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'With the greatest pleasure.'
'I am very sorry, for I respect Sulkowski for other reasons,' said Bruhl; 'he is attached to the Prince, he is faithful to him; he thinks he could make Saxony powerful; but if his influence increases, his ambition may lead him on wrong roads. Sulkowski does not appreciate our saintly Princess; Sulkowski does not respect the clergy.'
'My dear Bruhl,' interrupted the Prince, 'I know him as well as you do, if not better; he does not stand on ceremony when he is with me; I knew him in Vienna, where he was with the Prince.'
'We must overthrow Sulkowski.' said Bruhl emphatically. 'I ask for nothing more, but this must be done for the King's and the country's good. Then I shall remain alone, and in me you will have the most faithful servant.'
'But that plan? That plan?' repeated Lichtenstein. 'Give it to me and I consent to everything.'
Bruhl put his hand carelessly into his side pocket; seeing this, Lichtenstein drew nearer.
Bruhl took out a paper and held it before the Prince's eyes. But at the moment when the paper was about to pa.s.s into Lichtenstein's hands, there was a rap at the door, and a lackey, appearing on the threshold, announced:
'The Count Sulkowski.'
In the twinkling of an eye the paper disappeared into a pocket and Bruhl, sitting comfortably back in his chair, was taking snuff from a gold snuff box.
Sulkowski, standing in the doorway, looked at Bruhl and Lichtenstein, but more especially at his compet.i.tor who put out his hand to him and smiled sweetly.
'What an early bird you are!' said Sulkowski. 'The very next day after your wedding you visit amba.s.sadors in the morning. I thought you were still at your lady's feet.'
'Duties before all,' Bruhl answered. 'I was told that the Prince was going to Vienna, and I came to take leave of him.'
'Prince, are you going to Vienna?' asked Sulkowski surprised. 'I did not know anything about it.'
Lichtenstein seemed a little embarra.s.sed.
'I do not know yet--perchance--' he stammered after a pause. 'I said something about it yesterday at the court, and I see that Bruhl, who knows about everything, has learned it.'
CHAPTER XIII
The two antagonists were still to all appearances the best of friends, although, on both sides there had begun a secret conflict. That same morning Sulkowski spoke to Ludovici about Bruhl's marriage.
Ludovici was more suspicious than the Count.
'Count,' said he, 'that marriage ought to make us careful. Bruhl has married not the Countess Kolowrath alone, but with her he has married the Austrian Court, Father Guarini and the Princess. Bruhl is sweet as honey, but he overthrew Fleury, Manteufel, Wackerbarth and Hoym; he put Watzdorf into Konigstein; I do not trust Bruhl.'
Sulkowski began to laugh.
'My dear Ludovici,' he said proudly, 'remember who they were, and who I am! He will not be able to overthrow me were he helped by Guarini and all the Austrians. I shall drive off Guarini and all the Jesuits. I shall give other courtiers to the Princess. With regard to Hoym and Watzdorf, you are mistaken, I sent them away, not he.'
'That is to say he did it by means of your Excellency's hands; _is facit, cui prodest_; I remember that when I studied law. Watzdorf was in love with his present wife.'
'You must not try to teach me anything about court affairs,' said Sulkowski, 'I know what I am about, and none of you know how strong my influence is with the Prince.'
'I do not doubt that,' Ludovici said bowing.
Sulkowski however remembered that conversation. Although he did not betray his thoughts even to his confidant, Ludovici, the Count had distrusted Bruhl for some time. It was a suspicious circ.u.mstance to him that Bruhl was continually with Frederick, remaining for hours with him together with the two fools and Guarini, and accompanied him everywhere, so that the Prince grew accustomed to his face. Several times already he had asked after Bruhl when he had been absent longer than usual. Little by little his presence became indispensable.
Sulkowski did not even dream that this could menace him, but he did not wish for any rivals; he was jealous, and alone must be the object of the Prince's favour.
'Bruhl must be got rid of,' he said to himself. 'I shall easily find an excuse. I must prepare the Prince.'
The same day after dinner, when the Prince retired as usual to his apartment, put on his _robe de chambre_, sat in a chair and began to smoke a pipe, Sulkowski entered followed by a man carrying a case; he took it from the servant in the ante-room and brought it to the Prince's room.
The Prince during his travels in Italy had taken a fancy to certain masterpieces of Italian art. Wis.h.i.+ng to imitate his father, and having inherited his love of music, hunting, luxury, theatres, and even for Leipzig fairs, he also inherited his love of art. He was pa.s.sionately fond of pictures, he would purchase as many as he could get hold of to increase the collection started by Augustus II.
The best way to please him was either to tell him of some good picture, or present him with one. Usually cold and phlegmatic Augustus'
successor would become quite another man at the sight of a good picture; his eyes would s.h.i.+ne as they did on hearing Faustina's voice.
It seemed almost that thought circulated more quickly through his brain, and, usually silent, he would talk and exclaim.
Even in his saddest mood, at the mention of a picture or an opera, his face would brighten up. Sulkowski, no less than others, was aware of this weak point in his lord.
Augustus III began to blow out the first whiffs of smoke when Sulkowski appeared on the threshold with the case. He looked round him, drew himself up, put out his hand, without a word. Evidently he guessed the contents of the case, personally brought by his favourite.
The King's eyes brightened.--As he disliked talking he urged Sulkowski by gestures only to be quick and disclose what he had brought.
'Your Majesty,' the Count said in a whisper, 'this is certainly a masterpiece, but--'
'But what?' muttered the King frowning.
'But,' the minister said, 'the subject is a little too mythological and if by accident her Majesty should come--'
The King became gloomy and less insistent; his face was stern and he moved his head significantly.
Sulkowski put the case in a corner; Frederick's eyes followed it. 'And who painted it?' he asked.
'The divine t.i.tian Vecello,' said Sulkowski. 'It is not very large, but a true masterpiece.'
On hearing the name the King bowed as though greeting t.i.tian himself, and whispered:
'_Gran maestro!_'
Sulkowski turned the conversation. The King looked at him as though he did not understand, became thoughtful and said to himself:
'_Troppo mitologico!_ H'm!'
After a while when the minister spoke of hunting he said, 'What does it represent?'
The Count made a gesture with his hand.
'A very improper scene,' he said.
'Fie 'Hide it! If the Queen should come in, or Father Guarini--fie!'