Rhoda Fleming Part 17

"That's eatin', marm;" Master Gammon condescended to explain the nature of his habits. "I'm reg'lar in my drinkin'."

Mrs. Sumfit smote her hands together. "O Lord, Mas' Gammon, the wearisomest old man I ever come across is you. More tea's in the pot, and it ain't watery, and you won't be comfortable. May you get forgiveness from above! is all I say, and I say no more. Mr. Robert, perhaps you'll be so good as let me help you, sir? It's good tea; and my Dody," she added, cajolingly, "my home girl 'll tell us what she saw.

I'm pinched and starved to hear."

"By-and-by, mother," interposed the farmer; "tomorrow." He spoke gently, but frowned.

Both Rhoda and Robert perceived that they were peculiarly implicated in the business which was to be discussed without Mrs. Sumfit's a.s.sistance.

Her father's manner forbade Rhoda from making any proposal for the relief of the forlorn old woman.

"And me not to hear to-night about your play-going!" sighed Mrs.

Sumfit. "Oh, it's hard on me. I do call it cruel. And how my sweet was dressed--like as for a Ball."

She saw the farmer move his foot impatiently.

"Then, if n.o.body drinks this remaining cup, I will," she pursued.

No voice save her own was heard till the cup was emptied, upon which Master Gammon, according to his wont, departed for bed to avoid the seduction of suppers, which he shunned as apoplectic, and Mrs. Sumfit prepared, in a desolate way, to wash the tea-things, but the farmer, saying that it could be done in the morning, went to the door and opened it for her.

She fetched a great sigh and folded her hands resignedly. As she was pa.s.sing him to make her miserable enforced exit, the heavy severity of his face afflicted her with a deep alarm; she fell on her knees, crying,--

"Oh, William! it ain't for sake of hearin' talk; but you, that went to see our Dahly, the blossom, 've come back streaky under the eyes, and you make the house feel as if we neighboured Judgement Day. Down to tea you set the first moment, and me alone with none of you, and my love for my girl known well to you. And now to be marched off! How can I go a-bed and sleep, and my heart jumps so? It ain't Christian to ask me to. I got a heart, dear, I have. Do give a bit of comfort to it. Only a word of my Dahly to me."

The farmer replied: "Mother, let's have no woman's nonsense. What we've got to bear, let us bear. And you go on your knees to the Lord, and don't be a heathen woman, I say. Get up. There's a Bible in your bedroom. Find you out comfort in that."

"No, William, no!" she sobbed, still kneeling: "there ain't a dose o'

comfort there when poor souls is in the dark, and haven't got patience for pa.s.sages. And me and my Bible!--how can I read it, and not know my ailing, and a'stract one good word, William? It'll seem only the devil's shootin' black lightnings across the page, as poor blessed granny used to say, and she believed witches could do it to you in her time, when they was evil-minded. No! To-night I look on the binding of the Holy Book, and I don't, and I won't, I sha' n't open it."

This violent end to her pet.i.tion was wrought by the farmer grasping her arm to bring her to her feet.

"Go to bed, mother."

"I shan't open it," she repeated, defiantly. "And it ain't," she gathered up her comfortable fat person to a.s.sist the words "it ain't good--no, not the best pious ones--I shall, and will say it! as is al'ays ready to smack your face with the Bible."

"Now, don't ye be angry," said the farmer.

She softened instantly.

"William, dear, I got fifty-seven pounds sterling, and odd s.h.i.+llings, in a Savings-bank, and that I meant to go to Dahly, and not to yond' dark thing sitting there so sullen, and me in my misery; I'd give it to you now for news of my darlin'. Yes, William; and my poor husband's cottage, in Suss.e.x--seventeen pound per annum. That, if you'll be goodness itself, and let me hear a word."

"Take her upstairs," said the farmer to Rhoda, and Rhoda went by her and took her hands, and by dint of pus.h.i.+ng from behind and dragging in front, Mrs. Sumfit, as near on a shriek as one so fat and sleek could be, was ejected. The farmer and Robert heard her struggles and exclamations along the pa.s.sage, but her resistance subsided very suddenly.

"There's power in that girl," said the farmer, standing by the shut door.

Robert thought so, too. It affected his imagination, and his heart began to beat sickeningly.

"Perhaps she promised to speak--what has happened, whatever that may be," he suggested.

"Not she; not she. She respects my wishes."

Robert did not ask what had happened.

Mr. Fleming remained by the door, and shut his mouth from a further word till he heard Rhoda's returning footstep. He closed the door again behind her, and went up to the square deal table, leaned his body forward on the knuckles of his trembling fist, and said, "We're pretty well broken up, as it is. I've lost my taste for life."

There he paused. Save by the s.h.i.+ning of a wet forehead, his face betrayed nothing of the anguish he suffered. He looked at neither of them, but sent his gaze straight away under labouring brows to an arm of the fireside chair, while his shoulders drooped on the wavering support of his hard-shut hands. Rhoda's eyes, ox-like, as were her father's, smote full upon Robert's, as in a pang of apprehension of what was about to be uttered.

It was a quick blaze of light, wherein he saw that the girl's spirit was not with him. He would have stopped the farmer at once, but he had not the heart to do it, even had he felt in himself strength to attract an intelligent response from that strange, grave, bovine fixity of look, over which the human misery sat as a thing not yet taken into the dull brain.

"My taste for life," the old man resumed, "that's gone. I didn't bargain at set-out to go on fighting agen the world. It's too much for a man o' my years. Here's the farm. Shall 't go to pieces?--I'm a farmer of thirty year back--thirty year back, and more: I'm about no better'n a farm labourer in our time, which is to-day. I don't cost much. I ask to be fed, and to work for it, and to see my poor bit o' property safe, as handed to me by my father. Not for myself, 't ain't; though perhaps there's a bottom of pride there too, as in most things. Say it's for the name. My father seems to demand of me out loud, 'What ha' ye done with Queen Anne's Farm, William?' and there's a holler echo in my ears. Well; G.o.d wasn't merciful to give me a son. He give me daughters."

Mr. Fleming bowed his head as to the very weapon of chastis.e.m.e.nt.

"Daughters!" He bent lower.

His hearers might have imagined his headless address to them to be also without a distinct termination, for he seemed to have ended as abruptly as he had begun; so long was the pause before, with a wearied lifting of his body, he pursued, in a sterner voice:

"Don't let none interrupt me." His hand was raised as toward where Rhoda stood, but he sent no look with it; the direction was wide of her.

The aspect of the blank blind hand motioning to the wall away from her, smote an awe through her soul that kept her dumb, though his next words were like thrusts of a dagger in her side.

"My first girl--she's brought disgrace on this house. She's got a mother in heaven, and that mother's got to blush for her. My first girl's gone to harlotry in London."

It was Scriptural severity of speech. Robert glanced quick with intense commiseration at Rhoda. He saw her hands travel upward till they fixed in at her temples with crossed fingers, making the pressure of an iron band for her head, while her lips parted, and her teeth, and cheeks, and eyeb.a.l.l.s were all of one whiteness. Her tragic, even, in and out breathing, where there was no fall of the breast, but the air was taken and given, as it were the square blade of a sharp-edged sword, was dreadful to see. She had the look of a risen corpse, recalling some one of the b.l.o.o.d.y ends of life.

The farmer went on,--

"Bury her! Now you here know the worst. There's my second girl. She's got no stain on her; if people 'll take her for what she is herself.

She's idle. But I believe the flesh on her bones she'd wear away for any one that touched her heart. She's a temper. But she's clean both in body and in spirit, as I believe, and say before my G.o.d. I--what I'd pray for is, to see this girl safe. All I have shall go to her. That is, to the man who will--won't be ashamed--marry her, I mean!"

The tide of his harshness failed him here, and he began to pick his words, now feeble, now emphatic, but alike wanting in natural expression, for he had reached a point of emotion upon the limits of his nature, and he was now wilfully forcing for misery and humiliation right and left, in part to show what a black star Providence had been over him.

"She'll be grateful. I shall be gone. What disgrace I bring to their union, as father of the other one also, will, I'm bound to hope, be buried with me in my grave; so that this girl's husband shan't have to complain that her character and her working for him ain't enough to cover any harm he's like to think o' the connexion. And he won't be troubled by relations.h.i.+ps after that.

"I used to think Pride a bad thing. I thank G.o.d we've all got it in our blood--the Flemings. I thank G.o.d for that now, I do. We don't face again them as we offend. Not, that is, with the hand out. We go. We're seen no more. And she'll be seen no more. On that, rely.

"I want my girl here not to keep me in the fear of death. For I fear death while she's not safe in somebody's hands--kind, if I can get him for her. Somebody--young or old!"

The farmer lifted his head for the first time, and stared vacantly at Robert.

"I'd marry her," he said, "if I was knowing myself dying now or to-morrow morning, I'd marry her, rather than leave her alone--I'd marry her to that old man, old Gammon."

The farmer pointed to the ceiling. His sombre seriousness cloaked and carried even that suggestive indication to the possible bridegroom's age and habits, and all things a.s.sociated with him, through the gates of ridicule; and there was no laughter, and no thought of it.

"It stands to reason for me to prefer a young man for her husband. He'll farm the estate, and won't sell it; so that it goes to our blood, if not to a Fleming. If, I mean, he's content to farm soberly, and not play Jack o' Lantern tricks across his own acres. Right in one thing's right, I grant; but don't argue right in all. It's right only in one thing.

Young men, when they've made a true hit or so, they're ready to think it's themselves that's right."

This was of course a reminder of the old feud with Robert, and sufficiently showed whom the farmer had in view for a husband to Rhoda, if any doubt existed previously.

Having raised his eyes, his unwonted power of speech abandoned him, and he concluded, wavering in look and in tone,--