Ayala's Angel Part 20

It was in vain that even after this he continued his request, begging her to come down to Glenbogie, so that she might make herself used to Tom and his ways. If she could only once more, he thought, be introduced to the luxuries of a rich house, then she would give way.

But she would not go to Glenbogie; she would not go to Merle Park; she would not consent to see Tom anywhere. Her uncle told her that she was romantic and foolish, endeavouring to explain to her over and over again that the good things of the world were too good to be thrown away for a dream. At last there was a touch of dignity in the final repet.i.tion of her refusal. "I am sorry to make you angry, but I can't, Uncle Tom." Then he frowned with all his power of frowning, and, taking his hat, left the room and the house almost without a word.

At the time fixed the Marchesa's carriage came, and Ayala with her boxes was taken away to Brook Street. Uncle Reginald had offered to do something for her in the way of buying a frock, but this she refused, declaring that she would not allow herself to become an expense merely because her friends in Rome had been kind to her. So she had packed up the best of what she had and started, with her heart in her mouth, fearing the grandeur of the Marchesa's house. On her arrival she was received by Nina, who at once threw herself into all her old intimacy. "Oh, Ayala," she said, "this is so nice to have you again. I have been looking forward to this ever since we left Rome."

"Yes," said Ayala, "it is nice."

"But why did you tell mamma you would not come? What nonsense to talk to her about frocks? Why not come and tell me? You used to have everything at Rome, much more than I had."

Then Ayala began to explain the great difference between Uncle Tom and Uncle Reginald,--how Uncle Tom had so many thousands that n.o.body could count them, how Uncle Reginald was so shorn in his hundreds that there was hardly enough to supply the necessaries of life.

"You see," she said, "when papa died Lucy and I were divided. I got the rich uncle, and Lucy got the poor one; but I made myself disagreeable, and didn't suit, and so we have been changed."

"But why did you make yourself disagreeable?" said Nina, opening her eyes. "I remember when we were at Rome your cousin Augusta was always quarrelling with you. I never quite knew what it was all about."

"It wasn't only that," said Ayala, whispering.

"Did you do anything very bad?"

Then it occurred to Ayala that she might tell the whole story to her friend, and she told it. She explained the nature of that great persecution as to Tom. "And that was the real reason why we were changed," said Ayala, as she completed her story.

"I remember seeing the young man," said Nina.

"He is such a lout!"

"But was he very much in love?" asked Nina.

"Well, I don't know. I suppose he was after his way. I don't think louts like that can be very much in love to signify. Young men when they look like that would do with one girl as well as another."

"I don't see that at all," said Nina.

"I am sure he would if he'd only try. At any rate what's the good of his going on? They can't make a girl marry unless she chooses."

"Won't he be rich?"

"Awfully rich," said Ayala.

"Then I should think about it again," said the young lady from Rome.

"Never," said Ayala, with an impressive whisper. "I will never think about it again. If he were made of diamonds I would not think about it again."

"And is that why you were changed?" said Nina.

"Well, yes. No; it is very hard to explain. Aunt Emmeline told me that--that I encouraged him. I thought I should have rushed out of the house when she said that. Then I had to be changed. I don't know whether they could forgive me, but I could not forgive her."

"And how is it now?"

"It is different now," said Ayala, softly. "Only that it can't make any real difference."

"How different?"

"They'd let me come if I would, I suppose; but I shall never, never go to them any more."

"I suppose you won't tell me everything?" said Nina, after a pause.

"What everything?"

"You won't be angry if I ask?"

"No, I will not be angry."

"I suppose there is someone else you really care for?"

"There is no one," said Ayala, escaping a little from her friend's embrace.

"Then why should you be so determined against that poor young man?"

"Because he is a lout and a beast," said Ayala, jumping up. "I wonder you should ask me;--as if that had anything to do with it. Would you fall in love with a lout because you had no one else? I would rather live for ever all alone, even in Kingsbury Crescent, than have to think of becoming the wife of my cousin Tom." At this Nina shrugged her shoulders, showing that her education in Italy had been less romantic than that accorded to Ayala in London.

CHAPTER XVI.

JONATHAN STUBBS.

But, though Nina differed somewhat from Ayala as to their ideas as to life in general, they were close friends, and everything was done both by the Marchesa and by her daughter to make Ayala happy. There was not very much of going into grand society, and that difficulty about the dresses solved itself, as do other difficulties. There came a few presents, with entreaties from Ayala that presents of that kind might not be made. But the presents were, of course, accepted, and our girl was as prettily arrayed, if not as richly, as the best around her. At first there was an evening at the opera, and then a theatre,--diversions which are easy. Ayala, after her six dull months in Kingsbury Crescent, found herself well pleased to be taken to easy amus.e.m.e.nts. The carriage in the park was delightful to her, and delightful a visit which was made to her by Lucy. For the Tringle carriage could be spared for a visit in Brook Street, even though there was still a remembrance in the bosom of Aunt Emmeline of the evil things which had been done by the Marchesa in Rome. Then there came a dance,--which was not so easy. The Marchesa and Nina were going to a dance at Lady Putney's, and arrangements were made that Ayala should be taken. Ayala begged that there might be no arrangements, declared that she would be quite happy to see Nina go forth in her finery. But the Marchesa was a woman who always had her way, and Ayala was taken to Lady Putney's dance without a suspicion on the part of any who saw her that her ball-room apparatus was not all that it ought to be.

Ayala when she entered the room was certainly a little bashful. When in Rome, even in the old days at the bijou, when she did not consider herself to be quite out, she had not been at all bashful. She had been able to enjoy herself entirely, being very fond of dancing, conscious that she could dance well, and always having plenty to say for herself. But now there had settled upon her something of the tedium, something of the silence, of Kingsbury Crescent, and she almost felt that she would not know how to behave herself if she were asked to stand up and dance before all Lady Putney's world. In her first attempt she certainly was not successful. An elderly gentleman was brought up to her,--a gentleman whom she afterwards declared to be a hundred, and who was, in truth, over forty, and with him she manoeuvred gently through a quadrille. He asked her two or three questions to which she was able to answer only in monosyllables.

Then he ceased his questions, and the manoeuvres were carried on in perfect silence. Poor Ayala did not attribute any blame to the man.

It was all because she had been six months in Kingsbury Crescent.

Of course this aged gentleman, if he wanted to dance, would have a partner chosen for him out of Kingsbury Crescent. Conversation was not to be expected from a gentleman who was made to stand up with Kingsbury Crescent. Any powers of talking that had ever belonged to herself had of course evaporated amidst the gloom of Kingsbury Crescent. After this she was returned speedily to the wings of the Marchesa, and during the next dance sat in undisturbed peace. Then suddenly, when the Marchesa had for a moment left her, and when Nina had just been taken away to join a set, she saw the man of silence coming to her from a distance, with an evident intention of asking her to stand up again. It was in his eye, in his toe, as he came bowing forward. He had evidently learned to suppose that they two outcasts might lessen their miseries by joining them together. She was to dance with him because no one else would ask her! She had plucked up her spirit and resolved that, desolate as she might be, she would not descend so far as that, when, in a moment, another gentleman sprang in, as it were, between her and her enemy, and addressed her with free and easy speech as though he had known her all her life. "You are Ayala Dormer, I am sure," said he. She looked up into his face and nodded her head at him in her own peculiar way.

She was quite sure that she had never set her eyes on him before.

He was so ugly that she could not have forgotten him. So at least she told herself. He was very, very ugly, but his voice was very pleasant. "I knew you were, and I am Jonathan Stubbs. So now we are introduced, and you are to come and dance with me."

She had heard the name of Jonathan Stubbs. She was sure of that, although she could not at the moment join any facts with the name.

"But I don't know you," she said, hesitating. Though he was so ugly he could not but be better than that ancient dancer whom she saw standing at a distance, looking like a dog that has been deprived of his bone.

"Yes, you do," said Jonathan Stubbs, "and if you'll come and dance I'll tell you about it. The Marchesa told me to take you."

"Did she?" said Ayala, getting up, and putting her little hand upon his arm.

"I'll go and fetch her if you like; only she's a long way off, and we shall lose our place. She's my aunt."

"Oh," said Ayala, quite satisfied,--remembering now that she had heard her friend Nina boast of a Colonel cousin, who was supposed to be the youngest Colonel in the British army, who had done some wonderful thing,--taken a new province in India, or marched across Africa, or defended the Turks,--or perhaps conquered them. She knew that he was very brave,--but why was he so very ugly? His hair was ruby red, and very short; and he had a thick red beard: not silky, but bristly, with each bristle almost a dagger,--and his mouth was enormous. His eyes were very bright, and there was a smile about him, partly of fun, partly of good humour. But his mouth! And then that bristling beard! Ayala was half inclined to like him, because he was so completely master of himself, so unlike the unhappy ancient gentleman who was still hovering at a distance. But why was he so ugly? And why was he called Jonathan Stubbs?

"There now," he said, "we can't get in at any of the sets. That's your fault."

"No, it isn't," said Ayala.