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Your United States Part 2

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When I left New York and went to Was.h.i.+ngton I was congratulated on having quitted the false America for the real. When I came to Boston I received the sympathies of everybody in Boston on having been put off for so long with spurious imitations of America, and a sigh of happy relief went up that I had at length got into touch with a genuine American city. When, after a long pilgrimage, I attained Chicago, I was positively informed that Chicago alone was the gate of the United States, and that everything east of Chicago was negligible and even misleading. And when I entered Indianapolis I discovered that Chicago was a mushroom and a suburb of Warsaw, and that its pretension to represent the United States was grotesque, the authentic center of the United States being obviously Indianapolis.... The great towns love thus to affront one another, and their demeanor in the game resembles the gamboling of young tigers--it is half playful and half ferocious. For myself, I have to say that my heart was large enough to hold all I saw.

While I admit that Indianapolis struck me as very characteristically American, I a.s.sert that the unreality of New York escaped me. It appeared to me that New York was quite a real city, and European geographies (apt to err, of course, in matters of detail) usually locate it in America.

Having regard to the healthy mutual jealousy of the great towns, I feel that I am carrying audacity to the point of foolhardiness when I state that the streets of every American city I saw reminded me on the whole rather strongly of the streets of all the others. What inhabitants of what city could forgive this? Yet I must state it. Much of what I have said of the streets of New York applies, in my superficial opinion, for instance, to the streets of Chicago. It is well known that to the Chinaman all Westerners look alike. No tourist on his first visit to a country so astonis.h.i.+ng as the United States is very different from a Chinaman; the tourist should reconcile himself to that deep truth. It is desolating to think that a second visit will reveal to me the blindness, the distortions, and the wrong-headedness of my first. But even as a Chinaman I did notice subtle differences between New York and Chicago.

As one who was brought up in a bleak and uncanny climate, where soft coal is in universal use, I at once felt more at home in Chicago than I could ever do in New York. The old instinct to wash the hands and change the collar every couple of hours instantly returned to me in Chicago, together with the old comforting conviction that a harsh climate is a climate healthy for body and spirit. And, because it is laden with soot, the air of Chicago is a great mystifier and beautifier. Atmospheric effects may be seen there that are un.o.btainable without the combustion of soft coal. Talk, for example, as much as you please about the electric sky-signs of Broadway--not all of them together will write as much poetry on the sky as the single word "Illinois" that hangs without a clue to its suspension in the murky dusk over Michigan Avenue. The visionary aspects of Chicago are incomparable.

[Ill.u.s.tration: A WINTER MORNING IN LINCOLN PARK, CHICAGO]

Another difference, of quite another order, between New York and Chicago is that Chicago is self-conscious. New York is not; no metropolis ever is. You are aware of the self-consciousness of Chicago as soon as you are aware of its bitumen. The quality demands sympathy, and wins it by its wistfulness. Chicago is openly anxious about its soul. I liked that. I wish I could see a livelier anxiety concerning the munic.i.p.al soul in certain cities of Europe.

Perhaps the least subtle difference between New York and Chicago springs from the fact that the handsomest part of New York is the center of New York, whereas the center of Chicago is disappointing. It does not impress. I was shown, in the center of Chicago, the first sky-sc.r.a.per that the world had ever seen. I visited with admiration what was said to be the largest department store in the world. I visited with a natural rapture the largest book-store in the world. I was informed (but respectfully doubt) that Chicago is the greatest port in the world. I could easily credit, from the evidence of my own eyes, that it is the greatest railway center in the world. But still my imagination was not fired, as it has been fired again and again by far lesser and far less interesting places. n.o.body could call Wabash Avenue spectacular, and n.o.body surely would a.s.sert that State Street is on a plane with the collective achievements of the city of which it is the princ.i.p.al thoroughfare. The truth is that Chicago lacks at present a rallying-point--some Place de la Concorde or Arc de Triomphe--something for its biggest streets to try to live up to. A convocation of elevated railroads is not enough. It seemed to me that Jackson Boulevard or Van Buren Street, with fine crescents ab.u.t.ting opposite Grant Park and Garfield Park, and a magnificent square at the intersection of Ashland Avenue, might ultimately be the chief sight and exemplar of Chicago. Why not? Should not the leading thoroughfare lead boldly to the lake instead of shunning it? I antic.i.p.ate the time when the munic.i.p.al soul of Chicago will have found in its streets as adequate expression as it has already found in its boulevards.

Perhaps if I had not made the "grand tour" of those boulevards, I might have been better satisfied with the streets of Chicago. The excursion, in an automobile, occupied something like half of a frosty day that ended in torrents of rain--apparently a typical autumn day in Chicago!

Before it had proceeded very far I knew that there was a sufficient creative imagination on the sh.o.r.e of Lake Michigan to carry through any munic.i.p.al enterprise, however vast, to a generous and final conclusion.

The conception of those boulevards discloses a tremendous audacity and faith. And as you roll along the macadam, threading at intervals a wide-stretching park, you are overwhelmed--at least I was--by the completeness of the scheme's execution and the lavishness with which the system is in every detail maintained and kept up.

[Ill.u.s.tration: A RIVER-FRONT HARMONY IN BLACK AND WHITE--CHICAGO]

You stop to inspect a conservatory, and find yourself in a really marvelous landscape garden, set with statues, all under gla.s.s and heated, where the gaffers of Chicago are collected together to discuss interminably the exciting politics of a city anxious about its soul. And while listening to them with one ear, with the other you may catch the laconic tale of a park official's perilous and successful vendetta against the forces of graft.

And then you resume the circuit and accomplish many more smooth, curving, tree-lined miles, varied by a jolting section, or by the faint odor of the Stock-yards, or by a halt to allow the longest freight-train in the world to cross your path. You have sighted in the distance universities, inst.i.tutions, even factories; you have pa.s.sed through many inhabited portions of the endless boulevard, but you have not actually touched hands with the city since you left it at the beginning of the ride. Then at last, as darkness falls, you feel that you are coming to the city again, but from another point of the compa.s.s. You have rounded the circle of its millions. You need only think of the unkempt, shabby, and tangled outskirts of New York, or of any other capital city, to realize the miracle that Chicago has put among her a.s.sets ...

You descry lanes of water in the twilight, and learn that in order to prevent her drainage from going into the lake Chicago turned a river back in its course and compelled it to discharge ultimately into the Mississippi. That is the story. You feel that it is exactly what Chicago, alone among cities, would have the imagination and the courage to do. Some man must have risen from his bed one morning with the idea, "Why not make the water flow the other way?" And then gone, perhaps diffidently, to his fellows in charge of the city with the suggestive query, "Why not make the water flow the other way?" And been laughed at!

Only the thing was done in the end! I seem to have heard that there was an epilogue to this story, relating how certain other great cities showed a narrow objection to Chicago draining herself in the direction of the Mississippi, and how Chicago, after all, succeeded in persuading those whom it was necessary to persuade that, whereas her drainage was unsuited to Lake Michigan, it would consort well with the current of the Mississippi.

And then, in the night and in the rain, you swerve round some corner into the straight, by Grant Park, in full sight of one of the most dazzling spectacles that Chicago or any other city can offer--Michigan Avenue on a wet evening. Each of the thousands of electric standards in Michigan Avenue is a cl.u.s.ter of six huge globes (and yet they will tell you in Paris that the Rue de la Paix is the best-lit street in the world), and here and there is a red globe of warning. The two lines of light pour down their flame into the pool which is the roadway, and you travel continually toward an incandescent floor without ever quite reaching it, beneath mysterious words of fire hanging in the invisible sky!... The automobile stops. You get out, stiff, and murmur something inadequate about the length and splendor of those boulevards. "Oh," you are told, carelessly, "those are only the interior boulevards....

Nothing! You should see our exterior boulevards--not quite finished yet!"

III

THE CAPITOL AND OTHER SITES

"Here, Jimmy!" said, briskly, a middle-aged administrative person in easy attire, who apparently had dominion over the whole floor beneath the dome. A younger man, also in easy attire, answered the call with an alert smile. The elder pointed sideways with his head at my two friends and myself, and commanded, "Run them through in thirty minutes!" Then, having reached the center of a cuspidor with all the precision of a character in a Californian novel, he added benevolently to Jimmy, "Make it a dollar for them." And Jimmy, consenting, led us away.

In this episode Europe was having her revenge on the United States, and I had planned it. How often, in half a hundred cities of Europe, had I not observed the American citizen seeing the sights thereof at high speed? Yes, even in front of the Michael Angelo sculptures in the Medici Chapel at Florence had I seen him, watch in hand, and heard him murmur "Bully!" to the sculptures and the time of the train to his wife in one breath! Now it was impossible for me to see Was.h.i.+ngton under the normal conditions of a session. And so I took advantage of the visit to Was.h.i.+ngton of two friends on business to see Was.h.i.+ngton hastily, as an excursionist pure and simple. I said to the United States, grimly: "The most important and the most imposing thing in all America is surely the Capitol at Was.h.i.+ngton. Well, I will see it as you see the sacred sights of Europe. By me Europe shall be revenged."

Thus it came about that we had hired a kind of carriage known as a "sea-going hack," driven by a negro in dark blue, who was even more picturesque than the negroes in white who did the menial work in the cla.s.sic hotel, and had set forth frankly as excursionists into the streets of Was.h.i.+ngton, and presently through the celebrated Pennsylvania Avenue had achieved entrance into the Capitol.

[Ill.u.s.tration: THE APPROACH TO THE CAPITOL]

It was a breathless pilgrimage--this seeing of the Capitol. And yet an impressive one. The Capitol is a great place. I was astonished--and I admit at once I ought not to have been astonished--that the Capitol appeals to the historic sense just as much as any other vast legislative palace of the world--and perhaps more intimately than some. The sequence of its endless corridors and innumerable chambers, each a.s.sociated with event or tradition, begets awe. I think it was in the rich Senatorial reception-room that I first caught myself being surprised that the heavy gilded and marmoreal sumptuosity of the decorations recalled the average European palace. Why should I have been expecting the interior of the Capitol to consist of austere bare walls and unornamented floors?

Perhaps it was due to some thought of Abraham Lincoln. But whatever its cause, the expectation was nave and derogatory. The young guide, Jimmy, who by birth and genius evidently belonged to the universal race of guides, was there to keep my ideas right and my eyes open. He was infinitely precious, and after his own fas.h.i.+on would have done honor to any public monument in the East. Such men are only bred in the very shadow of genuine history.

"See," he said, touching a wall. "Painted by celebrated Italian artist to look like bas-relief! But put your hand flat against it, and you'll see it isn't carved!" One might have been in Italy.

And a little later he was saying of other painting:

"Although painted in eighteen hundred sixty-five--forty-six years ago--you notice the flesh tints are as fresh as if painted yesterday!"

This, I think, was the finest remark I ever heard a guide make--until this same guide stepped in front of a portrait of Henry Clay, and, after a second's hesitation, threw off airily, patronizingly:

"Henry Clay--quite a good statesman!"

But I also contributed my excursionist's share to these singular conversations. In the swathed Senate Chamber I noticed two holland-covered objects that somehow reminded me of my youth and of religious dissent. I guessed that the daily proceedings of the Senate must be opened with devotional exercises, and these two objects seemed to me to be proper--why, I cannot tell--to the United States Senate; but there was one point that puzzled me.

"Why," I asked, "do you have _two_ harmoniums?"

"Harmoniums, sir!" protested the guide, staggered. "Those are roll-top desks."

If only the floor could have opened and swallowed me up, as it opens and swallows up the grand piano at the Thomas concerts in Chicago!

Neither the Senate Chamber nor the Congress Chamber was as imposing to me as the much less s.p.a.cious former Senate Chamber and the former Congress Chamber. The old Senate Chamber, being now transferred to the uses of supreme justice, was closed on the day of our visit, owing to the funeral of a judge. Europeans would have acquiesced in the firm negative of its locked doors. But my friends, being American, would not acquiesce. The mere fact that the room was not on view actually sharpened their desire that I should see it. They were deaf to refusals.... I saw that room. And I was glad that I saw it, for in its august simplicity it was worth seeing. The spirit of the early history of the United States seemed to reside in that hemicycle; and the c.r.a.pe on the vacated and peculiar chair added its own effect.

[Ill.u.s.tration: ON PENNSYLVANIA AVENUE]

My first notion on entering the former Congress Chamber was that I was in presence of the weirdest collection of ugly statues that I had ever beheld. Which impression, the result of shock, was undoubtedly false. On reflection I am convinced that those statues of the worthies of the different States are not more ugly than many statues I could point to in no matter what fane, museum, or palace of Europe. Their ugliness is only different from our accustomed European ugliness. The most crudely ugly mural decorations in the world are to be found all over Italy--the home of sublime frescos. The most atrociously debased architecture in the world is to be found in France--the home of sober artistic tradition.

Europe is simply peppered everywhere with sculpture whose appalling mediocrity defies compet.i.tion. But when the European meets ugly sculpture or any ugly form of art in the New World, his instinct is to exclaim, "Of course!" His instinct is to exclaim, "This beats everything!" The att.i.tude will not bear examination. And lo! I was adopting it myself.

"And here's Frances Willard!" cried, ecstatically, a young woman in one of the numerous parties of excursionists whose more deliberate paths through the Capitol we were continually crossing in our swift course.

And while, upon the spot where John Quincy Adams fell, I pretended to listen to the guide, who was proving to me from a distance that the place was as good a whispering-gallery as any in Europe, I thought: "And why should not Frances Willard's statue be there? I am glad it is there.

And I am glad to see these groups of provincials admiring with open mouths the statues of the makers of their history, though the statues are chiefly painful." And I thought also: "New York may talk, and Chicago may talk, and Boston may talk, but it is these groups of provincials who are the real America." They were extraordinarily like people from the Five Towns--that is to say, extraordinarily like comfortable average people everywhere.

We were outside again, under one of the enormous porticos of the Capitol. The guide was receiving his well-earned dollar. The faithful fellow had kept nicely within the allotted limit of half an hour.

"Now we'll go and see the Congressional Library," said my particular friend.

But I would not. I had put myself in a position to retort to any sight-seeing American in Europe that I had seen his Capitol in thirty minutes, and I was content. I determined to rest on my laurels.

Moreover, I had discovered that conventional sight-seeing is a very exhausting form of activity. I would visit neither the Library of Congress, nor the Navy Department, nor the Pension Bureau, nor the Dead-Letter Museum, nor the Zoological Park, nor the White House, nor the National Museum, nor the Lincoln Museum, nor the Smithsonian Inst.i.tution, nor the Treasury, nor any other of the great spectacles of Was.h.i.+ngton. We just resumed the sea-going hack and drove indolently to and fro in avenues and parks, tasting the general savor of the city's large pleasantness. And we had not gone far before we got into the clutches of the police.

"I don't know who you are," said a policeman, as he stopped our sea-going hack. "I don't know who you are," he repeated, cautiously, as one accustomed to policing the shahs and grand viziers of the earth, "but it's my duty to tell you your coachman crossed over on the wrong side of the lamp-post. It's not allowed, and he knows it as well as I do."

We admitted by our shamed silence that we had no special "pull" in Was.h.i.+ngton; the wise negro said not a word; and we crept away from the policeman's wrath, and before I knew it we were up against the Was.h.i.+ngton Monument--one of those national calamities which ultimately happen to every country, and of which the supreme example is, of course, the Albert Memorial in Kensington Gardens.

[Ill.u.s.tration: ON THE STEPS OF THE PORTICO--THE CAPITOL]

When I drove into the magnificent railway station late that night--true American rain was descending in sheets--I was carrying away with me an impression, as it were, of a gigantic plantation of public edifices in a loose tangle and undergrowth of thoroughfares: which seemed proper for a legislative and administrative metropolis. I was amused to reflect how the city, like most cities, had extended in precisely the direction in which its founders had never imagined it would extend; and naturally I was astonished by the rapidity of its development. (One of my friends, who was not old, had potted wild game in a marsh that is now a park close to the Capitol.) I thought that the n.o.ble wings of the Capitol were architecturally much superior to the central portion of it. I remembered a dazzling glimpse of the White House as a distinguished little building. I feared that ere my next visit the indefatigable energy of America would have rebuilt Pennsylvania Avenue, especially the higgledy-piggledy and picturesque and untidy portion of it that lies nearest to the Capitol, and I hoped that in doing so the architects would at any rate not carry the cornice to such excess as it has been carried in other parts of the town. And, finally, I was slightly scared by the prevalence of negroes. It seemed to me as if in Was.h.i.+ngton I had touched the fringe of the negro problem.

It was in a different and a humbler spirit that I went to Boston. I had received more warnings and more advice about Boston than about all the other cities put together. And, in particular, the greatest care had been taken to permeate my whole being with the idea that Boston was "different." In some ways it proved so to be. One difference forced itself upon me immediately I left the station for the streets--the quaint, original odor of the taxis. When I got to the entirely admirable hotel I found a book in a prominent situation on the writing-table in my room. In many hotels this book would have been the Bible. But here it was the catalogue of the hotel library; it ran to a hundred and eighty-two pages. On the other hand, there was no bar in the hotel, and no smoking-room. I make no comments; I draw no conclusions; I state the facts.

The warnings continued after my arrival. I was informed by I don't know how many persons that Boston was "a circular city," with a topography calculated to puzzle the simple. This was true. I usually go about in strange places with a map, but I found the map of Boston even more complex than the city it sought to explain. If I did not lose myself, it was because I never trusted myself alone; other people lost me.

Within an hour or so I had been familiarized by Bostonians with a whole series of apparently stock jokes concerning and against Boston, such as that one hinging on the phrase "cold roast Boston," and that other one about the best thing in Boston being the five o'clock train to New York (I do not vouch for the hour of departure). Even in Cambridge, a less jocular place, a joke seemed to be immanent, to the effect that though you could always tell a Harvard man, you could not tell him much.

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Your United States Part 2 summary

You're reading Your United States. This manga has been translated by Updating. Author(s): Arnold Bennett. Already has 547 views.

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