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It seemed to dawn upon him at this point that Clarence was not among those present.
"Clarence?" he said hesitatingly.
"He's in bed," I said.
"In bed! Then he doesn't know? Even now--Young men, I throw myself on your mercy. Don't be hard on me. Listen." He grabbed at Bill, who sidestepped. "I can explain everything--everything."
He gave a gulp.
"You are not artists, you two young men, but I will try to make you understand, make you realise what this picture means to me. I was two years painting it. It is my child. I watched it grow. I loved it. It was part of my life. Nothing would have induced me to sell it. And then Clarence married, and in a mad moment I gave my treasure to him. You cannot understand, you two young men, what agonies I suffered. The thing was done. It was irrevocable. I saw how Clarence valued the picture. I knew that I could never bring myself to ask him for it back. And yet I was lost without it. What could I do? Till this evening I could see no hope. Then came this story of the theft of the Romney from a house quite close to this, and I saw my way. Clarence would never suspect. He would put the robbery down to the same band of criminals who stole the Romney. Once the idea had come, I could not drive it out. I fought against it, but to no avail. At last I yielded, and crept down here to carry out my plan. You found me." He grabbed again, at me this time, and got me by the arm. He had a grip like a lobster. "Young man," he said, "you would not betray me? You would not tell Clarence?"
I was feeling most frightfully sorry for the poor old chap by this time, don't you know, but I thought it would be kindest to give it him straight instead of breaking it by degrees.
"I won't say a word to Clarence, Mr. Yeardsley," I said. "I quite understand your feelings. The Artistic Temperament, and all that sort of thing. I mean--what? I know. But I'm afraid--Well, look!"
I went to the door and switched on the electric light, and there, staring him in the face, were the two empty frames. He stood goggling at them in silence. Then he gave a sort of wheezy grunt.
"The gang! The burglars! They have been here, and they have taken Clarence's picture!" He paused. "It might have been mine! My Venus!" he whispered It was getting most fearfully painful, you know, but he had to know the truth.
"I'm awfully sorry, you know," I said. "But it was."
He started, poor old chap.
"Eh? What do you mean?"
"They did take your Venus."
"But I have it here."
I shook my head.
"That's Clarence's 'Jocund Spring,'" I said.
He jumped at it and straightened it out.
"What! What are you talking about? Do you think I don't know my own picture--my child--my Venus. See! My own signature in the corner. Can you read, boy? Look: 'Matthew Yeardsley.' This is my picture!"
And--well, by Jove, it was, don't you know!
Well, we got him off to bed, him and his infernal Venus, and we settled down to take a steady look at the position of affairs. Bill said it was my fault for getting hold of the wrong picture, and I said it was Bill's fault for fetching me such a crack on the jaw that I couldn't be expected to see what I was getting hold of, and then there was a pretty ma.s.sive silence for a bit.
"Reggie," said Bill at last, "how exactly do you feel about facing Clarence and Elizabeth at breakfast?"
"Old scout," I said. "I was thinking much the same myself."
"Reggie," said Bill, "I happen to know there's a milk-train leaving Midford at three-fifteen. It isn't what you'd call a flier. It gets to London at about half-past nine. Well--er--in the circ.u.mstances, how about it?"
THE AUNT AND THE SLUGGARD.
Now that it's all over, I may as well admit that there was a time during the rather funny affair of Rockmetteller Todd when I thought that Jeeves was going to let me down. The man had the appearance of being baffled.
Jeeves is my man, you know. Officially he pulls in his weekly wages for pressing my clothes and all that sort of thing; but actually he's more like what the poet Johnnie called some bird of his acquaintance who was apt to rally round him in times of need--a guide, don't you know; philosopher, if I remember rightly, and--I rather fancy--friend. I rely on him at every turn.
So naturally, when Rocky Todd told me about his aunt, I didn't hesitate. Jeeves was in on the thing from the start.
The affair of Rocky Todd broke loose early one morning of spring. I was in bed, restoring the good old tissues with about nine hours of the dreamless, when the door flew open and somebody prodded me in the lower ribs and began to shake the bedclothes. After blinking a bit and generally pulling myself together, I located Rocky, and my first impression was that it was some horrid dream.
Rocky, you see, lived down on Long Island somewhere, miles away from New York; and not only that, but he had told me himself more than once that he never got up before twelve, and seldom earlier than one. Const.i.tutionally the laziest young devil in America, he had hit on a walk in life which enabled him to go the limit in that direction. He was a poet. At least, he wrote poems when he did anything; but most of his time, as far as I could make out, he spent in a sort of trance. He told me once that he could sit on a fence, watching a worm and wondering what on earth it was up to, for hours at a stretch.
He had his scheme of life worked out to a fine point. About once a month he would take three days writing a few poems; the other three hundred and twenty-nine days of the year he rested. I didn't know there was enough money in poetry to support a chappie, even in the way in which Rocky lived; but it seems that, if you stick to exhortations to young men to lead the strenuous life and don't shove in any rhymes, American editors fight for the stuff. Rocky showed me one of his things once. It began: Be! Be! The past is dead. To-morrow is not born. Be to-day! To-day! Be with every nerve, With every muscle, With every drop of your red blood! Be!
It was printed opposite the frontispiece of a magazine with a sort of scroll round it, and a picture in the middle of a fairly-nude chappie, with bulging muscles, giving the rising sun the glad eye. Rocky said they gave him a hundred dollars for it, and he stayed in bed till four in the afternoon for over a month.
As regarded the future he was pretty solid, owing to the fact that he had a moneyed aunt tucked away somewhere in Illinois; and, as he had been named Rockmetteller after her, and was her only nephew, his position was pretty sound. He told me that when he did come into the money he meant to do no work at all, except perhaps an occasional poem recommending the young man with life opening out before him, with all its splendid possibilities, to light a pipe and shove his feet upon the mantelpiece.
And this was the man who was prodding me in the ribs in the grey dawn!
"Read this, Bertie!" I could just see that he was waving a letter or something equally foul in my face. "Wake up and read this!"
I can't read before I've had my morning tea and a cigarette. I groped for the bell.
Jeeves came in looking as fresh as a dewy violet. It's a mystery to me how he does it.
"Tea, Jeeves."
"Very good, sir."
He flowed silently out of the room--he always gives you the impression of being some liquid substance when he moves; and I found that Rocky was surging round with his beastly letter again.
"What is it?" I said. "What on earth's the matter?"'
"Read it!"
"I can't. I haven't had my tea."
"Well, listen then."
"Who's it from?"
"My aunt."
At this point I fell asleep again. I woke to hear him saying: "So what on earth am I to do?"
Jeeves trickled in with the tray, like some silent stream meandering over its mossy bed; and I saw daylight.
"Read it again, Rocky, old top," I said. "I want Jeeves to hear it. Mr. Todd's aunt has written him a rather rummy letter, Jeeves, and we want your advice."
"Very good, sir."
He stood in the middle of the room, registering devotion to the cause, and Rocky started again: "MY DEAR ROCKMETTELLER.--I have been thinking things over for a long while, and I have come to the conclusion that I have been very thoughtless to wait so long before doing what I have made up my mind to do now."
"What do you make of that, Jeeves?"
"It seems a little obscure at present, sir, but no doubt it becomes cleared at a later point in the communication."
"It becomes as clear as mud!" said Rocky.
"Proceed, old scout," I said, champing my bread and b.u.t.ter.
"You know how all my life I have longed to visit New York and see for myself the wonderful gay life of which I have read so much. I fear that now it will be impossible for me to fulfil my dream. I am old and worn out. I seem to have no strength left in me."
"Sad, Jeeves, what?"
"Extremely, sir."
"Sad nothing!" said Rocky. "It's sheer laziness. I went to see her last Christmas and she was bursting with health. Her doctor told me himself that there was nothing wrong with her whatever. But she will insist that she's a hopeless invalid, so he has to agree with her. She's got a fixed idea that the trip to New York would kill her; so, though it's been her ambition all her life to come here, she stays where she is."
"Rather like the chappie whose heart was 'in the Highlands a-chasing of the deer,' Jeeves?"
"The cases are in some respects parallel, sir."
"Carry on, Rocky, dear boy."
"So I have decided that, if I cannot enjoy all the marvels of the city myself, I can at least enjoy them through you. I suddenly thought of this yesterday after reading a beautiful poem in the Sunday paper about a young man who had longed all his life for a certain thing and won it in the end only when he was too old to enjoy it. It was very sad, and it touched me."
"A thing," interpolated Rocky bitterly, "that I've not been able to do in ten years."
"As you know, you will have my money when I am gone; but until now I have never been able to see my way to giving you an allowance. I have now decided to do so--on one condition. I have written to a firm of lawyers in New York, giving them instructions to pay you quite a substantial sum each month. My one condition is that you live in New York and enjoy yourself as I have always wished to do. I want you to be my representative, to spend this money for me as I should do myself. I want you to plunge into the gay, prismatic life of New York. I want you to be the life and soul of brilliant supper parties.
"Above all, I want you--indeed, I insist on this--to write me letters at least once a week giving me a full description of all you are doing and all that is going on in the city, so that I may enjoy at second-hand what my wretched health prevents my enjoying for myself. Remember that I shall expect full details, and that no detail is too trivial to interest.--Your affectionate Aunt, "ISABEL ROCKMETTELLER."
"What about it?" said Rocky.
"What about it?" I said.
"Yes. What on earth am I going to do?"
It was only then that I really got on to the extremely rummy att.i.tude of the chappie, in view of the fact that a quite unexpected mess of the right stuff had suddenly descended on him from a blue sky. To my mind it was an occasion for the beaming smile and the joyous whoop; yet here the man was, looking and talking as if Fate had swung on his solar plexus. It amazed me.
"Aren't you bucked?" I said.
"Bucked!"
"If I were in your place I should be frightfully braced. I consider this pretty soft for you."
He gave a kind of yelp, stared at me for a moment, and then began to talk of New York in a way that reminded me of Jimmy Mundy, the reformer chappie. Jimmy had just come to New York on a hit-the-trail campaign, and I had popped in at the Garden a couple of days before, for half an hour or so, to hear him. He had certainly told New York some pretty straight things about itself, having apparently taken a dislike to the place, but, by Jove, you know, dear old Rocky made him look like a publicity agent for the old metrop.!
"Pretty soft!" he cried. "To have to come and live in New York! To have to leave my little cottage and take a stuffy, smelly, over-heated hole of an apartment in this Heaven-forsaken, festering Gehenna. To have to mix night after night with a mob who think that life is a sort of St. Vitus's dance, and imagine that they're having a good time because they're making enough noise for six and drinking too much for ten. I loathe New York, Bertie. I wouldn't come near the place if I hadn't got to see editors occasionally. There's a blight on it. It's got moral delirium tremens. It's the limit. The very thought of staying more than a day in it makes me sick. And you call this thing pretty soft for me!"
I felt rather like Lot's friends must have done when they dropped in for a quiet chat and their genial host began to criticise the Cities of the Plain. I had no idea old Rocky could be so eloquent.
"It would kill me to have to live in New York," he went on. "To have to share the air with six million people! To have to wear stiff collars and decent clothes all the time! To----" He started. "Good Lord! I suppose I should have to dress for dinner in the evenings. What a ghastly notion!"
I was shocked, absolutely shocked.
"My dear chap!" I said reproachfully.
"Do you dress for dinner every night, Bertie?"
"Jeeves," I said coldly. The man was still standing like a statue by the door. "How many suits of evening clothes have I?"
"We have three suits full of evening dress, sir; two dinner jackets----"
"Three."
"For practical purposes two only, sir. If you remember we cannot wear the third. We have also seven white waistcoats."
"And s.h.i.+rts?"
"Four dozen, sir."
"And white ties?"
"The first two shallow shelves in the chest of drawers are completely filled with our white ties, sir."
I turned to Rocky.
"You see?"
The chappie writhed like an electric fan.
"I won't do it! I can't do it! I'll be hanged if I'll do it! How on earth can I dress up like that? Do you realize that most days I don't get out of my pyjamas till five in the afternoon, and then I just put on an old sweater?"
I saw Jeeves wince, poor chap! This sort of revelation shocked his finest feelings.
"Then, what are you going to do about it?" I said.
"That's what I want to know."