Rats in the Belfry Part 1

Rats in the Belfry.

by John York Cabot.

[Sidenote: This house was built to specifications that were strange indeed; and the rats that inhabited it were stranger still!]

This little guy Stoddard was one of the toughest customers I'd ever done business with. To look at him you'd think he was typical of the mild pleasant little sort of suburban home owner who caught the eight-oh-two six days a week and watered the lawn on the seventh. Physically, his appearance was completely that of the inconspicuous average citizen.

Baldish, fortiesh, bespectacled, with the usual behind-the-desk bay window that most office workers get at his age, he looked like nothing more than the amiable citizen you see in comic cartoons on suburban life.

Yet, what I'm getting at is that this Stoddard's appearance was distinctly deceptive. He was the sort of customer that we in the contracting business would label as a combination grouser and eccentric.

When he and his wife came to me with plans for the home they wanted built in Mayfair's second subdivision, they were already full of ideas on exactly what they wanted.

This Stoddard--his name was George B. Stoddard in full--had painstakingly outlined about two dozen sheets of drafting paper with some of the craziest ideas you have ever seen.

"These specifications aren't quite down to the exact inchage, Mr.

Kermit," Stoddard had admitted, "for I don't pretend to be a first cla.s.s architectural draftsman. But my wife and I have had ideas on what sort of a house we want for years, and these plans are the result of our years of decision."

I'd looked at the "plans" a little sickly. The house they'd decided on was a combination of every architectural nightmare known to man. It was the sort of thing a respectable contractor would envision if he ever happened to be dying of malaria fever.

I could feel them watching me as I went over their dream charts.

Watching me for the first faint sign of disapproval or amus.e.m.e.nt or disgust on my face. Watching to s.n.a.t.c.h the "plans" away from me and walk out of my office if I showed any of those symptoms.

"Ummmhumm," I muttered noncommittally.

"What do you think of them, Kermit?" Stoddard demanded.

I had a hunch that they'd been to contractors other than me. Contractors who'd been tactless enough to offend them into taking their business elsewhere.

"You have something distinctly different in mind here, Mr. Stoddard," I answered evasively.

George B. Stoddard beamed at his wife, then back to me.

"Exactly, sir," he said. "It is our dream castle."

I shuddered at the expression. If you'd mix ice cream with pickles and beer and herring and lie down for a nap, it might result in a dream castle.

"It will be a difficult job, Mr. Stoddard," I said. "This is no ordinary job you've outlined here."

"I know that," said Stoddard proudly. "And I am prepared to pay for the extra special work it will probably require."

That was different. I perked up a little.

"I'll have to turn over these plans to my own draftsman," I told him, "before I can give you an estimate on the construction."

George B. Stoddard turned to his wife.

"I told you, Laura," he said, "that sooner or later we'd find a contractor with brains and imagination."

It took fully two months haggling over the plans with Stoddard and my own draftsmen before we were able to start work on the nightmare my clients called their dream castle. Two months haggling in an effort to make Stoddard relinquish some of his more outlandish ideas on his proposed dwelling. But he didn't budge an inch, and by the time we'd laid the foundation for the dream shack, every last building quirk he'd had originally on those "plans" still held.

I took a lot of ribbing from contractors in that vicinity once the word got round that I was building Stoddard's house for him. It seems that he'd been to them all before he got around to me.

But I didn't mind the ribbing much at first. Even though Stoddard was a barrel full of trouble hanging around the building lot with an eagle eye to see that nothing was omitted, I had already cashed his first few payment checks on the construction.

He'd meant what he said about his willingness to pay more for the extra trouble entailed in the mad construction pattern we had to follow, and I couldn't call him stingy with his extra compensation by a long shot.

Financially, I was doing nicely, thank you. Mentally, I was having the devil's own time with Stoddard.

He didn't know a d.a.m.ned thing about architecture or construction, of course. But he did know what he wanted. Good Lord, how he knew what he wanted!

"The bas.e.m.e.nt boiler layout isn't what I had on my plans!" he'd call me up to squawk indignantly.

"But it isn't greatly different the way we have it," I'd plead.

"Besides, it's far safer than what you originally planned."

"Is it humanly possible to put it where I planned it?" my troublesome client would demand.

"Yes," I'd admit. "But saf--"

"Then put it where I planned it!" he would snap, hanging up. And, of course, I'd have to put it where he'd planned it.

The workmen on the job also presented a problem. They were getting fed up with Stoddard's snooping, and going crazy laying out patterns which were in absolute contradiction to sanity and good taste.

But in spite of all this, the monstrosity progressed.

If you can picture a gigantic igloo fronted by southern mansion pillars and dotted with eighteenth century gables, and having each wing done in a combination early Mexican and eastern Mosque style, you'll have just the roughest idea of what it was beginning to look like. For miles around, people were driving out to see that house in the evenings after construction men had left.

But the Stoddards were pleased. They were as happy about the whole mess as a pair of kids erecting a Tarzan dwelling in a tree. And the extra compensations I was getting for the additional trouble wasn't hurting me any.

I'll never forget the day when we completed the tiny belfry which topped off the monstrosity. Yes, a belfry. Just the kind you still see on little country churches and schoolhouses, only, of course a trifle different.

The Stoddards had come out to the lot to witness this momentous event; the completion, practically, of their dream child.

I was almost as happy as they were, for it stood as the symbol of the ending of almost all the grief for me.

My foreman came over to where I was standing with the Stoddards.

"You gonna put a bell in that belfry?" he asked.

George Stoddard looked at him as if he'd gone mad.

"What for?" he demanded.