Ethnology of the Ungava District, Hudson Bay Territory - BestLightNovel.com
You’re reading novel Ethnology of the Ungava District, Hudson Bay Territory Part 14 online at BestLightNovel.com. Please use the follow button to get notification about the latest chapter next time when you visit BestLightNovel.com. Use F11 button to read novel in full-screen(PC only). Drop by anytime you want to read free – fast – latest novel. It’s great if you could leave a comment, share your opinion about the new chapters, new novel with others on the internet. We’ll do our best to bring you the finest, latest novel everyday. Enjoy
Steel traps are generally set, various sizes of traps being used for the different animals. A great number of otter and beaver are shot in the water. Deadfalls consisting of a log of wood set upon figure-4 triggers rarely fail to kill mink and marten. The lynx is usually taken by means of a snare with the loop over a circle of low pegs surrounding the tongue of the figure-4 set of triggers. The spring, usually a lithe sapling, is strong enough to lift the forelegs of the animal from the ground when the noose encircles its neck.
The Indian conceives the wolverine to be an animal embodying all the cunning and mischief that can be contained in the skin of a beast. To its cunning is added great bodily strength, enabling this medium-sized animal to accomplish destruction apparently much beyond its strength.
Every other animal in the forests where it dwells prefers to give it the path rather than engage in struggle with it. When seized in a trap a wolverine offers a st.u.r.dy resistance. Even a famished wolf, to my personal knowledge, will stand and look at it, but not attempt to cope with it. In this particular instance, however, the wolf may have considered the predicament of the wolverine another means of strategy employed by that animal to entrap the wolf, and so deemed it wise to remain at a respectful distance.
Every form of torture which the Indian mind is capable of conceiving is inflicted upon this animal when it is captured. All manner of vile names and reproaches are applied to it. The Indian enjoys relating how he singed its fur off, broke its bones, and tormented it in many ways, as it slowly expired under his hand.
[Ill.u.s.tration: FIG. 87.--Indian buckskin coat, man's (front).]
CLOTHING.
The apparel worn by the Ungava Indians is quite distinct for the different s.e.xes. The method of preparing the skins for the manufacture of garments is the same, but the forms of the garments for the s.e.xes are so different as to require special consideration.
The garments worn by the men differ somewhat according to the season of the year, for the extremes of climate are very great. The clothing of the men consists of a coat, breeches, leggings, moccasins, gloves or mittens, and cap or headdress.
[Ill.u.s.tration: FIG. 88.--Indian buckskin coat, man's (back).]
The coat consists of the skins of the reindeer tanned into a thoroughly pliable condition by the process to be described presently.
The shape of the garment worn in summer (Figs. 87 and 88) is somewhat similar to that of a frock coat, but without the tails. The back is cut from a single skin and the skirt cut up from below. Into this is inserted a piece of sufficient width to allow movement of the lower limbs. The sides are from the second skin, split down the middle of the back and sewed to the skin, forming the back of the garment. The back skin forms the covering for the top of the shoulders and extends to the collar seam. The side skins form the front and neck of the garment. The sleeves are made of a third skin, and frequently have a roll or cuff to increase the length, if necessary. The collar is merely a strip of skin sewed to the neck. It is usually turned down. The front is usually open, and if made to be closed it is held in position by a belt or gaudily colored scarf of woolen or cotton purchased from the trader.
[Ill.u.s.tration: FIG. 89.--Detail of pattern painted on Indian garments.]
The seams of the clothing are always sewed with sinew like that used by the Eskimo. There are but two seams which run the entire length of the coat, and these are the side seams. The seam at the skirt, the armhole, sleeve, and collar are the shorter ones. The coat is always more or less ornamented with extravagant painted designs. The colors and other materials used for painting these designs will be described in another connection, as well as the manner of applying them.
[Ill.u.s.tration: FIG. 90.--Detail of pattern printed on deerskin robe.]
The patterns of these designs will be best understood by reference to the figures, which show some of them in detail (Figs. 89, 90).
The colors used often present startling combinations of red, blue, yellow, and brown. The portions of the garments upon which these colors are placed are the front edges of the opening of the coat, the wrists, and rings around the arms or sleeves, the skirt and pyramid-shaped designs over the hips. The piece intended to widen the skirt behind is always entirely covered with a design of some kind. Over the outside of the seams a line of paint is always applied, nearly always of a red or brown color.
Frequently a series of quadrate blotches or squares produced by variously colored lines runs from the apex of the piece inserted in the skirt to the collar.
[Ill.u.s.tration: FIG. 91.--Indian buckskin leggings.]
The length of the coat is such as to reach to the middle of the thigh.
The coverings for the lower limbs and for the hips are quite distinct.
For the hips the garment is a sort of breeches of which the legs are so short as only to cover the upper portion of the thigh. The breeches are held in place by means of a drawstring in front.
A pair of these breeches is never ornamented with paint, as they are usually not exposed to view.
A pair of leggings extends from the upper portion of the thigh to the ankles. The leggings (Fig. 91) are each made of a single piece somewhat in the form of a narrow bag open at each end. They are held in position by means of a string attached in front and fastened to the upper portions of the breeches. The seam is on the outer side of the leggings and along it is sewed a strip of deerskin having the edges cut into fringe. The leggings are painted in much the same fas.h.i.+on as the coat.
The moccasins (Fig. 92) are rarely ornamented, except with beads on the tongue or else with a strip of red, blue, or black cloth.
[Ill.u.s.tration: FIG. 92.--Indian moccasins.]
In the construction of a moccasin the measure of the foot is taken if it is intended for a person of importance or if the maker attempts to do skillful work. The sole is cut out first in the shape of a parallelogram. The edges are turned up and creases made around that portion of the deerskin which surrounds the toes and a part of the side of the foot. The creases are made perpendicular in order to take up a portion of the slack of the skin. They are held in position by a stout sinew thread run through each one and around to the other side to prevent them from separating and thus "bagging" over the toes. This is the most particular part of the work and on these st.i.tches depend the skill of the maker. The sides of the foot and heel are not creased as the heel-seam takes up the slack for the posterior portion of the moccasin.
The tongue of the moccasin is a piece cut into a shape resembling that member with the tip of it over the toes. This is sewed to the edges of the creases, and between it and the creases is often sewed a narrow welt of skin or cloth. The superfluous edges of the slipper-shaped shoe are now trimmed off, and the top, or portion to cover the ankle, is sewed on. This portion is a long narrow strip of inferior skin of sufficient size to overlap in front and to come well above the ankles. It is left open like the tops of laced shoes. Just below, or at the edge of the tops, a long thong of deerskin is inserted through several holes, which allows it to pa.s.s around the heel and below the ankles, bringing the ends in front over the tongue. The ends of the tops are laid carefully over one another and wrapped round by the ends of the thongs which hold the moccasins on the feet.
Certain portions of the skin make better footwear than other parts. The neck skin is too thick and stiff to allow the creases around the toes to be properly made; the flanks are too thin; while the neck is useful for the tongues, the sides for the bottoms, and the flanks and portions of the back, scarred by the grubs infesting the animal, for the tops and strings.
Moccasins for young children often have a seam parallel with the toes and the creasing is thus obviated. Those for wearing in the tent or in the dry vicinity of the camp have no tops and are held to the foot by means of a drawstring.
As most of the strain in walking comes upon the tongue, and this portion is usually ornamented, it is necessary that it should be of a good quality of leather. A piece of black, blue, or red cloth is generally laid over the tongue for ornament. There is sometimes bead work on this portion, but as these people are not skillful in the art of disposing the many colored beads they are not much used for that purpose.
A single deerskin will make five to seven pairs of moccasins for an adult, and as they last but two or three weeks as many as fifteen to twenty-five pairs are necessary for each adult.
[Ill.u.s.tration: FIG. 93.--Indian mittens.]
The hands are protected with mittens (Fig. 93) made of smoked deerskin.
The skin is folded, and along the fold the shape of the mitten is cut so as to leave a part by which the two pieces are joined, and the edges formed in the cutting are sewed together. The thumb is made as follows: A tongue-shaped piece is cut out of the palm and the base of that piece is left as the part to form the under or inner covering for the thumb.
A piece is now trimmed that will fit the place cut out and the two parts sewed together.
The thumb of the Indian is, as a rule, shorter than that of the white man, and a pair of native-made mittens are quite uncomfortable until the thumb portion has been recut and sewed. The wrists of the mittens are often gaudily ornamented with strips of red or black cloth. Designs of simple character, such as lines and cross lines producing lattice-work figures, are frequently painted on the back of the mitten. Beads in rows and zigzag lines ornament the wrist, and strands of beads are pendant from the outside seams. The strands are often tipped with ta.s.sels of variegated woolen threads. The mittens intended for severe weather are often lined with the thin skin of a ftal reindeer, which has short, soft hair. Great exertion often causes the hands to perspire and moisten the hair, and this freezes the instant the mitten is removed from the hand, and is liable to freeze the fingers within it.
[Ill.u.s.tration: FIG. 94.--Beaded headband. Nenenot.]
The head-dress of the men for the summer is often a large cotton handkerchief wound turban-fas.h.i.+on around the head to prevent the long hair from blowing over the face. These handkerchiefs are of the most gaudy patterns, and if they are not worn a simple thong of deerskin serves the purpose. The girls and newly married wives often make bands of beads, some of which are quite attractively designed, for their lovers or husbands. These bands are about an inch wide and several inches long. The ends are lengthened with strips of skin. The band is placed over the forehead and tied by the strings behind. These headbands are generally the most intricate designs of bead work which these Indians display (Fig. 94).
A cap of deerskin is often worn, but it always seems to be in the way, and is used mostly in wet weather. A piece of stiff deerskin is sometimes made into the shape of a visor of a cap and worn over the eyes during the spring when the glare of the sun on the snow produces such distressing inflammation of the eyes. It is fastened to the head by means of straps tied behind. The greater part of the men prefer to go without head covering. Some who are able and love a display of fancy colors have a cap made of red cloth and ornamented with beads worked into extravagant patterns. The cap is a high conical affair, and from the weight of beads upon it often falls to one side of the head.
The winter coat (Figs. 95, 96) worn by the males is of different pattern from that worn in summer, and is made of skins with the hair inside.
Two skins, one of which forms the back of the coat the other the front, are sewed by side seams running from the armpit to the bottom of the skirt. On the shoulder a seam runs to the neck on each side, the back skin extending high enough to form the neck while the other skin reaches to the neck in front. Here it is slightly cut out or slit for a distance of several inches to allow the insertion of the head through the neck hole.
Sometimes a =V=-shaped piece is inserted into the slit at the front of the neck. To widen the skirts a similar shaped piece is let into the middle of the back skin; or it may be put between the side seams for the same purpose. The bottom of the skirt is decorated. (Fig. 97.)
[Ill.u.s.tration: FIG. 95.--Man's winter coat (front).]
At the back of the neck a piece about 8 inches square is attached to the garment. This sometimes serves as a collar, and sometimes it gives additional protection by a double thickness to the shoulders, very often the first part to feel the effect of the piercing winds.
A few of the coats for winter have a hood attached to them (Fig. 98, 99) sewed on the back of the neck, which when drawn over the head serves at once as cap and protection.
The collar and hood are invariably made from the skins on the sides of the head of the deer. If two or more head skins are required they are sewed into the form of the deer's head. The collar is ornamented with fringes cut from the edges of the skin. Sometimes the interscapular protection is cut into three or four points, each one of which is the cheek skin of a deer, and sewed only a portion of the length, the remainder being left free and terminating with a series of long strands or fringes. The sleeves of these garments have nothing peculiar about them.
As the Indian is always in the vicinity of the herds of deer it is an easy matter for him to obtain the skins when in best condition, and from the finer skins superior garments are made. The shape of the Indian's coat is not so well adapted to afford protection as that of the Eskimo; hence, the white men in this region invariably adopt the clothing of the latter in cold weather.
[Ill.u.s.tration: FIG. 96.--Man's winter coat (back).]
Indians eagerly accept any cast off garment which a white man has worn, and they often procure the clothing offered for trade. Trousers are in much demand. Coats are deemed great prizes, especially in the wet seasons when the moisture would certainly ruin their own clothing by causing the hair to fall off or totally destroy the shape of the tanned skin garments. For underclothing the Indian man uses an additional suit of ordinary clothing or else dons a s.h.i.+rt procured from the trader.
Drawers are rarely worn.
[Ill.u.s.tration: FIG. 97.--Detail of ornamentation.]
That these people are little susceptible to the effects of cold may be inferred from the fact that I have seen them come to the trading post of Fort Chimo in the middle of winter when the thermometer had not registered higher than 20 below zero for weeks, with no protection for their legs except a pair of old buckskin leggings so short that the bottom did not reach within 3 or 4 inches of the dilapidated moccasins.
The feet were, so far as could be ascertained, chiefly protected by a wrapping of old baling cloth covered with a pair of moccasins which no white man would have been seen wearing. I observed also that no additional clothing was purchased for the return trip.