with his original intention, boarded the Bar Harbor Express that same evening, and forgot New York for upwards of ten weeks.

It had rained all day Tuesday, and Wednesday was overcast but dry and, by contrast with what had been, cool. Dressing for her interview with Matthias, Joan donned a summery gown of lawn, liberally inset with lacework over her shoulders and bosom: a frock for the country-house or the seash.o.r.e, never for the Broadway pavements. None the less it was quite too pretty to be wasted on Matthias alone. She set out to keep her appointment with an hour to spare, purposing to employ the interval by running, at leisure, the gauntlet of masculine admiration on Broadway as far south as Thirty-eighth Street. For this expedition she would have preferred company; but Hattie, having looked her over, announced that she couldn't dress up to Joan's style, didn't mean to try, and didn't care to be used as a foil; furthermore, it was much more sensible to loaf round the flat in little or no clothing at all, and read up on Pinero.

From the Astor Theatre corner Joan struck across Broadway to the eastern sidewalk, chiefly to avoid the throng of loungers in front of the Bryant Building: it is good to be admired, but Joan had little taste for the form of admiration that becomes vocal at once intimately and publicly.

Half-way down the New York Theatre Building block, she turned abruptly and scuttled like a frightened quail into the lobby, from the back of which, turning, she was able to see, without being seen by, Quard.

Brief as the term of their dissociation was, in mere point of elapsed time, Joan had so completely divorced herself from her husband that she was actually beginning to forget him; physically no less than mentally she was beginning to forget him. An outcast from her life, he no longer had any real existence in her world. By some curious freak of sophistry she had even managed to persuade herself she was never to see him again.

Thus it seemed the most staggering shock she had ever experienced, to recognize the man's head and shoulders looming above the throng before the entrance to the moving-picture show, just south of the lobby to the New York Theatre proper.

But Quard hadn't seen her. He was with companions, a brace of vaudeville actors whom Joan knew through him. But while she waited for them to pa.s.s, two other friends accosted the three, directly before the lobby entrance, and they paused to exchange greetings. Quard slapped both newcomers on their shoulders, and kept his hand on the last he slapped, bending forward and engaging their interest with some intimate bit of ribaldry. He had been drinking--Joan saw that much at a glance--not heavily, but enough to render his good-fellows.h.i.+p boisterous.

Otherwise he looked well. He was hardly to be identified with that sodden wreck which had been brought from the Barbary Coast back to the woman he had insulted and abused. His colour was good, his poise a.s.sured. He was wearing new clothing--a loud shepherd's-plaid effect which Joan couldn't possibly have forgotten. No one could possibly have forgotten it. And he had acquired a das.h.i.+ng Panama hat which at least looked genuine at that slight distance. Useless to have wasted pity on the man: he had fallen, but not far, and he had fallen on his feet.

Joan eyed him with fear, despair, and loathing.

Had he come to render New York too small to contain them both?

She skulked in the farthest corner of the lobby, in shadows, not quite round the corner of the elevator shaft--where she could just see and ran least risk of being seen--and waited. But the group on the sidewalk seemed to have settled down to a protracted session. When Quard had finished talking, and the laughter had quieted down, another fixed the attention of the group with a second anecdote, of what nature Joan could well surmise.

Of course, it was only a question of time before Quard would propose a drink.

Then she would be free to proceed to her appointment.

But through some oversight the suggestion remained temporarily in abeyance; and Joan was unlucky in that none of the policemen appeared, who are a.s.signed to the business of keeping actors moving in that neighbourhood.

After a minute or two Quard s.h.i.+fted his position so that he could, by simply lifting his eyes, have looked directly into the lobby.

At this Joan turned in desperation and entered the cage of an elevator, which happened just then to be waiting with an open gate.

There were several theatrical enterprises with offices on one of the upper floors: no reason why Joan shouldn't wait in one of these until it would be safe to venture forth again. There was Arlington's, for instance.

Joan's was no strange figure there. She had long since made several attempts to see Arlington or one of his lieutenants; but her professional cards, borne in to them by a disillusioned office-boy, had educed no other response than "Mist' Arlington says they's nothin' doin'

just' present."

But it was as good a place as any for Joan's purpose, and there could be no harm trying again.

The same world-weary boy received her card when she entered the suite of offices. He considered it, and Joan as well, dispa.s.sionately.

"Whoja wanna see?" he mumbled with patent effort.

Joan's prettiest smile was apparently wasted upon the temperament of an anchorite.

"Mr. Arlington, please."

The boy offered to return the card: "He ain't in."

"That's what you always tell me."

"He ain't never in."

"Very well," said Joan sweetly: "I'll wait."

The boy started to say something pointed, hesitated, regarded her with dull suspicion, and suddenly enquired:

"Whaja wanna see 'm 'bout?"

"A matter of private business."

"Ah," drawled the boy with infinite disgust, "tha's what they all say!"

An embittered grimace shaped upon his soiled face. "Lis'n!" he said, almost affably--"if yuh'll think up a good one, I'll fetch this inta his sec't'ry. Now cud anythin' be fairer 'n that?"

"I'll go you," Joan retorted, falling in with his spirit. "Tell him a friend of Mr. Marbridge's wants to see him."

She esteemed this a rather brilliant bit of diplomacy, and at the same time considered herself stupid not to have thought of it before. But it failed to move the office-boy. His head signalled a negative.

"Havta do better'n that," he announced. "If I fell for ev'ry wren what claims she's a nintimate frien' of Mista Marbridge--"

"But I am a friend of his--truly I am!" Joan insisted warmly.

The boy rammed a hand into a trouser's-pocket. "Betcha--" he began; but reconsidered. "Yuh never can tell 'bout a skirt," he reminded himself audibly. "But, jus' to prove I'm a sport, I'll go yuh."

Motioning Joan through the door of the reception room, he shambled off with an air of questioning his own sanity.

The reception room was perhaps thirty feet long by fifteen wide: an interior room, lighted, and none too well, by electricity, ventilated, when at all, through the doorways of adjoining offices. A row of cane-seated chairs was aligned against the inner wall. In the middle of the floor stood a broad and substantial table of oak; it was absolutely bare. Here and there a few unhappy lithographs, yellowing "life-size"

photographs of dead or otherwise extinguished stars, and a framed play-bill or two of Arlington's earlier ventures, decorated the dingy drab wall. There was no floor-covering of any description.

In this room herded some two-score people of the stage, waiting hopefully for interviews that were, as a rule, granted to not more than one applicant in ten: a heterogeneous a.s.semblage, owning a single characteristic in common: whenever, at the far end of the room, the door opened leading to the offices of the management, every head turned that way, and every voice was hushed in reverence.

Yet it was seldom that the door disclosed anything more unique than a second office-boy, even more dejected than the first, who, peering through, would, after examining the card in his hand for the name of the applicant, painfully recite some stereotyped phrase worn smooth--"Mista Brown? Y'ur party says t' come back next week!" "Miss Holman? Y'ur party's went out 'n' won't be back th'safternoon!" "Miss Em'rson? Mista Arlington says ever'thin's full up just'present. Call 'n ag'in!" or more infrequently: "Mista Grayson's t' step in, please...."

Joan found a vacant chair.

She had no hope whatever of being admitted to the Presence, despite the unexpected condescension of the office-boy. Marbridge's name might prove the Open Sesame; but she doubted that vaguely: "it wouldn't be her if _that_ happened!"

The atmosphere was stifling with heat complicated by stale human breath and the reek of perfumery, all stratified with layers of tobacco smoke which entered over the transoms of the communicating offices. Above the muted murmurings of the unemployed's apprehensive voices could be heard the brisk chattering of two or three type-writing machines; and telephone bells rang incessantly, near and far, one taking up the tune as soon as another ended. The throng of applicants shuffled their feet uneasily, expectantly, morosely.

Joan was so uncomfortable and oppressed that she was tempted to rise and go without waiting for the discounted answer. Only dread of encountering Quard restrained her. The longer she delayed, the slighter the chance of finding him still in front of the theatre....

Her thoughts drifted into reverie dully coloured with misgivings. She thought of Charlie Quard as a bird of ill-omen whose appearance could presage nothing but suffering and disaster; ignoring altogether the truth, that through his good offices alone, however tainted with self-interest, she had been suffered to enter into the profession whose ranks she had elected to adorn; with that other truth, that she owed him for the clothing she wore, the food she ate, the very roof that sheltered her--and meant never to repay....

The voice of the second office-boy chanted her name twice before she heard it.