Monkey Sonatas Part 19

"Tell me your story, old man, but tell it plain. No myth, no magic. The truth."

"What a simple faith you have," the old man said. "The truth. Here's the truth, much good may it do you. This world was filled with forest, and in the forest were beings who mated with the trees, and drew their strength from the trees. They became very treelike."

"One would suppose."

"Our forefathers came, and the beings who dwelt among the trees smelt death in the fires of the s.h.i.+ps. They did things-things that looked like magic to our ancestors, things that looked like miracles. These beings, these dragons who hid among the leaves of the trees, they had science we know little of. But one science we had that they had never learned, for they had no use for it. We We knew how to defoliate a forest." knew how to defoliate a forest."

"So the trees were killed."

"All the forests of the world now have grown up since that time. Some places, where the forest had not been lush, were able to recover, and we live in those lands now. But here, in the Desert of Machaera-this was climax forest, trees so tall and dense that no underbrush could grow at all. When the leaves died, there was nothing to hold the soil, and it was washed onto the plain of Esdraelon. Which is why that plain is so fertile, and why nothing but sand survives here."

"Hierusalem."

"At first Hierusalem was built as an outpost for students to learn about the dragons, pathetic little brown woody creatures who knew death when they saw it, and died of despair by the thousands. Only a few survived among the rocks, where we couldn't reach them. Then Hierusalem became a city of pleasure, far from any other place, where sins could be committed that G.o.d could not see."

"I said truth."

"I say listen. One day the few remaining students of the science of the dragons wandered among the rocks, and there found that the dragons were not all dead. One was left, a tough little creature that lived among the gray rocks. But it had changed. It was not woody brown now. It was gray as stone, with stony outcroppings. They brought it back to study it. And in only a few hours it escaped. They never recaptured it. But the murders began, every night a murder. And every murder was of a couple who were coupling, neatly vivisected in the act. Within a year the pleasure seekers were gone, and Hierusalem had changed again."

"To what it is now."

"What little of the science of the dragons they had learned, they used to seal the city as it is now sealed. They devoted it to holiness, to beauty, to faith-and the murders stopped. Yet the dragon was not gone. It was glimpsed now and then, gray on the stone buildings of the city, like a moving gargoyle. So they kept their city closed to keep the dragon from escaping to the rest of the world, where men were not holy and would compel the dragon to kill again."

"So Hierusalem is dedicated to keeping the world safe for sin."

"Safe from retribution. Giving the world time to repent."

"The world is doing little in that direction."

"But some are. And the b.u.t.terflies are calling the repentant out of the world, and bringing them to me."

Amasa sat in silence as the sun rose behind his back. It had not fully pa.s.sed the mountains of the east before it started to burn him.

"Here," said the old man, "are the laws of Hierusalem: "Once you see the city, don't step back or you will lose it.

"Don't look down into holes that glow red in the streets, or your eyes will fall out and your skin will slide off you as you walk along, and your bones will crumble into dust before you fully die.

"The man who breaks a b.u.t.terfly will live forever.

"Do not stare at a small gray shadow that moves along the granite walls of the palace of the King and Queen, or he will learn the way to your bed.

"The Road to Dalmanutha leads to the sign you seek. Never find it."

Then the old man smiled.

"Why are you smiling?" asked Amasa.

"Because you're such a holy man, Saint Amasa, and Hierusalem is waiting for you to come."

"What's your name, old man?"

The old man c.o.c.ked his head. "Contemplation."

"That's not a name."

He smiled again. "I'm not a man."

For a moment Amasa believed him, and reached out to see if he was real. But his finger met the old man's flesh, and it did not crumble.

"You have so much faith," said the old man again. "You cast away your scrip because you valued nothing that it contained. What do do you value?" you value?"

In answer, Amasa removed all his clothing and cast it at the old man's feet.

He remembers that once he had another name, but he cannot remember what it was. His name now is Gray, and he lives among the stones, which are also gray. Sometimes he forgets where stone leaves off and he begins. Sometimes, when he has been motionless for hours, he has to search for his toes that spread in a fan, each holding to stone so firmly that when at last he moves them, he is surprised at where they were. Gray is motionless all day, and motionless all night. But in the hours before and after the sun, then he moves, skittering sure and rapid as a spider among the hewn stones of the palace walls, stopping only to drink in the fly-strewn standing water that remains from the last storm.

These days, however, he must move more slowly, more clumsily than he used to, for his stamen has at last grown huge, and it drags painfully along the vertical stones, and now and then he steps on it. It has been this way for weeks. Worse every day, and Gray feels it as a constant pain that he must ease, must ease, must ease; but in his small mind he does not know what eas.e.m.e.nt there might be. So far as he knows, there are no others of his kind; in all his life he has met no other climber of walls, no other hanger from stone ceilings. He remembers that once he sought out couplers in the night, but he cannot remember what he did with them. Now he again finds himself drawn to windows, searching for eas.e.m.e.nt, though not sure at all, holding in his mind no image of what he hopes to see in the dark rooms within the palace. It is dusk, and Gray is hunting, and is not sure whether he will find mate or prey.

I have pa.s.sed the gate of Hierusalem, thought Amasa, and I was not near enough to death. Or worse, sometimes he thought, there is no Hierusalem, and I have come this way in vain. Yet this last fear was not a fear at all, for he did not think of it with despair. He thought of it with hope, and looked for death as the welcome end of his journey, looked for death which comes with its tongue thick in its mouth, death which waits in caves during the cool of the day and hunts for prey in the last and first light, death which is made of dust. Amasa watched for death to come in a wind that would carry him away, in a stone that would catch his foot in midstep and crumble him into a pile of bone on the road.

And then in a single footfall Amasa saw it all. The sun was framed, not by a haze of white light, but by thick and heavy clouds. The orchards were also heavy, and dripped with recent rain. Bees hummed around his head. And now he could see the city rising, green and gray and monumental just beyond the trees; all around him was the sound of running water. Not the tentative water that struggled to stay alive in the thirsty dirt of the irrigation ditch, but the l.u.s.ty sound of water that is superfluous, water that can be tossed in the air as fountains and no one thinks to gather up the drops.

For a moment he was so surprised that he thought he must step backward, just one step, and see if it wouldn't all disappear, for Amasa did not come upon this gradually, and he doubted that it was real. But he remembered the first warning of the old man, and he didn't take that backward step. Hierusalem was a miracle, and in this place he would test no miracles.

The ground was resilient under his feet, mossy where the path ran over stone, gra.s.sy where the stones made way for earth. He drank at an untended stream that ran pure and overhung with flowers. And then he pa.s.sed through a small gate in a terraced wall, climbed stairs, found another gate, and another, each more graceful than the last. The first gate was rusty and hard to open; the second was overgrown with climbing roses. But each gate was better tended than the last, and he kept expecting to find someone working a garden or picnicking, for surely someone must be pa.s.sing often through the better-kept gates. Finally he reached to open a gate and it opened before he could touch it.

It was a man in the dirty brown robe of a pilgrim. He seemed startled to see Amasa. He immediately enfolded his arms around something and turned away. Amasa tried to see-yes, it was a baby. But the infant's hands dripped with fresh blood, it was obviously blood, and Amasa looked back at the pilgrim to see if this was a murderer who had opened the gate for him.

"It's not what you think," the palmer said quickly. "I found the babe, and he has no one to take care of him."

"But the blood."

"He was the child of pleasure-seekers, and the prophecy was fulfilled, for he was was.h.i.+ng his hands in the blood of his father's belly." Then the pilgrim got a hopeful look. "There is an enemy who must be fought. You wouldn't-"

A pa.s.sing b.u.t.terfly caught the pilgrim's eye. The fluttering wings circled Amasa's head only once, but that was sign enough.

"It is you," the pilgrim said.

"Do I know you?"

"To think that it will be in my time."

"What will be?" will be?"

"The slaying of the dragon." The pilgrim ducked his head and, freeing one arm by perching the child precariously on the other, he held the gate open for Amasa to enter. "G.o.d has surely called you."

Amasa stepped inside, puzzled at what the pilgrim thought he was, and what his coming portended. Behind him he could hear the pilgrim mutter, "It is time. It is time."

It was the last gate. He was in the city, pa.s.sing between the walled gardens of monasteries and nunneries, down streets lined with shrines and shops, temples and houses, gardens and dunghills. It was green to the point of blindness, alive and holy and smelly and choked with business wherever it wasn't thick with meditation. What am I here for? Amasa wondered. Why did the b.u.t.terflies call?

He did not look down into the red-glowing holes in the middles of streets. And when he pa.s.sed the gray labyrinth of the palace, he did not look up to try to find a shadow sliding by. He would live by the laws of the place, and perhaps his journey would end here.

The queen of Hierusalem was lonely. For a month she had been lost in the palace. She had strayed into a never-used portion of the labyrinth, where no one had lived for generations, and now, search as she might, she could find only rooms that were deeper and deeper in dust.

The servants, of course, knew exactly where she was, and some of them grumbled at having to come into a place of such filth, full of such unstylish old furniture, in order to care for her. It did not occur to them them that she was lost-they only thought she was exploring. It would never do for her to admit her perplexity to them. It was the Queen's business to know what she was doing. She couldn't very well ask a servant, "Oh, by the way, while you're fetching my supper, would you mind mentioning to me where I that she was lost-they only thought she was exploring. It would never do for her to admit her perplexity to them. It was the Queen's business to know what she was doing. She couldn't very well ask a servant, "Oh, by the way, while you're fetching my supper, would you mind mentioning to me where I am? am?" So she remained lost, and the perpetual dust irritated all her allergies.

The Queen was immensely fat, too, which complicated things. Walking was a great labor to her, so that once she found a room with a bed that looked st.u.r.dy enough to hold her for a few nights, she stayed until the bed threatened to give way. Her progress through the unused rooms, then, was not in a great expedition, but rather in fits and starts. On one morning she would arise miserable from the bed's increasing incapacity to hold her, eat her vast breakfast while the servants looked on to catch the dribbles, and then, instead of calling for singers or someone to read, she would order four servants to stand her up, point her in the direction she chose, and taxi her to a good, running start.

"That door," she cried again and again, and the servants would propel her in that direction, while her legs trotted underneath her, trying to keep up with her body. And in the new room she could not stop to contemplate; she must take it all in on the run, with just a few mad glances, then decide whether to try to stay or go on. "On," she usually cried, and the servants took her through the gradual curves and maneuvers necessary to reach whatever door was most capacious.

On the day that Amasa arrived in Hierusalem, the Queen found a room with a vast bed, once used by some ancient rake of a prince to hold a dozen paramours at once, and the Queen cried out, "This is it, this is the right place, stop, we'll stay!" and the servants sighed in relief and began to sweep, to clean, to make the place liveable.

Her steward unctuously asked her, "What do you want to wear to the King's Invocation?"

"I will not go," she said. How could she? She did not know how to get to the hall where the ritual would be held. "I choose to be absent this once. There'll be another one in seven years." The steward bowed and left on his errand, while the Queen envied him his sense of direction and miserably wished that she could go home to her own rooms. She hadn't been to a party in a month, and now that she was so far from the kitchens the food was almost cold by the time she was served the private dinners she had to be content with. d.a.m.n her husband's ancestors for building all these rooms anyway.

Amasa slept by a dunghill because it was warmer there, naked as he was; and in the morning, without leaving the dunghill, he found work. He was wakened by the servants of a great Bishop, stablemen who had the week's manure to leave for the farmers to collect. They said nothing to him, except to look with disapproval at his nakedness, but set to work, emptying small wheelbarrows, then raking up the dung to make a neater pile. Amasa saw how fastidiously they avoided touching the dung; he had no such scruples. He took an idle rake, stepped into the midst of the manure, and raked the hill higher and faster than the delicate stablemen could manage on their own. He worked with such a will that the Stablemaster took him aside at the end of the task.

"Want work?"

"Why not?" Amasa answered.

The Stablemaster glanced pointedly at Amasa's unclothed body. "Are you fasting?"

Amasa shook his head. "I just left my clothing on the road."

"You should be more careful with your belongings. I can give you livery, but it comes out of your wages for a year."

Amasa shrugged. He had no use for wages.

The work was mindless and hard, but Amasa delighted in it. The variety was endless. Because he didn't mind it, they kept him shoveling more manure than his fair share, but the shoveling of manure was like a drone, a background for bright rhinestones of childish delight: morning prayers, when the Bishop in his silver gown intoned the powerful words while the servants stood in the courtyard clumsily aping his signs; running through the streets behind the Bishop's carriage shouting "Huzzah, huzzah!" while the Bishop scattered coins for the pedestrians; standing watch over the carriage, which meant drinking and hearing stories and songs with the other servants; or going inside to do attendance on the Bishop at the great occasions of this or that church or emba.s.sy or n.o.ble house, delighting in the elaborate costumes that so cleverly managed to adhere to the sumptuary laws while being as ostentatious and lewd as possible. It was grand, G.o.d approved of it all, and even discreet prurience and t.i.tillation were a face of the coin of wors.h.i.+p and ecstasy.

But years at the desert's edge had taught Amasa to value things that the other servants never noticed. He did not have to measure his drinking water. The servants splashed each other in the bathhouse. He could p.i.s.s on the ground and no little animals came to sniff at the puddle, no dying insects lit on it to drink.

They called Hierusalem a city of stone and fire, but Amasa knew it was a city of life and water, worth more than all the gold that was forever changing hands.

The other stablemen accepted Amasa well enough, but a distance always remained. He had come naked, from the outside; he had no fear of uncleanliness before the Lord; and something else: Amasa had known the taste of death in his mouth and it had not been unwelcome. Now he accepted as they came the pleasures of a stableman's life. But he did not need them, and knew he could not hide that from his fellows.

One day the Prior told the Steward, and the Steward the Stablemaster, and the Stablemaster told Amasa and the other stablemen to wash carefully three times, each time with soap. The old-timers knew what it meant, and told them all: It was the King's Invocation that came but once in seven years, and the Bishop would bring them all to stand in attendance, clean and fine in their livery, while he took part in the solemn ordinances. They would have perfume in their hair. And they would see the King and Queen.

"Is she beautiful?" Amasa asked, surprised at the awe in the voices of these irreverent men when they spoke of her.

And they laughed and compared the Queen to a mountain, to a planet, to a moon.

But then a b.u.t.terfly alighted on the head of an old woman, and suddenly all laughter stopped. "The b.u.t.terfly," they all whispered. The woman's eyes went blank, and she began to speak: "The Queen is beautiful, Saint Amasa, to those who have the eyes to see it."

The servants whispered: See, the b.u.t.terfly speaks to the new one, who came naked.

"Of all the holy men to come out of the world, Saint Amasa, of all the wise and weary souls, you are wisest, you are weariest, you are most holy."

Amasa trembled at the voice of the b.u.t.terfly. In memory he suddenly loomed over the crevice of Ekdippa, and it was leaping up to take him.

"We brought you here to save her, save her, save her," said the old woman, looking straight into Amasa's eyes.

Amasa shook his head. "I'm through with quests," he said.

And foam came to the old woman's mouth, wax oozed from her ears, her nose ran with mucus, her eyes overflowed with sparkling tears.

Amasa reached out to the b.u.t.terfly perched on her head, the fragile b.u.t.terfly that was wracking the old woman so, and he took it in his hand. Took it in his right hand, folded the wings closed with his left, and then broke! the b.u.t.terfly as crisply as a stick. The sound of it rang metallically in the air. There was no ichor from the b.u.t.terfly, for it was made of something tough as metal, brittle as plastic, and electricity danced between the halves of the b.u.t.terfly for a moment and then was still.

The old woman fell to the ground. Carefully the other servants cleaned her face and carried her away to sleep until she awakened. They did not speak to Amasa, except the Stablemaster, who looked at him oddly and asked, "Why would you want to live forever?"

Amasa shrugged. There was no use explaining that he wanted to ease the old woman's agony, and so killed it at its cause. Besides, Amasa was distracted, for now there was something buzzing in the base of his brain. The whirr of switches, infinitely small, going left or right; gates going open and closed; poles going positive and negative. Now and then a vision would flash into his mind, so quickly that he could not frame or recognize it. Now I see the world through b.u.t.terfly's eyes. Now the vast mind of Hierusalem's machinery sees the world through mine.

[image]

Gray waits by this window: it is the one. He does not wonder how he knows. He only knows that he was made for this moment, that his life's need is all within this window, he must not stray to hunt for food because his great stamen is throbbing with desire and in the night it will be satisfied.

So he waits by the window, and the sun is going; the sky is gray, but still he waits, and at last the lights have gone from the sky and all is silent within. He moves in the darkness until his long fingers find the edge of the stone. Then he pulls himself inside, and when his stamen sc.r.a.pes painfully against the stone, immense between his legs, he only thinks: ease for you, ease for you.

His object is a great mountain that lies breathing upon a sea of sheets. She breathes in quick gasps, for her chest is large and heavy and hard to lift. He thinks nothing of that, but only creeps along the wall until he is above her head. He stares quizzically at the fat face; it holds no interest for him. What interests Gray is the s.p.a.ce at her shoulders where the sheets and blankets and quilts fall open like a tent door. For some reason it looks like the leaves of a tree to him, and he drops onto the bed and scurries into the shelter.

Ah, it is not stone! He can hardly move for the bouncing, his fingers and toes find no certain purchase, yet there is this that forces him on: his stamen tingles with extruding pollen, and he knows he cannot pause just because the ground is uncertain.

He proceeds along the tunnel, the sweating body to one side, the tent of sheets above and to the other side. He explores; he crawls clumsily over a vast branch; and at last he knows what he has been looking for. It is time, oh, time, for here is the blossom of a great flower, pistil lush for him. He leaps. He fastens to her body as he has always fastened to the limbs of the great wife trees, to the stone. He plunges stamen into pistil and dusts the walls with pollen. It is all he lived for, and when it is done, in only moments when the pollen is shed at last, he dies and drops to the sheets.

The queen's dreams were frenzied. Because her waking life was wrapped and closed, because her bulk forced an economy of movement, in her sleep she was bold, untiring. Sometimes she dreamed of great chases on a horse across broken country. Sometimes she dreamed of flying. Tonight she dreamed of love, and it was also athletic and unbound. Yet in the moment of ecstasy there was a face that peered at her, and hands that tore her lover away from her, and she was afraid of the man who stared at the end of her dream.

Still, she woke trembling from the memory of love, only wistfully allowing herself to recall, bit by bit, where she really was. That she was lost in the palace, that she was as ungainly as a diseased tree with boles and knots of fat, that she was profoundly unhappy, that a strange man disturbed her dreams.