The Whirlpool Part 45

'But after your concert--recital--whatever you call it; it would be a good rest.'

'Oh, I shall be busier than ever. Mr. Dymes hopes to arrange for me at several of the large towns.'

Harvey smiled, and Alma observed him with irritation she could scarcely repress. Of course, his smile meant a civil scepticism.

'By-the-bye,' he asked, 'is Dymes the comic opera man?'

'Yes. I rather wondered, Harvey, whether you would awake to that fact.

He will be one of our greatest composers.'

She went on with enthusiasm, purposely exaggerating Dymes's merits, and professing a warm personal regard for him. In the end, Harvey's eye was upon her, still smiling, but curiously observant.

'Why hasn't he been here? Doesn't he think it odd that you never ask him?'

'Oh, you know that I don't care to ask people. They are aware'--she laughed--'that my husband is not musical.'

Harvey's countenance changed.

'Do you mean that you tell them so?'

'Not in any disagreeable way, of course. It's so natural, now, for married people to have each their own world.'

'So it is,' he acquiesced.

Alma would have gone to Gunnersbury the very next day, but she feared to excite some suspicion in her husband's mind. He little imagined her capable of opening his letters, and to be detected in such a squalid misdemeanour would have overwhelmed her with shame. In a day or two she would be going to Mrs. Rayner Mann's, to meet a certain musical critic 'of great influence', and by leaving home early she could contrive to make a call upon Mrs. Abbott before lunching at Putney. This she did.

She saw little Minnie Wager, scrutinised the child's features, and had no difficulty whatever in discerning Harvey's eyes, Harvey's mouth. Why should she have troubled herself to come? It was very hard to control her indignation. If Mrs. Abbott thought her rather strange, rather abrupt, what did it matter?

At Mrs. Rayner Mann's she pa.s.sed into a soothing and delicious atmosphere. The influential critic proved to be a very young man, five-and-twenty at most; he stammered with nervousness when first addressing the stranger, but soon gave her to understand, more or less humorously, that his weekly article was 'quite' the most important thing in latter-day musical criticism, and that he panted for the opportunity of hearing a new violinist of real promise. But Alma had not brought her violin; lest she should make herself cheap, she never played now at people's houses. The critic had to be satisfied with hearing her talk and gazing upon her beauty. Alma was become a very fluent talker, and her voice had the quality which fixes attention. At luncheon, whilst half-a-dozen persons lent willing ear, she compared Sarasate's playing of Beethoven's Concerto with that of Joachim, and declared that Sarasate's _cadenza_ in the first movement, though marvellous for technical skill, was not at all in the spirit of the work. The influential writer applauded, drawing her on to fresh displays of learning, taste, eloquence. She had a great deal to say about somebody's 'technique of the left hand', of somebody else's 'tonal effects', of a certain pianist's 'warmth of touch'. It was a truly musical gathering; each person at table had some exquisite phrase to contribute. The hostess, who played no instrument, but doted upon all, was of opinion that an executant should 'aim at mirroring his own nature in his interpretation of a tone-poem'; whereupon another lady threw out remarks on 'subjective interpretation', confessing her preference for a method purely 'objective'. The influential critic began to talk about Liszt, with whom he declared that he had been on intimate terms; he grew fervent over the master's rhapsodies, with their 'clanging rhythm and dithyrambic fury'.

'I don't know when I enjoyed myself so much,' said Alma gaily, as the great young man pressed her hand at parting and avowed himself her devoted admirer.

'My dear Mrs. Rolfe,' said the hostess privately, 'you were simply brilliant! We are all looking forward so eagerly!'

And as soon as Alma was gone, the amiable lady talked about her to the one remaining guest.

'_Isn't_ she delightful! I do so hope she will be a success. I'm afraid so much depends upon it. Of course, you know that she is the daughter of Bennet Frothingham? Didn't you know? Yes, and left without a farthing. I suppose it was natural she should catch at an offer of marriage, poor girl, but it seems to have been _most_ ill-advised. One never sees her husband, and I'm afraid he is anything but kind to her.

He _may_ have calculated on her chances as a musician. I am told they have little or nothing to depend upon. Do drum up your friends--will you? It is to be at Prince's Hall, on May the 16th--I think. I feel, don't you know, personally responsible; she would never have come out but for my persuasion, and I'm so anxious for a success!'

The day drew near for Ada Wellington's debut. Alma met this young lady, but they did not take to each other; Miss Wellington was a trifle 'loud', and, unless Alma mistook, felt fiercely jealous of any one admired by Felix Dymes. As she could not entertain at their own house (somewhere not far south of the Thames), Mrs. Wellington borrowed Dymes's flat for an afternoon, and there, supported by the distinguished composer, received a strange medley of people who interested themselves in her daughter's venture. Alma laughed at the arrangement, and asked Dymes if he expected her congratulations.

'Don't make fun of them,' said Felix. 'Of course, they're not _your_ sort, Alma. But I've known them all my life, and old Wellington did me more than one good turn when I was a youngster. Ada won't make much of it, but she'll squeeze in among the provincial pros after this send off.'

'You really are capable of generosity?' asked Alma.

'I swear there's nothing between us. There's only one woman living that I have eyes for--and I'm afraid she doesn't care a rap about me; at all events, she treats me rather badly.'

This dialogue took place in a drawing-room the evening before Miss Wellington's day. Alma had declined to meet her agent a second time at the Apollo Theatre; they saw each other, by arrangement, at this and that house of common friends, and corresponded freely by post, Dymes's letters always being couched in irreproachable phrase. Whenever the thing was possible, he undisguisedly made love, and Alma bore with it for the sake of his services. He had obtained promises from four musicians of repute to take part in Alma's concert, and declared that the terms they asked were lower than usual, owing to their regard for him. The expenses of the recital, without allowing for advertis.e.m.e.nts, would amount to seventy or eighty pounds; and Dymes guaranteed that the hall should produce at least that. Alma, ashamed to appear uneasy about such paltry sums, always talked as though outlay mattered nothing.

'Don't stint on advertis.e.m.e.nts,' she said.

'No fear! Leave that to me,' answered Felix, with a smile of infinite meaning.

Ada Wellington could not afford to risk much money, and Alma thought her announcements in the papers worth nothing at all. However, the pianist was fairly successful; a tolerable audience was sc.r.a.ped together (at Steinway Hall), and press notices of a complimentary flavour, though brief, appeared in several quarters. With keen anxiety Alma followed every detail. She said to herself that if _her_ appearance in public made no more noise than this, she would be ready to die of mortification. There remained a fortnight before the ordeal; had they not better begin to advertise at once? Thus she wrote to Dymes, who replied by sending her three newspapers, in each of which a paragraph of musical gossip informed the world that Mrs. Harvey Rolfe was about to give her first public violin recital at Prince's Hall.

Mrs. Rolfe, added the journalists in varying phrase, was already well known to the best musical circles as an amateur violinist, and great interest attached to her appearance in public, a step on which she had decided only after much persuasion of friends and admirers. Already there was considerable demand for tickets, and the audience would most certainly be both large and distinguished. Alma laughed with delight.

The same day, by a later post, she received a copy of a 'society'

journal, addressed in a hand unknown to her. Guided by a red pencil mark, she became aware of no less than a quarter of a column devoted to herself. From this she might learn (if she did not already know it) that Mrs. Harvey Rolfe was a lady of the utmost personal and social charm; that her beauty was not easily described without the use of terms that would sound extravagant; that as a violinist she had stood for a year or two _facile princeps_ amid lady amateurs; that she had till of late lived in romantic seclusion 'amid the n.o.blest scenery of North Wales', for the sole purpose of devoting herself to music; and that only with the greatest reluctance had she consented to make known to the public a talent--nay, a genius--which a.s.suredly was 'meant for mankind'. She was the favourite pupil of that admirable virtuoso, Herr Wilenski. At Prince's Hall, on the sixteenth of May, all lovers of music would have, &c, &c.

This batch of newspapers Alma laid before dinner on Harvey's desk, and about an hour after the meal she entered the library. Her husband, smoking and meditating, looked up constrainedly.

'I have read them,' he remarked, in a dry tone.

Alma's coldness during the last few weeks he had explained to himself as the result of his failure to take interest in her proceedings. He knew that this behaviour on his part was quite illogical; Alma acted with full permission, and he had no right whatever to 'turn grumpy'

just because he disliked what she was doing. Only today he had rebuked himself, and meant to make an effort to restore goodwill between them; but these newspaper paragraphs disgusted him. He could not speak as he wished.

'This is your agent's doing, I suppose?'

'Of course. That is his business.'

'Well, I won't say anything about it. If _you_ are satisfied, I have no right to complain.'

'Indeed, I don't think you have,' replied Alma, putting severe restraint upon herself to speak calmly. Thereupon she left the room.

Harvey rose to follow her. He took a step forward--stood still--returned to his chair. And they did not see each other again that night.

In the morning came a letter from Dymes. He wrote that a certain newspaper wished for an 'interview' with Mrs. Rolfe, to be published next week. Should the interviewer call upon her, and, if so, when?

Moreover, an ill.u.s.trated paper wanted her portrait with the least possible delay. Were her new photographs ready? If so, would she send him a dozen? Better still if he could see her today, for he had important things to speak of. Might he look for her at Mrs.

Littlestone's at about four o'clock?

At breakfast Alma was chatty, but she directed her talk almost exclusively to Pauline Smith and to little Hugh, who now had his place at table--a merry, sunny-haired little fellow, dressed in a sailor suit. Harvey also talked a good deal--he, too, with Pauline and the child. When Alma rose he followed her, and asked her to come into the library for a moment.

'I'm a curmudgeon,' he began, facing her with nervous abruptness.

'Forgive me for that foolery last night, will you?'

'Of course,' Alma replied distantly.

'No, but in the same spirit, Alma. I'm an a.s.s! I know that if you do this thing at all, you must do it in the usual way. I wish you success heartily, and I'll read with pleasure every sc.r.a.p of print that praises you.'

'I'm hurrying to town, Harvey. I have to go to the photographer, and see Mr. Dymes, and all sorts of things.'

'The photographer? I hope they'll be tolerable; I know they won't do you justice. Will you sit to a painter if I arrange it? Unfortunately, I can't afford Millais, you know; but I want a good picture of you.'

'We'll talk about it,' she replied, smiling more pleasantly than of late. 'But I really haven't time now.'

'And you forgive me my idiotics?'

She nodded and was gone.

In the afternoon she met Dymes at Mrs. Littlestone's, a house of much society, for the most part theatrical. When they had moved aside for private talk, he began by asking a brusque question.