The River's End Part 5

VIII

The storm had settled into a steady drizzle when McDowell left the Shack at two o'clock. Keith watched the iron man, as his tall, gray figure faded away into the mist down the slope, with a curious undercurrent of emotion. Before the inspector had come up as his guest he had, he thought, definitely decided his future action. He would go west on his furlough, write McDowell that he had decided not to reenlist, and bury himself in the British Columbia mountains before an answer could get back to him, leaving the impression that he was going on to Australia or j.a.pan. He was not so sure of himself now. He found himself looking ahead to the night, when he would see Miriam Kirkstone, and he no longer feared Shan Tung as he had feared him a few hours before. McDowell himself had given him new weapons. He was unofficially on Shan Tung's trail. McDowell had frankly placed the affair of Miriam Kirkstone in his hands. That it all had in some mysterious way something to do with himself--John Keith--urged him on to the adventure.

He waited impatiently for the evening. Wallie, smothered in a great raincoat, he sent forth on a general foraging expedition and to bring up some of Conniston's clothes. It was a quarter of eight when he left for Miriam Kirkstone's home.

Even at that early hour the night lay about him heavy and dark and saturated with a heavy mist. From the summit of the hill he could no longer make out the valley of the Saskatchewan. He walked down into a pit in which the scattered lights of the town burned dully like distant stars. It was a little after eight when he came to the Kirkstone house.

It was set well back in an iron-fenced area thick with trees and shrubbery, and he saw that the porch light was burning to show him the way. Curtains were drawn, but a glow of warm light lay behind them.

He was sure that Miriam Kirkstone must have heard the crunch of his feet on the gravel walk, for he had scarcely touched the old-fas.h.i.+oned knocker on the door when the door itself was opened. It was Miriam who greeted him. Again he held her hand for a moment in his own.

It was not cold, as it had been in McDowell's office. It was almost feverishly hot, and the pupils of the girl's eyes were big, and dark, and filled with a luminous fire. Keith might have thought that coming in out of the dark night he had startled her. But it was not that. She was repressing something that had preceded him. He thought that he heard the almost noiseless closing of a door at the end of the long hall, and his nostrils caught the faint aroma of a strange perfume.

Between him and the light hung a filmy veil of smoke. He knew that it had come from a cigarette. There was an uneasy note in Miss Kirkstone's voice as she invited him to hang his coat and hat on an old-fas.h.i.+oned rack near the door. He took his time, trying to recall where he had detected that perfume before. He remembered, with a sort of shock. It was after Shan Tung had left McDowell's office.

She was smiling when he turned, and apologizing again for making her unusual request that day.

"It was--quite unconventional. But I felt that you would understand, Mr. Conniston. I guess I didn't stop to think. And I am afraid of lightning, too. But I wanted to see you. I didn't want to wait until tomorrow to hear about what happened up there. Is it--so strange?"

Afterward he could not remember just what sort of answer he made. She turned, and he followed her through the big, square-cut door leading out of the hall. It was the same door with the great, sliding panel he had locked on that fateful night, years ago, when he had fought with her father and brother. In it, for a moment, her slim figure was profiled in a frame of vivid light. Her mother must have been beautiful. That was the thought that flashed upon him as the room and its tragic memory lay before him. Everything came back to him vividly, and he was astonished at the few changes in it. There was the big chair with its leather arms, in which the overfatted creature who had been her father was sitting when he came in. It was the same table, too, and it seemed to him that the same odds and ends were on the mantel over the cobblestone fireplace. And there was somebody's picture of the Madonna still hanging between two windows. The Madonna, like the master of the house, had been too fat to be beautiful. The son, an ogreish pattern of his father, had stood with his back to the Madonna, whose overfat arms had seemed to rest on his shoulders. He remembered that.

The girl was watching him closely when he turned toward her. He had frankly looked the room over, without concealing his intention. She was breathing a little unsteadily, and her hair was s.h.i.+mmering gloriously in the light of an overhead chandelier. She sat down with that light over her, motioning him to be seated opposite her--across the same table from which he had s.n.a.t.c.hed the copper weight that had killed Kirkstone. He had never seen anything quite so steady, quite so beautiful as her eyes when they looked across at him. He thought of McDowell's suspicion and of Shan Tung and gripped himself hard. The same strange perfume hung subtly on the air he was breathing. On a small silver tray at his elbow lay the ends of three freshly burned cigarettes.

"Of course you remember this room?"

He nodded. "Yes. It was night when I came, like this. The next day I went after John Keith."

She leaned toward him, her hands clasped in front of her on the table.

"You will tell me the truth about John Keith?" she asked in a low, tense voice. "You swear that it will be the truth?"

"I will keep nothing back from you that I have told Inspector McDowell," he answered, fighting to meet her eyes steadily. "I almost believe I may tell you more."

"Then--did you speak the truth when you reported to Inspector McDowell?

IS JOHN KEITH DEAD?" Could Shan Tung meet those wonderful eyes as he was meeting them now, he wondered? Could he face them and master them, as McDowell had hinted? To McDowell the lie had come easily to his tongue. It stuck in his throat now. Without giving him time to prepare himself the girl had shot straight for the bull's-eye, straight to the heart of the thing that meant life or death to him, and for a moment he found no answer. Clearly he was facing suspicion. She could not have driven the shaft intuitively. The unexpectedness of the thing astonished him and then thrilled him, and in the thrill of it he found himself more than ever master of himself.

"Would you like to hear how utterly John Keith is dead and how he died?" he asked.

"Yes. That is what I must know."

He noticed that her hands had closed. Her slender fingers were clenched tight.

"I hesitate, because I have almost promised to tell you even more than I told McDowell," he went on. "And that will not be pleasant for you to hear. He killed your father. There can be no sympathy in your heart for John Keith. It will not be pleasant for you to hear that I liked the man, and that I am sorry he is dead."

"Go on--please."

Her hands unclasped. Her fingers lay limp. Something faded slowly out of her face. It was as if she had hoped for something, and that hope was dying. Could it be possible that she had hoped he would say that John Keith was alive?

"Did you know this man?" he asked.

"This John Keith?"

She shook her head. "No. I was away at school for many years. I don't remember him."

"But he knew you--that is, he had seen you," said Keith. "He used to talk to me about you in those days when he was helpless and dying. He said that he was sorry for you, and that only because of you did he ever regret the justice he brought upon your father. You see I speak his words. He called it justice. He never weakened on that point. You have probably never heard his part of the story."

"No."

The one word forced itself from her lips. She was expecting him to go on, and waited, her eyes never for an instant leaving his face.

He did not repeat the story exactly as he had told it to McDowell. The facts were the same, but the living fire of his own sympathy and his own conviction were in them now. He told it purely from Keith's point of view, and Miriam Kirkstone's face grew whiter, and her hands grew tense again, as she listened for the first time to Keith's own version of the tragedy of the room in which they were sitting. And then he followed Keith up into that land of ice and snow and gibbering Eskimos, and from that moment he was no longer Keith but spoke with the lips of Conniston. He described the sunless weeks and months of madness until the girl's eyes seemed to catch fire, and when at last he came to the little cabin in which Conniston had died, he was again John Keith. He could not have talked about himself as he did about the Englishman. And when he came to the point where he buried Conniston under the floor, a dry, broken sob broke in upon him from across the table. But there were no tears in the girl's eyes. Tears, perhaps, would have hidden from him the desolation he saw there. But she did not give in. Her white throat twitched. She tried to draw her breath steadily. And then she said:

"And that--was John Keith!"

He bowed his head in confirmation of the lie, and, thinking of Conniston, he said:

"He was the finest gentleman I ever knew. And I am sorry he is dead."

"And I, too, am sorry."

She was reaching a hand across the table to him, slowly, hesitatingly.

He stared at her.

"You mean that?"

"Yes, I am sorry."

He took her hand. For a moment her fingers tightened about his own.

Then they relaxed and drew gently away from him. In that moment he saw a sudden change come into her face. She was looking beyond him, over his right shoulder. Her eyes widened, her pupils dilated under his gaze, and she held her breath. With the swift caution of the man-hunted he turned. The room was empty behind him. There was nothing but a window at his back. The rain was drizzling against it, and he noticed that the curtain was not drawn, as they were drawn at the other windows. Even as he looked, the girl went to it and pulled down the shade. He knew that she had seen something, something that had startled her for a moment, but he did not question her. Instead, as if he had noticed nothing, he asked if he might light a cigar.

"I see someone smokes," he excused himself, nodding at the cigarette b.u.t.ts.

He was watching her closely and would have recalled the words in the next breath. He had caught her. Her brother was out of town. And there was a distinctly unAmerican perfume in the smoke that someone had left in the room. He saw the bit of red creeping up her throat into her cheeks, and his conscience shamed him. It was difficult for him not to believe McDowell now. Shan Tung had been there. It was Shan Tung who had left the hall as he entered. Probably it was Shan Tung whose face she had seen at the window.

What she said amazed him. "Yes, it is a shocking habit of mine, Mr.

Conniston. I learned to smoke in the East. Is it so very bad, do you think?"

He fairly shook himself. He wanted to say, "You beautiful little liar, I'd like to call your bluff right now, but I won't, because I'm sorry for you!" Instead, he nipped off the end of his cigar, and said:

"In England, you know, the ladies smoke a great deal. Personally I may be a little prejudiced. I don't know that it is sinful, especially when one uses such good judgment--in orientals." And then he was powerless to hold himself back. He smiled at her frankly, unafraid. "I don't believe you smoke," he added.

He rose to his feet, still smiling across at her, like a big brother waiting for her confidence. She was not alarmed at the directness with which he had guessed the truth. She was no longer embarra.s.sed. She seemed for a moment to be looking through him and into him, a strange and yearning desire glowing dully in her eyes. He saw her throat twitching again, and he was filled with an infinite compa.s.sion for this daughter of the man he had killed. But he kept it within himself. He had gone far enough. It was for her to speak. At the door she gave him her hand again, bidding him good-night. She looked pathetically helpless, and he thought that someone ought to be there with the right to take her in his arms and comfort her.

"You will come again?" she whispered.

"Yes, I am coming again," he said. "Good-night."