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The Art of Interior Decoration Part 14

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If sport balconies overlook tennis courts or golf links, they are fitted out with light-weight, easily moved, stiff chairs for the audience, and easy, cus.h.i.+oned arm-chairs and sofas of upholstered wicker, for the partic.i.p.ants to lounge in between matches.

Card tables are provided, as well as small tea tables, to seat two, three or four, while there is always one oblong table at which a sociable crowd of young people may gather for chatter and tea!

If you use rail-boxes, or window-boxes, holding growing plants, be sure that the flowers are harmonious in colour when seen from the lawn, road or street, against their background of _house_ and the awnings and chintzes, used on the porch.

The flowers in window-boxes and on porch-rails must first of all decorate the _outside_ of your house. Therefore, before you buy your chintz for porches, decide as to whether the colour of your house, and its awnings, demands red, pink, white, blue, yellow or mauve flowers, and then choose your chintz and porch rugs as well as porch table-linen, to harmonise.

In selecting porch chairs remember that women want the backs of most of the chairs only as high as their shoulders, on account of wearing hats.

CHAPTER x.x.x

SUN-ROOMS

There are countless fascinating schemes for arranging sun-rooms. One which we have recently seen near Philadelphia, was the result of enclosing a large piazza, projecting from an immense house situated in the midst of lawns and groves.

The walls are painted orange and striped with pale yellow; the floors are covered with the new variety of matting which imitates tiles, and shows large squares of colour, blocked off by black. The chintzes used are in vivid orange, yellow and green, in a stunning design; the wicker chairs are painted orange and black, and from the immense iridescent globes of electric light hang long, orange silk ta.s.sels.

PLATE XXVI

Shows how to utilise and make really very attractive an extension roof, by converting it into a balcony.

An awning of broad green and white stripes protect this one in winter as well as summer, and by using artificial ivy, made of tin and painted to exactly imitate nature, one gets, as you see, a charming effect.

[Ill.u.s.tration: _An Extension Roof in New York Converted into a Balcony_]

Iron fountains, wonderful designs in black and gold, throw water over gold and silver fish, or gay water plants; while, in black and gold cages, vivid parrots and orange-coloured canaries gleam through the bars. Iron vases of black and gold on tall pedestals, are filled with trailing ivy and bright coloured plants. Along the walls are wicker sofas, painted orange and black, luxuriously comfortable with down cus.h.i.+ons covered, as are some of the chair cus.h.i.+ons, in soft lemon, sun-proofed twills.

Here one finds card-tables, tea-tables and smoking-tables, a writing-desk fully equipped, and at one end, a wardrobe of black and gold, hung with an a.s.sortment of silk wraps and "wooleys"--for an unprovided and chilly guest, in early spring, when the steam heat is off and the gla.s.s front open.

Even on a grey, winter day, this orange and gold room seems flooded with sun, and gives one a distinctly cheerful sensation when entering it from the house.

Of course, if your porch-room is mainly for mid-summer use and your house in a warm region, then we commend instead of sun-producing colours, cool tones of green, grey or blue. If your porch floor is bad, cover it with dark-red linoleum and wax it. The effect is like a cool, tiled floor. On this you can use a few porch rugs.

Black and white awnings or awnings in broad, green-and-white stripes, or plain green awnings, are deliciously cool-looking, and rail-boxes filled with green and white or blue and pale pink flowers are refres.h.i.+ng on a summer day.

By the sea, where the air is bracing, and it is not necessary to trick the senses with a pretence at coolness, nothing is more satisfactory or gay than scarlet geraniums; but if they are used, care must be taken that they harmonise with the colour of the awnings and the chintz on the porch.

Speaking of rail-boxes reminds us that in making over a small summer house and converting a cheap affair into one of some pretensions, remember that one of the most telling points is the character of your porch railing. So at once remove the cheap one with its small, upright slats and the insignificant and frail top rail, and have a solid porch railing (or porch fence) built with broad, top rail. Then place all around porch, resting on iron brackets, rail-flower boxes, the tops of these level with the top of the rail, and paint the boxes the colour of the house tr.i.m.m.i.n.gs. Filled with running vines and gay flowers, nothing could be more charming.

Window-boxes make any house lovely and are a large part of that charm which appeals to us, whether the house be a mansion in Mayfair or a Bavarian farm house. Americans are learning this.

The window and rail-boxes of a house look best when all are planted with the same variety of flowers.

Having given a certain air of distinction to your porch-railing, add another touch to the appearance of your small, remodelled house by having the shutters hung from the top of the windows, instead of from the sides. A charming variety of awning or sun-shades, to keep the sun and glare out of rooms, is the old English idea of a straw-thatching, woven in and out until it makes a broad, long mat which is suspended from the top of windows, on the outside of the house, being held out and permanently in place, at the customary angle of awnings. We first saw this picturesque kind of rustic awnings used on little cottages of a large estate in Vermont, cottages once owned and lived in by labourers, but bought and put in comfortable condition to be used as overflow rooms for guests, in connection with the large family mansion (once the picturesque village inn).

The art of making these straw awnings is not generally understood in America. In the case to which we refer, one of the gardeners employed on the estate, chanced to be an old Englishman who had woven the straw window awnings for farm houses in his own country.

The straw awnings, with window-boxes planted with bright geraniums and vines, make an inland cottage delightfully picturesque and are practical, although by the sea the straw awnings might be destroyed by high winds.

CHAPTER x.x.xI

TREATMENT OF A WOMAN'S DRESSING-ROOM

Every house, or flat, which is at all pretentious, should arrange a Vanity Room for the use of guests, in which there are full-length mirrors, a completely equipped dressing-table with every conceivable article to a.s.sist a lady in making her toilet, slipper-chairs and chairs to rest in, and a completely equipped lavatory adjoining.

The woman who takes her personal appearance seriously, just as any artist takes her art (and when dressing is not an art it is not worth discussion) can have her dressing-room so arranged with mirrors, black walls and strong, cleverly reflected, electric lights, that she stands out with a cleancut outline, like a cameo, the minutest detail of her toilet disclosed. With such a dressing-room, it is quite impossible to suffer at the hands of a careless maid, and one can use the black walls as a background for vivid chair covers, sofa cus.h.i.+ons and lamp shades.

Off this dressing-room should be another, given over to clothes, with closets equipped with hooks and shelves, gla.s.s cabinets for shoes and slippers, and the "show-case" for jewels to be placed in by the maid that the owner may make her selection.

At the time of the Louis, knights and courtiers had large rooms devoted to the care and display of their wardrobes, and even to-day there are men who are serious connoisseurs in the art of clothes.

PLATE XXVII

Interior decoration not infrequently leads to a desire to chic the appearance of one's "out-of-doors." We give an example of a perfectly commonplace barn made interesting by adding green latticework, a small iron balcony, ornamental gate and setting out a few decorative evergreens. Behold a transformation!

[Ill.u.s.tration: _A commonplace Barn Made Interesting_]

The dressing-table should be constructed of material in harmony with the rest of your furniture. It may be of mahogany, walnut, rose wood, satin wood, or some painted variety, or, as is the fas.h.i.+on now, made of silk,--a seventeenth and eighteenth century style (in vogue during the time of the Louis). These are made of taffeta with lace covers on top, and in outline are exactly like the simple dotted-swiss dressing-tables with which every one is familiar,--the usual variety, so easily made by placing a wooden packing box on its side. In this case have your carpenter put shelves inside for boots, shoes and slippers. The entire top is covered with felt or flannel, over which is stretched silk or sateen, in any colour which may harmonise with the room. A flounce, as deep as the box is high, is made of the same material as the top, and tacked to the edges of the table-top.

Cover the whole with dotted or plain swiss. A piece of gla.s.s, cut to exactly fit the top of the table, is a practical precaution. A large mirror, hung above yet resting on the table, is canopied in the old style, with the same material with which you cover your dressing-table.

If the table is made of the beautiful taffeta, now so popular for this purpose, as well as for curtains, it is, of course, not covered with swiss or lace, except the top, on which is used a fine, hand-made cover, of real lace and hand embroidery, in soft creams,--cream from age, or a judicious bath in weak tea. The gla.s.s top laid over this cover protects the lace.

If the table has drawers, each can be neatly covered with the taffeta, as can the frame of any table. A good, up-to-date cabinet-maker understands this work as so much of it is now done.

CHAPTER x.x.xII

THE TREATMENT OF CLOSETS

The modern architect turns out his closets so complete as to comfort and convenience, that he leaves but little to be done by the professional or amateur decorator. Each perfectly equipped bedroom suite calls for, at least, two closets: one supplied with hooks, padded hangers for coats, and covered hangers for skirts, if the closet is for a woman; or, if it is for a man, with such special requirements as he may desire. In the case of a woman's suite, one closet should consist entirely of shelves. Paint all the closets to harmonise with the suite, and let the paint on the shelves have a second coat of enamel, so that they may be easily wiped off. Supply your shelves with large and small boxes for hats, blouses, laces, veils, etc., neatly covered with paper, or chintz, to harmonise with the room.

Those who dislike too many mirrors in a room may have full length mirrors on the inside of the closet doors.

Either devote certain shelves to your boots, shoes and slippers, or have a separate shallow closet for these-shallow because it is most convenient to have but one row on a shelf.

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The Art of Interior Decoration Part 14 summary

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