Villa Eden Part 22

A little brook, which came down from the mountain and emptied into the river, was made to wind about with such skill, that it kept disappearing and appearing again at unexpected points, saying by its murmur, "Here I am."

In the disposition of resting-places, particularly good judgment was exhibited. Under a solitary weeping-ash that cast a perfectly circular shadow, a pretty seat was placed for a single person, and it seemed to say invitingly, "Here thou canst be alone!" The seat, however, was turned over, and leaned up against the tree.

"This is my daughter's favorite spot," Sonnenkamp said.

"And have you turned over the seat, so that no one may occupy it before your child returns?"

"No," Sonnenkamp replied, "that is entirely by chance, but you are right, so it shall be."

The two went on farther, but Eric hardly saw the beautiful, comfortable benches, and hardly listened while Sonnenkamp declared to him that he did not place these on the open path, but behind shrubbery, so that here was a solitude all ready made.

A table was placed under a beautiful maple, with two seats opposite one another. Sonnenkamp announced that this place was named the school; for here Roland at intervals received instruction. Eric rejoined that he never should teach sitting in the open air; it was natural to give instruction while walking, but regular, definite teaching, which demanded concentration of the mind, demanded also an enclosed s.p.a.ce in which the voice would not be utterly lost.

Sonnenkamp had now a good opportunity to tell Eric what conclusion he had arrived at in regard to the matter in hand, but he was silent. As an artist takes delight in the criticisms of an intelligent observer, who unfolds to him concealed beauties which he was hardly aware of himself, so he took delight in perceiving how understandingly, and with how much gratification, Eric took note of the various improvements, and of the grouping of trees and shrubs.

They stood a long time before a group where the gloomy cedar was placed near the hardy fir, and the gentle morning breeze whispered in the foliage of the silver poplar, and caused the white leaves to glisten like little rippling waves upon the surface of a lake.

Near a little pond with a fountain was a bower of roses, upon a gentle elevation, patterned according to a dream of Frau Ceres; and here Sonnenkamp remained stationary, saying:

"That was at the time when I was still very happy here in our settlement, and when everything was still in a sound and healthy condition."

Eric stopped, questioning whether he ought to tell Herr Sonnenkamp of yesterday's strange occurrence. Sonnenkamp said, accompanying his words with peculiar little puffs, as if he were lightly and carefully blowing a fire,--

"My wife often has strange whims; but if she is not contradicted she soon forgets them."

He appeared suddenly to remember that it was not necessary to say this, and added with unusual haste,--

"Now come, and I will show you my special vanity. But let me ask you one thing; does it not seem dreadful to you, who are a philosopher, that we must leave all this, that we know we must die; and while everything around continues to grow green and bloom, he who planted and acquired the means to plant is here no more, but moulders in the dust?"

"I should not have believed that you indulged in such thoughts."

"You are right to answer so. You must not ask such questions, for no one knows their answer," said Sonnenkamp sharply and bitterly; "but one thing more. I wish Roland to understand rightly this creation of mine and to carry it on, for such a garden is not like a piece of sculpture, or any finished work of an artist; it is growing, and must be constantly renewed. And why should there not be granted us the certainty of transmitting to our posterity what we have conquered, created, or fas.h.i.+oned, without fear that strangers will at some time enter into possession and let all go to waste?"

"You believe," answered Eric, "that I know no answer to the first of your questions, and I must confess, that I do not quite understand the second."

"Well, well, perhaps we will talk of it again--perhaps not," Sonnenkamp broke off. "But come now and let me show you my special pride."

CHAPTER XI.

SONNENKAMP'S PRIDE.

They stepped immediately out of the shady, well-wooded park, whose margin was planted with n.o.ble white-pines, into a wonderful and complicated arrangement of orchard-trees, in a level field several acres in extent, that had a truly magical effect.

The plats were bordered with dwarf-apple and pear-trees that looked very much like small yews; their stems were hardly two feet in height, and the branches on each side so disposed on wires, that they extended to the width of thirty feet. These were now in full bloom the whole length, and the arrangement exhibited man's energetic and shaping volition, where nature was compelled to become a free work of art, and even warped into a dwarfish over-refinement. Trees of all imaginable geometrical forms were placed, sometimes in circles and sometimes in rows. Here was a tree that, from the bottom to the top which shot up into a sharp point, had only four branches at an even distance from each other, and directed to the four cardinal points. On the walls, trees were trained exactly in the shape of a candelabrum with two branches; others had stems and branches adjusted obliquely, like basaltic strata. All was according to artistic rules, and also in the most thriving condition.

Eric listened attentively while Sonnenkamp was informing him that the limbs must be cut in, so that the sap might all perfect the fruit, and not go too much to the formation of wood.

"Perhaps you have a feeling of pity for these clipped branches?"

Sonnenkamp asked in a sharp tone.

"Not at all; but the old, natural form of the fruit-trees so well known to us--"

"Yes, indeed,"' Sonnenkamp broke in, "people are horrible creatures of prejudice! Is there any one who sees anything ugly, anything coercive, in pruning the vine three times every season? No one. No one looks for beauty, but for beautiful fruit, from the vine; so also from the fruit-tree. As soon as they began to bud and to graft, the way was indicated, and I am only following it consistently. The ornamental tree is to be ornamental, and the fruit-tree a fruit-tree, each after its kind. This apple-tree, must have its limbs just so, and have just so many of them, as will make it bear the largest apples and the greatest possible number. I want from a fruit-tree not wood, but fruit."

"But nature----"

"Nature! Nature!" Sonnenkamp exclaimed, in a contemptuous tone.

"Nine-tenths of what they call nature is, nothing but an artificial sham, and a whimsical conceit. The spirit of nature and the spirit of the age are a pair of idols which you philosophers have manufactured for yourselves. There is no such thing as nature, and there is no such thing as an age; and even if there were both, you cannot predicate spirit of either of them."

Eric was deeply struck by this apparently combative and violently aggressive manner of speaking; and yet more so, when Sonnenkamp now leaned over suddenly, and said:--

"The real man to educate would be he who was able to train men as these trees are trained: for some immediate end, with no superfluous trash and no roundabout methods. What they call nature is a fable. There is no nature, or at least only an infinitesimal particle. With us human beings everything is habit, education, tradition. There's no such thing as nature."

"That is something new to me," Eric said, when he was at last able to put in a word. "The gentlemen of tradition call us men of science deniers of G.o.d, but a denier of nature I have never until now become acquainted with, and never have even heard him mentioned. You are joking."

"Well, yes, I am joking," said Sonnenkamp, bitterly.

And Eric, who seemed to himself to be utterly bewildered, added in a low tone:--

"Perhaps it may be said that those who derive the laws of our life from revelation deny nature, or rather they do not deny her, but disregard her."

"I am not a learned man, and, above all, I am no theologian,"

Sonnenkamp abruptly broke in. "All is fate. Damage is done by worms in the forest; there stands near us an oak-tree clean eaten up by them, and there stands another all untouched. Why is this? No one knows. And look here at these trees. I have watched what they call the economy of nature, and here a thousand life-germs perish in order that one may thrive; and it is just the same in human life."

"I understand," Eric said. "All the things that survive have an aristocratic element wholly different from those things that perish; the blossom that unfolds itself to the perfect fruit is rich, the blighted one is poor. Do I rightly apprehend your meaning?"

"In part," Sonnenkamp replied, somewhat weary. "I would only say to you that I have done looking for the man, for I despair of finding him, who could train my son, so that he would be fitted in the most direct way for his position in life."

For some time the two walked together through the marvellously-blooming garden, where the bees were humming; and Eric thought that these, probably, were the bees of Claus, the huntsman.

World pa.s.sing strange, in which all is so unaccountably a.s.sociated together!

The sky was blue, and the blossoms so deliciously fragrant, and yet Eric, deeply troubled in spirit, seemed to himself to be insnared when he fixed his eyes upon a notice stuck up over the garden wall, which ran thus:--

"Warning. Spring-guns and steel-traps in this garden."

He looked around to Sonnenkamp, who said, smiling,--

"Your look asks me if that notice yonder is true; it is just as that says. People think that no one dares to do that now. Keep always in the path near me."

Sonnenkamp appeared to enjoy Eric's perplexity and annoyance. And yet it was a lie, for there were no spring-guns nor steel-traps in the garden.

On this part of the wall, stars, circles, and squares, were shaped out of the tree-twigs; and Sonnenkamp laid his hand upon the shoulder of Eric, as the latter a.s.serted that number and geometric form were given only to man. Geometric form, indeed, was the basis of all manifestation, and the straight line was never actually seen, but must be wholly the product of man's conception. This was also the characteristic mystery in the doctrine of Pythagoras.

"I have thought for a long time," Sonnenkamp said with a laugh, "that I was a Pythagorean. I thank you for nominating me as one of the sect. We must christen our new art of gardening the Pythagorean."