The Celtic Twilight Part 3

HAPPY AND UNHAPPY THEOLOGIANS

I

A mayo woman once said to me, "I knew a servant girl who hung herself for the love of G.o.d. She was lonely for the priest and her society,[FN#5] and hung herself to the banisters with a scarf. She was no sooner dead than she became white as a lily, and if it had been murder or suicide she would have become black as black. They gave her Christian burial, and the priest said she was no sooner dead than she was with the Lord. So nothing matters that you do for the love of G.o.d."

I do not wonder at the pleasure she has in telling this story, for she herself loves all holy things with an ardour that brings them quickly to her lips. She told me once that she never hears anything described in a sermon that she does not afterwards see with her eyes. She has described to me the gates of Purgatory as they showed themselves to her eyes, but I remember nothing of the description except that she could not see the souls in trouble but only the gates. Her mind continually dwells on what is pleasant and beautiful. One day she asked me what month and what flower were the most beautiful. When I answered that I did not know, she said, "the month of May, because of the Virgin, and the lily of the valley, because it never sinned, but came pure out of the rocks," and then she asked, "what is the cause of the three cold months of winter?" I did not know even that, and so she said, "the sin of man and the vengeance of G.o.d." Christ Himself was not only blessed, but perfect in all manly proportions in her eyes, so much do beauty and holiness go together in her thoughts. He alone of all men was exactly six feet high, all others are a little more or a little less.

[FN#5] The religious society she had belonged to.

Her thoughts and her sights of the people of faery are pleasant and beautiful too, and I have never heard her call them the Fallen Angels.

They are people like ourselves, only better-looking, and many and many a time she has gone to the window to watch them drive their waggons through the sky, waggon behind waggon in long line, or to the door to hear them singing and dancing in the Forth. They sing chiefly, it seems, a song called "The Distant Waterfall," and though they once knocked her down she never thinks badly of them. She saw them most easily when she was in service in King's County, and one morning a little while ago she said to me, "Last night I was waiting up for the master and it was a quarter-past eleven. I heard a bang right down on the table. 'King's County all over,' says I, and I laughed till I was near dead. It was a warning I was staying too long. They wanted the place to themselves." I told her once of somebody who saw a faery and fainted, and she said, "It could not have been a faery, but some bad thing, n.o.body could faint at a faery. It was a demon. I was not afraid when they near put me, and the bed under me, out through the roof. I wasn't afraid either when you were at some work and I heard a thing coming flop-flop up the stairs like an eel, and squealing. It went to all the doors. It could not get in where I was. I would have sent it through the universe like a flash of fire. There was a man in my place, a tearing fellow, and he put one of them down. He went out to meet it on the road, but he must have been told the words. But the faeries are the best neighbours. If you do good to them they will do good to you, but they don't like you to be on their path." Another time she said to me, "They are always good to the poor."

II

There is, however, a man in a Galway village who can see nothing but wickedness. Some think him very holy, and others think him a little crazed, but some of his talk reminds one of those old Irish visions of the Three Worlds, which are supposed to have given Dante the plan of the Divine Comedy. But I could not imagine this man seeing Paradise. He is especially angry with the people of faery, and describes the faun- like feet that are so common among them, who are indeed children of Pan, to prove them children of Satan. He will not grant that "they carry away women, though there are many that say so," but he is certain that they are "as thick as the sands of the sea about us, and they tempt poor mortals."

He says, "There is a priest I know of was looking along the ground like as if he was hunting for something, and a voice said to him, 'If you want to see them you'll see enough of them,' and his eyes were opened and he saw the ground thick with them. Singing they do be sometimes, and dancing, but all the time they have cloven feet." Yet he was so scornful of unchristian things for all their dancing and singing that he thinks that "you have only to bid them begone and they will go.

It was one night," he says, "after walking back from Kinvara and down by the wood beyond I felt one coming beside me, and I could feel the horse he was riding on and the way he lifted his legs, but they do not make a sound like the hoofs of a horse. So I stopped and turned around and said, very loud, 'Be off!' and he went and never troubled me after.

And I knew a man who was dying, and one came on his bed, and he cried out to it, 'Get out of that, you unnatural animal!' and it left him.

Fallen angels they are, and after the fall G.o.d said, 'Let there be h.e.l.l,' and there it was in a moment." An old woman who was sitting by the fire joined in as he said this with "G.o.d save us, it's a pity He said the word, and there might have been no h.e.l.l the day," but the seer did not notice her words. He went on, "And then he asked the devil what would he take for the souls of all the people. And the devil said nothing would satisfy him but the blood of a virgin's son, so he got that, and then the gates of h.e.l.l were opened." He understood the story, it seems, as if it were some riddling old folk tale.

"I have seen h.e.l.l myself. I had a sight of it one time in a vision. It had a very high wall around it, all of metal, and an archway, and a straight walk into it, just like what 'ud be leading into a gentleman's orchard, but the edges were not trimmed with box, but with red-hot metal. And inside the wall there were cross-walks, and I'm not sure what there was to the right, but to the left there were five great furnaces, and they full of souls kept there with great chains. So I turned short and went away, and in turning I looked again at the wall, and I could see no end to it.

"And another time I saw Purgatory. It seemed to be in a level place, and no walls around it, but it all one bright blaze, and the souls standing in it. And they suffer near as much as in h.e.l.l, only there are no devils with them there, and they have the hope of Heaven.

"And I heard a call to me from there, 'Help me to come out o' this!'

And when I looked it was a man I used to know in the army, an Irishman, and from this county, and I believe him to be a descendant of King O'Connor of Athenry.

"So I stretched out my hand first, but then I called out, 'I'd be burned in the flames before I could get within three yards of you.' So then he said, 'Well, help me with your prayers,' and so I do.

"And Father Connellan says the same thing, to help the dead with your prayers, and he's a very clever man to make a sermon, and has a great deal of cures made with the Holy Water he brought back from Lourdes."

1902.

THE LAST GLEEMAN

Michael Moran was born about 1794 off Black Pitts, in the Liberties of Dublin, in Faddle Alley. A fortnight after birth he went stone blind from illness, and became thereby a blessing to his parents, who were soon able to send him to rhyme and beg at street corners and at the bridges over the Liffey. They may well have wished that their quiver were full of such as he, for, free from the interruption of sight, his mind became a perfect echoing chamber, where every movement of the day and every change of public pa.s.sion whispered itself into rhyme or quaint saying. By the time he had grown to manhood he was the admitted rector of all the ballad-mongers of the Liberties. Madden, the weaver, Kearney, the blind fiddler from Wicklow, Martin from Meath, M'Bride from heaven knows where, and that M'Grane, who in after days, when the true Moran was no more, strutted in borrowed plumes, or rather in borrowed rags, and gave out that there had never been any Moran but himself, and many another, did homage before him, and held him chief of all their tribe. Nor despite his blindness did he find any difficulty in getting a wife, but rather was able to pick and choose, for he was just that mixture of ragam.u.f.fin and of genius which is dear to the heart of woman, who, perhaps because she is wholly conventional herself, loves the unexpected, the crooked, the bewildering. Nor did he lack, despite his rags, many excellent things, for it is remembered that he ever loved caper sauce, going so far indeed in his honest indignation at its absence upon one occasion as to fling a leg of mutton at his wife. He was not, however, much to look at, with his coa.r.s.e frieze coat with its cape and scalloped edge, his old corduroy trousers and great brogues, and his stout stick made fast to his wrist by a thong of leather: and he would have been a woeful shock to the gleeman MacConglinne, could that friend of kings have beheld him in prophetic vision from the pillar stone at Cork. And yet though the short cloak and the leather wallet were no more, he was a true gleeman, being alike poet, jester, and newsman of the people. In the morning when he had finished his breakfast, his wife or some neighbour would read the newspaper to him, and read on and on until he interrupted with, "That'll do--I have me meditations"; and from these meditations would come the day's store of jest and rhyme. He had the whole Middle Ages under his frieze coat.

He had not, however, MacConglinne's hatred of the Church and clergy, for when the fruit of his meditations did not ripen well, or when the crowd called for something more solid, he would recite or sing a metrical tale or ballad of saint or martyr or of Biblical adventure. He would stand at a street comer, and when a crowd had gathered would begin in some such fas.h.i.+on as follows (I copy the record of one who knew him)--"Gather round me, boys, gather round me. Boys, am I standin'

in puddle? am I standin' in wet?" Thereon several boys would cry, "Ali, no! yez not! yer in a nice dry place. Go on with St. Mary; go on with Moses"--each calling for his favourite tale. Then Moran, with a suspicious wriggle of his body and a clutch at his rags, would burst out with "All me buzzim friends are turned backbiters"; and after a final "If yez don't drop your coddin' and diversion I'll lave some of yez a case," by way of warning to the boys, begin his recitation, or perhaps still delay, to ask, "Is there a crowd round me now? Any blackguard heretic around me?" The best-known of his religious tales was St. Mary of Egypt, a long poem of exceeding solemnity, condensed from the much longer work of a certain Bishop Coyle. It told how a fast woman of Egypt, Mary by name, followed pilgrims to Jerusalem for no good purpose, and then, turning penitent on finding herself withheld from entering the Temple by supernatural interference, fled to the desert and spent the remainder of her life in solitary penance. When at last she was at the point of death, G.o.d sent Bishop Zozimus to hear her confession, give her the last sacrament, and with the help of a lion, whom He sent also, dig her grave. The poem has the intolerable cadence of the eighteenth century, but was so popular and so often called for that Moran was soon nicknamed Zozimus, and by that name is he remembered. He had also a poem of his own called Moses, which went a little nearer poetry without going very near. But he could ill brook solemnity, and before long parodied his own verses in the following ragam.u.f.fin fas.h.i.+on:

In Egypt's land, contagious to the Nile, King Pharaoh's daughter went to bathe in style.

She tuk her dip, then walked unto the land, To dry her royal pelt she ran along the strand.

A bulrush tripped her, whereupon she saw A smiling babby in a wad o' straw.

She tuk it up, and said with accents mild, "'Tare-and-agers, girls, which av yez owns the child?"

His humorous rhymes were, however, more often quips and cranks at the expense of his contemporaries. It was his delight, for instance, to remind a certain shoemaker, noted alike for display of wealth and for personal uncleanness, of his inconsiderable origin in a song of which but the first stanza has come down to us:

At the dirty end of Dirty Lane, Liv'd a dirty cobbler, d.i.c.k Maclane; His wife was in the old king's reign A stout brave orange-woman.

On Ess.e.x Bridge she strained her throat, And six-a-penny was her note.

But d.i.c.key wore a bran-new coat, He got among the yeomen.

He was a bigot, like his clan, And in the streets he wildly sang, O Roly, toly, toly raid, with his old jade.

He had troubles of divers kinds, and numerous interlopers to face and put down. Once an officious peeler arrested him as a vagabond, but was triumphantly routed amid the laughter of the court, when Moran reminded his wors.h.i.+p of the precedent set by Homer, who was also, he declared, a poet, and a blind man, and a beggarman. He had to face a more serious difficulty as his fame grew. Various imitators started up upon all sides. A certain actor, for instance, made as many guineas as Moran did s.h.i.+llings by mimicking his sayings and his songs and his getup upon the stage. One night this actor was at supper with some friends, when dispute arose as to whether his mimicry was overdone or not. It was agreed to settle it by an appeal to the mob. A forty-s.h.i.+lling supper at a famous coffeehouse was to be the wager. The actor took up his station at Ess.e.x Bridge, a great haunt of Moran's, and soon gathered a small crowd. He had scarce got through "In Egypt's land, contagious to the Nile," when Moran himself came up, followed by another crowd. The crowds met in great excitement and laughter. "Good Christians," cried the pretender, "is it possible that any man would mock the poor dark man like that?"

"Who's that? It's some imposhterer," replied Moran.

"Begone, you wretch! it's you'ze the imposhterer. Don't you fear the light of heaven being struck from your eyes for mocking the poor dark man?"

"Saints and angels, is there no protection against this? You're a most inhuman-blaguard to try to deprive me of my honest bread this way,"

replied poor Moran.

"And you, you wretch, won't let me go on with the beautiful poem.

Christian people, in your charity won't you beat this man away? he's taking advantage of my darkness."

The pretender, seeing that he was having the best of it, thanked the people for their sympathy and protection, and went on with the poem, Moran listening for a time in bewildered silence. After a while Moran protested again with:

"Is it possible that none of yez can know me? Don't yez see it's myself; and that's some one else?"

"Before I can proceed any further in this lovely story," interrupted the pretender, "I call on yez to contribute your charitable donations to help me to go on."

"Have you no sowl to be saved, you mocker of heaven?" cried Moran, Put completely beside himself by this last injury--"Would you rob the poor as well as desave the world? O, was ever such wickedness known?"

"I leave it to yourselves, my friends," said the pretender, "to give to the real dark man, that you all know so well, and save me from that schemer," and with that he collected some pennies and half-pence. While he was doing so, Moran started his Mary of Egypt, but the indignant crowd seizing his stick were about to belabour him, when they fell back bewildered anew by his close resemblance to himself. The pretender now called to them to "just give him a grip of that villain, and he'd soon let him know who the imposhterer was!" They led him over to Moran, but instead of closing with him he thrust a few s.h.i.+llings into his hand, and turning to the crowd explained to them he was indeed but an actor, and that he had just gained a wager, and so departed amid much enthusiasm, to eat the supper he had won.

In April 1846 word was sent to the priest that Michael Moran was dying. He found him at 15 (now 14 1/2) Patrick Street, on a straw bed, in a room full of ragged ballad-singers come to cheer his last moments.

After his death the ballad-singers, with many fiddles and the like, came again and gave him a fine wake, each adding to the merriment whatever he knew in the way of rann, tale, old saw, or quaint rhyme. He had had his day, had said his prayers and made his confession, and why should they not give him a hearty send-off? The funeral took place the next day. A good party of his admirers and friends got into the hea.r.s.e with the coffin, for the day was wet and nasty. They had not gone far when one of them burst out with "It's cruel cowld, isn't it?" "Garra',"

replied another, "we'll all be as stiff as the corpse when we get to the berrin-ground." "Bad cess to him," said a third; "I wish he'd held out another month until the weather got dacent." A man called Carroll thereupon produced a half-pint of whiskey, and they all drank to the soul of the departed. Unhappily, however, the hea.r.s.e was over-weighted, and they had not reached the cemetery before the spring broke, and the bottle with it.

Moran must have felt strange and out of place in that other kingdom he was entering, perhaps while his friends were drinking in his honour.

Let us hope that some kindly middle region was found for him, where he can call dishevelled angels about him with some new and more rhythmical form of his old

Gather round me, boys, will yez Gather round me?

And hear what I have to say Before ould Salley brings me My bread and jug of tay;