The Salamander Part 52

"_Dear Mr. Peavey_:

"Thank you for the champagne. Certain things which have come to my knowledge make it impossible for me to accept any more such favors from you. Indeed, I reproach myself for what I have permitted in the past. But I have always had a different feeling about you, a real respect and trust, and I have always believed in you as an ideal of what a gentleman should be. I am very disappointed--very sad.

"Sincerely yours, "DORe BAXTER.

"P. S. I thank you also for your automobile, which I shall never use again.

"P. P. S. I return the remaining tickets to the opera."

She studied this, well content with its indefinite reproach.

"There; he will believe I know more than I know," she said, with a bob of her head, "and he will have to come to me in person. That is better!"

Once Mr. Peavey was before her eyes, she had no doubt of the interview.

She posted the letter immediately, telephoned again without being able to receive any news of Lindaberry, and went out to shop for Christmas presents for each of her score of admirers--presents which she would see were carefully delivered to their destinations by three o'clock on the _preceding_ day. For a month she had carefully gone over her acquaintances, much as a fisherman overhauls his nets, consecrating hours at the telephone, fanning back into substantial flames little sparks of intimacy that were sinking into gray forgetfulness. She did not throw herself into such machinations with any relish, but as a necessity forced upon her; yet, once embarked, she did nothing by halves. She lunched, motored, descended for tea, dined, dipped into theaters and danced without a rest. She even revived the hopes of Harrigan Blood and Sa.s.soon by a few discreet concessions--matinee performances, tea at five, or an innocuous luncheon.

With Ma.s.singale she was still far from that moment when she could distinguish the man who was from the romantic ideal her imagination had visualized. After the second meeting in her rooms, when she had a second time reached the man in the raw, each, as if by mutual consent, had avoided further opportunities of dangerous intimacy, each a bit apprehensive. But the conflict between them continued. There were moments when he seemed to abandon his att.i.tude of incredulity, relaxing into humorous or confidential moods, and others when he seemed to be flinging barricades between them. If he had planned deliberately to seduce her (which G.o.d knows he hadn't!) he could have adopted no more adroit means than this intermittent opposition which rose from the struggle in his own conscience. She could not brook the slightest resistance in him. It roused in her a pa.s.sion for subjugation, an instinct for reprisals which sought insistently to reverse the original roles.

In the moments of these half-hearted retreats he adopted a policy of far-off a.n.a.lysis, putting questions with impersonal directness, inviting her into indiscreet confidences. She divined that all this curiosity had one instinctive object--to discover something in her harum-scarum present or devious past that could roughly and effectively repel him. At such times she responded with a violent antagonism, paying him back in coin, tantalizing him, inventing stories to plague him, and always succeeding. Once she said to him:

"You know Sa.s.soon's getting reckless. Look out! Some day I'll disappear!"

He chuckled, inciting her on.

"You needn't laugh! I'm serious--he's serious, too. Where do you think I went this afternoon? To look at a house. Oh, the loveliest little house, a little jewel-box--within a stone's-throw of you, too; and everything beautifully furnished, wonderful rugs, bedrooms in old red brocade, like a palace!" She continued with an account of details, warming up to the part: "Sa.s.soon began by talking apartments. But I killed that quickly.

Entirely too common!"

"But the house?" he said, forcing a smile.

"Only one thing lacking; yes, and I told him so at once--flat, like that!"

"What?"

"No garage!"

He affected to laugh hugely at this bit of fiction.

When he sought to explore her history she was ready with another artfully contrived story to infuriate him:

"My life? Oh, it's terribly exciting! Father was a gambler--Mississippi River, mining-camps and all sorts of dangerous places. Mother was in the circus, bareback riding--hoops, you know. They separated when I was five; had a terrible fight, they say. I went around with the circus, in the processions, dressed as a star. Mother was teaching me the tight-rope; I'd learned a bit of acrobating, too. There was a funny old clown."

She stopped, with a far-off pensive look. When she invented a story she had a natural gift for dramatic detail. She said very sadly, as if conjuring up the figure of a mournful child, sinking her voice to a whisper:

"My mother drank. When she was in her tantrums she was very cruel to me--she beat me! I remember my poor little arms and legs all blistered and smarting! Then I used to run to Jocko--that was the funny old clown's name. He had three colors in his hair, red, white and brown--all natural, too! Jocko used to put a poultice on my wounds and give me candy. I loved old Jocko; he taught me the back-somersault, too. Then mother ran off with a dentist--one of the kind that travel around in a band-wagon from village to village, teeth-pullers, you know, and whenever a tooth is to be taken out the ba.s.s-drum goes off _bang!_ so you don't notice the pain. The dentist hated me! He was a horribly tall, long man with a broken nose. I can see him leering down at me like an ogre and saying:

"'Soon as you get your second teeth, little brat, I'll make a fine set out of 'em, worth seventy plunks at the least. Just you wait!'

"He used to pinch me and box my ears when mother wasn't looking!"

She considered this phase thoughtfully, satisfied that she had done it justice, and said suddenly:

"Then, one night, father turned up. Whew! that was a scene! He came up suddenly just as Crouch--that's the dentist--had finished with the cymbals and was beginning:

"'Ladies and gentlemen, I come not to take your hard-earned money, but to do you good!'

"He always began like that. I can see it all now--the kerosene lamps flaring below, the country crowd standing around, gaping, and all of a sudden a Spanish-looking man, broad-shouldered, pus.h.i.+ng his way violently through them all, and then mother shrieking:

"'My G.o.d! Crouch, it's Baxter!'"

She drew a quick breath; the recital had made her tremble a little. He watched her closely, with that lantern stare with which he transfixed the accused at the bar, amazed at her exhibition, incredulous, and yet with a lingering wonder.

"Mother got away," she said, resuming. "Crouch was laid up in a hospital for months, they told me. Father took me with him. He was very kind, very; but it was a terrible life; rough company, squabbling and shooting, no home, no rest, always taking French leave! Then he struck a run of luck and made enough to strike for Gold Fields and open a saloon--faro at the back. Gold Fields was worse. Every one drunk by eight o'clock at night; poker and faro until breakfast!"

"And you saw all that?" he said gravely.

"Yes, all!" she said simply, shaking her head. "Father dressed me up in red slippers and white stockings, red dress and mantilla, and rigged up a flower-booth for me--said it brought custom. And there I had to sit, so tired and sleepy, with all the vile tobacco smoke, and the men--black, red and white--shouting and singing. Once or twice I fell asleep."

All at once, as if groping in the dark, her hand had at last found the door, she said abruptly:

"But one night a Mexican tried to kiss me, and father shot him. He fell across my counter, grabbing at me. It was awful! The next night father was called to the side entrance, and when we found him there was a knife in his back, and he was dead!"

She rose.

"What, you're going to leave me there, Dodo?" he said maliciously, forcing a smile. "You're worse than a dime novel!"

"That's enough for now. It tires me! The rest for another time," she answered. "Now you can understand all that happened after,--I never had half a chance!"

The next time she began all over again, saying:

"My real story is much more terrible. Now, this is the truth!"

These inventions usually started from her insistence on discussing his wife with Ma.s.singale. She had an imperative curiosity, which always shocked his sense of delicacy, to hear him criticize her, to admit her faults, even to drop a hint that there might be other men--that, in fact, she lived her own life; which would mean, to Dodo's illogical need of self-justification, that he also had the right. But Ma.s.singale curtly, peremptorily refused to be drawn into such discussions.

Whereupon a coolness arose, and she sought to annoy him by pretended pasts. He knew that she was embroidering, and yet the very facility of it amazed him. The past was one thing: he did not like her references to Sa.s.soon and Blood and what they implied, even though he was sure it was specially fabricated for his confusion.

So, as soon as peace had been restored, he always pressed her for a denial. Whereupon with a laugh, after some coaxing, she would admit the fiction. But the moment the next cause of conflict came, she was always quits by turning on him and declaring:

"You know all I told you? Well, _half_ of it was true!"

At the end of the week she received an answer from Mr. Peavey. Contrary to custom, it was not typewritten, but performed in his minute and regular hand:

"_Dear Miss Baxter_:

"Your letter has caused me the utmost pain. Please do not, I beg you, judge me by appearances! I have found, to my cost, that I have been greatly misled in the character of a person I trusted.

I must see you and explain everything. I am now in the Middle West. I shall be able to run over to New York for five hours on Thursday next, and shall advise you. Believe me, this is the first opportunity I can make.

"Your devoted friend,