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"When she come back from school in June it was the same thing over again, Old Man Bob braggin' on her and everybody sayin' how sweet and pretty she was. d.i.c.k began to wait on her right away, and before long folks was sayin' that they was made for each other, especially as their farms jined. That's a fool notion, but you can't git it out o'
some people's heads.
"Things went on this way for two or three years, Annie goin' and comin' and gittin' prettier all the time, and d.i.c.k waitin' on her whenever she was at home and carryin' on between times with every gyirl in the neighborhood. At last she come home for good, and d.i.c.k dropped all the others in a hurry and set out in earnest to git Annie.
Folks said he was mightily in love, but accordin' to my way o'
thinkin' there wasn't any love about it. The long and the short of it was that Annie knew how to manage him, and the other gyirls didn't.
They was always right there in the neighborhood, and it don't help a woman to be always under a man's nose. But Annie was here and there and everywhere, visitin' in town and in Louisville and bringin' the town folks and the city folks home with her, and havin' dances and picnics, and doin' all she could to make d.i.c.k jealous. And then I always believed that Annie was jest as crazy about d.i.c.k as the rest o'
the gyirls, but she had sense enough not to let him know it. It's human nature, you know, to want things that's hard to git. Why, if fleas and mosquitoes was sceerce, folks would go to huntin' 'em and makin' a big fuss over 'em. Annie made herself hard to git, and that's why d.i.c.k wanted her instead o' Harriet Amos, that was jest as good lookin' and better in every other way than Annie was. Everybody was sayin' what a blessed thing it was, and now d.i.c.k would give up his wild ways and settle down and be a comfort to the Squire in his old age.
"Well, along in the spring, a year after Annie got through with school, Sally Ann come to me, and says she, 'Jane, I saw somethin'
last night and it's been botherin' me ever since;' and she went on to say how she was goin' home about dusk, and how she'd seen d.i.c.k Elrod and little Milly Baker at the turn o' the lane that used to lead up to Milly's house. 'They was standin' under the wild cherry tree in the fence corner,' says she, 'and the elderberry bushes was so thick that I could jest see d.i.c.k's head and shoulders and the top of Milly's head, but they looked to be mighty close together, and d.i.c.k was stoopin' over and whisperin' somethin' to her.'
"Well, that set me to thinkin', and I ricollected seein' d.i.c.k comin'
down the lane one evenin' about sunset and at the same time I'd caught sight o' Milly walkin' away in the opposite direction. Our Mite Society met that day, and Sally Ann and me had it up, and we all talked it over. It come out that every woman there had seen the same things we'd been seein', but n.o.body said anything about it as long as they wasn't certain. 'Somethin' ought to be done,' says Sally Ann; 'it'd be a shame to let that pore child go to destruction right before our eyes when a word might save her. She's fatherless, and pretty near motherless, too,' says she.
"You see, the Bakers was tenants of old Squire Elrod's, and after Milly's father died o' consumption the old Squire jest let 'em live on the same as before. Mis' Elrod give 'em quiltin' and sewin' to do, and they had their little gyarden, and managed to git along well enough.
Some folks called 'em pore white trash. They was pore enough, goodness knows, but they was clean and hard-workin', and that's two things that 'trash' never is. I used to hear that Milly's mother come of a good family, but she'd married beneath herself and got down in the world like folks always do when they're cast off by their own people. Milly had come up like a wild rose in a fence corner, and she was jest the kind of a girl to be fooled by a man like d.i.c.k, handsome and smooth talkin', with all the ways and manners that take women in. Em'ly Crawford used to say it made her feel like a queen jest to see d.i.c.k take his hat off to her. If men's manners matched their hearts, honey, this'd be a heap easier world for women. But whenever you see a man that's got good manners and a bad heart, you may know there's trouble ahead for some woman.
"Well, us women talked it over till dark come; and I reckon if we had app'inted a committee to look after Milly and d.i.c.k, somethin' might have been done. But everybody's business is n.o.body's business, and I thought Sally Ann would go to Milly and give her a word o' warnin', and Sally Ann thought I'd do it, and so it went, and nothin' was said or done at last; and before long it was all over the neighborhood that pore little Milly was in trouble."
Aunt Jane paused, took off her gla.s.ses and wiped them carefully on a corner of her gingham ap.r.o.n.
"Many's the time," she said slowly, "that I've laid awake till the chickens crowed, blamin' myself and wonderin' how far I was responsible for Milly's mishap. I've lived a long time since then, and I don't worry any more about such things. There's some things that's got to be; and when a person is all wore out tryin' to find out why this thing happened and why that thing didn't happen, he can jest throw himself back on the eternal decrees, and it's like layin' down on a good soft feather bed after you've done a hard day's work. The preachers'll tell you that every man is his brother's keeper, but 'tain't so. I ain't my brother's keeper, nor my sister's, neither.
There's jest one person I've got to keep, and that's myself.
"The Bible says, 'A word spoken in due season, how good it is!' But when folks is in love there ain't any due season for speakin' warnin'
words to 'em. There was Emmeline Amos: her father told her if she married Hal, he'd cut her name out o' the family Bible and leave her clear out o' his will. But that didn't hinder her. She went right on and married him, and lived to rue the day she did it. No, child, there's mighty little salvation by words for folks that's in love. I reckon if a word from me would 'a' saved Milly, the word would 'a'
been given to me, and the season too, and as they wasn't, why I hadn't any call to blame myself.
"Abram and Sam Crawford did try to talk to Old Man Bob; but, la! you might as well 'a' talked to the east wind. All he said was, 'If Annie wants d.i.c.k Elrod, Annie shall have him.' That's what he'd been sayin'
ever since Annie was born. n.o.body said anything to Annie, for she was the sort o' girl who didn't care whose feelin's was tramped on, if she jest had her own way.
"So it went on, and the weddin' day was set, and nothin' was talked about but Annie's first-day dress and Annie's second-day dress, and how many ruffles she had on her petticoats, and what the lace on her nightgowns cost; and all the time there was pore Milly Baker cryin'
her eyes out night and day, and us women gittin' up all our old baby clothes for d.i.c.k Elrod's unborn child."
Aunt Jane dropped her knitting in her lap, and gazed across the fields as if she were seeking in the sunlit ether the faces of those who moved and spoke in her story. A farm wagon came lumbering through the stillness, and she gathered up the double thread of story and knitting and went on.
"Annie always said she was goin' to have such a weddin' as the county never had seen, and she kept her word. Old Man Bob had the house fixed up inside and out. They sent up to Louisville for the cakes and things, and the weddin' cake was three feet high. There was a solid gold ring in it, and the bridesmaids cut for it; and every gyirl there had a slice o' the bride's cake to carry home to dream on that night.
Annie's weddin' dress was white satin so heavy it stood alone, so they said. And Old Man Bob had the whole neighborhood laughin', tellin' how many heifers and steers it took to pay for the lace around the neck of it.
"Annie and d.i.c.k was married in October about the time the leaves fell, and Milly's boy was born the last o' November. Lord! Lord! what a world this is! Old Man Bob wouldn't hear to Annie's leavin' him, so they stayed right on in the old home place. In them days folks didn't go a-lopin' all over creation as soon as they got married; they settled down to housekeepin' like sensible folks ought to do. Old Lady Elrod was as foolish over d.i.c.k as Old Man Bob was over Annie, and it was laid down beforehand that they was to spend half the time at Old Man Bob's and half the time at the Squire's, 'bout the worst thing they could 'a' done. The further a young couple can git from the old folks on both sides the better for everybody concerned. And besides, Annie wasn't the kind of a gyirl to git along with d.i.c.k's mother. A gyirl with the kind o' raisin' Annie'd had wasn't any fit daughter-in-law for a particular, high-steppin' woman like Old Lady Elrod.
"There was some people that expected a heap o' d.i.c.k after he married, but I never did. If a man can't be faithful to a woman before he marries her, he ain't likely to be faithful after he marries her. And sh.o.r.e enough the s.h.i.+ne wasn't off o' Annie's weddin' clothes before d.i.c.k was back to his old ways, drinkin' and carryin' on with the women same as ever, and the first thing we knew, him and Annie had a big quarrel, and Old Man Bob had ordered him off the place. However, they made it up and went over to the old Squire's to live, and things went on well enough till Annie's baby was born. d.i.c.k had set his heart on havin' a boy, but it turned out a girl, and as soon as they told him, he never even asked how Annie was, but jest went out to the stable and saddled his horse and galloped off, and n.o.body seen him for two days.
He needn't 'a' took on so, for the pore little thing didn't live but a week. Annie had convulsions over d.i.c.k's leavin' her that way, and the doctor said that was what killed the child. Annie never was the same after this. She grieved for her child and lost her good looks, and when she lost them, she lost d.i.c.k. It wasn't long before d.i.c.k was livin' with his father, and she with hers. At last he went out West; and in less than three years Annie died; and a good thing she did, for a more soured, disappointed woman couldn't 'a' been found anywhere.
"Well, all this time Milly Baker's baby was growin' in grace, you might say. And a finer child never was born. Milly had named him Richard, and nature had wrote his father's name all over him. He was the livin' image of d.i.c.k, all but the look in his eyes; that was Milly's. Milly wors.h.i.+ped him, and there was few children raised any carefuler and better than Milly Baker's boy; that was what we always called him. Milly was nothin' but a child herself when he was born, but all at once she appeared to turn to a woman; acted like one and looked like one. It ain't time, honey, that makes people old; it's experience. Some folks never git over bein' children, and some never has any childhood; and pore little Milly's was cut short by trouble.
If she felt ashamed of herself or the child, n.o.body ever knew it. I never could tell whether it was lack of sense, or whether she jest looked at things different from the rest of us; but to see her walk in church holding little Richard by the hand, n.o.body ever would 'a'
thought but what she was a lawful wife. No woman could 'a' behaved better'n she did, I'm bound to say. She got better lookin' all the time, but she was as steady and sober as if she'd been sixty years old. Parson Page said once that Milly Baker had more dignity than any woman, young or old, that he'd ever seen. It seems right queer to talk about dignity in a pore gyirl who'd made the misstep she'd made, but I reckon it was jest that that made us all come to treat her as if she was as good as anybody. People can set their own price on 'emselves, I've noticed; and if they keep it set, folks'll come up to it. Milly didn't seem to think that she had done anything wrong; and when she brought little Richard up for baptism there wasn't a dry eye in the church; and when she joined the church herself there wasn't anybody mean enough to say a word against it, not even Silas Petty.
"Squire Elrod give her the cottage rent free after her mother died, and betwixt nursin' and doin' fine needlework she made a good livin'
for herself and the boy.
"Little Richard was a child worth workin' for from the start. Tall and straight as a saplin', and carried himself like he owned the earth, even when he was a little feller. It looked like all the good blood on both sides had come out in him, and there wasn't a smarter, handsomer boy in the county. The old Squire thought a heap of him, and nothin'
but his pride kept him from ownin' the child outright and treatin' him like he was his own flesh and blood. Richard had an old head on young shoulders, though he was as full o' life as any boy; and by the time he was grown the old Squire trusted him with everything on the place and looked to him the same as if he'd been a settled man. After Old Lady Elrod died, he broke terrible fast, and folks used to say it was a pitiful sight to see him when he'd be watchin' Richard overseein'
the hands and tendin' to things about the place. He'd lean on the fence, his hands tremblin' and his face workin', thinkin' about d.i.c.k and grievin' over him and wis.h.i.+n', I reckon, that d.i.c.k had been such a man as Milly's boy was.
"All these years n.o.body ever heard from d.i.c.k. Once in a while somebody'd come from town and say they'd seen somebody that had seen somebody else, and that somebody had seen d.i.c.k way out in California or Lord knows where, and that was all the news that ever come back.
We'd all jest about made up our minds that he was dead, when one mornin', along in corn-plantin' time, the news was brought and spread over the neighborhood in no time that d.i.c.k Elrod had come home and was lyin' at the p'int of death. I remembered hearin' a hack go by on the pike the night before, and wondered to myself what was up. I thought, maybe, it was a runaway couple or some such matter, but it was pore d.i.c.k comin' back to his father's house, like the Prodigal Son, after twenty years. It takes some folks a long time, child, to git tired of the swine and the husks.
"Well, of course, it made a big commotion, and before we'd hardly taken it in, we heard that he'd sent for Milly, and her and Richard had gone together up to the big house.
"Jane Ann Petty was keepin' house for the old Squire, and she told us afterwards how it all come about.
"We had a young probationer preachin' for us that summer, and as soon as he heard about d.i.c.k, he goes up to the big house without bein' sent for to talk to him about his soul. I reckon he thought it'd be a feather in his cap if he could convert a hardened sinner like d.i.c.k.
"Jane Ann said they took him into d.i.c.k's room, and he set down by the bed and begun to lay off the plan o' salvation jest like he was preachin' from the pulpit, and d.i.c.k listened and never took his eyes off his face. When he got through d.i.c.k says, says he:
"'Do you mean to say that all I've got to do to keep out of h.e.l.l and get into heaven is to believe on the Lord Jesus Christ?' And Brother Jonas, he says:
"'Yes, my dear brother, "Believe on the Lord Jesus Christ, and thou shalt be saved. The blood of Jesus Christ, his Son, cleanseth us from all sin."'
"And they said d.i.c.k jest laughed a curious sort o' laugh and says he:
"'It's a pretty G.o.d that'll make such a bargain as that!' And says he, 'I was born bad, I've lived bad, and I'm dyin' bad; but I ain't a coward nor a sneak, and I'm goin' to h.e.l.l for my sins like a man. Like a man, do you hear me?'
"Jane Ann said the look in his eyes was awful; and the preacher turned white as a sheet. It was curious talk for a death-bed; but, when you come to think about it, it's reasonable enough. When a man's got h.e.l.l in his heart, what good is it goin' to do him to git into heaven?"
"What, indeed?" I echoed, thinking how delightful it was that Aunt Jane and Omar Khayyam should be of one mind on this subject.
"When d.i.c.k said this the young preacher got up to go, but d.i.c.k called him back, and says he, 'I don't want any of your preachin' or prayin', but you stay here; there's another sort of a job for you to do.' And then he turned around to the old Squire and says, 'Send for Milly.'
"When we all heard that Milly'd been sent for, the first thing we thought was, 'How on earth is Milly goin' to tell Richard all he's got to know?' I never used to think we was anything over and above the ordinary out in our neighborhood, but when I ricollect that Richard Elrod come up from a boy to a man without knowin' who his father was, it seems like we must 'a' known how to hold our tongues anyhow. There wasn't man, woman, or child that ever hinted to Milly Baker's boy that he wasn't like other children, and so it was natural for us to wonder how Milly was goin' to tell him. Well, it wasn't any of our business, and we never found out. All we ever did know was that Milly and Richard walked over to the big house together, and Richard held his head as high as ever.
"They said that d.i.c.k give a start when Milly come into the room. I reckon he expected to see the same little girl he'd fooled twenty years back, and when she come walkin' in it jest took him by surprise.
"'Why, Milly,' says he, 'is this you?'
"And he held out his hand, and she walked over to the bed and laid her hand in his. Folks that was there say it was a strange sight for any one that remembered what them two used to be. Her so gentle and sweet-lookin', and him all wore out with bad livin' and wasted to a shadder of what he used to be.
"I've seen the same thing, child, over and over again. Two people'll start out together, and after a while they'll git separated, or, maybe, they'll live together a lifetime, and when they git to the end o' fifteen or twenty or twenty-five years, one'll be jest where he was when they set out, and the other'll be 'way up and 'way on, and they're jest nothin' but strangers after all. That's the way it was with Milly and d.i.c.k. They'd been sweethearts, and there was the child; but the father'd gone his way and the mother'd gone hers, and now there was somethin' between 'em like that 'great gulf' the Bible tells about. Well, they said d.i.c.k looked up at Milly like a hungry man looks at bread, and at last he says:
"'I'm goin' to make an honest woman of you, Milly.'
"And Milly looked him in the eyes and said as gentle and easy as if she'd been talkin' to a sick child: 'I've always been an honest woman, d.i.c.k.'
"This kind o' took him back again, but he says, right earnest and pitiful, 'I want to marry you, Milly; don't refuse me. I want to do one decent thing before I die. I've come all the way from California just for this. Surely you'll feel better if you are my lawful wife.'
"And they said Milly thought a minute and then she says: 'I don't believe it makes any difference with me, d.i.c.k. I've been through the worst, and I'm used to it. But if it'll make it any easier for you, I'll marry you. And then there's my boy; maybe it will be better for him.'