The Woman Who Toils Part 26

I can speak only for the shoe manufacturing girl of Lynn and for the Southern mill-hand.

I thank Heaven that I can say truthfully, that of all who came under my observation, not one who was of age to reflect was happy. I repeat, the working-woman is brave and courageous, but the most sane and hopeful indication for the future of the factory girl and the mill-hand is that she rebels, dreams of something better, and will in the fullness of time stretch toward it. They have no time to think, even if they knew how.

All that remains for them in the few miserable hours of relief from labour and confinement and noise is to seek what pastime they may find under their hand. We have never realized, they have never known, that their great need--given the work that is wrung from them and the degradation in which they are forced to live--is a craving for amus.e.m.e.nt and relaxation. Amus.e.m.e.nts for this cla.s.s are not provided; they _can_ laugh, they rarely do. The thing that they seek--let me repeat: I cannot repeat it too often--in the minimum of time that remains to them, is distraction. They do not want to read; they do not want to study; they are too tired to concentrate. How can you expect it? I heard a manufacturer say: "We gave our mill-hands everything that we could to elevate them--a natatorium, a reading library--and these halls fell into disuse." I ask him now, through these pages, the questions which I did not put to him then as I listened in silence to his complaint. He said he thought too much was done for the mill-hands. What time would he suggest that they should spend in the reading-room, even if they have learned to read? They rise at four; at a quarter before six they are at work. The day in winter is not born when they start their tasks; the night has fallen long before they cease. In summer they are worked long into their evenings. They tell me that they are too tired to eat; that all they want to do is to turn their aching bones on to their miserable mattresses and sleep until they are cried and shrieked awake by the mill summons. Therefore they solve their own questions. Nothing is provided for them that they can use, and they turn to the only thing that is within their reach--animal enjoyment, human intercourse and companions.h.i.+p. They are animals, as are their betters, and with it, let us believe, more excuse.

The mill marriage is a farce, and yet they choose to call their unions now and again a marriage. Many a woman has been a wife several times in the same town, in the same house. The bond-tying is a form, and, of course, mostly ignored. The settlements swarm with illegitimate children. Next to me work two young girls, both under seventeen, both ringless and with child.

Let me picture the Foster household, where I used to call Sat.u.r.day evenings.

Mrs. Foster herself, dirty, slipshod, a frowzy ma.s.s, hugs her fireside.

Although the day is warm, she kindled a fire to stimulate the thin, poor blood exhausted by disease and fevers. Two flatirons lie in a dirty heap on the floor. As usual, the room is a nest of filth and untidiness.

Mrs. Foster is half paralyzed, but her tongue is free. She talks fluently in her soft Southern drawl, more Negro than white as to speech and tone. Up to her sidles a dirty, pretty little boy of four.

"This yere is too little to go to the mill, but he's wild to go; yes, ser, he is so. Las' night he come to me en say, 'Auntie, you-all wake me up at fo' 'clock sure; I got ter go ter the mill.'"

Here the little blond child, whose mouth is set on a pewter spoon dripping over with hominy, grins appreciatively. He throws back his white and delicate little face, and his aunt, drawing him close to her, caresses him and continues: "Yes, ma'am, to-day he dun wake up after they-all had gone and he sayd, 'My goodness, I dun oversleep mase'f!' He sha'n't go to the mill," she frowned, "not ef we can help it. Why, I don't never let him outen my sight; 'fraid lest those awful mill children would git at him."

Thus she sheltered him with what care she knew--care that unfortunately _could not go far enough back to protect him_! His mother came in at the noon hour, as we sat there rocking and chatting. She was a straight, slender creature, not without grace in her s.h.i.+rt-waist and her low-pulled felt hat that shadowed her sullen face. She was very young, not more than twenty-two, and her history indicative and tragic. With a word only and a nod she pa.s.ses us; she has now too many vital things and incidents in her own career to be curious regarding a strange mill-hand.

She goes with her comrade--and cousin--Mamie, into the kitchen to devour in as short a time as possible the noon dinner, served by the grandmother: cabbage and hominy. "They don't have time 'nough to eat,"

the aunt says; "no sooner then they-all come in and bolt their dinner then it is time to go back." Her child has followed her. Minnie was married at thirteen; in less than a year she was a gra.s.s widow. "My goodness, there's lots of gra.s.s widows!" my frowsled hostess nods. "Why, in one weave-room hyar there ain't a gyrl but what's left by her husband. One day a new gyrl come for to run a loom and they yells out at her, 'Is you-all a gra.s.s widow? Yer can't come in hyar ef you ain't.'"

But it was after her gra.s.s widowhood that Minnie's tragedy began. The mill was her ruin. So much grace and good looks could not go, cannot go, _does not_ go unchallenged by the attentions of the men who are put there to run these women's work. The overseer was father of her child, and when she tried to force from him recognition and aid he threw over his position and left Columbia and this behind him. This, one instance under my own eyes observed. There are many.

"Mamie works all night" (she spoke of the other girl)--"makes more money. My, but she hates the mills! Says she ain't ever known a restful minute sence she left the hills."

My hostess has drawn the same conclusion from my Northern appearance that the Joneses drew.

"You-all must eat good where you come from! you look so healthy.' Do you-all know the Banks girl over to Calcutta?"

"No."

"They give her nine months." (Calcutta is the roughest settlement round here.) "Why, that gyrl wars her hair cut short, and she shoots and cuts like a man. She drew her knife on a man last week--cut his face all up and into his side through his lung. Tried to pa.s.s as she was his wife, but when they had her up, ma'am, they proved she had been three men's wives and he four gyrl's husbands. He liked to died of the cut. They've given her nine months, but he ain't the only man that bears her marks.

Over to Calcutta it's the knife and the gun at a wink. This yere was an awful pretty gyrl. My Min seed her peekin' out from behind the loom in the weave-room, thought she was a boy, and said: 'Who's that yere pretty boy peekin' at me?' And that gyrl told Min that she couldn't help knife the men, they all worried on her so! 'Won't never leave me alone; I jest have to draw on 'em; there ain't no other way.'"...

For the annals of morality and decency do not take up this faithful account and picture the cotton-mill village. You will not find it in these scenes drawn from the life as it is at this hour, as it is portrayed by the words that the very people themselves will pour into your ears. Under the walls of Calcutta Negroes are engaged in laying prospective flower beds, so that the thirteen-hour workers may look out from time to time and see the forms of flowers. On the other side rise some twenty shanties. These houses of Calcutta village are very small, built from the roughest unpainted boards. Here it is, in this little settlement, that the knife comes flas.h.i.+ng out at a word--that the women shoot as well as men, and perhaps more quickly.

"Richmond aint so bad as the other!" I can hear Mrs. Foster drawl out this recommendation to us. "They ain't so much chills here. We dun move up from town first; had to--too high rents for we-all; now we dun stay hyar. Why, some of the gyrls and boys works to Granton and bo'ds hyar; seems like it's mo' healthy."

Moving, ambulant population! tramping from hill to hill, from sand-heap to sand-heap to escape the slow or quick death, to prolong the toiling, bitter existence--pilgrims of eternal hope; born in the belief, in the sane and wholesome creed that, no matter what the horror is, no matter what the burden's weight must be, _one must live_! It takes a great deal to wake in these inexpressive, indifferent faces illumination of interest. At what should they rejoice?

I have made the dest.i.tution of beauty clear. I believe there is an absolute lack of every form or sight that might inspire or cause a soul to awake. There is nothing to lift these people from the earth and from labour. There should be a complete readjustment of this system. I have been interested in reading in the New York _Sun_ of April 20th of the visit of the bishops to the model factories in Ohio. I am constrained to wish that bishops and clergy and philanthropists and millionaires and capitalists might visit in bodies and separately the mills of South Carolina and their tenement population. It is difficult to know just what the ideas are of the people who have constructed these dwellings.

They tell us in this same prospectus, which I have read with interest after my personal experience, that these villages are "_picturesque_."

This is the only reference I find to the people and their conditions. I have seen nothing but horror, and yet I went into these places without prejudice, prepared to be interested in the industry of the Southern country, and with no idea of the tragedy and nudity of these people's existence. The ultimate balance is sure to come; meanwhile, we cannot but be sensible of the vast individual sacrifices that must fall to destruction before the scales swing even.

THE CHILD IN SOUTHERN MILLS

CHAPTER IX

THE CHILD IN THE SOUTHERN MILLS

In the week before I left for the South I dined in ---- with a very charming woman and her husband. Before a table exquisite in its appointments, laden with the best the market could offer and good taste display, sat the mistress, a graceful, intelligent young woman, full of philanthropic, charitable interests, and one whom I know to be devoted to the care and benefiting of little children in her city. During the meal I said to her casually:

"Do you know that in your mills in South Carolina to-night, as we sit here, little children are working at the looms and frames--little children, some of them not more than six years old?"

She said, in astonishment, "I don't know it; and I can't believe it."

I told her I should soon see just how true the reports were, and when I returned to New York I would tell her the facts. She is not alone in her ignorance. Not one person, man or woman, to whom I told the facts of the cases I observed "_dreamed that children worked in any mills in the United States_!" After my experience amongst the working cla.s.s, I am safe in saying that I consider their grievances to be the outcome of the ignorance and greed of the manufacturer abetted, aided and made possible by the ignorance and poverty of the labourer.

There is nothing more conscience-silencing than to accuse the writers of the different articles on child-labour of sentimentality. The comfort in which we live makes it easy to eliminate thoughts that torture us to action in the cause of others. I will be delighted to meet an accusation of sentimentality and exaggeration by any man or woman who has gone to a Southern mill as an operative and worked side by side with the children, lived with them in their homes. It is defamation to use the word "home"

in connection with the unwholesome shanty in the pest-ridden district where the remnant of the children's lives not lived in the mill is pa.s.sed. This handful of unpainted huts, raised on stilts from the soil, fever-ridden and malarious; this blank, ugly line of sun-blistered shanties, along a road, yellow-sand deep, is a mill village. The word _village_ has a cheerful sound. It summons a country scene, with the charms of home, however simple and unpretentious. There is nothing to charm or please in the villages I have already, in these pages, drawn for you to see and which with veritable sick reluctance I summon again before your eyes. Every house is like unto its neighbour--a shelter put up rapidly and filled to the best advantage.

There is not a garden within miles, not a flower, scarcely a tree. Arid, desolate, beautyless, the pale sand of the State of South Carolina nurtures as best it can a stray tree or shrub--no more. At the foot of the shanties' black line rises the cotton mill. New, enormous, sanitary (!!). Its capital runs into millions; its prospectuses are pompous; its pay-roll mysterious. You will not be able to say how many of the fifteen hundred odd hands at work in this mill are adults, how many children. In the State of South Carolina there are statistics of neither births, marriages nor deaths. What can you expect of a mill village!

At 5:45 we have breakfasted--the twelve of us who live in one small shanty, where we have slept, all five of us in one room, men to the right of the kitchen, women and children on the left. To leave the pestilence of foul air, the stench of that dwelling, is blessed, even if the stroke that summons is the mill whistle.

As we troop to work in the dawn, we leave behind us the desert-like town; all day it drowses, haunted by a few figures of old age and infirmity--but the mill is alive! We have given up, in order to satisfy its appet.i.te, all manner of flesh and blood, and the gentlest morsel between its merciless jaws is the little child.

So long as I am part of its food and triumph I will study the mill.

Leaving the line of flas.h.i.+ng, whirling spools, I lean against the green box full of cotton refuse and regard the giant room.

It is a wonderful sight. The mill itself, a model of careful, well-considered building, has every facility for the best and most advantageous manufacture of textiles. The fine frames of the intricate "warping," the well-placed frames of the "drawing-in" all along the window sides of the rooms; then lines upon lines of spool frames. Great piles of stuff lie here and there in the room. It is early--"all the yarn ain't come yet." Two children whose work has not been apportioned lie asleep against a cotton bale. The terrible noise, the grinding, whirling, pounding, the gigantic burr renders other senses keen. By my side works a little girl of eight. Her brutal face, already bespeaking knowledge of things childhood should ignore, is surrounded by a forest of yellow hair. She goes doggedly at her spools, grasping them sullenly.

She walks well on her bare, filthy feet. Her hands and arms are no longer flesh colour, but resemble weather-roughened hide, ingrained with dirt. Around the tangle of her hair cotton threads and bits of lint make a sort of aureole. (Her nimbus of labour, if you will!) There is nothing saint-like in that face, nor in the loose-lipped mouth, whence exudes a black stain of snuff as between her lips she turns the root she chews.

"She's a mean girl," my little companion says; "we-all don't hev nothin'

to say to her."