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Another part of the town which has fallen from its former high estate is the Close, which lies along the river front, westward from the Sandhill.
Here, at one time, lived many of the princ.i.p.al inhabitants of Newcastle--Sir John Marley, Sir William Blackett, Sir Ralph Millbank, and others equally important; and here, too, was the former Mansion House of the city, where the Mayors resided, and where they could receive distinguished visitors to the town. Amongst those who have been entertained there were the Duke of Wellington and the first King of the Belgians. But in 1836 the Corporation of Newcastle sold the house, with the furniture, books, pictures, plate, and everything else it contained.
Eastward from the Sandhill is Sandgate, immortalised in the "Newcastle Anthem"--The Keel Row. Its present appearance is very different from the green slope and sandy sh.o.r.e of former days; the keelmen, too, have vanished, and their place in the commercial economy of the Tyne is taken by waggon-ways and coal-shoots. The old narrow alleys of the town, called "chares," are fast disappearing; the best known is Pudding Chare, leading from Bigg Market to Westgate Road. Many and various are the explanations that have been offered to account for its curious name, but the true one does not seem yet to have appeared.
Pilgrim Street owes its name to the fact that it was the route of the pilgrims who came in great numbers to visit the little chapel or shrine of Our Lady of Jesmond, and St. Mary's Well. In Pilgrim Street was the gateway of a stately mansion, surrounded by beautiful gardens, called Anderson Place, from a Mr. Anderson who bought it from Sir Thomas Blackett in 1783. It had been built by another Mr. Anderson in the reign of Queen Elizabeth, on the site where once stood the monastery of the Grey Friars; he, however, had named his mansion "The Newe House." In this house Charles I. lived when a prisoner in Newcastle. Anderson Place no longer exists, but the Newcastle of to-day has a constant reminder of its last owners, for Major George Anderson, son of the Mr. Anderson who purchased it in 1783, gave to the Cathedral of St. Nicholas the great bell--known on that account as "The Major"--whose deep reverberant "boom" can be heard for a distance of ten miles. The bell was re-cast in 1891, and in 1892 a new peal of bells was consecrated by Canon Gough.
Westgate Road is another interesting street; the old West Gate stood near the site of the present Tyne Theatre, and from this point onward the street follows, almost exactly, the line of the Roman Wall.
Some noteworthy houses in Newcastle are--No. 17, Eldon Place, where George and Robert Stephenson lived in the years 1824-25; No. 4, St.
Thomas' Crescent, where the celebrated artist, Wm. Bell Scott lived when he was headmaster of the School of Art, and to whom Swinburne wrote a fine memorial poem; the Academy of Arts, in Blackett Street, built for the exhibition of pictures by those well-known painters T.M. Richardson and H.T. Parker, and for a short period the home of the Pen and Palette Club, which, both here and in its new home at Higham Place, has entertained many people distinguished in letters, art, and travel who have visited the town of late years; and No. 9, Pleasant Row, the birthplace of Lord Armstrong, which has only recently been destroyed to make way for the N.E.R. Company's new ferro-concrete Goods Station in New Bridge Street.
The list of important buildings in Newcastle, exclusive of the churches, is a long one; one of the most prominent is the Library of the Literary and Philosophical Society, familiarly known as the "Lit. and Phil.,"
which stands at the lower end of Westgate Road, a little way back from the roadway. It is built on the site of the town house of the Earls of Westmoreland; and its fine Lecture Theatre was a gift to the Society from Lord Armstrong. It is the centre of the intellectual life of the city as a whole, apart from the work of the justly famed Armstrong College, a teaching inst.i.tute of University rank. This was formerly known as the Durham College of Science, and, with the Durham College of Medicine, forms part of the University of Durham.
Other seats of learning in the town are the Rutherford College, in Bath Lane, and the Royal Grammar School, which dates from the reign of Henry VIII. It was reconst.i.tuted by Queen Elizabeth, and has had many changes of abode. At one time it occupied the buildings of the Convent of St.
Mary, which covered the s.p.a.ce where Stephenson's monument now stands.
While the Grammar School was located there, the boys Cuthbert Collingwood, William Scott, and John Scott, who afterwards became so famous, attended it; and other distinguished scholars were John Horsley, author of _Britannia Romana_, and John Brand and Henry Bourne, the historians of Newcastle. The school is now situated in Eskdale Terrace and its splendid playing fields stretch across to the North Road.
One of the most interesting buildings in Newcastle is the Hanc.o.c.k Museum of Natural History, at Barras Bridge. It contains a matchless collection of birds, and some unique specimens of extinct species; also the original drawings of Bewick's _British Birds_, and other works of his.
The famous Newcastle naturalist, John Hanc.o.c.k, presented his wonderful collection, prepared by himself, to the museum. Here, too, is a complete set of fossils from the coal measures, including some fine specimens of Sigillaria. These are only a few of the treasures contained in the museum, which was built chiefly through the generosity of the late Lord and Lady Armstrong, Colonel John Joicey of Newton Hall, Stocksfield, and Mr. Edward Joicey of Whinney House.
The new Victoria Infirmary, on the Leazes, is a magnificent building, and was opened by King Edward VII. in 1906. It was erected by public subscription, and when 100,000 had been subscribed, the late Mr. John Hall generously offered a like sum on condition that the building should be erected either on the Leazes or the Town Moor. Arrangements were made to do so, and another 100,000 given by the present Lord and Lady Armstrong.
But fine as all these buildings are, the pride of Newcastle is one much older than any of them--the Cathedral church of St. Nicholas, with its exquisitely beautiful lantern steeple. This wonderful lantern was the work of Robert de Rhodes, who lived in the fifteenth century. The arms of this early benefactor of the church may yet be seen on the ancient font. The present church was finished in the year 1350, says Dr. Bruce; but there was a former one on this site to which the crypt is supposed to belong. It has undergone many alterations at different times, and has sheltered within its walls many and various great personages.
[Ill.u.s.tration: NEWCASTLE-UPON-TYNE.]
In 1451, a treaty between England and Scotland was ratified in the vestry. In the reign of Henry VII., his daughter, Princess Margaret, attended ma.s.s here, with all her retinue, when she stayed in the town on her way to Scotland to be married to the gallant young king James IV.
She was entertained at the house of the Austin Friars, which stood where now stands the Holy Jesus Hospital at the Manors, near to the Sallyport Tower. When James I. became king of England, he attended service here, as he pa.s.sed through Newcastle on his way to his southern capital. In the reign of his ill-fated son, Charles I., Newcastle was occupied by the Scots, under General Leslie, for a year after the battle of Newburn in 1640; and again in 1644 was besieged by them for ten weeks. On this occasion the town nearly lost its chief ornament and pride--the lantern of the church; for "There is a traditional story," says Bourne, "of this building I am now treating of, which may not be improper to be here taken notice of. In the time of the Civil Wars, when the Scots had besieged the town for several weeks, and were still as far as at first from taking it, the General sent a messenger to the Mayor of the town, and demanded the keys and the delivery up of the town, or he would immediately demolish the steeple of St. Nicholas.
"The Mayor and Aldermen, upon hearing this, immediately ordered a certain number of the chiefest Scottish prisoners to be carried up to the top of the old tower, the place below the lantern, and there confined. After this, they returned the General an answer to this purpose, that they would upon no terms deliver up the town, but would to the last moment defend it; that the steeple of St. Nicholas was indeed a beautiful and magnificent piece of architecture, and one of the great ornaments of the town, but yet should be blown to atoms before ransomed at such a rate; that, however, if it was to fall it should not fall alone; that at the same moment he destroyed the beautiful structure he should bathe his hands in the blood of his countrymen, who were placed there on purpose, either to preserve it from ruin or to die along with it. This message had the desired effect. The men were kept prisoners during the whole time of the siege, and not so much as one gun was fired against it."
In 1646, when Charles I. was a prisoner in Newcastle for nearly a year (from May, 1646, to February 3rd, 1647), this was the church he attended; and we may picture him listening perforce to the "admonis.h.i.+ng" of the stern Covenanters. In this connection occurs the oft-told story of his ready wit, when one of the preachers wound up his discourse by giving out the metrical version of the fifty-second Psalm, with an obvious allusion to his royal hearer:--
"Why dost thou, tyrant, boast abroad, Thy wicked works to praise?"
Charles quickly stood up and asked for the fifty-sixth Psalm instead:--
"Have mercy, Lord, on me, I pray, For man would me devour."
The good folk of Newcastle with willing voice rendered the latter Psalm, doubtless to the discomfiture of the preacher.
Gray, who published his _Chorographia_, or Survey of Newcastle-upon-Tyne, just three years after this, describes St.
Nicholas' as having "a stately, high, stone steeple, with many pinakles, a stately stone lantherne, standing upon foure stone arches, builded by Robert de Rhodes.... It lifteth up a head of Majesty, as high above the rest as the Cypresse Tree above the low Shrubs."
The church underwent a terrible despoliation at the hands of the Scots in 1644; but more terrible still were the injuries it received, a little more than a century later, from those who ought to have been its friends. In the years 1784-7 there were many alterations made in the building, during which almost all the old memorials and monuments perished, or were removed; those which were not claimed by the living representatives of the persons commemorated being ruthlessly sold, or destroyed; and the bra.s.ses were disposed of as old metal. The modern alterations and restorations have been more happy in their effect, and one of the notable additions to the church is the beautiful carved oak screen in the chancel, the work of Mr. Ralph Hedley.
There are many beautiful memorial windows in the church, and many memorials in other forms to the various eminent North-country folk who have been connected with Newcastle and its chief place of wors.h.i.+p. The Collingwood cenotaph is the most interesting of all; the brave Admiral's body, as is well known, lies beside that of his friend and commander, Nelson, in St. Paul's Cathedral, but this memorial of him is fittingly placed in the Cathedral of his native town, within whose walls he wors.h.i.+pped as a boy. There are two monuments by Flaxman--one of the Rev.
Hugh Moises, the famous master of the Grammar School when Collingwood was a boy; and the other of Sir Matthew White Ridley, who died in 1813.
Of the newer monuments, those of Dr. Bruce, of Roman Wall fame, and of the beloved and lamented Bishop Lloyd, are particularly fine.
Near the east end of the church, which was raised to the rank of a Cathedral in 1881, is hung a large painting by Tintoretto, "Christ was.h.i.+ng the feet of the Disciples"; this was presented to the church by Sir Matthew White Ridley in 1818. There are many more things of interest in the Cathedral, but mention must be made of a wonderful MS. Bible, incomplete, it is true, but beautifully written and illuminated by the monks of Hexham, and other ma.n.u.script treasures carefully kept in the care of the authorities.
The oldest church in the town is St. Andrew's, supposed to have been built by King David of Scotland at the time when that monarch was Lord of Tynedale, in the reign of King Stephen. It suffered greatly in the struggle with the Scots, whose cannon, planted on the Leazes, did it great damage, and some of the fiercest fighting, at the final capture of the town, took place close by, where a breach was made in the walls.
In such a battered condition was it left that the parish Registers tell us that no baptism nor "sarmon" took place within its walls for a year (1645). But a marriage took place, the persons wedded being Scots, who, we learn from the same authority, "would pay nothing to the Church."
In the church is buried Sir Adam de Athol, Lord of Jesmond, and Mary, his wife. It is supposed that this Sir Adam gave the Town Moor to the people of Newcastle, though this has been disputed. A fine picture of the "Last Supper," by Giordano, presented by Major Anderson in 1804, hangs in the church.
St. John's Church ranks next to St. Andrew's in point of age; there are fragments of Norman work in the building, and it is known to have been standing in 1297. To-day the venerable pile, with its age worn stones, stands out in sharper contrast to its environment than does any other building in the town, surrounded as it is by modern shops and offices.
The memories it evokes, and the past for which it stands, are such as the citizens of Newcastle will not willingly let die; and when, a few years ago, a proposal was made for its removal, the proposition aroused such a storm of popular feeling against it that it was incontinently abandoned.
All Saints' Church was built in 1789, on the site of an older building which was in existence in 1296, and which became very unsafe. Here is kept one of the most interesting monuments in the city--the monumental bra.s.s which once covered the tomb of Roger Thornton, a wealthy merchant of Newcastle, and a great benefactor to all the churches. He died in 1429. He gave to St. Nicholas' Church its great east window; but, on its needing repair in 1860, it was removed entirely, and the present one, in memory of Dr. Ions, inserted; and the only fragment left of Thornton's window is a small circular piece inset in a plain gla.s.s window in the Cathedral. He gave much money to Hexham Abbey also.
Besides the famous men already mentioned in connection with the town, Newcastle possesses other well-known names not a few. In the Middle Ages, Duns Scotus, the man whose skill in argument earned for him the t.i.tle of "Doctor Subtilis," owned Northumberland as his home, and received his education in the monastery of the Grey Friars, which stood near the head of the present Grey Street. He returned to this monastery after some years of study at Oxford; in 1304 he was teaching divinity in Paris.
Nicholas Ridley, Bishop of London in the reign of Edward VI., whose Northumbrian birthplace at Willimoteswick has already been noted, received his early education at the Grammar School in Newcastle, and on going to Cambridge was a student at Pembroke. We are told he was the ablest man among the Reformers for piety, learning and judgment. As is well known, he died at the stake in 1555.
William and Elizabeth Elstob, who lived in Newcastle at the end of the seventeenth century, were learned Saxon scholars, but were so greatly in advance of the education of their times that they met with little encouragement or sympathy in their labours.
Charles Avison, the musician and composer, was organist of St. John's in 1736, and afterwards of St. Nicholas'.
It was he to whom Browning referred in the lines--
"On the list Of worthies, who by help of pipe or wire, Expressed in sound rough rage or soft desire, Thou, whilom of Newcastle, organist."
These lines have been carved on his tombstone in St. Andrew's churchyard. He is best known as the composer of the anthem "Sound the loud timbrel."
Mark Akenside, the poet, was born in Butcher Bank, now called after him Akenside Hill. His chief work "The Pleasures of Imagination," is not often read now, but it enjoyed a considerable reputation in an age when a stilted and formal style was looked upon as a true excellence in poetry.
Charles Hutton, the mathematician, was born in Newcastle in 1737. He began life as a pitman; but, receiving an injury to his arm, he turned his attention to books, and taught in his native town for some years, becoming later Professor of Mathematics in the Royal Military Academy at Woolwich.
John Brand, the antiquary and historian of Newcastle, was born at Was.h.i.+ngton, County Durham, but came to Newcastle as a child. After attending the Grammar School, he went to Oxford, by the aid of his master, the Rev. Hugh Moises. He was afterwards curate at the church of St. Andrew.
Robert Morrison, the celebrated Chinese scholar, was born near Morpeth, but his parents came to Newcastle when the boy was three years of age.
He died in China in 1834.
Thomas Miles Richardson, the well-known artist, was born in Newcastle in 1784, and was at first a cabinetmaker, then master of St. Andrew's Free School, but finally gave up all other work to devote himself to his art.
Robert Stephenson went to school at Percy Street Academy, which for long has ceased to exist. There he was taught by Mr. Bruce, and had for one of his fellow-pupils the master's son, John Collingwood Bruce, who afterwards became so famous a teacher and antiquary.
Newcastle is not, as most southerners imagine, a dark and gloomy town of unrelieved bricks and mortar, for, besides possessing many wide and handsome streets, it has also several pretty parks, the most noteworthy being the beautiful Jesmond Dene, one of the late Lord Armstrong's magnificent gifts to his native town. The Dene, together with the Armstrong Park near it, lies on the course of the Ouseburn, which is here a bright and sparkling stream, very different from the appearance it presents by the time it empties its murky waters into the Tyne.
Besides these there are Heaton Park, the Leazes Park, with its lakes and boats, Brandling Park, and others smaller than these; and last, but most important of all, the Town Moor, a fine breezy s.p.a.ce to the north of the town, of more than 900 acres in extent.
Of statues and monuments Newcastle possesses some half-dozen, the finest being "Grey's Monument"--a household word in the town and familiarly known as "The Monument." It was erected at the junction of Grey Street and Grainger Street in memory of Earl Grey of Howick, who was Prime Minister at the pa.s.sing of the Reform Bill. The figure of the Earl, by Bailey, stands at the top of a lofty column, the height being 135 feet to the top of the figure. There is a stairway within the column, by which it can be ascended, and a magnificent view enjoyed from the top.
In an open s.p.a.ce near the Central Station, between the _Chronicle_ Office and the Lit. and Phil., there is a fine statue of George Stephenson, by the Northumbrian sculptor, Lough. It is a full length representation of the great engineer, in bronze, with the figures of four workmen, representing the chief industries of Tyneside, around the pedestal--a miner, a smith, a navvy, and an engineer. At the head of Northumberland Street, on the open s.p.a.ce of the Haymarket, stands a beautiful winged Victory on a tall column, crowning "Northumbria"
typified as a female figure at the foot of the column. This graceful and striking memorial is the work of T. Eyre Macklin, and is in memory of the officers and men of the North who fell in the Boer War of 1899-1902.
Two other noteworthy statues in the town are those of Lord Armstrong, near the entrance to the Natural History Museum at Barras Bridge, and of Joseph Cowen, in Westgate Road.