The Love Potion Murders In The Museum Of Man Part 5

"Okay, it goes like this. Instead of the plaque on, say, a reception desk, stating THIS DESK GIVEN THROUGH THE GENEROSITY OF d.i.c.k AND DOTTY d.i.c.kHEAD THIS DESK GIVEN THROUGH THE GENEROSITY OF d.i.c.k AND DOTTY d.i.c.kHEAD, it just has a nice bra.s.s plate that says d.i.c.kHEAD d.i.c.kHEAD. Because if you put up all that other stuff, it looks like someone just coughed up the bucks to get their name there. But if it just says d.i.c.kHEAD d.i.c.kHEAD, it makes you stop for a minute and think, yeah, that d.i.c.khead." d.i.c.khead."

"I see."

"Isn't that what Walter J. Annenberg did at Harvard?" Mr. Morin put in.

"Exactly. He gave several million dollars to Harvard just to have a dining hall named for him."

"A dining hall?" I repeated with not entirely feigned incredulity.

"A freshman dining hall at that."

"Amazing."

"Well, it is a Harvard dining hall."

"But a dining hall nonetheless."

"Yes."

"I mean a place where people eat."

"Not really people, students. But eating is very important."

All three were now openly t.i.ttering as Mr. Flaler went on.

"Exactly."

"Well, Mr. Annenberg must be very rich and very humble to do such a generous thing."

"Rich and generous but not necessarily humble."

"What do you mean?"

"Well, he has his name, just his last name, and the word Hall Hall incised in great gold letters like they've been there forever just outside the dining hall in a hall that has until now been reserved for small marble plaques bearing the names of those sons of Harvard who were killed in the Civil War." incised in great gold letters like they've been there forever just outside the dining hall in a hall that has until now been reserved for small marble plaques bearing the names of those sons of Harvard who were killed in the Civil War."

"Really? Annenberg's name stands out among the fallen heroes of Harvard?"

"Sure."

"Isn't that a little...louche?"

"Oh, no, Mr. de Ratour. It merely exemplifies what benefactors want in return for their money."

"But those are heroes..."

"Yeah, but they only gave their lives..."

"And not for Harvard, either."

"Do people give their lives for Harvard?"

"They'd rather have your money."

I shook my head. "I really don't see the point of trying to be remembered by people who don't know who you are or what you were."

Mr. Morin snorted. "Maybe that's because the people they knew wouldn't want to remember them."

Mr. Sherkin then turned on what he must have taken for charm, telling me, "Your museum, Mr. Ratour, is virgin territory. I took a walk through it the other day. It was disorienting to find hardly anything named for a hit...I mean a benefactor."

I nodded and dissembled a quiet excitement as a plan began to form in my mind. I asked, "What's the actual mechanism for getting people to make really big contributions?"

Mr. Flaler inhaled sagely. "The approach. Asking for money is like asking for love. You have to do it right. Mostly, you get the rich to ask the rich. People with a lot of money need rea.s.suring."

"You have to schmooze them," Mr. Morin put in.

"Schmooze?"

"Give them drinks and praise. Glad-hand and glad-mouth them. Talk up the vision thing."

"Like we said, people like to see their names chiseled on buildings."

"Yeah, it's like the whole thing becomes their tombstone. Only it's not in the cemetery."

"Right. And buildings need names."

I shook my head. "We have a policy at the museum. All gifts must be anonymous and with no strings attached. We are willing to consider naming a room or gallery or library for someone whose achievements in his or her field - Mason Twitch.e.l.l's, for instance - merit such consideration."

Mr. Sherkin frowned. "Any gifts to the university need to be channeled through the Development Office."

I grimaced a smile at the man and said nothing.

Mr. Morin cleared his throat. "Look, Norm, we're making you an exceptional offer. Everyone wants a piece of the New Millennium action, but the deal is strictly limited."

"And what does the Museum of Man have to do in return for this privilege?"

"Simple. You get your Board to agree to a closer a.s.sociation with the university. Then we can cut out all this c.r.a.p in the courts."

"I might even bring it up with the Board. And now, gentlemen, you'll have to excuse me. I have a museum to run."

It took me a while to extricate myself. Thanking them each graciously and shaking their hands, I picked up the impressively designed three-ring binder t.i.tled "Development Goals for the Museum of Man in the New Millennium." It could well serve as the basis of a fund drive of our own.

But I must be careful. What I sense at Wainscott, what I don't want to happen at the MOM, is the philistinism that can result when an inst.i.tution becomes too consciously inst.i.tutional and loses sight of its original purpose.

12.

It is late evening and I sit under the eaves in an attic study I have had knocked together and fitted out with shelves for books and an old couch for dozing. It is a veritable eyrie and overlooks the backyard of the Dolores family, the nubile young girls of which sun themselves like semi-aquatic creatures next to the aquamarine pool during the sunnier months. (My father's old study down on the first floor that I resorted to of yore has been turned into the entertainment center with the big television.) It is nigh on Halloween, and I sit in this perch typing into my little tabletop - I've never had the thing on my lap once. From far below, in the fieldstone foundation, I can hear the syncopated thump thump thump thump of some infernal electronic noisemaker reverberating through the house as though it had been possessed by some mad demon of the aural. It's only Sixpak Shakur, King of the Redneck Rappers, lead singer of Cool White Fudge, or that's what was stenciled all over the van in which he arrived yesterday. I suppose we're lucky that they all didn't decide to camp here, four or five other young men, that is. They speak a gibberish among themselves that I take to be a kind of English. of some infernal electronic noisemaker reverberating through the house as though it had been possessed by some mad demon of the aural. It's only Sixpak Shakur, King of the Redneck Rappers, lead singer of Cool White Fudge, or that's what was stenciled all over the van in which he arrived yesterday. I suppose we're lucky that they all didn't decide to camp here, four or five other young men, that is. They speak a gibberish among themselves that I take to be a kind of English.

Well, at least Diantha is happy. She positively flung herself at the young man, wrapping her legs around his midsection and carrying on in such a fas.h.i.+on that I feared for a moment they would attempt congress right there in the hallway. I should be relieved that she now has someone to a.s.suage her too palpable needs. But I find myself just a bit envious, perhaps of their youth, their vigor, their sense of utter irresponsibility, as though the world is some great machine that will tick over by itself forever regardless of what they do. And perhaps they are right.

We sat down to dinner, the four of us, with lobsters, salad, the very last of this year's corn, as well as a piquant little Sauvignon Blanc. Sixy, as Diantha calls him, slurring it into "s.e.xy," wore only a T-s.h.i.+rt with some sort of message on it and jeans, seemingly impervious to anything like the temperature. He is a big fellow, with a bland, blunt, sensual face, and sports, if that is the term, a polished shaved head and more rings in his ears that a Papuan native. It took me some time to realize that he was speaking English. When he saw the lobsters he launched into something like, "Oh, wow, man, real bugs, too rad." Then, to me, glancing around, "Man, you are some kind of cool dude. I mean look at this crib, man, it's right off the set."

Later, when we were alone, he extended his sympathy regarding Elsbeth. "Di told me about your old lady, man. I mean b.u.mmer big time. I mean like too soon, man, for the big nap." I took this to be an expression of sympathy and confess to being oddly touched inasmuch as he appeared utterly sincere in his sentiments. Still, I do wonder betimes what planet I am living on.

Poor Elsbeth couldn't really manage to eat much of the dinner. She did seem happy that Diantha's friend had arrived. She told me not to fuss with her, but I excused myself from the table as well. I asked her if she wanted to take some of her pain medication, and she shook her head. "I'd rather bear anything than have my head muddled," she said.

We spent some time together, she lying in the bed we've arranged for her in the alcove off the living room, me sitting beside her holding her hand, now all skin and bones and ligaments. What frail vessels we are, finally.

But Elsbeth appeared at peace with herself. Alfie Lopes, the minister in Swift Chapel, our friend who married us, came by today for something halfway between a pastoral visit and a crying fest. We held hands while Alfie improvised a little prayer about how we need to remember that each of us will be called. It is only a matter of time. And time, he intoned, quoting the much-underappreciated Delmore Schwartz, is the fire we burn in.

Perhaps not that strangely, Elsbeth comforted Alfie as much as he did her. But then my dear wife always has been strong in that way. She told me that early on she had decided not to cheat death by dying by her own hand when it dawned on her as a young girl the finality that life entailed. "Dying is not what you think," she said as we sat together in the near dark, hearing the sounds Diantha and Sixy were making down in the bas.e.m.e.nt setting up his equipment. "It's frightening, yes. It's too d.a.m.n final. I'd rather postpone it. But it's not strange or horrific or even malignant. It just is. And having you here is all that matters right now."

So that I wept, but quietly, and then lay out on the narrow bed beside her, taking her in my arms and holding her, as if, like that, I might keep her forever.

Later, when the ruckus started from below, I made to go down to quell it. But Elsbeth forestalled me. "It's okay," she said. "I kind of like it. It's alive."

When she finally drifted off, I quietly got up, pulled the drape over the alcove, and made my way here.

We haven't heard from Korky in a few days, but that's not unusual. I know he isn't one of those fair-weather friends who abandons you the moment the going gets rough.

I did have a run-in today with Maria Cowe, who is in charge of Human Resources for Affiliated Inst.i.tutions, what used to be called Personnel. She demanded to know why I wanted the file of Celeste Tangent, the lab a.s.sistant Worried referred to in one of his e-mails. I told her it was an administrative matter, and that surely it was only routine for directors such as myself to ask to see employee files and for her office to comply.

She responded that, because Ms. Tangent was really an employee of the Ponce Inst.i.tute and not of Wainscott, I would have to fill out forms to make an official request.

I became quite angry. I told her that if Ms. Tangent's file was not on my desk when I arrived the next morning, she would be hearing from the museum's legal department.

Indeed, the first thing I did upon returning to my office was phone Felix Skinnerman. I told him that I wanted the museum to establish its own human resources department sooner rather than later, in fact immediately. I told him I wanted it called the Personnel Department. I told him I wanted him to subpoena from Ms. Cowe the records or copies of the records of anyone who works either directly or indirectly for the museum.

Well, Felix, as usual, calmed me down. He said this was an area where we had to go cautiously while our case was still in the courts. To raise this issue now, he said, would be to call attention to a very strong de facto link between the two inst.i.tutions, strengthening the case of the university. He suggested I do what all administrators do - go over her head.

I told him that meant going to Malachy Morin, which was something, on principle, I simply would not do.

"Why do you need the file?" he finally asked me.

"It may have something to do with the Ossmann-Woodley case," I said.

"Oh, then. Why don't you contact your friend in the SPD and have him obtain it through the courts? It might take a while, but you'll have it."

I thanked him effusively and called Lieutenant Tracy. He wasn't in, but he called back a short time later. I admit I felt a bit foolish telling him that I could not, as a matter of routine, obtain the file of someone working, however indirectly, for the museum.

But the lieutenant put a different spin on it. "Perhaps," he said, "they're trying to hide something."

"Yes," I said, "that's a possibility." And while using that, so to speak, as a cover for my managerial impotence, I seriously wondered, thinking back to my confrontation with Ms. Cowe, if there might be something to his suggestion.

The lieutenant took down the particulars and said he would get right on it. And now I can't get it out of my head that Malachy Morin and Maria Cowe are all mixed up in this together.

But that may be just a measure of how desperate I'm getting, clutching at straws and strawmen. For instance, I received a personal and confidential memorandum today regarding the matter pending before the Subcommittee on Appropriateness that has me perplexed. It's a strange affair, to say the least. As Professor Athol, the Chair of the subcommittee, outlines it, both parties are accusing the other of date rape. The matter is further complicated by the facts that the woman is an outspoken lesbian activist involved in social issues while the man is an African American born-again Christian confined to a wheelchair. To avoid an expensive and prolonged legal wrangle, the two individuals have agreed to appear before the subcommittee to present his-and-hers sides of the story and to abide by any findings we make.

Now, we have dealt in the past with situations of nearly intractable sensitivity, but nothing, I daresay, approaches what we have before us now. And I feel tempted to "vent" (a word I've picked up from Diantha) my usual indignant homiletics about modern mores: If young people cannot be trusted to act civilly while alone in one another's company, then we need to bring back chaperones and all that entails.

Athol's memorandum has triggered in me an awareness of something both anomalous and at the same time integral to an emerging, still nebulous larger scheme. Could this incident have anything to do with the Ossmann-Woodley case? I don't know. But I am nearly tempted to jump the gun and go interview these two individuals by myself. On the other hand...

Well, the thumping from the nether regions of the house has finally subsided. Though it won't surprise me if a different kind of thumping starts up down the hall from my own, now monastic bed.

13.

There has been a shocking development. Bert and Betti, two of our remaining chimpanzees, were found dead in a cage this morning under circ.u.mstances remarkably similar to those of the Ossmann-Woodley case, only worse. They were discovered by Dr. Angela Simone, the very responsible young woman who took over from Damon Drex as Keeper of Great Apes. The poor woman was in a state of considerable shock when she phoned me at home just after eight this morning to tell me the news.

I came over immediately in a cab and secured the area as a crime scene before calling in the Seaboard Police Department.

Dr. Simone took a moment to compose herself. But she is a tough professional, and she soon related to me the simple facts. Upon her arrival she sensed immediately that things were amiss. Lights, normally dimmed, were on full. Doors normally closed were open. The other animals were in a state of considerable agitation. Then she discovered Bert and Betti dead in the cage.

We went into the area, and I can tell you it was not a pretty sight. I forced myself to look at it carefully and take mental notes. Betti lay sprawled in one corner of one of our larger cages, most of her left ear missing, one eye hanging from its socket. From her bloodied mouth protruded what might have been the genitals of Bert, who lay facedown in the opposite corner, his hands clutched at his crotch. In their struggle they had wrecked the exercise tree and tipped over the water bowl. There were blood and feces everywhere.

"What about Mort?" I asked, referring to the security guard who has kept watch over the Pavilion and the museum proper since before I came on board more than thirty years ago.

"I haven't seen him," she said, alarm making her eyes go large. "I hope he's okay."

We were just about to go down the spiral staircase to the bas.e.m.e.nt where Mort has his office when Lieutenant Tracy arrived with his crime scene crew. We left the crew in charge and clattered down the steps with the lieutenant to the enclosure equipped with an array of television monitors that Mort watches when he's not out making his rounds.

He was slumped in his chair, his old graying head back, his mouth wide open. I feared the worst. "Mort," I said, shaking his arm. "Mort, wake up." As the lieutenant and I stood over him, he opened first one and then the other eye. He sat forward, his disorientation obvious as he moaned and put his hands over his eyes.

"We should call an ambulance," Lieutenant Tracy said.

Mort shook his head. "No ambulance. No hospital. No doctors. I'm fine."

Dr. Simone disappeared for a moment and came back with a cup of black coffee. Mort sipped the coffee, rubbed his eyes and the back of his neck, and answered our questions.

We determined that Mort, who came on duty at midnight to work a twelve-hour s.h.i.+ft, as is his preference, found everything normal as of 2:30 AM AM when he went to the staff room for the lunch he had brought with him. There, in a refrigerator used by the staff, he had left a sandwich and a large bottle of c.o.ke with his name taped to it. He said he warmed his sandwich, a cheese and tomato, in the microwave, poured himself a paper cup full of c.o.ke, and brought it back down here. He ate the sandwich and drank the soda and that's the last thing he remembers. when he went to the staff room for the lunch he had brought with him. There, in a refrigerator used by the staff, he had left a sandwich and a large bottle of c.o.ke with his name taped to it. He said he warmed his sandwich, a cheese and tomato, in the microwave, poured himself a paper cup full of c.o.ke, and brought it back down here. He ate the sandwich and drank the soda and that's the last thing he remembers.

I asked him if he'd noticed then that the monitor covering the area of the cages had gone blank. He replied that he was certain all the monitors were in working order when he started his meal.

After directing one of the crime scene officers to secure the c.o.ke bottle in the staff refrigerator, and after seeing that Mort had a ride home, Lieutenant Tracy and I went with Dr. Simone into her office.

Taking notes, the lieutenant with firm gentleness took Dr. Simone through what she had found upon arriving at work. I must say I admired again the thoroughness of his questioning. However, I was able to make one important contribution. I asked if Bert had been in the larger cage alone when she had left in the evening.

Dr. Simone nodded. "He still gets moody, and at night we usually put him in that cage by himself."