The Brimming Cup Part 49

Nelly, who had sat down to rest on the pile of brush and poles, seemed a carved and painted statuette of ivory and gold.

She took off her ruffled pretty hat, and laid it down on the white-birch poles, so that she could tip her head far back and see the very top of the tree. Her braids shone molten in the suns.h.i.+ne. Her beautiful face was impa.s.sive, secreting behind a screen all that Marise was sure she must have been feeling.

'Gene, catching sight of her now, in a side-glance, stopped abruptly in the middle of a swing, and shouted to her to "get off that brush-pile.

That's jus' where I'm lottin' on layin' the tree."

Somewhat startled, Nelly sprang up and moved around to the other side, back of him, although she called protestingly, "Gracious, you're not _near_ through yet!"

'Gene made no answer, returning to the fury of his a.s.sault on what he so much loved. The great trunk now had a gaping raw gash in its side. Nelly idled back of him, looking up at the tree, down at him. What was she thinking about?

Marise wondered if someone with second-sight could have seen Frank Warner, there between the husband and wife? 'Gene's face was still gray in spite of the heat and his fierce exertion. Glistening streams of perspiration ran down his cheeks.

What did the future hold for 'Gene? What possible escape was there from the tragic net he had wrapped stranglingly around himself?

Very distantly, like something dreamed, it came to Marise that once for an instant the simple, violent solution had seemed the right one to her.

_Could she have thought that?_

What a haunted house was the human heart, with phantoms from the long-dead past intruding their uninvited ghastly death's-heads among the living.

The axe-strokes stopped; so suddenly that the ear went on hearing them, ghost-like, in the intense silence. 'Gene stood upright, lifting his wet, gray face. "She's coming now," he said.

Marise looked out, astonished. To her eyes the tree stood as ma.s.sively firm as she had ever seen it. But 'Gene's att.i.tude was of strained, expectant certainty: he stood near Nelly and as she looked up at the tree, he looked at her. At that look Marise felt the cold perspiration on her own temples.

Nelly stepped sideways a little, tipping her head to see, and cried out, "Yes, I see it beginning to slant. How _slow_ it goes!

"It'll go fast enough in a minute," said 'Gene.

Of what followed, not an instant ever had for Marise the quality of reality. It always remained for her a superb and hideous dream, something symbolical, glorious, and horrible which had taken place in her brain, not in the lives of human beings.

Nelly, ... looking down suddenly to see where the tree would fall, crying out, "Oh, I left my hat where it'll ..." and darting, light as a feather, towards it.

'Gene, making a great futile gesture to stop her, as she pa.s.sed him, shouting at her, with a horrified glance up at the slowly leaning tree, "Come back! Come back!"

Nelly on the brush-pile, her hat in her hand, whirling to return, supple and swift, suddenly caught by the heel and flung headlong ... up again in an instant, and falling again, to her knees this time. Up once more with a desperate haste, writhing and pulling at her shoe, held by its high heel, deep between the knotty poles.

'Gene, bounding from his place of safety, there at her feet, tearing in a frenzy at the poles, at her shoe... .

Above them the great tree bearing down on them the solemn vengeful shadow of its fall.

Someone was screaming. It was Nelly. She was screaming, "'Gene! 'Gene!

'Gene!" her face shrunken in terror, her white lips open.

And then, that last gesture of 'Gene's when he took Nelly into his great arms, closely, hiding her face on his shoulder, as the huge tree, roaring downward, bore them both to the earth, forever.

CHAPTER XXVIII

TWO GOOD-BYES

August 10.

Marise welcomed the bother about the details of Eugenia's departure and Mr. Welles', and flung herself into them with a frightened desire for something that would drown out the roaring wind of tragedy which filled her ears in every pause of the day's activities, and woke her up at night out of the soundest sleep. Night after night, she found herself sitting up in bed, her night-gown and hair damp with perspiration, Nelly's scream ringing knife-like in her ears. Then, rigid and wide-eyed she saw it all again, what had happened in those thirty seconds which had summed up and ended the lives of 'Gene and Nelly.

But one night as she sat thus in her bed, hammered upon beyond endurance, she saw as though she had not seen it before what 'Gene had finally done, his disregard of possible safety for himself, his abandon of his futile, desperate effort to free Nelly from the tangle where her childish vanity had cast her, the grandeur and completeness of his gesture when he had taken Nelly into his strong arms, to die with her.

Marise found herself crying as she had not cried for years. The picture, burned into her memory, stood there endlessly in the black night till she understood it. The tears came raining down her face, and with them went the strained, wild horror of the memory.

But the shadow and darkness hung about her like a cloud, through which she only dimly saw the neat, unhurried grace of Eugenia's preparations for departure and far travels, and felt only a dimmed, vague echo of the emotion she had thought to feel at the disappearance of Mr. Welles, poor, weary, futile old crusader on his Rosinante.

On that last morning of their stay she drove with them to the station, still giving only a half-attention to the small episodes of their departure. She did see and smile at the characteristic quality of an instinctive gesture of Eugenia's as they stepped up on the platform of the station. Two oddly-shaped pieces of metal stood there, obviously parts of a large machine. Paul stumbled over them as he climbed out of the car, and held tight to Mr. Welles' hand to save himself from a fall.

Eugenia saw them instantly from afar as an element in life which threatened the spotlessness of her gray traveling cloak, and as she pa.s.sed them she drew the thick folds of velvet-like wool about her closely. Marise thought to herself, "That's Eugenia's gesture as she goes through the world."

Neale turned off his switch, listened a moment to see if the Ford were boiling from the long climb up the hill to the station, and now made one long-legged step to the platform. He started towards Eugenia with the evident intention of making some casual pleasant remarks, such as are demanded by decency for a departing guest, but in his turn his eyes caught the curiously shaped pieces of metal. He stopped short, his face lighted up with pleasure and surprise. All consciousness of anyone else on the platform disappeared from his expression. "h.e.l.lo!" he said to himself, "those mandrels here." He picked up one in his strong hands on which the metal left a gray dust, and inspected it. He might have been entirely alone in his shop at the mill.

Marise noted with envy how he gave all of himself to that momentary examination, entirely escaped from any awareness of that tyrannical self which in her own heart always clamored like a spoiled child for attention. The impersonal concentration of his look as he turned the metal about between those strong dusty hands, gave to his face the calm, freed expression not to be bought for any less price than a greater interest in one's work than in one's self. "They'll do," p.r.o.nounced Neale. This was evidently a thought spoken aloud, for it did not occur to him to make any pretense of including the two women in his interest.

He set down the casting he held, and went off into the freight-house, calling loudly, "Charlie! Charlie! Those mandrels have come. I wish you'd ..." his voice died away as he walked further into the dusky freight-shed.

Marise happening to glance at Eugenia now, caught on her face an expression which she took to be annoyance at a breach of manners. She reflected, "Eugenia must find Neale's abrupt American ways perfectly barbaric." And she was surprised to feel for the first time a rather scornful indifference to all that was involved in Eugenia's finding them barbaric. Heavens! What did it matter? In a world so filled with awful and portentous and glorious human possibilities, how could you bother about such things?

There was a silence. Mr. Welles and Paul had been standing near, aimlessly, but now, evidently taking the silence for the inevitable flatness of the flat period of waiting for a train, Mr. Welles drew the little boy away. They walked down the cinder-covered side-tracks, towards where the single baggage truck stood, loaded with elegant, leather-covered boxes and wicker basket-trunks, marked "E. Mills. S.S.

Savoie. Compagnie Generale Transatlantique." Among them, out of place and drab, stood one ba.n.a.l department-store trunk labeled, "Welles. 320 Maple Avenue. Macon, Georgia."

The departure of the old man and the little boy left the two women alone. Eugenia stepped closer to Marise and took her hand in her own gloved fingers. She looked at it intently, with the expression of one who is trying to find words for a complicated feeling. Marise made an effort to put herself in the receptive mood which would make the saying of it easier, but failed. The fall of the big pine roared too loudly in her ears. She looked without sympathy or admiration at Eugenia's perfection of aspect. "To look like that, she must care for looks more than anything else. What can she know about any real human feeling?"

Marise asked herself, with an intolerance she could not mitigate.

And yet as she continued to peer at Eugenia through that dark cloud of tragedy, it seemed to her that Eugenia showed signs of some real human emotion. As she gazed at her in the crude brilliance of the gaudy morning sun, she saw for the first time signs of years in Eugenia's exquisite small face. There was not a line visible, nor a faltering of the firmness of the well-cared-for flesh, but over it all was a faint, hardly discernible flaccid fatigue of texture.

But perhaps she imagined it, for even as she looked, and felt her heart soften to think what this would mean to Eugenia, an inner wave of resolution reached the surface of the other woman's face, and there was Eugenia as she always had been, something of loveliness immutable.

She said impulsively, "Eugenia, it's a stupidly conventional thing to say, but it's a pity you never married."

As Eugenia only looked at her, quietly, she ventured further, "You might really be happier, you know. There is a great deal of happiness in the right marriage." She had never said so much to Eugenia.

Eugenia let Marise's hand drop and with it, evidently, whatever intention she might have had of saying something difficult to express.

Instead, she advanced with her fastidious, delicate note of irony, "I don't deny the happiness, if that sort of happiness is what one is after. But I think my appet.i.te for it ... that sort ... is perhaps not quite robust enough to relish it."

Marise roused herself to try to put a light note of cheerfulness into this last conversation. "You mean that it seems to you like the coa.r.s.ely heaped-up goodies set before a farmhand in a country kitchen ... chicken and b.u.t.ter and honey and fruit and coffee, all good but so profuse and jumbled that they make you turn away?"

"I didn't give that definition of domestic life," corrected Eugenia, with a faint smile, "that's one of _your_ fantasies."

"Well, it's true that you get life served up to you rather pell-mell, lots of it, take-it-as-it-comes," admitted Marise, "but for a gross nature like mine, once you've had that, you're lost. You know you'd starve to death on the delicate slice of toasted bread served on old china. You give up and fairly enjoy wallowing in the trough."

She had been struck by that unwonted look of fatigue on Eugenia's face, had tried to make her laugh, and now, with an effort, laughed with her.