The World's Progress Part 35

Two recreations pictured on the palace walls were enjoyed only by the n.o.bles and the wealthy cla.s.ses--the hunt and the banquet. In modern times, when those in high position have occasionally laid down important matters for a brief while to seek recreation in hunting, fis.h.i.+ng and out of door life, they have taken opportunity to throw off much of the conventionality surrounding their every-day life and have found some diversion in "roughing it,"--in sharing the varying fortune likely to befall those who leave the certain comforts of home for the uncertain conditions to be met away from the centers of civilization. Such was not at all the case with the kings of a.s.syria when they left their capitals to hunt the lion in its distant jungles and marshes. In the palace of Sennacherib and a.s.shurbanipal, hunts have been depicted throughout their progress. We may see the king marching out of the city in his state chariot, his charioteer at his side, while behind him an attendant holds high an embroidered parasol over his kingly head to protect him from the rays of the sun. n.o.bles accompany him on horses and they, together with the guards and retinue of servants, make up a small army. Goats and cattle are driven along, that his majesty and his n.o.bles may have fresh milk and meat throughout their absence; a sumptuous tent shelters the king when the procession stops for the night, while each n.o.ble tries to pitch his tent near the more splendid one of his king. Maspero has graphically described the hunt. Some wild oxen have been discovered, and the king gives chase:

"In less time than we can speak, three of the bulls are rolling on the ground, pierced with several arrows; the four others but slightly wounded, turn round and gallop towards the river. a.s.shurbanipal follows the largest of them, which he is almost sure is wounded in the shoulder; then gradually he overtakes it, skillfully drives his chariot beside it without checking speed, and laying aside his bow, grasps one of the poignards he wears in his belt. With one hand he seizes one of the animal's horns, with the other he plunges his weapon into his neck; the short, wide blade divides the spine, between the neck and shoulder, the bull falls like a stone. A flight of arrows arrests the fugitives before they can reach the water; the whole herd is killed, except the old bull that escaped at first.

"The return to the camp is a triumphal march. As soon as the sentinels signal the arrival of the party, soldiers, slaves, women, all who are not bound by etiquette or military duty, hurry to meet it, and form two lines, watching the procession. The sight of the seven bulls, each carried by five or six men, almost causes them to forget the respect due to royalty. They exclaim upon the size of the animals, the strength of their horns, the savage aspect given by their manes; they praise their master's skill, and loudly thank the G.o.ds who have favored him with such rare and terrible game. a.s.shurbanipal has left his chariot in front of his tent, and now prepares to return thanks for his success to the lord a.s.shur and the lady Ishtar. Two priests with their harps are waiting to commence the hymns of praise. The bearers place the oxen side by side in a single line. The king, accompanied by his fly-flap and sunshade-bearers, stands on the right, the bow in his left hand. He takes the cup full of sacramental wine, which the vizier presents to him, touches it with his lips, then partly empties it over the victims whilst the musicians play. The same evening a messenger will start for Nineveh to have the new exploit graven upon stone. The picture will portray the departure, the chase, the death, the solemn entry, and an inscription placed above the last scene will tell posterity the name of the victor. 'I, a.s.shurbanipal, king of mult.i.tudes, king of a.s.syria, whose power is secured by a.s.shur and Beltis, I have killed seven oxen; I have strung the mighty bow of Ishtar, queen of battles, against them, I have made an offering over them and poured wine upon them.'

"On the following day the dogs rouse three lions from their jungle.

These are killed after having made a desperate resistance. The three bodies are carried back to the camp, then presented to Ishtar with the same ceremonies that had celebrated the triumph over the wild bulls, and the sculptors were ordered to represent the hand-to-hand struggle of the sovereign and his savage foe. 'I, a.s.shurbanipal, king of peoples, king of a.s.syria, alone on foot, in my majesty, I seized a lion of the desert by the ear; and by the mercy of a.s.shur and Ishtar, queen of battles, I pierced its loins with my lance, with mine own hands.'"[1]

A banquet sometimes celebrated the return from a fine and successful hunt, but it faded into insignificance when compared with the one held after the return from a war of pillage and conquest. The entire population of the capital became temporary guests of the king.

"After the procession, the day is pa.s.sed in a perfect frenzy of joy by the whole nation. It is customary for all the inhabitants of the city, slaves and freemen, to eat and drink at the king's expense during the festival; this is a method of giving them a share of the booty. For seven days the palace gates are open to all comers. Many colored stuffs suspended over the walls by means of ropes have transformed the courts into immense banqueting halls. The crowd is coming and going from morning till night; the people install themselves upon state-seats and ask for whatever they like; the slaves have orders to give them anything they wish for, and to bring each person whatever he desires as many times as he asks for it. Women and children are admitted to these festivals as well as men. The soldiers kept in barracks by their duty are not forgotten; the king sends them the food and wine they cannot fetch for themselves in so great profusion that they have nothing to regret. The loaves disappear by thousands, by thousands also the oxen, sheep, goats, and birds of all kinds are sacrificed to satisfy the public appet.i.te. But what they eat is nothing to what they drink. The a.s.syrian is sober in ordinary life, but he does not know how to stop if he once allows himself any excess. Wines of a.s.syria and Chaldea, wines from Elam, wines from Syria and Phoenicia, wines from Egypt, the skins are emptied as soon as opened, without visibly quenching the universal thirst. After one or two days no brain is strong enough to resist it, and Nineveh presents the extraordinary spectacle of a whole city in different degrees of intoxication; when the festival is over, several days are required before it resumes its usual aspect.

Whilst the people are becoming tipsy outside, a.s.shurbanipal feasts the leading chiefs and the ministers of state within the palace. Unlike the common people, the n.o.bles eat but little, so that few dishes of meat are set before them, but cakes and fruits of different kinds, grapes, dates, apples, pears, and figs are brought in continual relays, by long lines of slaves. On the other hand, they drink a great deal--with more refinement, perhaps, than the common people, but with equal avidity.

The only persons who do not drink, or who drink little, through the necessity of retaining their sobriety, are the guards, the servants and the musicians. No festival is complete without the presence of singers, and the king's musicians conscientiously perform their finest melodies.

Perhaps some one listened to them at the beginning of the feast, but now that the great silver bowls have been filled and emptied several times, their music is literally wasted. They may sing out of tune, or remain silent, just as they please, no one will listen or care.

The court poet has placed the recital of the hero's life and exploits, from the hour of his birth until the day of his triumph, in his own mouth. He concluded by saying:

"'I am a strong warrior, beloved of a.s.shur and Ishtar, the child of royalty. The G.o.ds have been gracious to me. The wheat has grown to five cubits, and its ears of corn are always one cubit long; during my reign, abundance has overflowed; during all the years of my reign, the divine blessing has been poured out upon me like a heavy dew. The G.o.ds have raised me higher than any king ever ascended before me. Whilst a.s.shur and Ishtar support me, who can prevail against me? My power is everlastingly founded by their hands, the duration of my race is established; they shall reign for many days, and for everlasting years.'"[2]

[Ill.u.s.tration: a.s.sYRIAN KING IN ROYAL ROBES.]

FOOTNOTES:

[1] Maspero: Ancient Egypt and a.s.syria, 260.

[2] Maspero: Ancient Egypt and a.s.syria, 368, ff.

CHAPTER XIV.

ARCHITECTURE AND DECORATION.

Architecture is evolved from religion as well as from nature. Generally speaking, we find temples of wors.h.i.+p to be the first buildings erected by every people.

Because the Babylonians were limited by lack of other material to sun or kiln-dried brick, and the a.s.syrians, devoid of originality, limited themselves to the same baked clay, we would scarcely expect to find pleasing or artistic buildings in either state. Even in the dwellings of rich and poor, the great difference was one of size. It was impossible to make a clay wall very ornate, but the wealthy could have more walls and broader expanse of bricks. Size, or hugeness, then, signified superiority. It naturally followed that the temple, the n.o.blest structure attempted by the Mesopotamians, was especially large, being called by a word which meant "mountain house."

Large tracts of land were dedicated to the temples. Having been consecrated by libations of wine, oil and honey, the temple proper, consisting of halls or rooms surrounding an inner court, was first erected. Near this arose the ziggurat or tower, and many smaller buildings, not unlike private dwellings. These served as residences for the priests, for the temple school, store-houses for the sacred oil and other articles pertaining to wors.h.i.+p, and many other purposes. The entire area was enclosed by a wall, and was ordinarily remote from the noises of the city. Within this large enclosure other walls surrounded buildings of special sanct.i.ty and importance. Within the temple proper was an inner room where the statue of the G.o.d was kept. This corresponded to the "holy of holies" in a Jewish synagogue, and was entered only by the priest or king.

The ziggurat or mountain house--for this alone was ma.s.sive and high--built as symbolic of the mountain form which the whole earth was supposed to a.s.sume, was a tower, some times three, some times five or even seven stories high. The remains of one of these ziggurats was discovered by Dr. Peters and his explorers at Nippur, and is supposed to have been built as early as 2700 B.C.

The ziggurat at Borsippa had a base of earthwork 272 feet on each side, and was 26 feet high. Above this foundation arose two stories, 26 feet in height, each 42 feet less on a side than the story below. Four stories, each 15 feet high, followed, decreasing 42 feet on a side like the lower ones, and the last, or seventh, story, was just 29 feet square. Stairways wound around the outside of the tower, and it was thought pleasing to the G.o.ds that wors.h.i.+ppers should ascend to the top.

Each story was sacred to some particular G.o.d whose statue it contained while the shrine of the most important deity was placed on top.

Sometimes each story was painted a different color.

The ma.s.s of wors.h.i.+ppers, however, a.s.sembled at the temple rather than the tower, and offerings were made at the base of the ziggurat instead of at the top.

It was the ambition of the kings that the inner walls of their buildings, whether temples or palaces, should "s.h.i.+ne like the sunlight,"

and to this end gold, silver and precious stones lent their gleams and glows to mural decorations.

Next in importance to the temples were royal palaces, and in a.s.syria, where religion was given less prominence, the temple was a mere adjunct of the palace. Here again, a large inner court was surrounded by halls and rooms. The palace court was paved and decorated and upon the inner walls of the palace the skill of the artist was expended. The floors were made of tiles, and these followed ingenious patterns. Sometimes the floors were formed of bricks or tablets covered with inscriptions deeply cut; then molten metal--bra.s.s or bronze--was poured over the whole, and filling the depressions, caused the entire floor to look like a curious and intricate design.

It was comparatively easy to lay floors and raise walls of bricks, but it was quite another thing to make roofs of them. The longest rafters were obtained from the cedars of Lebanon and these ranged from 30 to 40 feet in length. This practically determined the width of the halls and rooms, which seem to have been even four times their width in length.

The monotony of the inner walls was relieved by alabaster reaching around the halls from twelve to fifteen feet above the floors, and held in place by strong iron clamps. On this soft, yielding substance were portrayed scenes in the life and exploits of the king--his campaigns, hunts, works of peace, and acts of wors.h.i.+p. These were executed in bas-relief after the slabs were fitted into place. Above them extended a frieze perhaps three feet in width, made of tiles painted in delicate colors and laid in such a way as to form a picture or design. We miss the gaudy colors so popular in Egypt. It has been well said that the a.s.syrian artist sought to please by the elegance of his forms and the harmony of his hues--not to startle by a display of bright and strongly contrasted colors. The palace of Sennacherib, second only to the temple of Karnak in grandeur--covered an area of eight acres, and contained some eighty apartments. The palace of Sargon at Khorsabad had no less than 209 rooms. Of the scenes depicted on the slabs of alabaster in the state apartments Rawlinson writes at length: "The most striking characteristic of Sennacherib's ornamentation is its strong and marked realism. Mountains, rocks, trees, roads, rivers, lakes were regularly portrayed, an attempt being made to represent the locality, whatever it might be, as truthfully as the artist's skill and the character of his material rendered possible. The species of trees is distinguished, gardens, fields, ponds, reeds, are carefully represented; wild animals are introduced, as stags, boars and antelopes; birds fly from tree to tree, or stand over their nests, feeding the young who stretch up to them; fish disport themselves in the water; fishermen ply their craft; boatmen and agricultural laborers pursue their avocations; the scene is, as it were, photographed, with all its features.

"In the same spirit of realism, Sennacherib chooses for artistic representation scenes of a commonplace and everyday character. The trains of attendants who daily enter his palace with game and locust for his dinner, and cakes and fruit for his dessert, appear on the walls of the pa.s.sages exactly as they walked through his courts bearing the delicacies in which he delighted. Elsewhere he puts before us the entire process of carving and transporting a colossal bull, from the first removal of the huge stone in its rough state from the quarry to its final elevation on a palace mound, as part of the great gateway of a royal residence. We see the trackers dragging the rough block, supported on a low flat-bottomed boat, along the course of a river, disposed in gangs, each gang having a costume of its own which probably marked its nation, under taskmasters armed with staves, who urged on the labor with blows. The whole scene must be represented, and so the trackers are there, to the number of three hundred, each delineated with as much care as if he were not the exact image of ninety-nine others. We then observe the block transferred to land, and carved into the rough semblance of a bull, in which form it is placed on a rude sledge and conveyed along level land by gangs of laborers, arranged nearly as before, to the foot of the mound at whose top it has to be placed. The construction of the mound is elaborately represented. Brickmakers are seen moulding the bricks at its base, while workmen with baskets at their backs, full of earth, brick, stone, or rubbish toil up the ascent--for the mound is already half raised--and empty their burdens out upon the summit. The bull, still lying on its sledge, is then drawn up an inclined plane to the top by four gangs of laborers, in the presence of the monarch and his attendants. After this the carving is completed, and the colossus, having been raised into an upright position, is conveyed along the surface of the platform to the exact site which it is to occupy."

Guarding the portals of the palaces stood the winged bulls and lions, in pairs. They were thought to ward off demons and to inspire awe in those who beheld them. They were formed with five legs, in order that the spectator, whether he viewed them from the front or side, might still see the usual four. Speaking of these great stone creatures, Layard wrote: "I used to contemplate for hours these mysterious emblems, and muse over their intent and history. What more n.o.ble forms could have ushered the people into the temple of their G.o.ds? What more sublime images could have been borrowed from nature by men who sought, unaided by the light of revealed religion, to embody their conception of the wisdom, power and ubiquity of a Supreme Being? They could find no better type of intellect and knowledge than the head of a man; of strength, than the body of a lion; of rapidity of motion than the wings of a bird.

These winged human-headed lions were not idle creations, the offspring of mere fancy; their meaning was written upon them. They had awed and instructed races which flourished three thousand years ago. Through the portals which they guarded, kings, priests, and warriors had borne sacrifices to their altars long before the wisdom of the East had penetrated to Greece, and furnished its mythology with symbols long recognized by the a.s.syrian votaries.

"They may have been buried, and their existence may have been unknown before the foundation of the Eternal City. For twenty-five centuries they had been hidden from the eye of man, and they now stood forth once more in their ancient majesty. But how changed was the scene around them! The luxury and civilization of a mighty nation had given place to the wretchedness and ignorance of a few half-barbarous tribes. The wealth of temples and the riches of the great cities had been succeeded by ruins and shapeless heaps of earth. Above the s.p.a.cious hall in which they stood the plow had pa.s.sed and the corn now waved. Egypt has monuments no less ancient and no less wonderful, but they have stood forth for ages to testify her early power and renown, while these before me had but now appeared to bear witness, in the words of the prophet, that once 'the a.s.syrian was a cedar in Lebanon with fair branches....

Now is Nineveh desolate and dry like a wilderness, and flocks lie down in the midst of her.'"

Babylon was probably the most beautiful city of antiquity.

Nebuchadnezzar II. surrounded the capital with walls of such solidity that it is supposed the city could never have been taken by a.s.sault. His father began the fortifications, and it was left for the greatest Babylonian king to complete them and make them even more secure. Between the outer and inner walls, wide distances were left. Here trees and gardens were planted. This s.p.a.ce was provided for nearby villagers in times of siege, and it was also intended that here fields of grain might be grown to sustain the population under such trying conditions.

Herodotus described these walls: "And here I may not omit to tell the use to which the mould dug out of the great moat was turned, nor the manner wherein the wall was wrought. As fast as they dug the moat, the soil which they got from the cutting was made into bricks, and when a sufficient number were completed, they baked the bricks in kilns. Then they set to building and began with bricking the borders of the moat, after which they proceeded to construct the wall itself, using throughout for their cement hot bitumen, and interposed a layer of wattled reeds at every thirtieth course of the bricks." According to this writer the outer wall was 14 miles in circ.u.mference, 93 feet thick, and 370 feet in height, but it is supposed that he included the city of Borsippa, across the river, within the length of wall, and no doubt he computed the height to include the lofty towers built at intervals along the wall, to give sentinels a wide outlook over the country. These walls the Greeks included among the wonders of the world, and probably ancient warfare could not have destroyed them.

The Hanging Gardens of this great city were also enumerated among the world's wonders. These are said to have been built by Nebuchadnezzar for his Median queen, who wearied of the dull, flat country of Babylonia, and pined for her mountain home. The lowest terrace arose some 500 feet square, and three other terraces, supported by arches and pillars, were constructed above it, each smaller than the one beneath. These four platforms or terraces were covered with soil drawn up in carts, and the earth was deep enough to grow large trees, as well as all kinds of plants and vines. A pump house was located on top, water being drawn from the river and forced all through the structure, while the pipes were carefully concealed. Broad stairways led up to the uppermost terraces where a residence was built for the favorite queen. Hanging gardens had been built in Nineveh by former kings, but none so splendid as these nor on so gigantic a scale. Seen from afar, overtowering the high walls of the city, their height accentuated by the vast expanse of level land, the effect was that of a low mountain, clothed in verdure and scenting the breeze with the blended fragrance of its beautiful flowers.

The population of Babylon was probably above 500,000 and the city contained more wealthy families than any other in Asia. The houses of these added to the beauty of the place, while two royal palaces, one on either side of the Euphrates, exceeded all former splendor in the southland. Streets were laid out at right angles, and the more important ones terminated in high gates leading out of the city walls. These gates were made of cedar and covered with bronze plates. Well might Nebuchadnezzar exclaim: "Is not this great Babylon, which I have built for the royal dwelling-place, by the might of my power, and for the glory of my majesty?" And again: "For the astonishment of men I built this house; awe of the power of my majesty encompa.s.ses its walls. The temples of the great G.o.ds I made brilliant as the sun, s.h.i.+ning as the day. In Babylon alone I raised the seat of my dominion, in no other city!"

[Ill.u.s.tration: DECORATION IN ENAMELED TILES ON ONE OF THE GATES OF THE HAREM IN SARGON'S PALACE.]

CHAPTER XV.

RELIGION.

We have learned something of the primitive religious ideas of the Chaldeans, or Sumerians, who originally occupied Babylonia. However, when the Babylonian religion is mentioned, reference is made to the later faith of the valley, and this resulted from a blending of the Sumerian beliefs and the religious system brought in by the Semitic invaders.

The original inhabitants of the country, in their attempt to explain the forces of nature, had conceived that spirits belonged to animate as well as inanimate objects, and that these spirits had power to bless or injure. The rain could refresh the crops or it might wash them out of the earth; the sun could cause the grain to germinate or in a day could dry it up with withering heat. The evil which each spirit was likely to do so far exceeded the good that gradually these spirits were thought of as demons. It was a demon which took possession of a man and made him ill. Famines were brought by the south-west wind. In short, demons threatened on every hand, and only a diligent use of charms and frequent incantations could protect humanity and enable each to live out his days amidst such imminent dangers.

Now it is evident that there is no trace of our conception of a G.o.d in all this, but the early Sumerians had also their G.o.ds which were likewise personifications of nature, and these were later adopted by the Babylonian Semites, who also took over the earlier beliefs about the various spirits. In the course of perhaps several hundred years from the blending of the two beliefs, with such changes as growing intelligence brought, the religion of the Babylonians was evolved.

The Semites who pushed north and founded the state of a.s.syria, took with them the religion of the southern kingdom.

In explaining further the religion of the southland, we must remember its early political situation. Instead of one united kingdom, it was made up of a number of little states under leaders.h.i.+p of cities. The leading cities had grown up around the temple of some protecting deity whose favor was believed to extend over the immediate vicinity. Thus, for example, Sin, the Moon-G.o.d, was not only the patron deity of Ur, but of the whole state of which Ur was the capital city. To exalt its G.o.d, a state would reach out to incorporate another. The people thus conquered did not cease to wors.h.i.+p their former deity but now gave homage to the G.o.d of their conquerors as well. When several little states were united, the greatest of their G.o.ds was the G.o.d of their strongest city, since he had clearly demonstrated his power by giving victory over the rest. In truth, it should be explained that such was the official G.o.d, for without doubt the ma.s.ses knew little of political absorption and wors.h.i.+pped the G.o.d of their infancy rather than new G.o.ds honored by the state.

In course of various unions, En-lil or Bel became the most important G.o.d in Babylonia and remained so until Babylon gained supremacy over all other states. Then Marduk, her ancient G.o.d, was given first place.