Maria Mitchell: Life, Letters, and Journals Part 15

"He took me all over the observatory. He had a large room for a ballroom, because in the ballroom science and politics were discussed; for where a press is not free, salons must give the tone to public opinion.

"Both Leverrier and Madame Leverrier said hard things about the English, and the English said hard things about Leverrier.

"The Astronomical Observatory of Paris was founded on the establishment of the Academy of Sciences, in the reign of Louis XIV. The building was begun in 1667 and finished in 1672; like other observatories of that time, it was quite unfit for use.

"John Dominie Ca.s.sini came to it before it was finished, saw its defects, and made alterations; but the whole building was afterwards abandoned. M. Leverrier showed me the transit instrument and the mural circle. He has, like Mr. Airy, made the transit instrument incapable of mechanical change for its corrections of error, so that it depends for accuracy upon its faults being known and corrected in the computations.

"All the early observatories of Europe seem to have been built as temples to Urania, and not as working-chambers of science. The Royal Observatory at Greenwich, the Imperial Observatory of Paris, and the beautiful structure on Calton Hill, Edinboro', were at first wholly useless as observatories. That of Greenwich had no steadiness, while every pillar in the astronomical temple of Edinboro', though it may tell of the enlightenment of Greece, hides the light of the stars from the Scottish observer. Well might Struve say that 'An observatory should be simply a box to hold instruments.'

"The Leverriers speak English about as well as I do French, and we had a very awkward time of it. M. Leverrier talked with me a little, and then talked wholly to one of the gentlemen present. Madame was very chatty.

"Leverrier is very fine-looking; he is fair-haired full-faced, altogether very healthy-looking. His wife is really handsome, the children beautiful. I was glad that I could understand when Leverrier said to the children, 'If you make any more noise you go to bed.'

"While I was there, a woman as old as I rushed in, in bonnet and shawl, and flew around the room, kissed madame, jumped the children about, and shook hands with monsieur; and there was a great amount of screaming and laughing, and all talked at once. As I could not understand a word, it seemed to me like a theatre.

"I asked monsieur when I could see the observatory, and he answered, 'Whenever it suits your convenience.'

"December 15. I went to Leverrier's again last evening by special invitation. Four gentlemen and three ladies received me, all standing and bowing without speaking. Monsieur was, however, more sociable than before, and shrieked out to me in French as though I were deaf.

"The ladies were in blue dresses; a good deal of crinoline, deep flounces, high necks, very short, flowing sleeves, and short undersleeves; the dresses were brocade and the flounces much trimmed, madame's with white plush.

"The room was cold, of course, having no carpet, and a wood fire in a very small fireplace.

"The gentlemen continued standing or promenading, and taking snuff.

"Except Leverrier, no one of them spoke to me. The ladies all did, and all spoke French. The two children were present again--the little girl five years old played on the piano, and the boy of nine played and sang like a public performer. He promenaded about the room with his hands in his pockets, like a man. I think his manners were about equal to -----'s, as occasionally he yelled and was told to be quiet.

"About ten o'clock M. Leverrier asked me to go into the observatory, which connects with the dwelling. They are building immense additional rooms, and are having a great telescope, twenty-seven feet in focal length, constructed.

"With Leverrier's bad English and my bad French we talked but little, but he showed me the transit instrument, the mural circle, the computing-room, and the private office. He put on his cloak and cap, and said, 'Voila le directeur!'

"One room, he told me, had been Arago's, and Arago had his bed on one side. M. Leverrier said, 'I do not wish to have it for my room.' He is said to be much opposed to Arago, and to be merciless towards his family.

"He showed me another room, intended for a reception-room, and explained to me that in France one had to make science come into social life, for the government must be reached in order to get money.

"There were huge globes in one room that belonged to Ca.s.sini. If what he showed me is not surpa.s.sed in the other rooms, I don't think much of their instruments.

"M. Leverrier said he had asked M. Chacornac to meet me, but he was not there. I felt that we got on a little better, but not much, and it was evident that he did not expect me to understand an observatory. We did not ascend to the domes.

"Leverrier has telegraphic communication with all Europe except Great Britain.

"It was quite singular that they made such different remarks to me.

Leverrier said that they had to make science popular.

"Airy said, 'In England there is no astronomical public, and we do not need to make science popular.'

"Jan. 24, 1858. I am in Rome! I have been here four days, and already I feel that I would rather have that four days in Rome than all the other days of my travels! I have been uncomfortable, cold, tired, and subjected to all the evils of travelling; but for all that, I would not have missed the sort of realization that I have of the existence of the past of great glory, if I must have a thousand times the discomfort. I went alone yesterday to St. Peter's and the Vatican, and today, taking Murray, I went alone to the Roman Forum, and stood beside the ruined porticos and the broken columns of the Temple. Then I pushed on to the Coliseum, and walked around its whole circ.u.mference. I could scarcely believe that I really stood among the ruins, and was not dreaming! I really think I had more enjoyment for going alone and finding out for myself. Afterwards the Hawthornes called, and I took Mrs. H. to the same spot....

"I really feel the impressiveness of Rome. All Europe has been serious to me; Rome is even sad in its seriousness. You cannot help feeling, in the Coliseum, some little of the influence of the scenes that have been enacted there, even if you know little about them; you must remember that the vast numbers of people who have been within its walls for ages have not been common minds, whether they were Christian martyrs or travelling artists....

"I think if I had never heard before of the reputation of the pictures and statues of the Vatican, I should have perceived their superiority.

There is more idea of _action_ conveyed by the statuary than I ever received before--they do not seem to be _dead_.

"January 25. I have finer rooms than I had in Paris, but the letting of apartments is better managed in Paris. There you always find a _concierge_, who tells you all you want to know, and who speaks several languages. In Rome you enter a narrow, dark pa.s.sage, and look in vain for a door. Then you go up a flight of stairs, and see a door with a string; you pull the string, and a woman puts her mouth to a square hole, covered with tin punctured with holes, and asks what you want. You tell her, and she tells you to go up higher; you repeat the process, and at last reach the rooms. The higher up the better, because you get some sun, and one learns the value of sunlight. I saw no sun in Paris in my room, and here I have it half of the day, and it seems very pleasant.

"All the customs of the people differ from those of Paris....

"A little of Italian art enters into the ornaments of rooms and furniture, but anything like mechanical skill seems to be unheard of; and I dare say the pretty stamp used on the b.u.t.ter I have, which represents some antique picture, was cut by some northern hand. I could make a better cart than those that I see on the streets, and I could _almost_ make as good horses as those that draw them!...

"It is Holy Week. I have spent seven hours at a time at St. Peter's, in terrible crowds, for ten days, and now I go no more. The ladies are seated, but as the ceremonies are in different parts of the immense building, they rush wildly from one to the other; with their black veils they look like furies let loose! I stayed five hours to-day to see the Pope wash feet, which was very silly; for I saw mother wash them much more effectually twenty years ago!

"The crowd is better worth seeing than the ceremony, if one could only see it without being in it. I shall not try to hear the 'Miserere'--I have given up the study of music! Since I failed to appreciate Mario, I sha'n't try any more!

"I go to the Storys' on Sunday evening to look at St. Peter's lighting up.

"March 21. I have been to vespers at St. Peter's. They begin an hour before sunset. When my work is done for the day, I walk to St. Peter's.

This is Sunday, and the floor was full of kneeling wors.h.i.+ppers, but that makes no difference. I walk about among them.

"I was there an hour to-day before I saw a person that I knew; then I met the Nicholses and went with them into a side chapel to hear vespers.

Then I saw next the Waterstons, then Miss Lander; but I was unusually short of friends, I generally meet so many more.

"There were kneeling women to-day with babies in their arms. The babies of the lower cla.s.ses have their legs so wrapped up that they cannot move them; they look like small pillows even when they are six months old. I think it must dwarf them. We Americans are a tall people. I am a very tall woman here. I think that P.'s height would cause a sensation in the streets. My servant admires my height very much.

"March 22. I called on Miss Bremer to-day, having heard that she desired to see me. She is a 'little woman in black,' but not so plain; her face is a little red, but her complexion is fair and the expression very pleasing. She chatted away a good deal; asked me about astronomy, and how I came to study it. I told her that my father put me to it, and she said she was just writing a story on the affection of father and daughter. She told me I had good eyes. It is a long time now since any one has told me that!

"Miss Bremer and Mrs. W. met in my room and remained an hour. Miss Bremer is quiet and unpretending. Mrs. W. is flashy and brilliant, and, as I usually say when I don't understand a person, a little insane; she had the floor all the time after she came in. She gave a sketch of her life from her birth up, mentioning incidentally that she had been a belle, surrounded with beaux, the pride of her parents, with a reputation for intellect, etc.

"I had been urging Miss Bremer into an interesting talk before Mrs. W.

appeared, and I felt what a pity it was that she hadn't the same propensity to talk that the latter had. She talked very pleasantly, however, and I thought what a pity it was that I shall not see her again; for I leave Rome in three days for Florence.

"I was in Rome for a winter, an idler by necessity for six weeks. It is the very place of all the world for an idler.

"On the pleasant days there are the ruins to visit, the Campagna to stroll over, the villas and their grounds to gather flowers in, the Forum to muse in, the Pincian Hill or the Capitoline for a gossiping walk with some friend.

"On rainy days it is all art. There are the cathedrals, the galleries, and the studios of the thousand artists; for every winter there are a thousand artists in Rome.

"A rainy day found me in the studio of Paul Akers. As I was looking at some of his models, the studio door opened and a pretty little girl, wearing a jaunty hat and a short jacket, into the pockets of which her hands were thrust, rushed into the room, seemingly unconscious of the presence of a stranger, began a rattling, all-alive talk with Mr. Akers, of which I caught enough to know that a ride over the Campagna was planned, as I heard Mr. Akers say, 'Oh, I won't ride with you--I'm afraid to!' after which he turned to me and introduced Harriet Hosmer.

"I was just from old conservative England, and I had been among its most conservative people. I had caught something of its old musty-parchment ideas, and the cricket-like manners of Harriet Hosmer rather troubled me. It took some weeks for me to get over the impression of her madcap ways; they seemed childish.

"I went to her studio and saw 'Puck,' a statue all fun and frolic, and I imagined all was fun to the core of her heart.

"As a general rule, people disappoint you as you know them. To know them better and better is to know more and more weaknesses. Harriet Hosmer parades her weaknesses with the conscious power of one who knows her strength, and who knows you will find her out if you are worthy of her acquaintance. She makes poor jokes--she's a little rude--a good deal eccentric; but she is always _true_.

"In the town where she used to live in Ma.s.sachusetts they will tell you a thousand anecdotes of her vagaries--but they are proud of her.

"She does not start on a false scent; she knows the royal character of the game before she hunts.

"A lady who is a great rider said to me a few days since: 'Of course I do not ride like Harriet Hosmer, but, if you will notice, there is method in Harriet Hosmer's madness. She does not mount a horse until she has examined him carefully.'