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Leaves in the Wind Part 3

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It emerged slowly like a column of solid light--mystic, wonderful. All night it had stood imprisoned in the cylinder enveloped by that bath of incalculable hotness, and as it came out from the ordeal, it was as white as the furnace within. The great hand of the crane bore it forward with a solemn slowness until it paused over the mouth of one of the pits. I had looked into this pit and seen that it was filled nearly to the brim with a slimy liquid. It was a pit of oil--tens of thousands of gallons of high-flash rape oil. It was the second bath of the G.o.d.

The monster, the whiteness of his heat now flus.h.i.+ng to pink, paused above the pit. Then gravely, under the direction of the iron hand that held him suspended in mid-air, he began to descend into the oil. The breech end of the incandescent column touched the surface of the liquid, and at that touch there leapt out of the mouth of the pit great tongues of flame. As the red pillar sank deeper and deeper in the pit the flames burst up through the muzzle and licked with fury about the ruthless claw as if to tear it to pieces. But it would not let go.

Lower and lower sank the G.o.d until even his head was submerged and he stood invisible beneath us, robed in his cloak of oil.

And there we will leave him to toughen and harden as he drinks in the oil hungrily through his burning pores. Soon he will be caught up in the claw of the crane again, lifted out of his bath and lowered into an empty pit near by. And upon him will descend another tube, that has pa.s.sed through the same trials, and that will fit him as the skin fits the body. And then in due course he will be provided with yet another coat. Round and round him will be wound miles of flattened wire, put on at a tension of unthinkable resistance. And even then there remains his outer garment, his jacket, to swell still further his mighty bulk.

After that he will be equipped with his brain--all the wonderful mechanism of breech and cradle--and then one day he will be carried to the huge structure near by, where the Great G.o.d Gun, in all his manifestations, from the little mountain ten-pounder to the leviathan fifteen-inch, rests s.h.i.+ning and wonderful, to be sent forth with his message of death and destruction.

The savage, we are told, is misguided enough to "bow down to wood and stone." Poor savage! If we could only take him, with his childlike intelligence, into our temple to see the G.o.d that the genius and industry of civilised man has created, a G.o.d so vast that a hundred men could not lift him, of such incredible delicacy that his myriad parts are fitted together to the thousandth, the ten-thousandth, and even the hundred-thousandth of an inch, and out of whose throat there issue thunders and lightnings that carry ruin for tens of miles--how ashamed the poor savage would be of his idols of wood and stone! How he would abase himself before the G.o.d of the Christian nations!

And what a voracious deity he is! Here in the great a.r.s.enal of Woolwich one pa.s.ses through miles and miles of bewildering activities, foundries where the forty-ton hammer falls with the softness of a caress upon the great column of molten metal, and gives it the first crude likeness of the G.o.d, where vast converters are sending out flames of an unearthly hue and brightness, or where men clothed in grime and perspiration are swinging about billets of steel that scorch you as they pa.s.s from the furnace to the steam-press in which they are stamped like putty into the rough shape of great sh.e.l.ls; shops where the roar of thousands of lathes drowns the voice, and where the food of the G.o.d is pa.s.sing through a mult.i.tude of preparations more delicate than any known to the kitchens of Lucullus; pools of silence where grave scientific men are at their calculations and their tests, and where mechanics who are the princes of their trade show you delicate instruments gauged to the hundred-thousandth of an inch that are so precious that they will scarcely let you handle them; mysterious chambers where the high explosives are handled and where the sh.e.l.ls are filled, where you walk in felt slippers upon padded floors and dare not drop a pin lest you wake an earthquake, and where you see men working (for what pay I know not) with materials more terrible than lightnings, themselves part.i.tioned off from eternity only by the scrupulous observance of the stern laws of this realm of the sleeping Furies.

A great town--a town whose activities alone are equal to all the labour of a city like Leeds--all devoted to the service of the G.o.d who lies there, mystic, wonderful, waiting to speak his oracles to men. I see the poor savage growing more and more ashamed of his wood and stone.

And this, good savage, is only a trifling part of our devotions. All over the land wherever you go you shall find furnaces blazing to his glory, mountains shattered to make his ribs, factories throbbing day and night to feed his gigantic maw and to clothe his servants.

You shall go down to the great rivers and hear a thousand hammers beating their music out of the hulls of mighty s.h.i.+ps that are to be the chariots of the G.o.d, in which he will go forth to preach his gospel.

You shall go down into the bowels of the earth and see half-naked men toiling in the blackness by the dim light of the safety lamp to win that wonderful food which is the ultimate food of the G.o.d, power to forge his frame, power to drive his chariots, power to wing his bolts.

You shall go to our temples of learning and the laboratories of our universities and see the miracles of destruction that science, the proudest achievement of man, can wring out of that astonis.h.i.+ng mystery coal-tar. You shall go to our ports and watch the s.h.i.+ps riding in proudly from the seas with their tributes from afar to the G.o.d. And behind all this activity you shall see a nation working day and night to pay for the food of the G.o.d, throwing all its acc.u.mulated wealth into the furnace to keep the engines going, p.a.w.ning its future to the uttermost farthing and to the remotest generation.

And wherever the white man dwells, good savage, the same vision awaits you--

... where Rhine unto the sea, And Thames and Tiber, Seine and Danube run, And where great armies glitter in the sun, And great kings rule and men are boasted free.

Everywhere the hammers are ringing, the forests are falling, the harvests are being gathered, and men and women toil like galley slaves chained to the oar to build more and more of the image and feed him more lavishly with the food of death. You cannot escape the great traffic of the G.o.d though you go to the outposts of the earth. The horses of the pampas are being rounded up to drag his wagons, the sheep of Australia are being sheared to clothe his slaves, the pine trees of Lapland are being split for his service, the silence of the Arctic seas is broken by the throbbing of his chariots. As a neutral, good savage, you shall be free to go to Essen and see marvels no less wonderful than these you have seen at Woolwich, and all through Europe from Bremen to the Golden Horn the same infinite toil in the service of the Great G.o.d Gun will greet your astonished eyes.

Then, it may be, you will pa.s.s to where the G.o.d delivers his message; on sea where one word from his mouth sends a thousand men and twenty thousand tons of metal in one huge dust storm to the skies; on land where over hundreds of miles of battle front the towns and villages are mounds of rubbish, where the desolate earth is riven and shattered by that treacly stuff you saw being ladled into the sh.e.l.ls in the danger rooms at Woolwich or Essen, where the dead lie thick as leaves in autumn, and where in every wood you will come upon the secret shrines of the G.o.d. At one light touch of the lever he lifts his head, coughs his mighty guttural speech and sinks back as if convulsed. He has spoken, the earth trembles, the trees about him shudder at the shock.

And standing in the observatory you will see far off a great black, billowy ma.s.s rise in the clear sky and you will know that the G.o.d has blown another G.o.d like unto him into fragments, and that in that ma.s.s that rises and falls is the wreckage of many a man who has looked his last upon the sun and will never till the home fields again or gladden the eyes of those he has left in some distant land.

And then, to complete your experience, you shall hear from the prophets of the Great G.o.d Gun the praises of his gospel, how that gospel is an abiding part of the white man's faith, how it acts as a moral medicine to humanity, purging it of its vices and teaching it the higher virtues (a visit to the music halls and the Strand at midnight will help your simple mind to realise this), and how the words of the poet, uttered in satire--

That civilisation doos git forrad Sometimes upon a powder cart--

were in truth the words of eternal wisdom.

I see the poor savage returning sadly to his home and gazing with mingled scorn and humiliation at his futile image of wood and stone.

Perhaps another feeling will mingle with his sadness. Perhaps he will be perplexed and puzzled. For he may have heard of another religion that the white man serves, and it may be difficult for his simple mind to reconcile that religion with the gospel of the Great G.o.d Gun.

ON A LEGEND OF THE WAR

I was going down to the country the other night when I fell into conversation with a soldier who was going home on leave. He was a reservist, who, after leaving the Army, had taken to gardening, and who had been called up at the beginning of the war. He had many interesting things to tell, which he told in that unromantic, matter-of-fact fas.h.i.+on peculiar to the British soldier. But something he said about his cousin led him to make a reference to Lord Kitchener, and I noticed that he spoke of the great soldier as if he were living.

"But," said I, "do you think Kitchener wasn't drowned?"

"Yes," he replied, "I can't never believe he was drowned."

"But why?"

"Well, he hadn't no escort. You're not going to make me believe he didn't know what he was doing when he went off and didn't have no escort. It stands to reason. He wasn't no stick of rhubub, as you might say. He was a hard man on the soldier, but he had foresight, he had. He could look ahead. That's what he could do. He could look ahead. What did he say about the war? Three years, he said, or the duration, and he was about right. He wasn't the man to get drowned by an oversight--not him. Stands to reason.

"Same with Hector Macdonald," he said, warming to his theme. "He's alive right enough. He's fighting for the Germans. Why, I know a man who see him in a German uniform before the war began. I should know him if I see him. He inspected me often. He made a fool of himself at Monte Carlo and that sort o' thing, and just went off to get a new start, as you might say.

"And look at Hamel. He ain't dead--course not. He went to Germany--that's what he did. Stands to reason."

"And what has become of Kitchener?" I asked. "Is he fighting for the Germans too?"

Well no. That was too tall an order even for his credulity. He boggled a bit at the hedge and then proceeded:

"He's laying by--that's what he's doing. He's laying by. You see, he'd done his job. He raised his army and made the whole job, as you may say, safe, and he wasn't going to take a back seat and be put in a corner. Not him. Stands to reason. Why should he? And him done all what he had done. So he just goes off and lays by until he's wanted again. Then he'll turn up all right. You'll see."

"But the s.h.i.+p was blown up," I said, "and only one boatload of survivors came to sh.o.r.e. There were 800 men who perished with Lord Kitchener. Not one has been heard of. Are they all 'laying by'? And where are they hiding? And why? And were they all in Lord Kitchener's secret?"

He seemed a little gravelled by these considerations, but unmoved.

"I can't never believe that he's dead," he said with the air of a man who didn't want to be awkward and would oblige if he possibly could.

"I can't do it.... With his foresight and all.... And no escort, mind you.... No, I can't believe it.... Stands to reason."

And as he sank back in his seat and lit a cigarette I realised that the legend of Kitchener had pa.s.sed beyond the challenge of death. I had heard much of that legend, much of mysterious letters from prisoners in Germany who had seen a very tall and formidable-looking man and hinted that that man's name was--well, whose would you think? Why, of course.... But here was the popular legend in all its naked simplicity and absoluteness. It did not rest upon fact. It defied all facts and all evidence. It was an act of tyrannic faith. He was not dead, because the mind simply refused to believe that he was dead. And so he was alive. And there you are.

No doubt there was much in the circ.u.mstances of the great soldier's end that helped the growth of the myth. He filled so vast a place in the public mind and vanished so swiftly that his total disappearance seemed unthinkable. No living man had seen him die and no man had seen his body in death. He had just walked out into the night, and from the night he would return.

But, apart from the mystery of circ.u.mstance, the legend is a tribute to the strange fascination which this remarkable man exercised over the popular mind. It endowed him with qualities which were supernatural.

In a world filled with the tragedy of mortality, here was a man who could daunt death itself. And when death stabbed him suddenly in the dark of that wild night off the Orkneys and flung his body to the wandering seas, the popular mind rejected the thought as a sort of blasphemy and insisted on his victory over the enemy. "Stands to reason." That's all. It just "stands to reason."

It seems a childish superst.i.tion, and yet if we could probe this belief to the bottom we might find that there is a truth beneath the apparent foolishness. It is that truth which Whitman, in his "Drum Taps,"

expresses over his fallen comrade--

O the bullet could never kill what you really are, dear friend, Nor the bayonet stab what you really are!

There is something in the heroic soul that defies death, and the simple mind only translates that faith in the deathlessness of the spirit into material terms. Drake lies in his hammock in Nombre Dios Bay, but he lies "listening for the drum and dreamin' arl the time of Plymouth Hoe."

Call him on the deep sea, call him up the Sound, Call him when your powder's running low-- "If the Dons sight Devon I'll leave the port of Heaven, And we'll drum them up the Channel as we drummed them long ago."

And so the legend of Drake's drum lives on, and long centuries after, in the midst of another and fiercer storm, men sail the seas and hear that ghostly inspiration to brave deeds and brave death. The torch of a great spirit never goes out. It is handed on from generation to generation and flames brightest when the night is darkest. And that I think is the truth that dwells at the back of my companion's obstinate credulity. Kitchener has become to him a symbol of something that cannot die, and his non-metaphysical mind must have some material immortality to give his faith an anchorage. And so, out in the vague shadows of the borderland he sees the stalwart figure still at his post--"laying by," it is true, but watching and waiting and "listening for the drum" that shall summon him back to the field of action.

As the train slowed down at a country station and he prepared to go out into the night, he repeated in firm but friendly accents: "No, I can't never believe that he's dead.... Stands to reason." And as he bade me "Good-night," I said, "I think you are right. I think he is living, too." And as the door closed, I added to myself, "Stands to reason."

ON TALK AND TALKERS

The other day I went to dine at a house known for the brilliancy of the conversation. I confess that I found the experience a little trying.

In conversation I am naturally rather a pedestrian person. The talk I like is the talk which Was.h.i.+ngton Irving had in mind when he said that "that is the best company in which the jokes are rather small and the laughter abundant." I do not want to be expected to be brilliant or to be dazzled by verbal pyrotechnics. I like to talk in my slippers, as it were, with my legs at full stretch, my mind at ease, and with all the evening before me. Above all, I like the company of people who talk for enjoyment and not for admiration. "I am none of those who sing for meat, but for company," says Isaac Walton, and therein is the secret of good talk as well as of cheerful song. But at this dinner table the conversation flashed around me like forked lightning. It was so staccato and elusive that it seemed like talking in shorthand. It was a very fencing match of wit and epigram, a sort of game of touch-and-go, or tip-and-run, or catch-as-catch-can, or battledore and shuttlec.o.c.k, or demon patience, or anything you like that is intellectually and physically breathless and baffling. I thought of a bright thing to say now and then, but I was always so slow in getting away from the mark that I never got it out. It had grown stale and out of date before I could invest it with the artistic merit that would enable it to appear in such brilliant company. And so, mentally out of breath, I just sat and felt old-fas.h.i.+oned and slow, and tried to catch the drift of the sparkling dialogue. But I looked as wise as possible, just to give the impression that nothing was escaping me, and that the things I did not say were quite worth saying. That was Henry Irving's way when the conversation got beyond him. He just looked wise and said nothing.

There are few things more enviable than the quality of good talk, but this was not good talk. It was clever talk, which is quite a different thing. There was no "stuff" in it. It was like trying to make a meal off the east wind, which it resembled in its hard brilliancy and lack of geniality. It reminded me of the tiresome witticisms of Mr. Justice Darling, who always gives the impression of having just come into court from the study of some jest book or a volume of appropriate quotations.

The foundation of good talk is good sense, good nature, and the gift of fellows.h.i.+p. Given these things you may serve them up with the sauce of wit, but wit alone never made good conversation. It is like mint sauce without the lamb.

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Leaves in the Wind Part 3 summary

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