Wild Cards Part 24

The hunt for "Red Aces" that McCarthy instigated and fronted produced no single, spectacular victory to rival HUAC's, but ultimately McCarthy's work affected many more people, and proved lasting where HUAC's triumph had been ephemeral. The Senate Committee on Ace Resources and Endeavors (SCARE) was birthed in 1952 as the forum for McCarthy's ace-hunts, but ultimately became a permanent part of the Senate's committee structure. In time SCARE, like HUAC, would become a mere ghost of its former self, and decades later, under the chairmans.h.i.+p of men like Hubert Humphrey, Joseph Montoya, and Gregg Hartmann, it would evolve into an entirely different sort of legislative animal, but McCarthy's SCARE was everything its acronym implied. Between 1952 and 1956, more than two hundred men and women were served with subpoenas by SCARE, often on no more substantial grounds than reports by anonymous informants that they had on some occasion displayed wild card powers.

It was a true modern witch-hunt, and like their spiritual ancestors at Salem, those hauled before Tail-Gunner Joe for the non-crime of being an ace had a hard time proving their innocence. How do you prove that you can't can't fly? None of SCARE's victims ever answered that question satisfactorily. And the black-list was always waiting for those whose testimony was considered unsatisfactory. fly? None of SCARE's victims ever answered that question satisfactorily. And the black-list was always waiting for those whose testimony was considered unsatisfactory.

The most tragic fates were suffered by those who actually were were wild card victims, and admitted their ace powers openly before the committee. Of those cases, none was more poignant than that of Timothy Wiggins, or "Mr. Rainbow," as he was billed when performing. "If I'm an ace, I'd hate to see a deuce," Wiggins told McCarthy when summoned in 1953, and from that moment onward "deuce" entered the language as the term for an ace whose wild card powers are trivial or useless. Such was certainly the case with Wiggins, a plump, nearsighted, forty-eight-year-old entertainer whose wild card power, the ability to change the color of his skin, had propelled him to the dizzy heights of second billing in the smaller Catskill resort hotels, where his act consisted of strumming a ukulele and singing wobbly falsetto versions of songs like "Red, Red Robin," "Yellow Rose of Texas," and "Wild Card Blues," accompanying each rendition with appropriate color changes. Ace or deuce, Mr. Rainbow received no mercy from McCarthy or SCARE. Blacklisted and unable to secure bookings, Wiggins hanged himself in his daughter's Bronx apartment less than fourteen months after his testimony. wild card victims, and admitted their ace powers openly before the committee. Of those cases, none was more poignant than that of Timothy Wiggins, or "Mr. Rainbow," as he was billed when performing. "If I'm an ace, I'd hate to see a deuce," Wiggins told McCarthy when summoned in 1953, and from that moment onward "deuce" entered the language as the term for an ace whose wild card powers are trivial or useless. Such was certainly the case with Wiggins, a plump, nearsighted, forty-eight-year-old entertainer whose wild card power, the ability to change the color of his skin, had propelled him to the dizzy heights of second billing in the smaller Catskill resort hotels, where his act consisted of strumming a ukulele and singing wobbly falsetto versions of songs like "Red, Red Robin," "Yellow Rose of Texas," and "Wild Card Blues," accompanying each rendition with appropriate color changes. Ace or deuce, Mr. Rainbow received no mercy from McCarthy or SCARE. Blacklisted and unable to secure bookings, Wiggins hanged himself in his daughter's Bronx apartment less than fourteen months after his testimony.

Other victims saw their lives blighted and destroyed in only slightly less dramatic ways: they lost jobs and careers to the blacklist, lost friends and spouses, inevitably lost custody of their children in the all-too-frequent divorces. At least twenty-two aces were uncovered during SCARE's investigatory heyday (McCarthy himself often claimed credit for having "exposed" twice that many, but included in his totals numerous cases where the accused's "powers" were established only by hearsay and circ.u.mstantial evidence, without a shred of actual doc.u.mentation), including such dangerous criminals as a Queens housewife who levitated when asleep, a longsh.o.r.eman who could plunge his hand into a bathtub and bring the water to a boil in just under seven minutes, an amphibious Philadelphia schoolteacher (she kept her gills concealed beneath her clothing, until the day she unwisely gave herself away by saving a drowning child), and even a potbellied Italian greengrocer who displayed an astonis.h.i.+ng ability to grow hair at will.

Shuffling through so many wild cards, SCARE inevitably turned up some genuine aces among the deuces, including Lawrence Hague, the telepathic stockbroker whose confession triggered a panic on Wall Street, and the so-called "panther woman" of Weehawken whose metamorphosis before the newsreel cameras horrified theatergoers from coast to coast. Even that paled beside the case of the mystery man apprehended while looting New York's diamond center, his pockets bulging with gemstones and amphetamines. This unknown ace displayed reflexes four times as fast as those of a normal man, as well as astonis.h.i.+ng strength and a seeming immunity to handgun fire. After flinging a police car the length of the block and hospitalizing a dozen policemen, he was finally subdued with tear gas. SCARE immediately issued a subpoena, but the unidentified man lapsed into a deep, comalike sleep before he could take the stand. To McCarthy's disgust, the man could not be roused-until the day, eight months later, when his specially reinforced maximum-security cell was suddenly and mysteriously found empty. A startled trusty swore that he had seen the man walk through the wall, but the description he gave did not match that of the vanished prisoner.

McCarthy's most lasting achievement, if it may be termed an achievement, came with the pa.s.sage of the so-called "Wild Card Acts." The Exotic Powers Control Act, enacted in 1954, was the first. It required any person exhibiting wild card powers to register immediately with the federal government; failure to register was punishable by prison terms of up to ten years. This was followed by the Special Conscription Act, granting the Selective Service Bureau the power to induct registered aces into government service for indefinite terms of service. Rumors persist that a number of aces, complying with the new laws, were indeed inducted into (variously) the Army, the FBI, and the Secret Service during the late fifties, but if true the agencies employing their services kept the names, powers, and very existence of these operatives a closely held secret.

In fact, only two men were ever openly drafted under the Special Conscription Act during the entire twenty-two years that the statute remained on the books: Lawrence Hague, who vanished into government service after the stock manipulation charges against him were dropped, and an even more celebrated ace whose case made headlines all over the nation. David "Envoy" Harstein, the charismatic negotiator of the Four Aces, was slapped with an induction notice less than a year after his release from prison, where HUAC had confined him for contempt of Congress. Harstein never reported for conscription. Instead he vanished totally from public life in early 1955, and even the FBI's nationwide manhunt failed to turn up any trace of the man whom McCarthy himself dubbed "the most dangerous pink in America."

The Wild Card Acts were McCarthy's greatest triumph, but ironically enough their pa.s.sage sowed the seed of his undoing. When those widely publicized statutes were finally signed into law, the mood of the nation seemed to change. Over and over again McCarthy had told the public that the laws were needed to deal with hidden aces undermining the nation. Well, the nation now replied, the laws are pa.s.sed, the problem is solved, and we've had enough of all this.

The next year, McCarthy introduced the Alien Disease Containment Bill, which would have mandated compulsory sterilization for all wild card victims, jokers as well as aces. That was too much for even his staunchest supporters. The bill went down to cras.h.i.+ng defeat in both House and Senate. In an effort to recoup and recapture the headlines, McCarthy launched an ill-advised SCARE investigation of the Army, determined to ferret out the "aces in the hole" that rumor insisted had been secretly recruited years before the Special Conscription Act. But public opinion swung dramatically against him during the Army-McCarthy hearings, which culminated in his censure by the Senate.

In early 1955, many had thought McCarthy might be strong enough to wrest the 1956 Republican presidential nomination from Eisenhower, but by the time of the 1956 election, the political climate had changed so markedly that he was hardly a factor.

On April 28, 1957, he was admitted to the Naval Medical Center at Bethesda, Maryland, a broken man who talked incessantly about those who he felt had betrayed him. In his last days, he insisted that his fall was all Harstein's fault, that the Envoy was out there somewhere, crisscrossing the country, poisoning the people against McCarthy with sinister alien mind control.

Joe McCarthy died on May 2, and the nation shrugged. Yet his legacy survived him: SCARE, the Wild Card Acts, an atmosphere of fear. If Harstein was out there, he did not come forward to gloat. Like many other aces of his time, he remained in hiding.

Sh.e.l.l GAMES.

by George R. R. Martin

When he'd moved into the dorm back in September, the first thing that Thomas Tudbury had done was tack up his signed photograph of President Kennedy, and the tattered 1944 Time Time cover with Jetboy as Man of the Year. cover with Jetboy as Man of the Year.

By November, the picture of Kennedy was riddled with holes from Rodney's darts. Rod had decorated his side of the room with a Confederate flag and a dozen Playboy Playboy centerfolds. He hated Jews, n.i.g.g.e.rs, jokers, and Kennedy, and didn't like Tom much either. All through the fall semester, he had fun; covering Tom's bed with shaving cream, short-sheeting him, hiding his eyegla.s.ses, filling his desk drawer with dog t.u.r.ds. centerfolds. He hated Jews, n.i.g.g.e.rs, jokers, and Kennedy, and didn't like Tom much either. All through the fall semester, he had fun; covering Tom's bed with shaving cream, short-sheeting him, hiding his eyegla.s.ses, filling his desk drawer with dog t.u.r.ds.

On the day that Kennedy was killed in Dallas, Tom came back to his room fighting to hold the tears. Rod had left him a present. He'd used a red pen. The whole top of Kennedy's head was dripping blood now, and over his eyes Rod had drawn little red X X's. His tongue was sticking out of the corner of his mouth.

Thomas Tudbury stared at that for a long, long time. He did not cry; he would not allow himself to cry. He began to pack his suitcases.

The freshman parking lot was halfway across campus. The trunk on his '54 Mercury had a broken lock, so he tossed the bags into the backseat. He let the car warm up for a long time in the November chill. He must have looked funny sitting there; a short, overweight guy with a crewcut and horn-rim gla.s.ses, pressing his head against the top of the steering wheel like he was going to be sick.

As he was driving out of the lot, he spied Rodney's s.h.i.+ny new Olds Cutla.s.s.

Tom s.h.i.+fted to neutral and idled for a moment, considering. He looked around. There was no one in sight; everybody was inside watching the news. He licked his lips nervously, then looked back at the Oldsmobile. His knuckles whitened around the wheel. He stared hard, furrowed his brow, and squeezed squeezed.

The door panels gave first, bending inward slowly under the pressure. The headlights exploded with small pops, one after the other. Chrome trim clattered to the ground, and the rear winds.h.i.+eld shattered suddenly, gla.s.s flying everywhere. Fenders buckled and collapsed, metal squealing in protest. Both rear tires blew at once, the side panels caved in, then the hood; the winds.h.i.+eld disintegrated entirely. The crankcase gave, and then the walls of the gas tank; oil, gasoline, and transmission fluid pooled under the car. By then Tom Tudbury was more confident, and that made it easier. He imagined he had the Olds caught in a huge invisible fist, a strong strong fist, and he squeezed all the harder. The crunch of breaking gla.s.s and the scream of tortured metal filled the parking lot, but there was no one to hear. He methodically mashed the Oldsmobile into a ball of crushed metal. fist, and he squeezed all the harder. The crunch of breaking gla.s.s and the scream of tortured metal filled the parking lot, but there was no one to hear. He methodically mashed the Oldsmobile into a ball of crushed metal.

When it was over, he s.h.i.+fted into gear and left college, Rodney, and childhood behind forever.

Somewhere a giant was crying.

Tachyon woke disoriented and sick, his hangover throbbing in time to the mammoth sobs. The shapes in the dark room were strange and unfamiliar. Had the a.s.sa.s.sins come in the night again, was the family under attack? He had to find his father. He lurched dizzily to his feet, head swimming, and put a hand against the wall to steady himself.

The wall was too close. These weren't his chambers, this was all wrong, the smell . . . and then the memories came back. He would have preferred the a.s.sa.s.sins.

He had dreamed of Takis again, he realized. His head hurt, and his throat was raw and dry. Fumbling in the darkness, he found the chain-pull for the overhead light. The bulb swung wildly when he yanked, making the shadows dance. He closed his eyes to still the lurching in his gut. There was a foul taste at the back of his mouth. His hair was matted and filthy, his clothing rumpled. And worst of all, the bottle was empty. Tachyon looked around helplessly. A six-by-ten room on the second floor of a lodging house named ROOMS, on a street called the Bowery. Confusingly, the surrounding neighborhood had once been called the Bowery too-Angelface had told him that. But that was before; the area had a different name now. He went to the window, pulling up the shade. The yellow light of a streetlamp filled the room. Across the street, the giant was reaching for the moon, and weeping because he could not grasp it.

Tiny, they called him. Tachyon supposed that was human wit. Tiny would have been fourteen feet tall if only he could stand up. His face was unlined and innocent, crowned with a tangle of soft dark hair. His legs were slender, and perfectly proportioned. And that was the joke: slender, perfectly proportioned legs could not begin to support the weight of a fourteen-foot-tall man. Tiny sat in a wooden wheelchair, a great mechanized thing that rolled through the streets of Jokertown on four bald tires from a wrecked semi. When he saw Tach in the window, he screamed incoherently, almost as though he recognized him. Tachyon turned away from the window, shaking. It was another Jokertown night. He needed a drink.

His room smelled of mildew and vomit, and it was very cold. ROOMS was not as well heated as the hotels he had frequented in the old days. Unbidden, he remembered the Mayflower down in Was.h.i.+ngton, where he and Blythe . . . but no, better not to think of that. What time was it anyway? Late enough. The sun was down, and Jokertown came to life at night.

He plucked his overcoat from the floor and slipped it on. Soiled as it was, it was still a marvelous coat, a lovely rich rose color, with fringed golden epaulets on the shoulders and loops of golden braid to fasten the long row of b.u.t.tons. A musician's coat, the man at the Goodwill had told him. He sat on the edge of his sagging mattress to pull on his boots.

The washroom was down at the end of the hall. Steam rose from his urine as it splashed against the rim of the toilet; his hands shook so badly that he couldn't even aim right. He slapped cold, rust-colored water on his face, and dried his hands on a filthy towel.

Outside, Tach stood for a moment beneath the creaking ROOMS sign, staring at Tiny. He felt bitter and ashamed. And much too sober. There was nothing to be done about Tiny, but he could deal with his sobriety. He turned his back on the weeping giant, slid his hands deep into the pockets of his coat, and walked off briskly down the Bowery.

In the alleys, jokers and winos pa.s.sed brown paper bags from hand to hand, and stared with dull eyes at the pa.s.sersby. Taverns, p.a.w.nbrokers, and mask shops were all doing a brisk trade. The Famous Bowery Wild Card Dime Museum (they still called it that, but admission was a quarter now) was closing for the day. Tachyon had gone through it once, two years ago, on a day when he was feeling especially guilt-ridden; along with a half-dozen particularly freakish jokers, twenty jars of "monstrous joker babies" floating in formalde-hyde, and a sensational little newsreel about the Day of the Wild Card, the museum had waxworks display whose dioramas featured Jetboy, the Four Aces, a Jokertown Orgy . . . and him.

A tour bus rolled past, pink faces pressed to the windows. Beneath the neon light of a neighborhood pizza parlor, four youths in black leather jackets and rubber facemasks eyed Tachyon with open hostility. They made him uneasy. He averted his eyes and dipped into the mind of the nearest: mincing pansy looka that hair dye-job fershure mincing pansy looka that hair dye-job fershure thinks he's inna marching band like to beat his f.u.c.kin' drums but no wait s.h.i.+t there's better we'll find us a good one tonight yeah wanna get one that squishes when we hit it thinks he's inna marching band like to beat his f.u.c.kin' drums but no wait s.h.i.+t there's better we'll find us a good one tonight yeah wanna get one that squishes when we hit it. Tach broke the contact with distaste and hurried on. It was old news, and a new sport: come down to the Bowery, buy some masks, beat up a joker. The police didn't seem to care.

The Chaos Club and its famous All-Joker Revue had the usual big crowd. As Tachyon approached, a long gray limo pulled up to the curb. The doorman, wearing a black tuxedo over luxuriant white fur, opened the door with his tail and helped out a fat man in a dinner jacket. His date was a buxom teenager in a strapless evening gown and pearls, her blond hair piled high in a bouffant hairdo.

A block farther on, a snake-lady called out a proposition from the top of a nearby stoop. Her scales were rainbow-colored, glistening. "Don't be scared, Red," she said, "it's still soft inside." He shook his head.

The Funhouse was housed in a long building with giant picture windows fronting the street, but the gla.s.s had been replaced with one-way mirrors. Randall stood out front, s.h.i.+vering in tails and domino. He looked perfectly normal-until you noticed that he never took his right hand out of his pocket. "Hey, Tacky," he called out. "Whattaya make of Ruby?"

"Sorry, I don't know her," Tachyon said.

Randall scowled. "No, the guy who killed Oswald."

"Oswald?" Tach said, confused. "Oswald who?"

"Lee Oswald, the guy who shot Kennedy. He got killed on TV this afternoon."

"Kennedy's dead?" Tachyon said. It was Kennedy who'd permitted his return to the United States, and Tach admired the Kennedys; they seemed almost Takisian. But a.s.sa.s.sination was part of leaders.h.i.+p. "His brothers will avenge him," he said. Then he recalled that they didn't do things that way on earth, and besides, this man Ruby had already avenged him, it seemed. How strange that he had dreamed of a.s.sa.s.sins.

"They got Ruby in jail," Randall was saying. "If it was me, I'd give the f.u.c.ker a medal." He paused. "He shook my hand once," he added. "When he was running against Nixon, he came through to give a speech at the Chaos Club. Afterward, when he was leaving, he was shaking hands with everybody." The doorman took his right hand out of his pocket. It was hard and chitinous, insectile, and in the middle was a cl.u.s.ter of swollen blind eyes. "He didn't even flinch," Randall said. "Smiled and said he hoped I'd remember to vote."

Tachyon had known Randall for a year, but he had never seen his hand before. He wanted to do what Kennedy had done, to grasp that twisted claw, embrace it, shake it. He tried to slide his hand out of the pocket of his coat, but the bile rose in the back of his throat, and somehow all he could do was look away, and say, "He was a good man."

Randall hid his hand again. "Go on inside, Tacky," he said, not unkindly. "Angelface had to go and see a man, but she told Des to keep your table open."

Tachyon nodded and let Randall open the door for him. Inside, he gave his coat and shoes to the girl in the checkroom, a joker with a trim little body whose feathered owl mask concealed whatever the wild card had done to her face. Then he pushed through the interior doors, his stockinged feet sliding with smooth familiarity over the mirrored floor. When he looked down, another Tachyon was staring back up at him, framed by his feet; a grossly fat Tachyon with a head like a beachball.

Suspended from the mirrored ceiling, a crystal chandelier glittered with a hundred pinpoint lights, its reflections sparkling off the floor tiles and walls and mirrored alcoves, the silvered goblets and mugs, and even the waiters' trays. Some of the mirrors reflected true; the others were distorting mirrors, funhouse mirrors. When you looked over your shoulder in the Funhouse, you could never tell what you'd find looking back. It was the only establishment in Jokertown that attracted jokers and normals in equal numbers. In the Funhouse the normals could see themselves twisted and malformed, and giggle, and play at being jokers; and a joker, if he was very lucky, might glance in the right mirror and see himself as he once had been.

"Your booth is waiting, Doctor Tachyon," said Desmond, the maitre d'. Des was a large, florid man; his thick trunk, pink and wrinkled, curled around a wine list. He lifted it, and beckoned for Tachyon to follow with one of the fingers that dangled from its end. "Will you be having your usual brand of cognac tonight?"

"Yes," Tach said, wis.h.i.+ng he had some money for a tip.

That night he had his first drink for Blythe, as always, but his second was for John Fitzgerald Kennedy.

The rest were for himself.

At the end of Hook Road, past the abandoned refinery and the import/export warehouses, past the railroad sidings with their forlorn red boxcars, beneath the highway underpa.s.s, past the empty lots full of weeds and garbage, past the huge soybean-oil tanks, Tom found his refuge. It was almost dark by the time he arrived, and the engine in the Merc was thumping ominously. But Joey would know what to do about that.

The junkyard stood hard on the oily polluted waters of New York Bay. Behind a ten-foot-high chain link fence topped with three curly strands of barbed wire, a pack of junkyard dogs kept pace with his car, barking a raucous welcome that would have terrified anyone who knew the dogs less well. The sunset gave a strange bronze cast to the mountains of shattered, twisted, rusted automobiles, the acres of sc.r.a.p metal, the hills and valleys of junk and trash. Finally Tom came to the wide double gate. On one side a metal sign warned TRESPa.s.sERS KEEP OUT TRESPa.s.sERS KEEP OUT; on the other side another sign told them to BEWARE OF THE DOGS BEWARE OF THE DOGS. The gate was chained and locked.

Tom stopped and honked his horn.

Just beyond the fence he could see the four-room shack that Joey called home. A huge sign was mounted on top of the corrugated tin roof, with yellow spotlights stuck up there to illuminate the letters. It said DI ANGELIS Sc.r.a.p METAL & AUTO PARTS. DI ANGELIS Sc.r.a.p METAL & AUTO PARTS. The paint was faded and blistered by two decades of sun and rain; the wood itself had cracked, and one of the spots had burned out. Next to the house was parked an ancient yellow dump truck, a tow truck, and Joey's pride and joy, a blood-red 1959 Cadillac coupe with tail fins like a shark and a monster of a hopped-up engine poking right up through its cutaway hood. The paint was faded and blistered by two decades of sun and rain; the wood itself had cracked, and one of the spots had burned out. Next to the house was parked an ancient yellow dump truck, a tow truck, and Joey's pride and joy, a blood-red 1959 Cadillac coupe with tail fins like a shark and a monster of a hopped-up engine poking right up through its cutaway hood.

Tom honked again. This time he gave it their special signal, tooting out the Here-he-comes-to-save-the-daaaay Here-he-comes-to-save-the-daaaay! theme from the Mighty Mighty Mouse Mouse cartoons they'd watched as kids. cartoons they'd watched as kids.

A square of yellow light spilled across the junkyard as Joey came out with a beer in either hand.

They were nothing alike, him and Joey. They came from different stock, lived in different worlds, but they'd been best friends since the day of the third-grade pet show. That was the day he'd found out that turtles couldn't fly; the day he realized what he was, and what he could do.

Stevie Bruder and Josh Jones had caught him out in the school-yard. They played catch with his turtles, tossing them back and forth while Tommy ran between them, red-faced and crying. When they got bored, they bounced them off the punchball square chalked on the wall. Stevie's German shepherd ate one. When Tommy tried to grab the dog, Stevie laid into him and left him on the ground with broken gla.s.ses and a split lip.

They would have done worse, except for Junkyard Joey, a scrawny kid with s.h.a.ggy black hair, two years older than his cla.s.smates, but he'd already been left back twice, couldn't hardly read, and they always said he smelled bad on account of his father, Dom, owned the junkyard. Joey wasn't as big as Stevie Bruder, but he didn't care, that day or any day. He just grabbed Stevie by the back of his s.h.i.+rt and yanked him around and kicked him in the b.a.l.l.s. Then he kicked the dog too, and he would have kicked Josh Jones, except Josh ran away. As he fled, a dead turtle floated off the ground and flew across the schoolyard to smack him in the back of his fat red neck.

Joey had seen it happen. "How'd you do that?" he said, astonished. Until that moment, even Tommy hadn't realized that he he was the reason his turtles could fly. was the reason his turtles could fly.

It became their shared secret, the glue that held their odd friends.h.i.+p together. Tommy helped Joey with his homework and quizzed him for tests. Joey became Tommy's protector against the random brutality of playground and schoolyard. Tommy read comic books to Joey, until Joey's own reading got so much better that he didn't need Tommy. Dom, a grizzled man with salt-and-pepper hair, a beer belly, and a gentle heart, was proud of that; he couldn't read himself, not even Italian. The friends.h.i.+p lasted through grammar school and high school and Joey's dropping out. It survived their discovery of girls, weathered the death of Dom DiAngelis and Tom's family moving off to Perth Amboy. Joey DiAngelis was still the only one who knew what Tom was.

Joey popped the cap on another Rheingold with the church key that hung around his neck. Under his sleeveless white unders.h.i.+rt a beer belly like his father's was growing. "You're too f.u.c.king smart to be doing s.h.i.+twork in a TV repair shop," he was saying.

"It's a job," Tom said. "I did it last summer, I can do it full time. It's not important what kind of job I have. What's important is what I do with my, uh, talent."

"Talent?" Joey mocked.

"You know what I mean, you dumb wop." Tom set his empty bottle down on the top of the orange crate next to the armchair. Most of Joey's furnis.h.i.+ngs weren't what you'd call lavish; he scavenged them from the junkyard. "I been thinking about what Jetboy said at the end, trying to think what it meant. I figure he was saying that there were things he hadn't done yet. Well, s.h.i.+t, I haven't done anything anything. All the way back I asked what I could do for the country, y'know? Well, f.u.c.k, we both know the answer to that one."

Joey rocked back in his chair, sucking on his Rheingold and shaking his head. Behind him, the wall was lined with the bookshelves that Dom had built for the kids almost ten years ago. The bottom row was all men's magazines. The rest were comic books. Their comic books. Supermans and Batmans, Action Comics Supermans and Batmans, Action Comics and and Detective Detective, the Cla.s.sics Ill.u.s.trateds Cla.s.sics Ill.u.s.trateds that Joey had mined for all his book reports, horror comics and crime comics and air-war comics, and best of all, their treasure-an almost complete run of that Joey had mined for all his book reports, horror comics and crime comics and air-war comics, and best of all, their treasure-an almost complete run of Jetboy Comics Jetboy Comics.

Joey saw what he was looking at. "Don't even think it," he said, "you're no f.u.c.kin' Jetboy, Tuds."

"No," said Tom, "I'm more than he was. I'm-"

"A dork," Joey suggested.

"An ace," he said gravely. "Like the Four Aces."

"They were a colored doo-wop group, weren't they?"

Tom flushed. "You dumb wop, they weren't singers, they-"

Joey cut him off with a sharp gesture. "I know who the f.u.c.k they were, Tuds. Gimme a break. They were dumb s.h.i.+ts, like you. They all went to jail or got shot or something, didn't they? Except for the f.u.c.kin' snitch, whatsisname." He snapped his fingers. "You know, the guy in Tarzan Tarzan."

"Jack Braun," Tom said. He'd done a term paper on the Four Aces once, "And I bet there are others, hiding out there. Like me. I've been hiding. But no more."

"So you figure you're going to go to the Bayonne Times Bayonne Times and give a f.u.c.king show? You a.s.shole. You might as well tell 'em you're a commie. They'll make you move to Jokertown and they'll break all the G.o.dd.a.m.ned windows in your dad's house. They might even draft you, a.s.swipe." and give a f.u.c.king show? You a.s.shole. You might as well tell 'em you're a commie. They'll make you move to Jokertown and they'll break all the G.o.dd.a.m.ned windows in your dad's house. They might even draft you, a.s.swipe."

"No," said Tom. "I've got it scoped out. The Four Aces were easy targets. I'm not going to let them know who I am or where I live." He used the beer bottle in his hand to gesture vaguely at the bookshelves. "I'm going to keep my name secret. Like in the comics."

Joey laughed out loud. "f.u.c.kin' A. You gonna wear longjohns too, you dumb s.h.i.+t?"

"G.o.d d.a.m.n it," Tom said. He was getting p.i.s.sed off. "Shut the f.u.c.k up." Joey just sat there, rocking and laughing. "Come on, big mouth," Tom snapped, rising. "Get off your fat a.s.s and come outside, and I'll show just how dumb I am. C'mon, you know so d.a.m.ned much."

Joey DiAngelis got to his feet. "This I gotta see."

Outside, Tom waited impatiently, s.h.i.+fting his weight from foot to foot, breath steaming in the cold November air, while Joey went to the big metal box on the side of the house and threw a switch. High atop their poles, the junkyard lights blazed to life. The dogs gathered around, sniffing, and followed them when they began to walk. Joey had a beer bottle poking out of a pocket of his black leather jacket.

It was only a junkyard, full of garbage and sc.r.a.p metal and wrecked cars, but tonight it seemed as magical as when Tommy was ten. On a rise overlooking the black waters of New York Bay, an ancient white Packard loomed like a ghostly fort. That was just what it had been, when Joey and he had been kids; their sanctum, their stronghold, their cavalry outpost and s.p.a.ce station and castle rolled all in one. It shone in the moonlight, and the waters beyond were full of promise as they lapped against the sh.o.r.e. Darkness and shadows lay heavy in the yard, changing the piles of trash and metal into mysterious black hills, with a maze of gray alleys between them. Tom led them into that labyrinth, past the big trash heap where they'd played king-of-the-mountain and dueled with sc.r.a.p-iron swords, past the treasure troves where they'd found so many busted toys and hunks of colored gla.s.s and deposit bottles, and once even a whole cardboard carton full of comic books.

They walked between rows of twisted, rusty cars stacked one on another; Fords and Chevys, Hudsons and DeSotos, a Corvette with a shattered accordion hood, a litter of dead Beetles, a dignified black hea.r.s.e as dead as the pa.s.sengers it had carried. Tom looked at them all carefully. Finally he stopped. "That one," he said, pointing to the remains of a gutted old Studebaker Hawk. Its engine was gone, as were its tires; the winds.h.i.+eld was a spiderweb of broken gla.s.s, and even in the darkness they could see where rust had chewed away at the fenders and side panels. "Not worth anything, right?"

Joey opened his beer. "Go ahead, it's all yours."

Tom took a deep breath and faced the car. His hands became fists at his side. He stared hard, concentrating. The car rocked slightly. Its front grill lifted an unsteady couple of inches from the ground.

"Whooo-eeee," Joey said derisively, punching Tom lightly in the shoulder. The Studebaker dropped with a clang, and a b.u.mper fell off. "s.h.i.+t, I'm impressed," Joey said.

"d.a.m.n it, keep quiet and leave me alone," Tom said. "I can do it, I'll show you, just shut your f.u.c.kin' mouth for a minute. I've been practicing. You don't know the things I can do."

"Won't say a f.u.c.kin' word," Joey promised, grinning. He took a swig of his beer.

Tom turned back to the Studebaker. He tried to blot out everything, forget about Joey, the dogs, the junkyard; the Studebaker filled his world. His stomach was a hard little ball. He told it to relax, took several deep breaths, let his fists uncurl. Come on, come on, take it Come on, come on, take it easy, don't get upset, do it, you've done more than this, this is easy, easy easy, don't get upset, do it, you've done more than this, this is easy, easy.

The car rose slowly, drifting upward in a shower of rust. Tom turned it around and around, faster and faster. Then, with a triumphant smile, Tom threw it fifty feet across the junkyard. It crashed into a stack of dead Chevys and brought the whole thing down in an avalanche of metal.